Songs like Neue teutsche Lieder: Halt hart hertz hochster hort by Leonhard Lechner
Based on a tempo of (+/- 10%) and a similar genre
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John Sheppard
Sheppard: Beata nobis gaudia - 2. Ignis ...
88 bpm • E min • 01:23 • -18.76db
7% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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A5 Vocal Ensemble
Guerrero: Dios los extremos condena
88 bpm • E Maj • 02:12 • -17.7db
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Blasius Amon
Sanctus
88 bpm • C Maj • 03:27 • -18.88db
0% Popularity • 13% Danceability • 22% Energy • 11% Liveness
61% Instrumentalness • 8% Positiveness
0% Popularity • 13% Danceability • 22% Energy • 11% Liveness
61% Instrumentalness • 8% Positiveness
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Хор Сретенского монастыря
Разбойника благоразу�...
88 bpm • B min • 01:32 • -26.5db
11% Popularity • 17% Danceability • 10% Energy • 15% Liveness
30% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 10% Energy • 15% Liveness
30% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
88 bpm • G# min • 02:39 • -18.3db
15% Popularity • 20% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 13% Positiveness
15% Popularity • 20% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 13% Positiveness
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Akademiska Damkören Lyran
Valravnen
88 bpm • A Maj • 03:19 • -24.2db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Andreas Hammerschmidt
Ach wie gar nichts sind alle Menschen
88 bpm • G min • 04:35 • -22.99db
8% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Marta Keen
Homeward Bound (arr. Paul Smith for Apol...
88 bpm • D Maj • 03:45 • -24.11db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Leonhard Lechner
Nun schein, du Glanz der Herrlichkeit
88 bpm • G min • 02:20 • -24.7db
0% Popularity • 15% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 15% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Laestadian Lutheran Church
Sing, O People of the Lord SHZ 349
88 bpm • E min • 03:01 • -20.86db
13% Popularity • 12% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
88 bpm • C# min • 01:19 • -19.86db
9% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2c. Et ex Patr...
89 bpm • G Maj • 00:58 • -18.64db
12% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Johann Joseph Fux
Kaiserrequiem: VI. Benedictus - Live
89 bpm • D Maj • 02:25 • -19.62db
9% Popularity • 20% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 7% Positiveness
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Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Blasius Amon
Gloria
87 bpm • C Maj • 04:31 • -21.52db
1% Popularity • 13% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
1% Popularity • 13% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
87 bpm • A# Maj • 01:18 • -19.39db
9% Popularity • 15% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Timothy A. Helisek
Sancte Michael
87 bpm • C min • 04:11 • -15.74db
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Valter Maasalo
Veni, Emmanuel
89 bpm • G min • 04:16 • -19.62db
11% Popularity • 16% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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John Sheppard
Sheppard: Jesu salvator saeculi, redempt...
89 bpm • D# min • 01:08 • -20.2db
8% Popularity • 11% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 11% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Adrian Willaert
Infelix ego: I. Infelix ego
86 bpm • D Maj • 04:30 • -19.93db
8% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
8% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Levente Gyöngyösi
Beatus vir
86 bpm • G Maj • 03:25 • -23.87db
19% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Leonhard Lechner
Das Hohelied Salomos: Ich bin scwarz
90 bpm • G Maj • 02:10 • -25.64db
0% Popularity • 18% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 18% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
86 bpm • A# min • 01:39 • -18.45db
13% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
90 bpm • D min • 05:16 • -19.14db
7% Popularity • 12% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 12% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas Damett
Salve porta paradisi
86 bpm • C min • 01:42 • -22.55db
7% Popularity • 14% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Luca Marenzio
Se nelle voci nostre
90 bpm • F Maj • 02:35 • -14.75db
11% Popularity • 10% Danceability • 30% Energy • 30% Liveness
8% Instrumentalness • 13% Positiveness
11% Popularity • 10% Danceability • 30% Energy • 30% Liveness
8% Instrumentalness • 13% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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Leonhard Lechner
Missa Super Domine Dominus Noster: Kyrie
86 bpm • F# Maj • 01:50 • -26.09db
3% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Cavalli
O quam suavis est: O quam suavis est
86 bpm • F# min • 04:54 • -17.65db
16% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Schütz
O meine Seel, warum bist du betrübet, S...
86 bpm • A# min • 07:49 • -24.04db
9% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Cantio Laudis -kuoro
Kuoro, Taas Päilyy Aamu Genesaretin (Je...
86 bpm • G Maj • 03:21 • -20.72db
10% Popularity • 14% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: VII. Ave verum cor...
86 bpm • G min • 05:36 • -21.52db
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: II. Ad gen...
86 bpm • D Maj • 07:44 • -22db
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Leonhard Lechner
Laudate Dominum, quoniam bonus est
90 bpm • A min • 05:21 • -17.53db
0% Popularity • 13% Danceability • 12% Energy • 8% Liveness
48% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 12% Energy • 8% Liveness
48% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Matthaus-Passion, SWV 479: Introitus
86 bpm • C Maj • 01:00 • -21.16db
23% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
91 bpm • A# Maj • 01:11 • -19.29db
21% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Kenneth Leighton
An Easter Sequence
85 bpm • G Maj • 00:58 • -18.52db
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Leonhard Lechner
Missa Super Domine Dominus Noster: Bened...
85 bpm • F# min • 01:12 • -25.87db
4% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Jean Mouton
Qui ne regrettoit
91 bpm • G min • 01:34 • -25.46db
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
85 bpm • A# min • 01:45 • -20.84db
11% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
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Paul Smith
Heaven-Haven
85 bpm • C min • 03:46 • -27.77db
7% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Stuart Beatch
The Letter
91 bpm • F Maj • 03:09 • -21.64db
12% Popularity • 15% Danceability • 7% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Leonhard Lechner
Das Hohelied Salomos: Ich gleiche dich, ...
91 bpm • D Maj • 01:41 • -26.35db
0% Popularity • 30% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 30% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, daß er komm, BuxWV 1...
85 bpm • A min • 05:07 • -21.11db
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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The Royal Wind Music
Farewell the Bliss
91 bpm • A# min • 04:01 • -18.72db
14% Popularity • 20% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: V. Benedic...
85 bpm • E min • 01:23 • -23.7db
13% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
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Pavel Jurkovič
Pro Šimonka Šmehila
85 bpm • C Maj • 01:16 • -20.37db
12% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Carlo Gesualdo
Sacrarum cantionum quinque vocibus, Libe...
91 bpm • D# min • 03:43 • -21.5db
8% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Leonhard Lechner
Missa Domine Dominus noster: Gloria
85 bpm • F Maj • 03:11 • -20.31db
0% Popularity • 19% Danceability • 11% Energy • 37% Liveness
52% Instrumentalness • 6% Positiveness
0% Popularity • 19% Danceability • 11% Energy • 37% Liveness
52% Instrumentalness • 6% Positiveness
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Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G min • 03:14 • -24.32db
8% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
► Preview
Gregorio Allegri
Miserere: I. Miserere mei Dei ; Et secun...
85 bpm • B min • 00:55 • -24.56db
20% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Leonhard Lechner
Pilatus aber schrieb
85 bpm • F Maj • 02:05 • -18.52db
0% Popularity • 21% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Urmas Sisask
Gloria in excelsis Deo
92 bpm • G Maj • 06:10 • -22.36db
7% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
► Preview
BBC Radio 4 Daily Service Singers
On A Hill Far Away Stood An Old Rugged C...
92 bpm • A# Maj • 04:05 • -25.24db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Arvo Pärt
Passio: Haec cum dixisset Jesus
84 bpm • A min • 05:29 • -23.91db
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Leonhard Lechner
Ach Lieb, ich muß dich lassen
92 bpm • E Maj • 02:47 • -28.9db
0% Popularity • 22% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 22% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Gloriae Dei Cantores
Ad missam In Die: Communion. Pascha nost...
84 bpm • A Maj • 04:29 • -25.24db
10% Popularity • 24% Danceability • 4% Energy • 8% Liveness
11% Instrumentalness • 10% Positiveness
10% Popularity • 24% Danceability • 4% Energy • 8% Liveness
11% Instrumentalness • 10% Positiveness
► Preview
The Tallis Scholars
Victoria: Amicus Meus - 1. Amicus Meus
92 bpm • F min • 01:08 • -18.12db
18% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Claudio Merulo
Missa Virginis Mariae: VIII. Ite, missa ...
84 bpm • D min • 01:30 • -16.51db
11% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
11% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
► Preview
Luca Marenzio
La Favolla d'Apollo: 17. O mille volte a...
92 bpm • G Maj • 02:07 • -13.15db
9% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
9% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
► Preview
University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Leonhard Lechner
Missa Domine Dominus noster: Credo
84 bpm • G min • 05:43 • -19.9db
0% Popularity • 15% Danceability • 9% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
0% Popularity • 15% Danceability • 9% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G Maj • 01:30 • -20.42db
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
84 bpm • A# Maj • 01:26 • -20.48db
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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markpowell
Christ Has Risen (2)
93 bpm • A min • 01:19 • -17.31db
14% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Filipe de Magalhães
Missa Veni Domine: Id. Kyrie II
84 bpm • E min • 00:59 • -22.36db
22% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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Sebastián de Vivanco
O Rex gloriae, a 8
93 bpm • E min • 02:35 • -18.53db
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
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A5 Vocal Ensemble
Guerrero: Trahe me post te
84 bpm • G# min • 04:19 • -21.16db
12% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Unter Deinem...
83 bpm • C# min • 01:06 • -17.06db
15% Popularity • 33% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 33% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Franciscus de Rivulo
O vos omnes qui transitis
93 bpm • A min • 02:03 • -17.04db
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Hieronymus Praetorius
Te Deum patrem ingénitum
83 bpm • G# min • 04:15 • -16.18db
8% Popularity • 18% Danceability • 22% Energy • 7% Liveness
72% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 22% Energy • 7% Liveness
72% Instrumentalness • 6% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
16% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Athesinus Consort Berlin
Guten Morgen, Wunderland
93 bpm • C Maj • 02:01 • -18.45db
14% Popularity • 56% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 56% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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A5 Vocal Ensemble
Guerrero: Conceptio tua
93 bpm • F# min • 05:10 • -21.58db
11% Popularity • 12% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
11% Popularity • 12% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
16% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Salomone Rossi
Psalm 128: Shir hamma'alot, Ashrei kol y...
93 bpm • F# Maj • 02:32 • -20.05db
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XIV. Miserere nostri Do...
83 bpm • A# min • 06:14 • -17.79db
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Athesinus Consort Berlin
Sieben Gaben
83 bpm • C min • 03:42 • -15.5db
10% Popularity • 27% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 27% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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A5 Vocal Ensemble
Guerrero: O Virgo Benedicta
93 bpm • F# min • 05:49 • -20.51db
12% Popularity • 14% Danceability • 13% Energy • 8% Liveness
4% Instrumentalness • 7% Positiveness
12% Popularity • 14% Danceability • 13% Energy • 8% Liveness
4% Instrumentalness • 7% Positiveness
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Jacob Obrecht
Parce Domine
93 bpm • G min • 02:01 • -23db
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Philippe Verdelot
Divini occhi sereni
83 bpm • C# min • 01:30 • -19.41db
13% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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William Cornysh
Ah Robin
93 bpm • C min • 02:29 • -24.29db
16% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 21% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
