Songs like Never Can Say Goodbye by The Communards
Based on a tempo of (+/- 10%) and a similar genre
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The Communards
Don't Leave Me This Way
132 bpm • D# Maj • 04:31 • -5.6db
67% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
67% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Wham!
I'm Your Man - Extended Stimulation
132 bpm • D Maj • 06:58 • -6.74db
17% Popularity • 82% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 82% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Roxy Music
Angel Eyes
132 bpm • F Maj • 02:51 • -6.76db
46% Popularity • 68% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 68% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Culture Club
Move Away
132 bpm • F Maj • 04:21 • -12db
35% Popularity • 67% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 67% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Patrick Hernandez
Born to Be Alive - The Original
131 bpm • D Maj • 03:08 • -5.81db
73% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
73% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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INXS
Original Sin
131 bpm • A Maj • 05:17 • -7.26db
57% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
57% Popularity • 68% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Communards
Forbidden Love - Alternative Version
132 bpm • F# min • 05:01 • -9.43db
2% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Wham!
I'm Your Man
132 bpm • D Maj • 06:05 • -15db
33% Popularity • 80% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 80% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Sheila
Spacer - Version single
133 bpm • A min • 03:39 • -8.85db
41% Popularity • 65% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 65% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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a-ha
Cry Wolf
131 bpm • A min • 04:06 • -7.45db
50% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
50% Popularity • 65% Danceability • 77% Energy • 7% Liveness
67% Instrumentalness • 78% Positiveness
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Gibson Brothers
Que Sera Mi Vida
131 bpm • F# Maj • 05:52 • -6.49db
47% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Communards
Never Can Say Goodbye
132 bpm • F Maj • 04:51 • -7.98db
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
54% Popularity • 58% Danceability • 84% Energy • 21% Liveness
4% Instrumentalness • 86% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Patrick Hernandez
Born to Be Alive - Extended Version
131 bpm • G Maj • 05:54 • -8.85db
41% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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The Buggles
Video Killed The Radio Star - Single Ver...
131 bpm • C# Maj • 03:17 • -10.8db
55% Popularity • 74% Danceability • 79% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
55% Popularity • 74% Danceability • 79% Energy • 29% Liveness
1% Instrumentalness • 51% Positiveness
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Prefab Sprout
Cars and Girls
131 bpm • A min • 04:25 • -11db
47% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Communards
Never Can Say Goodbye - The 2 Bears Remi...
132 bpm • C# Maj • 09:59 • -8.28db
3% Popularity • 69% Danceability • 60% Energy • 9% Liveness
15% Instrumentalness • 34% Positiveness
3% Popularity • 69% Danceability • 60% Energy • 9% Liveness
15% Instrumentalness • 34% Positiveness
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Paul Young
Come Back and Stay - 2008 Remastered
131 bpm • F# min • 04:24 • -7.99db
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Wham!
I'm Your Man
132 bpm • D Maj • 04:06 • -5.63db
49% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 77% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Lionel Richie
Dancing On The Ceiling
133 bpm • C Maj • 04:30 • -9db
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
68% Popularity • 70% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Sylvester
You Make Me Feel (Mighty Real)
131 bpm • F min • 06:40 • -11.18db
61% Popularity • 63% Danceability • 85% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
61% Popularity • 63% Danceability • 85% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
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Culture Club
Church Of The Poison Mind - Remastered 2...
131 bpm • G min • 03:32 • -4.25db
45% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 60% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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The Communards
Victims
132 bpm • C Maj • 04:31 • -7.01db
17% Popularity • 60% Danceability • 84% Energy • 24% Liveness
69% Instrumentalness • 88% Positiveness
17% Popularity • 60% Danceability • 84% Energy • 24% Liveness
69% Instrumentalness • 88% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Village People
Can't Stop the Music
133 bpm • A min • 03:38 • -10.33db
50% Popularity • 78% Danceability • 63% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 78% Danceability • 63% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
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Go West
We Close Our Eyes
131 bpm • B Maj • 03:41 • -6.72db
56% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
55% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Human League
Mirror Man
134 bpm • C Maj • 03:50 • -11.15db
49% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Communards
Never Can Say Goodbye - The 2 Bears Remi...
132 bpm • C# Maj • 09:59 • -10.44db
1% Popularity • 74% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 41% Positiveness
1% Popularity • 74% Danceability • 55% Energy • 9% Liveness
88% Instrumentalness • 41% Positiveness
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Bananarama
Robert De Niro's Waiting
130 bpm • G Maj • 03:42 • -5db
48% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 69% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Liquid Gold
Dance Yourself Dizzy
130 bpm • G# Maj • 04:12 • -14.22db
39% Popularity • 71% Danceability • 64% Energy • 6% Liveness
5% Instrumentalness • 92% Positiveness
39% Popularity • 71% Danceability • 64% Energy • 6% Liveness
5% Instrumentalness • 92% Positiveness
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Deacon Blue
Real Gone Kid
130 bpm • C Maj • 04:03 • -11db
38% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 57% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Samantha Fox
I Only Wanna Be With You
130 bpm • D min • 02:44 • -4.29db
43% Popularity • 64% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 64% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Communards
Never Can Say Goodbye - Spanish Vocals
132 bpm • F Maj • 04:51 • -5.95db
5% Popularity • 60% Danceability • 89% Energy • 56% Liveness
10% Instrumentalness • 87% Positiveness
5% Popularity • 60% Danceability • 89% Energy • 56% Liveness
10% Instrumentalness • 87% Positiveness
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Frankie Goes To Hollywood
Two Tribes - Carnage Mix
130 bpm • D Maj • 07:56 • -12.31db
35% Popularity • 61% Danceability • 77% Energy • 18% Liveness
30% Instrumentalness • 60% Positiveness
35% Popularity • 61% Danceability • 77% Energy • 18% Liveness
30% Instrumentalness • 60% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
53% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Queen
A Kind Of Magic - Remastered 2011
130 bpm • A Maj • 04:24 • -5.87db
72% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
72% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Phil Oakey
Together In Electric Dreams - Extended/2...
130 bpm • D# Maj • 06:26 • -14.45db
34% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 73% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Prefab Sprout
The King of Rock 'N' Roll
130 bpm • F min • 04:22 • -9.07db
43% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Communards
Never Can Say Goodbye - Rough Mix
132 bpm • C Maj • 04:56 • -6.74db
3% Popularity • 73% Danceability • 78% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
3% Popularity • 73% Danceability • 78% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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Frankie Goes To Hollywood
Two Tribes
130 bpm • G Maj • 03:28 • -13.17db
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 54% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Hazell Dean
Searchin' (I Gotta Find a Man)
130 bpm • C Maj • 03:38 • -12.79db
38% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Robin Gibb
Juliet
130 bpm • E Maj • 03:48 • -12.16db
53% Popularity • 56% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 56% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 73% Positiveness
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Marc Almond
Tears Run Rings
134 bpm • A# Maj • 04:21 • -11.95db
44% Popularity • 69% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 69% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Phil Oakey
Together In Electric Dreams - Remastered...
130 bpm • D# Maj • 03:52 • -14.05db
62% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
62% Popularity • 70% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Communards
Never Can Say Goodbye - Shep Pettibone E...
133 bpm • C Maj • 07:50 • -9db
22% Popularity • 64% Danceability • 87% Energy • 17% Liveness
26% Instrumentalness • 88% Positiveness
22% Popularity • 64% Danceability • 87% Energy • 17% Liveness
26% Instrumentalness • 88% Positiveness
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The Pointer Sisters
Jump
134 bpm • A# min • 04:22 • -7.91db
63% Popularity • 85% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 85% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Dusty Springfield
In Private
130 bpm • A# Maj • 04:22 • -10db
48% Popularity • 77% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 77% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Bronski Beat
Smalltown Boy
135 bpm • A# Maj • 03:54 • -8.64db
36% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
52% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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The Twins
Face to Face - Heart to Heart
129 bpm • A# Maj • 03:49 • -11db
43% Popularity • 59% Danceability • 65% Energy • 7% Liveness
59% Instrumentalness • 52% Positiveness
43% Popularity • 59% Danceability • 65% Energy • 7% Liveness
59% Instrumentalness • 52% Positiveness
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The Communards
Don't Leave Me This Way / Sanctify - Go...
133 bpm • G# Maj • 11:08 • -8.38db
25% Popularity • 64% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 64% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Miquel Brown
So Many Men, So Little Time
129 bpm • F# min • 03:04 • -8db
42% Popularity • 73% Danceability • 77% Energy • 15% Liveness
5% Instrumentalness • 78% Positiveness
42% Popularity • 73% Danceability • 77% Energy • 15% Liveness
5% Instrumentalness • 78% Positiveness
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Elton John
I Don't Wanna Go On With You Like That
135 bpm • A min • 04:35 • -8.36db
54% Popularity • 64% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 64% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Bronski Beat
Smalltown Boy
135 bpm • F min • 05:02 • -10.62db
77% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
77% Popularity • 68% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Jimmy Somerville
You Make Me Feel (Mighty Real)
135 bpm • A# Maj • 03:57 • -7.15db
42% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Kylie Minogue
The Loco-Motion
129 bpm • D# Maj • 03:14 • -11.27db
43% Popularity • 76% Danceability • 82% Energy • 2% Liveness
17% Instrumentalness • 80% Positiveness
43% Popularity • 76% Danceability • 82% Energy • 2% Liveness
17% Instrumentalness • 80% Positiveness
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The Communards
So Cold the Night - 35 Year Remaster
133 bpm • C# Maj • 06:48 • -6.35db
14% Popularity • 54% Danceability • 77% Energy • 38% Liveness
1% Instrumentalness • 50% Positiveness
14% Popularity • 54% Danceability • 77% Energy • 38% Liveness
1% Instrumentalness • 50% Positiveness
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Miquel Brown
So Many Men, So Little Time
129 bpm • F# min • 08:16 • -8.85db
17% Popularity • 72% Danceability • 76% Energy • 17% Liveness
16% Instrumentalness • 68% Positiveness
17% Popularity • 72% Danceability • 76% Energy • 17% Liveness
16% Instrumentalness • 68% Positiveness
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Dan Hartman
Instant Replay
129 bpm • A min • 05:20 • -7.55db
39% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Danny Wilson
Mary's Prayer
135 bpm • C Maj • 03:54 • -13.14db
55% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Righeira
Vamos a la Playa
129 bpm • A min • 03:37 • -9.53db
53% Popularity • 94% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 94% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Blondie
Atomic
135 bpm • E min • 04:40 • -4.89db
60% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
60% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
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The Communards
Don't Leave Me This Way - (Gotham City M...
131 bpm • G# Maj • 11:38 • -5.77db
11% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Heaven 17
Temptation - Edit
128 bpm • D# min • 03:00 • -7db
32% Popularity • 72% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 72% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Gloria Gaynor
I Am What I Am (2014 Club Version)
128 bpm • A min • 05:53 • -8.07db
39% Popularity • 68% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 68% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Bronski Beat
Ain't Necessarily So
128 bpm • C min • 04:06 • -11.86db
36% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Communards
Don't Leave Me This Way - "Ruff" Mix, 35...
131 bpm • F Maj • 08:28 • -6.27db
6% Popularity • 65% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
6% Popularity • 65% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Simple Minds
Sanctify Yourself
128 bpm • C Maj • 04:57 • -6.26db
46% Popularity • 56% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 56% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
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Fine Young Cannibals
Ever Fallen in Love
128 bpm • A Maj • 03:53 • -11db
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 73% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Dead Or Alive
You Spin Me Round (Like a Record) - Perf...
128 bpm • F# min • 07:25 • -9db
34% Popularity • 69% Danceability • 88% Energy • 39% Liveness
5% Instrumentalness • 94% Positiveness
34% Popularity • 69% Danceability • 88% Energy • 39% Liveness
5% Instrumentalness • 94% Positiveness
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Nick Kamen
I Promised Myself
128 bpm • A Maj • 04:00 • -12.28db
61% Popularity • 58% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 58% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Depeche Mode
Just Can't Get Enough
128 bpm • C Maj • 03:40 • -9.36db
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
73% Popularity • 77% Danceability • 77% Energy • 18% Liveness
6% Instrumentalness • 92% Positiveness
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The Communards
Never Can Say Goodbye
133 bpm • F Maj • 04:25 • -5.04db
39% Popularity • 63% Danceability • 90% Energy • 6% Liveness
2% Instrumentalness • 75% Positiveness
39% Popularity • 63% Danceability • 90% Energy • 6% Liveness
2% Instrumentalness • 75% Positiveness
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Electric Light Orchestra
I'm Alive
128 bpm • D Maj • 03:44 • -8.42db
39% Popularity • 56% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 56% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
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Kim Wilde
Never Trust A Stranger
128 bpm • G Maj • 04:04 • -5.24db
43% Popularity • 65% Danceability • 84% Energy • 31% Liveness
64% Instrumentalness • 69% Positiveness
43% Popularity • 65% Danceability • 84% Energy • 31% Liveness
64% Instrumentalness • 69% Positiveness
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Dusty Springfield
In Private - 12" Version
128 bpm • G min • 07:11 • -9.59db
34% Popularity • 74% Danceability • 60% Energy • 59% Liveness
2% Instrumentalness • 61% Positiveness
34% Popularity • 74% Danceability • 60% Energy • 59% Liveness
2% Instrumentalness • 61% Positiveness
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Elton John
I Don't Wanna Go On With You Like That -...
136 bpm • A min • 07:16 • -11db
29% Popularity • 67% Danceability • 70% Energy • 16% Liveness
28% Instrumentalness • 74% Positiveness
29% Popularity • 67% Danceability • 70% Energy • 16% Liveness
28% Instrumentalness • 74% Positiveness
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Eurythmics
Sisters Are Doin' It for Themselves - Re...
136 bpm • A# min • 05:57 • -5.8db
52% Popularity • 67% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 67% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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The Communards
Don't Leave Me This Way
131 bpm • G# Maj • 04:50 • -3.69db
29% Popularity • 63% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 63% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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George Michael
Praying for Time - Remastered
128 bpm • A# Maj • 04:40 • -14.37db
52% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
52% Popularity • 58% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Diana Ross
Chain Reaction
128 bpm • B Maj • 03:50 • -12.99db
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • F# Maj • 03:28 • -9.11db
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Blondie
Atomic
137 bpm • E min • 03:50 • -5db
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
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Village People
In the Navy - Original Version 1979
127 bpm • A min • 05:39 • -6.99db
57% Popularity • 72% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 72% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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The Communards
Don't Leave Me This Way - 35 Year Remast...
131 bpm • D# Maj • 06:27 • -6.05db
22% Popularity • 66% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 66% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Bryan Ferry
Don't Stop The Dance
127 bpm • A min • 04:19 • -5.93db
61% Popularity • 72% Danceability • 77% Energy • 16% Liveness
78% Instrumentalness • 98% Positiveness
61% Popularity • 72% Danceability • 77% Energy • 16% Liveness
78% Instrumentalness • 98% Positiveness
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Leif Garrett
I Was Made for Dancin'
127 bpm • B min • 03:16 • -13.96db
45% Popularity • 69% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 69% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Take That
Could It Be Magic - Rapino Radio Mix
127 bpm • C Maj • 03:30 • -9db
46% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 65% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Midge Ure
If I Was - 2010 Remaster
127 bpm • C Maj • 05:21 • -6.05db
50% Popularity • 52% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 52% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Heaven 17
Temptation - 12" Version / Remastered 20...
127 bpm • D# min • 04:43 • -6db
47% Popularity • 73% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 73% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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The Communards
Don't Leave Me This Way - 7th Heaven Clu...
131 bpm • A# min • 08:25 • -7.08db
13% Popularity • 58% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
13% Popularity • 58% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 61% Positiveness
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Spandau Ballet
Only When You Leave - 2010 Remaster
137 bpm • G min • 05:11 • -6db
49% Popularity • 58% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 58% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
