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Never Let Me Go
Songs like
Never Let Me Go
by
Ghostly Kisses
Based on a tempo of (+/- 10%) and a similar genre
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Ghostly Kisses
Never Let Me Go
117 bpm • D Maj • 04:28 • -9.37db
37% Popularity • 61% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Barcelona
Next Year People
117 bpm • C Maj • 03:19 • -12.11db
34% Popularity • 49% Danceability • 39% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Novo Amor
Amateur Blood
117 bpm • C# Maj • 03:31 • -14db
51% Popularity • 34% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 13% Positiveness
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Highasakite
Stick With You
117 bpm • A# Maj • 02:46 • -18db
11% Popularity • 51% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Bendik Finborud
Bargaining
116 bpm • C Maj • 03:18 • -12.99db
8% Popularity • 42% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Wet
Love is Not Enough
116 bpm • E Maj • 04:57 • -10.47db
30% Popularity • 47% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Portair
Places
118 bpm • B min • 03:32 • -13db
50% Popularity • 57% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Ghostly Kisses
The City Holds My Heart (Acoustic)
116 bpm • C min • 04:10 • -12.7db
34% Popularity • 71% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Charlotte Lawrence
Slow Motion - Johan Lenox Version
116 bpm • D# Maj • 03:26 • -6db
28% Popularity • 54% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Careful Ones
Favorite Dream
118 bpm • B min • 04:06 • -20db
28% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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iris
giving in - acoustic
116 bpm • A# Maj • 03:11 • -17.23db
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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OSKA
Honeymoon Phase
116 bpm • F# min • 03:49 • -11.29db
25% Popularity • 61% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Lissom
Savagery
116 bpm • D# min • 04:58 • -18.23db
29% Popularity • 40% Danceability • 10% Energy • 10% Liveness
8% Instrumentalness • 13% Positiveness
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Juliana Daugherty
Sweetheart
118 bpm • G# Maj • 03:39 • -15.33db
22% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
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Twiceyoung
Change Your Love
116 bpm • A min • 04:07 • -12db
23% Popularity • 27% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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George Ogilvie
Exiting
116 bpm • D# Maj • 06:36 • -10.8db
17% Popularity • 27% Danceability • 27% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Mother's Daughter
Small Town Boy
116 bpm • D# Maj • 03:38 • -12db
20% Popularity • 30% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Rosemary & Garlic
I'll Come to You
119 bpm • F min • 03:35 • -12.74db
29% Popularity • 57% Danceability • 33% Energy • 18% Liveness
13% Instrumentalness • 15% Positiveness
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Novo Amor
Pteryla
115 bpm • D min • 04:27 • -12db
41% Popularity • 28% Danceability • 27% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
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Mountains of the Moon
Caterpillar
119 bpm • A# min • 05:24 • -17db
40% Popularity • 47% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Billie Marten
Cursive
115 bpm • C Maj • 04:00 • -11.54db
52% Popularity • 49% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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How Great Were the Robins
When Lines Are Curved
115 bpm • D# Maj • 02:49 • -13.96db
31% Popularity • 74% Danceability • 40% Energy • 12% Liveness
15% Instrumentalness • 36% Positiveness
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Aquilo
So Close To Magic
115 bpm • F# Maj • 03:22 • -18.21db
39% Popularity • 60% Danceability • 18% Energy • 7% Liveness
6% Instrumentalness • 14% Positiveness
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Sam Airey
Stars
119 bpm • D min • 05:22 • -18db
44% Popularity • 47% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Arnór Dan
Stone By Stone
115 bpm • G# Maj • 03:26 • -10.98db
34% Popularity • 65% Danceability • 51% Energy • 13% Liveness
85% Instrumentalness • 37% Positiveness
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Ørka
Phantom
115 bpm • F min • 05:42 • -13db
30% Popularity • 58% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
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Peter Sandberg
Wasted On You
115 bpm • A# Maj • 03:33 • -17db
42% Popularity • 56% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Meadowlark
My Light Has Gone
115 bpm • D Maj • 03:46 • -15.48db
10% Popularity • 42% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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Aquilo
It All Comes Down to This
115 bpm • D min • 03:24 • -15.3db
50% Popularity • 38% Danceability • 22% Energy • 10% Liveness
30% Instrumentalness • 14% Positiveness
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Gavin Luke
Hold Your Breath Still
115 bpm • A min • 04:09 • -15.24db
17% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Olivia Grace
Safe
119 bpm • G# min • 03:37 • -8db
27% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Skott
Midas
114 bpm • A min • 04:06 • -12.66db
40% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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LÃ¥psley
Speaking of the End
120 bpm • G# min • 03:08 • -17db
43% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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Aquilo
I Lost A Bet
120 bpm • B min • 02:10 • -14.83db
30% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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George Ogilvie
Surveillance
120 bpm • D# min • 04:12 • -9db
43% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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High Highs
St.Marie
114 bpm • D# Maj • 02:29 • -15.58db
24% Popularity • 33% Danceability • 11% Energy • 10% Liveness
26% Instrumentalness • 20% Positiveness
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CUTTS
Breathe
114 bpm • F min • 04:36 • -10.47db
34% Popularity • 36% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Ghostly Kisses
Where Do Lovers Go?
120 bpm • F# min • 03:53 • -11.01db
47% Popularity • 57% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Pixie Geldof
I'm Yours
120 bpm • E Maj • 04:35 • -14.84db
29% Popularity • 62% Danceability • 23% Energy • 10% Liveness
13% Instrumentalness • 12% Positiveness
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Trafton
Paralysis
114 bpm • B min • 01:50 • -25.16db
19% Popularity • 42% Danceability • 12% Energy • 29% Liveness
10% Instrumentalness • 9% Positiveness
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Jill Andrews
Walking Wounded
120 bpm • F Maj • 02:50 • -9db
18% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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CLANN
I Hold You
120 bpm • B min • 09:10 • -12db
47% Popularity • 49% Danceability • 43% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Message To Bears
I Know You Love to Fall
120 bpm • G Maj • 03:56 • -9.94db
36% Popularity • 54% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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dontask
It's My Fault
114 bpm • F# min • 03:07 • -15db
30% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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TalkinToys
Be My First One
120 bpm • F min • 02:54 • -12.66db
37% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Novo Amor
Silvery
120 bpm • C# Maj • 03:52 • -11db
48% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
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Lissom
Hundreds
120 bpm • F# min • 03:55 • -21db
38% Popularity • 52% Danceability • 5% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Aayushi
My Space Is Overgrown
120 bpm • C# Maj • 03:53 • -24.07db
32% Popularity • 69% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
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Many Voices Speak
Ending Lines
114 bpm • C Maj • 05:18 • -11.5db
9% Popularity • 69% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Rosemary & Garlic
The Dancers
120 bpm • G min • 03:37 • -11db
35% Popularity • 54% Danceability • 45% Energy • 11% Liveness
34% Instrumentalness • 32% Positiveness
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Wickerbird
The Fold
114 bpm • C min • 03:36 • -13.81db
46% Popularity • 31% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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VÉRITÉ
new skin
120 bpm • A min • 02:12 • -16db
38% Popularity • 29% Danceability • 13% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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The Paper Kites
Climb On Your Tears
114 bpm • D Maj • 06:04 • -13db
34% Popularity • 63% Danceability • 32% Energy • 13% Liveness
8% Instrumentalness • 32% Positiveness
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Mountains of the Moon
Overgrown
113 bpm • E min • 04:50 • -12.48db
30% Popularity • 44% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Novo Amor
Embody Me
121 bpm • C Maj • 03:10 • -12.04db
59% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Tiggs
Gravity
121 bpm • A# min • 03:26 • -13.5db
22% Popularity • 42% Danceability • 49% Energy • 11% Liveness
21% Instrumentalness • 19% Positiveness
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isaac gracie
hollow crown
122 bpm • D# Maj • 04:21 • -12.72db
33% Popularity • 49% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Klangstof
Cold Little Heart
113 bpm • G min • 03:34 • -13db
37% Popularity • 68% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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The Paper Kites
Don't Keep Driving
113 bpm • F# Maj • 05:20 • -6.83db
35% Popularity • 35% Danceability • 50% Energy • 13% Liveness
76% Instrumentalness • 12% Positiveness
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Trafton
Scarborough Fair
112 bpm • D Maj • 03:57 • -20db
32% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Tiz McNamara
April Fool
122 bpm • A# Maj • 03:48 • -10.61db
18% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Maria Kelly
Torn Into Two
112 bpm • C min • 03:32 • -11.06db
18% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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zalagasper
Signals
122 bpm • F# min • 03:11 • -7db
28% Popularity • 79% Danceability • 47% Energy • 16% Liveness
22% Instrumentalness • 50% Positiveness
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Sami Simon
Bombs
122 bpm • F# Maj • 04:26 • -14db
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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The Paper Kites
Crossfire
122 bpm • G Maj • 05:18 • -14.05db
25% Popularity • 50% Danceability • 25% Energy • 11% Liveness
24% Instrumentalness • 9% Positiveness
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Kina Grannis
It's Hard to Be Human
112 bpm • F# min • 02:28 • -18.99db
25% Popularity • 62% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Tom Speight
Into the Night
122 bpm • F min • 03:15 • -9.05db
30% Popularity • 52% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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SYML
STAY CLOSE
112 bpm • G min • 03:41 • -7db
39% Popularity • 61% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Fay Wildhagen
When I Let Go
112 bpm • G# Maj • 03:55 • -9.06db
36% Popularity • 22% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
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RYVOLI
Ulysses
112 bpm • D Maj • 04:30 • -9.37db
27% Popularity • 36% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Tamino
Indigo Night
112 bpm • D# min • 04:15 • -10.66db
60% Popularity • 54% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 15% Positiveness
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Winona Oak
He Don't Love Me - Stripped
112 bpm • A Maj • 03:49 • -10db
30% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Tusks
Answers
123 bpm • D# Maj • 05:13 • -16.7db
27% Popularity • 47% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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LULLANAS
Queen of Disaster
123 bpm • B min • 03:41 • -11db
42% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Billie Marten
Mice
123 bpm • F Maj • 04:04 • -12.57db
51% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Trafton
Lake House Poem
123 bpm • A min • 05:00 • -18.15db
16% Popularity • 42% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Rose Cousins
The Grate
111 bpm • F Maj • 04:33 • -10.9db
19% Popularity • 32% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Voka Gentle
Branscombe
111 bpm • G Maj • 07:19 • -15.39db
37% Popularity • 56% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Mating Ritual
An Honest Mistake
111 bpm • E Maj • 03:48 • -14.81db
30% Popularity • 49% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Nina June
Summersnow
111 bpm • C min • 03:22 • -13.8db
34% Popularity • 60% Danceability • 40% Energy • 5% Liveness
17% Instrumentalness • 18% Positiveness
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Gabrielle Aplin
One of Those Days - Piano Version
123 bpm • F# Maj • 04:05 • -5.91db
30% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Knowles
Same
111 bpm • C Maj • 04:07 • -11.18db
8% Popularity • 37% Danceability • 32% Energy • 37% Liveness
35% Instrumentalness • 15% Positiveness
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LOYAL
Light up for You - Acoustic
111 bpm • G# Maj • 03:46 • -9db
19% Popularity • 49% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Dave Thomas Junior
I Can't Make You Love Me
124 bpm • D# min • 05:30 • -14.02db
49% Popularity • 35% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
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Tamino
Persephone
124 bpm • C min • 05:05 • -15.02db
53% Popularity • 61% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Nathan Ball
Alone
124 bpm • F Maj • 04:15 • -13.73db
31% Popularity • 49% Danceability • 26% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Lists
In the Breeze
124 bpm • C# Maj • 04:30 • -18db
17% Popularity • 55% Danceability • 4% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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Portair
Fold
110 bpm • D min • 03:26 • -7.94db
34% Popularity • 65% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Dreams We've Had
Perfectly Out Of Place
110 bpm • B Maj • 04:53 • -8db
43% Popularity • 44% Danceability • 42% Energy • 8% Liveness
14% Instrumentalness • 12% Positiveness
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Men I Trust
Again
110 bpm • F min • 03:49 • -12db
45% Popularity • 82% Danceability • 36% Energy • 12% Liveness
57% Instrumentalness • 24% Positiveness
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Old Sea Brigade
Sinkhole
110 bpm • G# min • 03:18 • -17db
36% Popularity • 57% Danceability • 33% Energy • 11% Liveness
8% Instrumentalness • 10% Positiveness
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Novo Amor
Callow
110 bpm • C# Maj • 03:16 • -11.91db
50% Popularity • 38% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
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Lissom
One And The Same - Alternative
110 bpm • C min • 02:56 • -18.92db
40% Popularity • 46% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Ghostly Kisses
Back to Black
110 bpm • C Maj • 03:45 • -13.54db
34% Popularity • 66% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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sød ven
capsized
125 bpm • C# min • 03:00 • -11.23db
31% Popularity • 44% Danceability • 28% Energy • 8% Liveness
33% Instrumentalness • 4% Positiveness
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George Ogilvie
Grave
110 bpm • C# min • 04:40 • -8db
34% Popularity • 25% Danceability • 40% Energy • 12% Liveness
8% Instrumentalness • 6% Positiveness
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Henri Bardot
Scrub
125 bpm • C Maj • 03:12 • -11.95db
20% Popularity • 57% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Tuvaband
Everything We Do Is Wrong
110 bpm • A min • 04:07 • -11.56db
32% Popularity • 34% Danceability • 29% Energy • 7% Liveness
53% Instrumentalness • 7% Positiveness
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Never Let Me Go