Songs like Nearer to Thee by Weyes Blood
Based on a tempo of (+/- 10%) and a similar genre
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Yves Tumor
Faith In Nothing Except In Salvation
87 bpm • B min • 01:33 • -7.43db
32% Popularity • 19% Danceability • 57% Energy • 17% Liveness
70% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 57% Energy • 17% Liveness
70% Instrumentalness • 11% Positiveness
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Faye Webster
Half of Me
87 bpm • E min • 03:33 • -17.06db
47% Popularity • 60% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 60% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Okay Kaya
Hallelu Ya Hallelu Me
87 bpm • C Maj • 02:46 • -10.5db
27% Popularity • 30% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 30% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Elliott Smith
Independence Day
87 bpm • C Maj • 03:04 • -10.85db
49% Popularity • 57% Danceability • 51% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
49% Popularity • 57% Danceability • 51% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
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King Krule
When Vanishing
87 bpm • A# Maj • 03:12 • -15.83db
37% Popularity • 15% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 15% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Mount Eerie
Toothbrush / Trash
87 bpm • C Maj • 03:52 • -21db
27% Popularity • 38% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
27% Popularity • 38% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Weyes Blood
Nearer to Thee
87 bpm • C# Maj • 01:05 • -19.34db
42% Popularity • 17% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
42% Popularity • 17% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Mia Joy
Spirit Tamer
88 bpm • D# min • 01:05 • -23.07db
36% Popularity • 13% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
36% Popularity • 13% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Lingua Ignota
I WHO BEND THE TALL GRASSES
88 bpm • D Maj • 06:28 • -10.42db
33% Popularity • 19% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
33% Popularity • 19% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Hope Sandoval & The Warm Inventions
Blue Bird
86 bpm • G Maj • 05:09 • -11.96db
39% Popularity • 26% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 16% Positiveness
39% Popularity • 26% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 16% Positiveness
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Sibylle Baier
Girl
88 bpm • F Maj • 01:43 • -16.34db
32% Popularity • 60% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 60% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ramona Lisa
Hissing Pipes at Dawn
88 bpm • A min • 02:14 • -21.31db
2% Popularity • 24% Danceability • 28% Energy • 16% Liveness
8% Instrumentalness • 22% Positiveness
2% Popularity • 24% Danceability • 28% Energy • 16% Liveness
8% Instrumentalness • 22% Positiveness
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Weyes Blood
Romneydale
86 bpm • G min • 07:27 • -10.87db
22% Popularity • 17% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
22% Popularity • 17% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Jerry Paper
Grey Area
85 bpm • G Maj • 02:05 • -7.14db
34% Popularity • 65% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 65% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Caroline Polachek
Crude Drawing Of An Angel
89 bpm • B min • 03:29 • -11.36db
49% Popularity • 59% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
49% Popularity • 59% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Hope Sandoval & The Warm Inventions
Feeling of Gaze
89 bpm • D Maj • 03:25 • -18db
38% Popularity • 13% Danceability • 10% Energy • 11% Liveness
66% Instrumentalness • 14% Positiveness
38% Popularity • 13% Danceability • 10% Energy • 11% Liveness
66% Instrumentalness • 14% Positiveness
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Brokeback
After the Internationals
84 bpm • C Maj • 05:08 • -29.92db
21% Popularity • 31% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
21% Popularity • 31% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Clairo
Management
90 bpm • G Maj • 03:48 • -16.41db
47% Popularity • 27% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 27% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Weyes Blood
In Holy Flux
86 bpm • F Maj • 01:47 • -19.08db
38% Popularity • 13% Danceability • 35% Energy • 12% Liveness
98% Instrumentalness • 10% Positiveness
38% Popularity • 13% Danceability • 35% Energy • 12% Liveness
98% Instrumentalness • 10% Positiveness
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Fiona Apple
The First Taste
90 bpm • F# Maj • 04:46 • -10.29db
58% Popularity • 68% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
58% Popularity • 68% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Animal Collective
It's You
84 bpm • D# Maj • 03:39 • -15.59db
32% Popularity • 21% Danceability • 23% Energy • 14% Liveness
2% Instrumentalness • 9% Positiveness
32% Popularity • 21% Danceability • 23% Energy • 14% Liveness
2% Instrumentalness • 9% Positiveness
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Julia Holter
Lucette Stranded on the Island
84 bpm • C Maj • 06:46 • -6.86db
30% Popularity • 32% Danceability • 53% Energy • 27% Liveness
3% Instrumentalness • 23% Positiveness
30% Popularity • 32% Danceability • 53% Energy • 27% Liveness
3% Instrumentalness • 23% Positiveness
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Mitski
Come into the Water
90 bpm • G# min • 01:32 • -10.61db
57% Popularity • 40% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Horsey
Leaving Song
91 bpm • F Maj • 03:21 • -16.95db
19% Popularity • 40% Danceability • 16% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
19% Popularity • 40% Danceability • 16% Energy • 36% Liveness
72% Instrumentalness • 4% Positiveness
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Weyes Blood
Bad Magic
86 bpm • A Maj • 05:54 • -8db
23% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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FKA twigs
daybed
91 bpm • C Maj • 04:31 • -13.59db
39% Popularity • 33% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
39% Popularity • 33% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Snail Mail
Intro
83 bpm • C Maj • 01:12 • -12.77db
36% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
36% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Okay Kaya
Givenupitis
83 bpm • A Maj • 02:29 • -9.8db
24% Popularity • 68% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 68% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Grouper
Traveling Through a Sea
91 bpm • D Maj • 04:23 • -19.92db
34% Popularity • 52% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
34% Popularity • 52% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Skullcrusher
Whistle of the Dead
83 bpm • C Maj • 01:19 • -10db
26% Popularity • 12% Danceability • 95% Energy • 41% Liveness
33% Instrumentalness • 17% Positiveness
26% Popularity • 12% Danceability • 95% Energy • 41% Liveness
33% Instrumentalness • 17% Positiveness
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Weyes Blood
Titanic Risen
89 bpm • C Maj • 04:28 • -18db
32% Popularity • 13% Danceability • 25% Energy • 10% Liveness
57% Instrumentalness • 6% Positiveness
32% Popularity • 13% Danceability • 25% Energy • 10% Liveness
57% Instrumentalness • 6% Positiveness
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Candy Claws
Night Ela (Mystic Thing)
83 bpm • F# Maj • 05:04 • -5.46db
30% Popularity • 28% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
30% Popularity • 28% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Mitski
Two Slow Dancers
83 bpm • C Maj • 03:59 • -13.18db
62% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
62% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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FKA twigs
mirrored heart
92 bpm • C Maj • 04:32 • -9.97db
46% Popularity • 34% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 34% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lingua Ignota
MAN IS LIKE A SPRING FLOWER
82 bpm • C# Maj • 07:16 • -10.21db
30% Popularity • 31% Danceability • 42% Energy • 43% Liveness
14% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 42% Energy • 43% Liveness
14% Instrumentalness • 4% Positiveness
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Ichiko Aoba
Adan no Shima no Tanjyosai
92 bpm • D min • 06:07 • -22.88db
41% Popularity • 27% Danceability • 48% Energy • 19% Liveness
4% Instrumentalness • 53% Positiveness
41% Popularity • 27% Danceability • 48% Energy • 19% Liveness
4% Instrumentalness • 53% Positiveness
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Weyes Blood
Do You Need My Love
84 bpm • F min • 06:25 • -6.67db
30% Popularity • 30% Danceability • 49% Energy • 12% Liveness
33% Instrumentalness • 19% Positiveness
30% Popularity • 30% Danceability • 49% Energy • 12% Liveness
33% Instrumentalness • 19% Positiveness
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Okay Kaya
Psych Ward
92 bpm • B Maj • 02:30 • -7db
29% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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800 cherries
through - Remastered
82 bpm • C Maj • 05:47 • -11db
31% Popularity • 9% Danceability • 56% Energy • 8% Liveness
98% Instrumentalness • 54% Positiveness
31% Popularity • 9% Danceability • 56% Energy • 8% Liveness
98% Instrumentalness • 54% Positiveness
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Japanese Breakfast
Soft Sounds from Another Planet
82 bpm • D Maj • 03:20 • -7db
45% Popularity • 43% Danceability • 49% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
45% Popularity • 43% Danceability • 49% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
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LEYA
Weight
93 bpm • F min • 03:52 • -13db
25% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Haley Heynderickx
First I'm Sorry
81 bpm • E Maj • 03:49 • -5db
35% Popularity • 29% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
35% Popularity • 29% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Weyes Blood
Titanic Rising
82 bpm • A min • 01:36 • -19.14db
45% Popularity • 16% Danceability • 29% Energy • 8% Liveness
100% Instrumentalness • 3% Positiveness
45% Popularity • 16% Danceability • 29% Energy • 8% Liveness
100% Instrumentalness • 3% Positiveness
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Okay Kaya
Guttural Sounds
82 bpm • B Maj • 03:14 • -10db
33% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Slow Pulp
Whispers (In The Outfield)
81 bpm • F Maj • 01:49 • -13.74db
38% Popularity • 37% Danceability • 30% Energy • 14% Liveness
87% Instrumentalness • 11% Positiveness
38% Popularity • 37% Danceability • 30% Energy • 14% Liveness
87% Instrumentalness • 11% Positiveness
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Fievel Is Glauque
Go Down Softly
81 bpm • E Maj • 01:58 • -7.88db
30% Popularity • 71% Danceability • 72% Energy • 17% Liveness
65% Instrumentalness • 87% Positiveness
30% Popularity • 71% Danceability • 72% Energy • 17% Liveness
65% Instrumentalness • 87% Positiveness
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Mount Eerie
It Wasn't the Hunting
81 bpm • C min • 02:57 • -21.11db
29% Popularity • 54% Danceability • 7% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 54% Danceability • 7% Energy • 11% Liveness
41% Instrumentalness • 4% Positiveness
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Raw Thrills
I Lost Something in the Hills
81 bpm • G# Maj • 02:21 • -14.03db
5% Popularity • 30% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 30% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Black Country, New Road
Haldern
81 bpm • E Maj • 05:05 • -11.18db
50% Popularity • 37% Danceability • 32% Energy • 8% Liveness
19% Instrumentalness • 12% Positiveness
50% Popularity • 37% Danceability • 32% Energy • 8% Liveness
19% Instrumentalness • 12% Positiveness
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Women
Everyone Is So In Love With You
93 bpm • F Maj • 03:28 • -10db
26% Popularity • 30% Danceability • 34% Energy • 15% Liveness
7% Instrumentalness • 26% Positiveness
26% Popularity • 30% Danceability • 34% Energy • 15% Liveness
7% Instrumentalness • 26% Positiveness
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![Holocene [feat. Weyes Blood] cover art](https://i.scdn.co/image/ab67616d00001e02e7fa902ce3278f262425c315)
Zella Day
Holocene
81 bpm • C# Maj • 04:26 • -10.06db
36% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Alexandra Savior
Soft Currents
81 bpm • F Maj • 03:11 • -11.8db
46% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
46% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
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Mount Eerie
My Chasm
81 bpm • B min • 02:22 • -21.1db
28% Popularity • 61% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 61% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Faye Webster
Suite: Jonny
81 bpm • A min • 07:16 • -13db
46% Popularity • 18% Danceability • 26% Energy • 24% Liveness
3% Instrumentalness • 10% Positiveness
46% Popularity • 18% Danceability • 26% Energy • 24% Liveness
3% Instrumentalness • 10% Positiveness
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Okay Kaya
Popcorn Heart
94 bpm • C# Maj • 02:28 • -14db
27% Popularity • 31% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 31% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Mojave 3
Pictures
94 bpm • F Maj • 04:21 • -16.19db
34% Popularity • 58% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 10% Positiveness
34% Popularity • 58% Danceability • 20% Energy • 10% Liveness
24% Instrumentalness • 10% Positiveness
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Ichiko Aoba
Prologue
94 bpm • A min • 04:55 • -24.67db
43% Popularity • 13% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
43% Popularity • 13% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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St. Vincent
Live In The Dream
80 bpm • D Maj • 06:29 • -10.26db
36% Popularity • 43% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
36% Popularity • 43% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Mount Eerie
Belief Pt. 2
94 bpm • G Maj • 04:42 • -15.23db
17% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 43% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Ethel Cain
Western Nights
80 bpm • A min • 06:05 • -11db
56% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
56% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Candy Claws
Birth of the Flower (Seagreen)
94 bpm • G Maj • 03:47 • -6.92db
38% Popularity • 14% Danceability • 63% Energy • 13% Liveness
84% Instrumentalness • 22% Positiveness
38% Popularity • 14% Danceability • 63% Energy • 13% Liveness
84% Instrumentalness • 22% Positiveness
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Okay Kaya
Vampire
80 bpm • G Maj • 02:00 • -17.19db
29% Popularity • 46% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
29% Popularity • 46% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Ichiko Aoba
Pilgrimage
80 bpm • C Maj • 03:48 • -14.53db
44% Popularity • 51% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
44% Popularity • 51% Danceability • 34% Energy • 7% Liveness
84% Instrumentalness • 22% Positiveness
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Tanukichan
The Blue Sky
80 bpm • F# min • 03:20 • -10.1db
31% Popularity • 26% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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John Cale
STORY OF BLOOD
80 bpm • C min • 07:31 • -9db
23% Popularity • 42% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 42% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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St. Vincent
Just the Same But Brand New
80 bpm • E Maj • 05:24 • -12.67db
23% Popularity • 34% Danceability • 42% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
23% Popularity • 34% Danceability • 42% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
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Candy Claws
Charade (Fern Prairie)
80 bpm • A min • 03:19 • -5.64db
33% Popularity • 26% Danceability • 43% Energy • 7% Liveness
23% Instrumentalness • 37% Positiveness
33% Popularity • 26% Danceability • 43% Energy • 7% Liveness
23% Instrumentalness • 37% Positiveness
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Ana Frango Elétrico
Vinheta
80 bpm • F# min • 01:02 • -20.97db
31% Popularity • 35% Danceability • 2% Energy • 8% Liveness
50% Instrumentalness • 14% Positiveness
31% Popularity • 35% Danceability • 2% Energy • 8% Liveness
50% Instrumentalness • 14% Positiveness
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Mount Eerie
Seaweed
95 bpm • E min • 03:01 • -23db
36% Popularity • 58% Danceability • 10% Energy • 11% Liveness
55% Instrumentalness • 19% Positiveness
36% Popularity • 58% Danceability • 10% Energy • 11% Liveness
55% Instrumentalness • 19% Positiveness
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Harold Budd
Steal Away - Remastered 2004
80 bpm • A# Maj • 01:29 • -37.57db
50% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
50% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Kara Jackson
why does the earth give us people to lov...
80 bpm • A min • 06:15 • -9.02db
32% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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L'Rain
Go, Stay (Stay, Go)
95 bpm • D# Maj • 01:00 • -7.93db
17% Popularity • 40% Danceability • 54% Energy • 23% Liveness
3% Instrumentalness • 6% Positiveness
17% Popularity • 40% Danceability • 54% Energy • 23% Liveness
3% Instrumentalness • 6% Positiveness
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Snail Mail
Anytime
95 bpm • C# Maj • 04:38 • -10db
36% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
36% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Hope Sandoval & The Warm Inventions
Baby Let Me
95 bpm • C Maj • 01:31 • -22.38db
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Lingua Ignota
THE SOLITARY BRETHREN OF EPHRATA
80 bpm • D# Maj • 05:11 • -15.72db
29% Popularity • 13% Danceability • 21% Energy • 22% Liveness
43% Instrumentalness • 13% Positiveness
29% Popularity • 13% Danceability • 21% Energy • 22% Liveness
43% Instrumentalness • 13% Positiveness
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Mount Eerie
Voice in Headphones
80 bpm • A Maj • 02:27 • -11.82db
34% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Kara Jackson
brain
95 bpm • E min • 03:39 • -9.82db
31% Popularity • 37% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 37% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sun Kil Moon
Somewhere
79 bpm • G Maj • 02:13 • -14.39db
42% Popularity • 45% Danceability • 29% Energy • 13% Liveness
39% Instrumentalness • 36% Positiveness
42% Popularity • 45% Danceability • 29% Energy • 13% Liveness
39% Instrumentalness • 36% Positiveness
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Michael Cera
Kettle
79 bpm • G# min • 03:10 • -20.8db
26% Popularity • 56% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
26% Popularity • 56% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Okay Kaya
Tu Me Manques
79 bpm • D min • 01:00 • -18.33db
35% Popularity • 24% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 9% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 9% Positiveness
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Lingua Ignota
PENNSYLVANIA FURNACE
79 bpm • C# Maj • 05:46 • -12.33db
34% Popularity • 25% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 6% Positiveness
34% Popularity • 25% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 6% Positiveness
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Elliott Smith
I Didn't Understand
79 bpm • D min • 02:17 • -15.37db
49% Popularity • 25% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
49% Popularity • 25% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Weyes Blood
Take You There
96 bpm • C Maj • 07:40 • -8.21db
16% Popularity • 12% Danceability • 39% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 39% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Snail Mail
Let's Find an Out
96 bpm • C min • 02:13 • -9db
45% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Cera
Old Grey Whistle
96 bpm • C Maj • 01:26 • -18.85db
30% Popularity • 52% Danceability • 11% Energy • 38% Liveness
3% Instrumentalness • 21% Positiveness
30% Popularity • 52% Danceability • 11% Energy • 38% Liveness
3% Instrumentalness • 21% Positiveness
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Fiona Apple
Love Ridden
79 bpm • C Maj • 03:22 • -12.91db
50% Popularity • 27% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 9% Positiveness
50% Popularity • 27% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 9% Positiveness
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Grouper
Disengaged
79 bpm • D Maj • 04:16 • -19.23db
37% Popularity • 16% Danceability • 51% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
37% Popularity • 16% Danceability • 51% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Skullcrusher
Trace
96 bpm • F# Maj • 03:19 • -11.09db
33% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Weyes Blood
Twin Flame
96 bpm • G# Maj • 04:22 • -9db
52% Popularity • 73% Danceability • 41% Energy • 10% Liveness
44% Instrumentalness • 68% Positiveness
52% Popularity • 73% Danceability • 41% Energy • 10% Liveness
44% Instrumentalness • 68% Positiveness
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Ada Lea
and my newness spoke to your newness and...
97 bpm • G Maj • 00:56 • -20.27db
35% Popularity • 29% Danceability • 28% Energy • 22% Liveness
95% Instrumentalness • 27% Positiveness
35% Popularity • 29% Danceability • 28% Energy • 22% Liveness
95% Instrumentalness • 27% Positiveness
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Masakatsu Takagi
Totorokimidu
97 bpm • G# Maj • 01:41 • -22.95db
30% Popularity • 39% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 12% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 12% Positiveness
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Cocteau Twins
Bloody And Blunt
97 bpm • C Maj • 02:13 • -18.62db
46% Popularity • 46% Danceability • 13% Energy • 14% Liveness
80% Instrumentalness • 35% Positiveness
46% Popularity • 46% Danceability • 13% Energy • 14% Liveness
80% Instrumentalness • 35% Positiveness
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Elliott Smith
Alameda
78 bpm • D# Maj • 03:43 • -12.06db
47% Popularity • 60% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
47% Popularity • 60% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
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@
Boxwood Lane
97 bpm • D Maj • 02:51 • -14.89db
23% Popularity • 61% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 61% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Weyes Blood
God Turn Me Into a Flower
78 bpm • G Maj • 06:25 • -11.88db
50% Popularity • 11% Danceability • 25% Energy • 16% Liveness
6% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 25% Energy • 16% Liveness
6% Instrumentalness • 4% Positiveness
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Cibo Matto
Sunday, Pt. II
97 bpm • C Maj • 03:36 • -13.52db
28% Popularity • 59% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 21% Positiveness
28% Popularity • 59% Danceability • 24% Energy • 10% Liveness
23% Instrumentalness • 21% Positiveness
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Jon Brion
Rose Garden
97 bpm • D min • 01:42 • -18.3db
33% Popularity • 62% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
33% Popularity • 62% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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St. Vincent
Bacchanal
78 bpm • C Maj • 02:29 • -14db
20% Popularity • 12% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 12% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
