Songs like Never Hitch Your Wagon to a Star by Henry Hall
Based on a tempo of (+/- 10%) and a similar genre
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Henry Hall
The Broken Record
96 bpm • F Maj • 03:02 • -14.92db
11% Popularity • 72% Danceability • 25% Energy • 45% Liveness
51% Instrumentalness • 52% Positiveness
11% Popularity • 72% Danceability • 25% Energy • 45% Liveness
51% Instrumentalness • 52% Positiveness
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Bea Wain
Put Your Arms Arround Me
96 bpm • A# Maj • 01:47 • -7.38db
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
19% Popularity • 68% Danceability • 48% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Ambrose & His Orchestra
It's a Hap-Hap-Happy World
96 bpm • C Maj • 02:54 • -5.86db
15% Popularity • 61% Danceability • 73% Energy • 16% Liveness
65% Instrumentalness • 64% Positiveness
15% Popularity • 61% Danceability • 73% Energy • 16% Liveness
65% Instrumentalness • 64% Positiveness
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Ben Selvin Orchestra
Broadway Melody
96 bpm • A# Maj • 02:40 • -12.75db
16% Popularity • 78% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 78% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Dorsey Orchestra, Vocals by Helen O'Connell
Wonder When My Baby's Coming Home
96 bpm • C min • 02:46 • -7db
9% Popularity • 49% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
9% Popularity • 49% Danceability • 23% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
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Elliot H. Smith
Dipsy Daisie
96 bpm • G Maj • 02:49 • -9.57db
9% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
9% Popularity • 78% Danceability • 44% Energy • 20% Liveness
62% Instrumentalness • 74% Positiveness
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Henry Hall
Never Hitch Your Wagon to a Star
96 bpm • A# Maj • 02:30 • -15.58db
15% Popularity • 55% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 55% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Louisiana Rhythm Kings
Ballin' the Jack
96 bpm • C Maj • 03:05 • -9.44db
8% Popularity • 67% Danceability • 57% Energy • 54% Liveness
94% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 57% Energy • 54% Liveness
94% Instrumentalness • 96% Positiveness
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Paul Whiteman & His Orchestra
Whispering
96 bpm • D Maj • 03:21 • -8db
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
15% Popularity • 69% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Ray Noble
I've Got a Feeling
96 bpm • C# Maj • 02:47 • -10.61db
11% Popularity • 82% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 73% Positiveness
11% Popularity • 82% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 73% Positiveness
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Ben Selvin & His Orchestra
Who's Your Little Who - Zis!
97 bpm • D# Maj • 03:10 • -10db
7% Popularity • 68% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
7% Popularity • 68% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Roy Fox
Old Man Of The Mountain
96 bpm • F min • 03:01 • -17.5db
6% Popularity • 66% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 87% Positiveness
6% Popularity • 66% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 87% Positiveness
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Una Mae Carlisle
Sweet Talk
97 bpm • A min • 03:03 • -16.7db
2% Popularity • 66% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 66% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lee Morse
Love Letters In The Sand
97 bpm • G# Maj • 03:16 • -17.46db
17% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Whiteman & His Orchestra
Whispering
97 bpm • D Maj • 03:21 • -21.93db
9% Popularity • 61% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
9% Popularity • 61% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 52% Positiveness
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Lew Stone & His Band
Haunting Me
95 bpm • C# Maj • 03:11 • -21.83db
14% Popularity • 32% Danceability • 10% Energy • 20% Liveness
72% Instrumentalness • 52% Positiveness
14% Popularity • 32% Danceability • 10% Energy • 20% Liveness
72% Instrumentalness • 52% Positiveness
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Ondřej Havelka
Ghost of the blues
97 bpm • F min • 02:40 • -14.79db
15% Popularity • 62% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 81% Positiveness
15% Popularity • 62% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 81% Positiveness
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Ambrose
If I Had a Talking Picture of You
97 bpm • F min • 02:58 • -15.72db
10% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
10% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
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Red Nichols and His Orchestra
Organ Grinder's Song
97 bpm • G Maj • 02:37 • -8.66db
15% Popularity • 73% Danceability • 30% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
15% Popularity • 73% Danceability • 30% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
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Casa Loma Orchestra
Lazy Bones
97 bpm • A# Maj • 03:12 • -15.98db
9% Popularity • 73% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 73% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Billy Jones
Yes! We Have No Bananas
97 bpm • C Maj • 02:59 • -11.77db
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
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Charlie Spivak & His Orchestra
Solitude
95 bpm • G min • 02:30 • -18.21db
15% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
15% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
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The Golden Gate Orchestra
Glad Rag Doll
97 bpm • F Maj • 03:09 • -7.18db
22% Popularity • 75% Danceability • 52% Energy • 19% Liveness
91% Instrumentalness • 83% Positiveness
22% Popularity • 75% Danceability • 52% Energy • 19% Liveness
91% Instrumentalness • 83% Positiveness
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Giorgio Cuscito
Bus Stop
97 bpm • C Maj • 02:03 • -7.32db
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
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Ray McKinley & His Orchestra
I Kiss Your Hand
97 bpm • A# Maj • 03:43 • -13.88db
15% Popularity • 55% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 39% Positiveness
15% Popularity • 55% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 39% Positiveness
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Bob Crosby & The Bob Cats
Take Me Back Again
95 bpm • C# min • 02:55 • -13.32db
15% Popularity • 62% Danceability • 49% Energy • 7% Liveness
40% Instrumentalness • 67% Positiveness
15% Popularity • 62% Danceability • 49% Energy • 7% Liveness
40% Instrumentalness • 67% Positiveness
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Henry Hall
Sidewalks of Cuba
95 bpm • D# Maj • 02:49 • -10.72db
3% Popularity • 77% Danceability • 44% Energy • 19% Liveness
82% Instrumentalness • 84% Positiveness
3% Popularity • 77% Danceability • 44% Energy • 19% Liveness
82% Instrumentalness • 84% Positiveness
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Billy Murray
Where Can I Meet You Tonight
97 bpm • A min • 02:23 • -11.89db
4% Popularity • 72% Danceability • 16% Energy • 16% Liveness
5% Instrumentalness • 73% Positiveness
4% Popularity • 72% Danceability • 16% Energy • 16% Liveness
5% Instrumentalness • 73% Positiveness
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Ben Selvin & His Orchestra
My Sin
95 bpm • D min • 02:56 • -7.41db
9% Popularity • 61% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
9% Popularity • 61% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Orlando & His Gleneagles Hotel Orchestra
Love Is Good for Anything That Ails You
95 bpm • E min • 02:31 • -16.48db
14% Popularity • 79% Danceability • 28% Energy • 28% Liveness
76% Instrumentalness • 68% Positiveness
14% Popularity • 79% Danceability • 28% Energy • 28% Liveness
76% Instrumentalness • 68% Positiveness
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Glenn Miller & The Army Air Force Band
Jeep Jockey Jump - Remastered 2001
97 bpm • D# Maj • 03:09 • -9.53db
9% Popularity • 71% Danceability • 62% Energy • 96% Liveness
38% Instrumentalness • 71% Positiveness
9% Popularity • 71% Danceability • 62% Energy • 96% Liveness
38% Instrumentalness • 71% Positiveness
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Henry Hall
Radio Times
95 bpm • G# Maj • 02:38 • -20db
15% Popularity • 81% Danceability • 23% Energy • 37% Liveness
69% Instrumentalness • 92% Positiveness
15% Popularity • 81% Danceability • 23% Energy • 37% Liveness
69% Instrumentalness • 92% Positiveness
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Bob Crosby & The Bob Cats
Who's Sorry Now
97 bpm • D min • 02:59 • -11.56db
18% Popularity • 68% Danceability • 51% Energy • 19% Liveness
96% Instrumentalness • 97% Positiveness
18% Popularity • 68% Danceability • 51% Energy • 19% Liveness
96% Instrumentalness • 97% Positiveness
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Aimé Barelli
Stop !
97 bpm • G min • 02:58 • -12.22db
10% Popularity • 69% Danceability • 46% Energy • 14% Liveness
88% Instrumentalness • 87% Positiveness
10% Popularity • 69% Danceability • 46% Energy • 14% Liveness
88% Instrumentalness • 87% Positiveness
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Will Osborne And His Orchestra
You're a Builder Upper
95 bpm • G min • 02:37 • -9.38db
17% Popularity • 57% Danceability • 37% Energy • 31% Liveness
30% Instrumentalness • 81% Positiveness
17% Popularity • 57% Danceability • 37% Energy • 31% Liveness
30% Instrumentalness • 81% Positiveness
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Dorothy Carless
This Is No Laughing Matter
97 bpm • G# min • 03:15 • -15.36db
10% Popularity • 35% Danceability • 12% Energy • 12% Liveness
46% Instrumentalness • 33% Positiveness
10% Popularity • 35% Danceability • 12% Energy • 12% Liveness
46% Instrumentalness • 33% Positiveness
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Irving Kaufman & Adrian Schubert & His Salon Orchestra
Rainy Weather Rose
94 bpm • F Maj • 03:00 • -14.38db
10% Popularity • 78% Danceability • 14% Energy • 22% Liveness
36% Instrumentalness • 77% Positiveness
10% Popularity • 78% Danceability • 14% Energy • 22% Liveness
36% Instrumentalness • 77% Positiveness
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Henry Hall
You (Just Wonderful You)
97 bpm • C Maj • 02:49 • -15.83db
9% Popularity • 59% Danceability • 18% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
9% Popularity • 59% Danceability • 18% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
15% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
15% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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Erhard Bauschke & sein Orchester
At the Codfish Ball
94 bpm • E Maj • 03:05 • -10db
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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Ben Selvin & His Orchestra
Broadway Melody
98 bpm • A# Maj • 02:33 • -9.81db
14% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
14% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
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Kay Kyser & His Orchestra
Let's get lost
94 bpm • D min • 03:11 • -13.23db
0% Popularity • 37% Danceability • 12% Energy • 41% Liveness
16% Instrumentalness • 20% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 41% Liveness
16% Instrumentalness • 20% Positiveness
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Henry Lange Baker Hotel Orchestra
Somebody Loves Me
94 bpm • G# min • 03:18 • -17.93db
10% Popularity • 79% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 76% Positiveness
10% Popularity • 79% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 76% Positiveness
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Henry Hall
The Music Goes 'Round And Around
98 bpm • C Maj • 03:13 • -14.53db
0% Popularity • 73% Danceability • 37% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
0% Popularity • 73% Danceability • 37% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
9% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
9% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Bob Howard
Copper Colored Gal (10-12-36)
98 bpm • C Maj • 02:50 • -12.17db
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
11% Instrumentalness • 86% Positiveness
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
11% Instrumentalness • 86% Positiveness
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Glenn Miller & AAFTCO
I Sustain The Wings (Theme) - 1944 Recor...
99 bpm • A# Maj • 04:43 • -13.2db
15% Popularity • 61% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 63% Positiveness
15% Popularity • 61% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 63% Positiveness
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Glen Gray
Clementine
94 bpm • D# Maj • 02:38 • -12.09db
4% Popularity • 75% Danceability • 35% Energy • 9% Liveness
35% Instrumentalness • 80% Positiveness
4% Popularity • 75% Danceability • 35% Energy • 9% Liveness
35% Instrumentalness • 80% Positiveness
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Victor Silvester and His Ballroom Orchestra
Waltzing In The Clouds
93 bpm • G# Maj • 02:47 • -25.26db
15% Popularity • 34% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
15% Popularity • 34% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Henry Hall
How Can You Say No?
98 bpm • A# Maj • 02:33 • -13.63db
16% Popularity • 72% Danceability • 36% Energy • 10% Liveness
50% Instrumentalness • 74% Positiveness
16% Popularity • 72% Danceability • 36% Energy • 10% Liveness
50% Instrumentalness • 74% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Jack Payne
Make Yourself a Happiness Pie
93 bpm • A# Maj • 03:04 • -17.23db
10% Popularity • 80% Danceability • 31% Energy • 3% Liveness
8% Instrumentalness • 82% Positiveness
10% Popularity • 80% Danceability • 31% Energy • 3% Liveness
8% Instrumentalness • 82% Positiveness
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The London West End Orchestra
Niagara
93 bpm • C Maj • 02:22 • -11db
14% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
14% Popularity • 75% Danceability • 40% Energy • 25% Liveness
88% Instrumentalness • 71% Positiveness
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Lew Stone & His Band
Zing! Went The Strings Of My Heart
93 bpm • A min • 02:56 • -19.47db
17% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
17% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
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Charlie Spivak & His Orchestra
Blue Champagne
99 bpm • F# Maj • 02:24 • -18db
23% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
23% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
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Henry Hall
Speak to Me of Love
98 bpm • G# Maj • 02:56 • -28.3db
3% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Eddie Condon
I'm Gonna Stomp, Mr Henry Lee
99 bpm • C# Maj • 03:37 • -12.74db
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Peggy Lee
You was right, baby: You Was Right, Baby
99 bpm • C# Maj • 02:31 • -14.4db
8% Popularity • 75% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 75% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jean Goldkette
After I Say I`m Sorry
93 bpm • G Maj • 03:15 • -18.49db
17% Popularity • 59% Danceability • 11% Energy • 26% Liveness
21% Instrumentalness • 77% Positiveness
17% Popularity • 59% Danceability • 11% Energy • 26% Liveness
21% Instrumentalness • 77% Positiveness
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Marion Harris
Tea for Two
92 bpm • B min • 03:07 • -14.24db
10% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
10% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
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Henry Hall
Tell Me Tonight
98 bpm • C# Maj • 02:42 • -16.4db
2% Popularity • 69% Danceability • 27% Energy • 15% Liveness
11% Instrumentalness • 56% Positiveness
2% Popularity • 69% Danceability • 27% Energy • 15% Liveness
11% Instrumentalness • 56% Positiveness
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Charlie Spivak & His Orchestra
Laura
92 bpm • A Maj • 02:29 • -18.98db
13% Popularity • 28% Danceability • 12% Energy • 17% Liveness
83% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 12% Energy • 17% Liveness
83% Instrumentalness • 12% Positiveness
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Louis Jordan & His Tympany Five
You Run Your Mouth and I'll Run My Busin...
100 bpm • D Maj • 02:38 • -14.84db
11% Popularity • 69% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
11% Popularity • 69% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
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Nat Gonella And His Georgians
I Can't Dance (I Got Ants in My Pants)
92 bpm • A# Maj • 03:21 • -11db
13% Popularity • 81% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 81% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Louis Prima
'Long About Midnight
92 bpm • D# Maj • 02:41 • -11.05db
17% Popularity • 78% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
17% Popularity • 78% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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The Cotton Club Orchestra
Charleston Ball
100 bpm • G Maj • 02:52 • -11db
16% Popularity • 74% Danceability • 46% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
16% Popularity • 74% Danceability • 46% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
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Lew Stone & His Band
Anything Goes
92 bpm • G# Maj • 02:47 • -13db
22% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
22% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
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Paul Whiteman & His Orchestra
You Were Never Lovelier
92 bpm • D# Maj • 03:17 • -17db
16% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
16% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
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Dick Haymes
Zing Went the Strings of My Heart
100 bpm • A min • 01:43 • -13.64db
13% Popularity • 64% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 64% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Russ Morgan and His Orchestra
You Got Me
100 bpm • C min • 02:52 • -12.2db
4% Popularity • 60% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 60% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Buddy Clark
The Camera Doesn`t Lie
92 bpm • D# Maj • 03:03 • -12.59db
17% Popularity • 66% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
17% Popularity • 66% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
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Raymond Scott
Dead End Blues - 1939
92 bpm • G# Maj • 03:41 • -12.69db
10% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
10% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
92 bpm • F min • 02:05 • -15.4db
22% Popularity • 56% Danceability • 14% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
22% Popularity • 56% Danceability • 14% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Henry Hall
Silver on the Sage
101 bpm • D# Maj • 03:14 • -16.48db
0% Popularity • 59% Danceability • 12% Energy • 20% Liveness
56% Instrumentalness • 49% Positiveness
0% Popularity • 59% Danceability • 12% Energy • 20% Liveness
56% Instrumentalness • 49% Positiveness
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Ben Bernie and His Hotel Roosevelt Orchestra
Button up Your Overcoat
91 bpm • D min • 02:53 • -13.15db
9% Popularity • 78% Danceability • 24% Energy • 18% Liveness
32% Instrumentalness • 88% Positiveness
9% Popularity • 78% Danceability • 24% Energy • 18% Liveness
32% Instrumentalness • 88% Positiveness
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Bob Crosby & The Bob Cats
Stumbling
101 bpm • C Maj • 03:16 • -10.69db
16% Popularity • 64% Danceability • 58% Energy • 8% Liveness
96% Instrumentalness • 96% Positiveness
16% Popularity • 64% Danceability • 58% Energy • 8% Liveness
96% Instrumentalness • 96% Positiveness
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Charlie Johnson And His Orchestra
Hot Bones and Rice
101 bpm • A# min • 03:24 • -15.71db
2% Popularity • 51% Danceability • 17% Energy • 35% Liveness
32% Instrumentalness • 41% Positiveness
2% Popularity • 51% Danceability • 17% Energy • 35% Liveness
32% Instrumentalness • 41% Positiveness
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Lew Stone & His Band
The Continental
102 bpm • G# Maj • 02:58 • -21db
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
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Glen Gray
Save Your Sorrow for Tomorrow
90 bpm • A# Maj • 03:03 • -14.38db
7% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
7% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
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B. A. Rolfe & His Lucky Strike Orchestra
Let's Do It (Let's Fall in Love)
102 bpm • F Maj • 03:33 • -12db
19% Popularity • 73% Danceability • 33% Energy • 11% Liveness
65% Instrumentalness • 84% Positiveness
19% Popularity • 73% Danceability • 33% Energy • 11% Liveness
65% Instrumentalness • 84% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Bob Crosby & The Bob Cats
Dolores
91 bpm • G# Maj • 03:14 • -14.95db
14% Popularity • 38% Danceability • 12% Energy • 14% Liveness
3% Instrumentalness • 47% Positiveness
14% Popularity • 38% Danceability • 12% Energy • 14% Liveness
3% Instrumentalness • 47% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Duke Ellington Orchestra
Swanee Shuffle
103 bpm • G min • 03:21 • -12.8db
8% Popularity • 85% Danceability • 44% Energy • 28% Liveness
91% Instrumentalness • 96% Positiveness
8% Popularity • 85% Danceability • 44% Energy • 28% Liveness
91% Instrumentalness • 96% Positiveness
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Henry "Red" Allen
Goodnight, My Lucky Day
103 bpm • F Maj • 03:00 • -17.95db
9% Popularity • 58% Danceability • 13% Energy • 23% Liveness
4% Instrumentalness • 49% Positiveness
9% Popularity • 58% Danceability • 13% Energy • 23% Liveness
4% Instrumentalness • 49% Positiveness
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Don Redman and His Orchestra
Puddin' Head Jones
90 bpm • F min • 02:48 • -11.82db
10% Popularity • 77% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 77% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Henry Hall & The BBC Dance Orchestra
I'm Putting All My Eggs In One Basket
90 bpm • C# Maj • 02:56 • -11.75db
21% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
21% Popularity • 70% Danceability • 45% Energy • 7% Liveness
50% Instrumentalness • 65% Positiveness
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Henry Hall
The Blue of the Night
103 bpm • G Maj • 03:18 • -20db
16% Popularity • 40% Danceability • 8% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
16% Popularity • 40% Danceability • 8% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Joe Rixner
Lively Lulu
89 bpm • G# Maj • 02:46 • -10.07db
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
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Geraldo & His Orchestra
Long Ago & Far Away
103 bpm • G# min • 03:07 • -17db
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Tony Parenti
Praline
89 bpm • D# Maj • 03:04 • -11.39db
8% Popularity • 58% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
8% Popularity • 58% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
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Lew Stone & His Band
That's A Plenty
104 bpm • F min • 03:05 • -19db
8% Popularity • 79% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
8% Popularity • 79% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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Sidney Bechet
Male Me A Pallet On The Floor
104 bpm • G Maj • 03:16 • -16.73db
17% Popularity • 76% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
17% Popularity • 76% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Henry Hall
Bahama Mama
89 bpm • G# Maj • 02:37 • -17.6db
2% Popularity • 52% Danceability • 30% Energy • 9% Liveness
20% Instrumentalness • 83% Positiveness
2% Popularity • 52% Danceability • 30% Energy • 9% Liveness
20% Instrumentalness • 83% Positiveness
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Lee Wiley
Looking at You
89 bpm • G# Maj • 03:25 • -18.29db
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
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Kay Kyser & His Orchestra
Why don't we do this more often
104 bpm • D# Maj • 02:38 • -12.11db
2% Popularity • 59% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 59% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
