Songs like Never Stop the Rot by Dan Kelly
Based on a tempo of (+/- 10%) and a similar genre
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The Phoenix Foundation
All In An Afternoon
141 bpm • F Maj • 03:14 • -6.89db
16% Popularity • 65% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 65% Danceability • 72% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
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Spencer Freeman
City Heartbreak
141 bpm • C# min • 04:52 • -11.35db
24% Popularity • 50% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 50% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Charlie Gradon
Your Mess
141 bpm • B min • 03:21 • -8.4db
20% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Uriah Eisenhower
Slough Gin
141 bpm • A# min • 02:10 • -7.06db
22% Popularity • 65% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 65% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Quivers
When It Breaks
140 bpm • A Maj • 03:48 • -6.8db
8% Popularity • 47% Danceability • 76% Energy • 10% Liveness
7% Instrumentalness • 64% Positiveness
8% Popularity • 47% Danceability • 76% Energy • 10% Liveness
7% Instrumentalness • 64% Positiveness
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Dan Kelly
Never Stop the Rot
141 bpm • G Maj • 03:14 • -6.18db
7% Popularity • 56% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 56% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Doe Eyes
Same Boat
140 bpm • G Maj • 02:56 • -9.13db
11% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Mobius Caravan
Children Of Old
140 bpm • A min • 04:52 • -7.78db
7% Popularity • 42% Danceability • 64% Energy • 82% Liveness
9% Instrumentalness • 30% Positiveness
7% Popularity • 42% Danceability • 64% Energy • 82% Liveness
9% Instrumentalness • 30% Positiveness
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Don Panzik
Desert Flower - Bonus Track
140 bpm • G Maj • 04:13 • -11.98db
15% Popularity • 46% Danceability • 34% Energy • 7% Liveness
43% Instrumentalness • 19% Positiveness
15% Popularity • 46% Danceability • 34% Energy • 7% Liveness
43% Instrumentalness • 19% Positiveness
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T. Barber
Right Where You Belong
140 bpm • C Maj • 03:44 • -9.71db
31% Popularity • 57% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 57% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Slingers
Ember in the Snow
140 bpm • E Maj • 05:54 • -11.09db
13% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 30% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Dan Kelly
Gold Coast Man
140 bpm • B min • 04:12 • -8.09db
3% Popularity • 59% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
3% Popularity • 59% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
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Short Back and Shields
Feel Something
140 bpm • F Maj • 02:58 • -6.53db
23% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Jones
The Ballad of Bunky Wimp, Pt. 1: Peru
140 bpm • C Maj • 04:19 • -8.98db
10% Popularity • 67% Danceability • 67% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
10% Popularity • 67% Danceability • 67% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
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Pip Blom
Misty from Heaven
140 bpm • A min • 03:22 • -6.98db
10% Popularity • 66% Danceability • 64% Energy • 21% Liveness
6% Instrumentalness • 50% Positiveness
10% Popularity • 66% Danceability • 64% Energy • 21% Liveness
6% Instrumentalness • 50% Positiveness
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The Domestics
DB Cooper
140 bpm • G Maj • 03:36 • -7.35db
7% Popularity • 54% Danceability • 80% Energy • 12% Liveness
88% Instrumentalness • 51% Positiveness
7% Popularity • 54% Danceability • 80% Energy • 12% Liveness
88% Instrumentalness • 51% Positiveness
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Erin's Alibi
Here I Am
140 bpm • B Maj • 04:02 • -7.94db
17% Popularity • 59% Danceability • 40% Energy • 17% Liveness
82% Instrumentalness • 51% Positiveness
17% Popularity • 59% Danceability • 40% Energy • 17% Liveness
82% Instrumentalness • 51% Positiveness
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Lennon Crichton
Being On The Hunt for Some Of You
140 bpm • A# min • 03:59 • -15.44db
24% Popularity • 27% Danceability • 73% Energy • 19% Liveness
15% Instrumentalness • 35% Positiveness
24% Popularity • 27% Danceability • 73% Energy • 19% Liveness
15% Instrumentalness • 35% Positiveness
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Olly Sanders
Rack and Ruin
140 bpm • F# min • 04:51 • -5.89db
13% Popularity • 53% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 53% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Lawrence Arabia
Cecily
140 bpm • E Maj • 02:06 • -7.14db
16% Popularity • 52% Danceability • 75% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
16% Popularity • 52% Danceability • 75% Energy • 13% Liveness
9% Instrumentalness • 75% Positiveness
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Corner Suns
The Politician
140 bpm • C Maj • 03:26 • -7.19db
9% Popularity • 81% Danceability • 68% Energy • 25% Liveness
9% Instrumentalness • 96% Positiveness
9% Popularity • 81% Danceability • 68% Energy • 25% Liveness
9% Instrumentalness • 96% Positiveness
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Bohemian Dream
Teenage Queen
140 bpm • D# Maj • 02:50 • -6.77db
8% Popularity • 55% Danceability • 59% Energy • 20% Liveness
94% Instrumentalness • 82% Positiveness
8% Popularity • 55% Danceability • 59% Energy • 20% Liveness
94% Instrumentalness • 82% Positiveness
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The Phoenix Foundation
Buffalo
142 bpm • A Maj • 04:14 • -7db
30% Popularity • 55% Danceability • 73% Energy • 11% Liveness
26% Instrumentalness • 14% Positiveness
30% Popularity • 55% Danceability • 73% Energy • 11% Liveness
26% Instrumentalness • 14% Positiveness
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The Ocean Party
Guess Work
140 bpm • D Maj • 03:39 • -5.74db
16% Popularity • 62% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 62% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Dyson Stringer Cloher
With My Hands
142 bpm • D Maj • 03:07 • -7.63db
8% Popularity • 64% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
8% Popularity • 64% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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Foxlane
Disenchantment
140 bpm • A Maj • 05:26 • -8.31db
8% Popularity • 41% Danceability • 67% Energy • 38% Liveness
4% Instrumentalness • 36% Positiveness
8% Popularity • 41% Danceability • 67% Energy • 38% Liveness
4% Instrumentalness • 36% Positiveness
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Kram
Turn A Light On
140 bpm • G Maj • 04:19 • -8.34db
16% Popularity • 42% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
16% Popularity • 42% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Feet down Below
Gone
140 bpm • G Maj • 03:42 • -5.66db
7% Popularity • 25% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 25% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dan Kelly
On the Run
143 bpm • B Maj • 09:12 • -10.32db
5% Popularity • 77% Danceability • 59% Energy • 13% Liveness
41% Instrumentalness • 78% Positiveness
5% Popularity • 77% Danceability • 59% Energy • 13% Liveness
41% Instrumentalness • 78% Positiveness
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Scenic Route to Alaska
Northern Lights
139 bpm • F# Maj • 03:25 • -8.18db
10% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Phantastic Ferniture
Bad Timing
139 bpm • E Maj • 03:52 • -6.63db
24% Popularity • 55% Danceability • 70% Energy • 17% Liveness
33% Instrumentalness • 64% Positiveness
24% Popularity • 55% Danceability • 70% Energy • 17% Liveness
33% Instrumentalness • 64% Positiveness
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Dan Kelly & The Alpha Males
Checkout Cutie
144 bpm • C Maj • 02:23 • -2.98db
15% Popularity • 34% Danceability • 86% Energy • 64% Liveness
89% Instrumentalness • 28% Positiveness
15% Popularity • 34% Danceability • 86% Energy • 64% Liveness
89% Instrumentalness • 28% Positiveness
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Trademark Issues
Camión
138 bpm • E Maj • 03:13 • -4.14db
7% Popularity • 29% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 29% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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The Phoenix Foundation
Damn The River
144 bpm • F# min • 02:06 • -4.9db
22% Popularity • 51% Danceability • 77% Energy • 9% Liveness
3% Instrumentalness • 65% Positiveness
22% Popularity • 51% Danceability • 77% Energy • 9% Liveness
3% Instrumentalness • 65% Positiveness
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Dalton Moon
marilyn monroe
138 bpm • C# Maj • 02:29 • -7.63db
21% Popularity • 33% Danceability • 81% Energy • 48% Liveness
26% Instrumentalness • 73% Positiveness
21% Popularity • 33% Danceability • 81% Energy • 48% Liveness
26% Instrumentalness • 73% Positiveness
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Emma Russack
I’ll Be The Rock
144 bpm • E min • 02:21 • -7.49db
24% Popularity • 64% Danceability • 87% Energy • 36% Liveness
74% Instrumentalness • 65% Positiveness
24% Popularity • 64% Danceability • 87% Energy • 36% Liveness
74% Instrumentalness • 65% Positiveness
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Johnny Moon
Menace
144 bpm • B min • 03:30 • -7.55db
8% Popularity • 62% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 62% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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King Creosote
Klutz
144 bpm • C Maj • 02:11 • -9.69db
16% Popularity • 64% Danceability • 73% Energy • 12% Liveness
17% Instrumentalness • 80% Positiveness
16% Popularity • 64% Danceability • 73% Energy • 12% Liveness
17% Instrumentalness • 80% Positiveness
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The Wesleys
A Lot To Lose
144 bpm • A Maj • 03:07 • -7.39db
6% Popularity • 52% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 97% Positiveness
6% Popularity • 52% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 97% Positiveness
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The Golden Dogs
Fools Holiday
144 bpm • G Maj • 03:26 • -6.54db
18% Popularity • 63% Danceability • 72% Energy • 34% Liveness
1% Instrumentalness • 72% Positiveness
18% Popularity • 63% Danceability • 72% Energy • 34% Liveness
1% Instrumentalness • 72% Positiveness
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Dominic Breen
Lovelost
144 bpm • F Maj • 02:19 • -6.73db
19% Popularity • 55% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
19% Popularity • 55% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Hidden States
Ballad of The Land Shark
138 bpm • C Maj • 03:40 • -6.44db
8% Popularity • 43% Danceability • 80% Energy • 41% Liveness
10% Instrumentalness • 26% Positiveness
8% Popularity • 43% Danceability • 80% Energy • 41% Liveness
10% Instrumentalness • 26% Positiveness
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Fergvson Inc
Tall
138 bpm • C Maj • 04:25 • -8.35db
7% Popularity • 78% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
7% Popularity • 78% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
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Pugwash
Without You
138 bpm • A# Maj • 03:51 • -7.1db
7% Popularity • 50% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 50% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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The Donkeys
We Are All So Young
144 bpm • C Maj • 03:09 • -7.54db
8% Popularity • 53% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 53% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
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Floodlights
Overflowing Cup
138 bpm • G Maj • 03:51 • -8.36db
18% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Dorothy Lindsay
Stockholm I, Baby
138 bpm • A# Maj • 04:07 • -9.98db
27% Popularity • 34% Danceability • 47% Energy • 44% Liveness
42% Instrumentalness • 38% Positiveness
27% Popularity • 34% Danceability • 47% Energy • 44% Liveness
42% Instrumentalness • 38% Positiveness
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The Ocean Party
Went Out
145 bpm • C Maj • 03:15 • -7.32db
9% Popularity • 45% Danceability • 74% Energy • 19% Liveness
8% Instrumentalness • 67% Positiveness
9% Popularity • 45% Danceability • 74% Energy • 19% Liveness
8% Instrumentalness • 67% Positiveness
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Zivi
Faded
145 bpm • C Maj • 02:22 • -8.08db
13% Popularity • 66% Danceability • 51% Energy • 11% Liveness
66% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 51% Energy • 11% Liveness
66% Instrumentalness • 96% Positiveness
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Benedict Nora
Draw Blank
138 bpm • G Maj • 03:17 • -17.55db
23% Popularity • 74% Danceability • 40% Energy • 4% Liveness
29% Instrumentalness • 63% Positiveness
23% Popularity • 74% Danceability • 40% Energy • 4% Liveness
29% Instrumentalness • 63% Positiveness
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Justus C.A. Löwe
Odyssey
137 bpm • G Maj • 03:48 • -11.97db
7% Popularity • 41% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 41% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Jason Flanagan
Private
137 bpm • D# Maj • 02:19 • -9.79db
29% Popularity • 57% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 52% Positiveness
29% Popularity • 57% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 52% Positiveness
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RVG
Alexandra
136 bpm • C Maj • 04:03 • -6.95db
11% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Wasuremono
Alligator
136 bpm • G# Maj • 03:40 • -10db
12% Popularity • 65% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 63% Positiveness
12% Popularity • 65% Danceability • 57% Energy • 9% Liveness
79% Instrumentalness • 63% Positiveness
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Uriah Eisenhower
The ACDC
147 bpm • F min • 03:09 • -6.9db
22% Popularity • 53% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 53% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Benedict Nora
Machine
145 bpm • A Maj • 02:23 • -15.72db
23% Popularity • 58% Danceability • 37% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
23% Popularity • 58% Danceability • 37% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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Phantom Sugar
Bambino
136 bpm • A# Maj • 02:12 • -5.43db
17% Popularity • 55% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
17% Popularity • 55% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Indian Cane
Shine
135 bpm • B min • 04:00 • -5.95db
10% Popularity • 53% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 42% Positiveness
10% Popularity • 53% Danceability • 79% Energy • 12% Liveness
6% Instrumentalness • 42% Positiveness
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RVG
Perfect Day
136 bpm • D Maj • 03:09 • -6.1db
13% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Elephant
Envy
135 bpm • C Maj • 03:50 • -11.14db
16% Popularity • 67% Danceability • 60% Energy • 12% Liveness
11% Instrumentalness • 68% Positiveness
16% Popularity • 67% Danceability • 60% Energy • 12% Liveness
11% Instrumentalness • 68% Positiveness
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Feet down Below
Revolution
135 bpm • A# Maj • 02:38 • -3.85db
7% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Stephen's Shore
Ocean's Calling
147 bpm • C min • 03:59 • -9.66db
8% Popularity • 42% Danceability • 68% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
8% Popularity • 42% Danceability • 68% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
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The Phoenix Foundation
Bright Grey
147 bpm • D Maj • 05:02 • -6db
16% Popularity • 34% Danceability • 83% Energy • 18% Liveness
17% Instrumentalness • 33% Positiveness
16% Popularity • 34% Danceability • 83% Energy • 18% Liveness
17% Instrumentalness • 33% Positiveness
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Alex Abel
Birthday
147 bpm • B min • 04:51 • -6.67db
13% Popularity • 50% Danceability • 85% Energy • 31% Liveness
38% Instrumentalness • 48% Positiveness
13% Popularity • 50% Danceability • 85% Energy • 31% Liveness
38% Instrumentalness • 48% Positiveness
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RVG
A Quality Of Mercy
147 bpm • G Maj • 03:39 • -4.41db
20% Popularity • 37% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 37% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Kelly
Organised Noize - Scott Attrill Remix - ...
147 bpm • C# min • 02:36 • -7.53db
0% Popularity • 54% Danceability • 98% Energy • 38% Liveness
38% Instrumentalness • 57% Positiveness
0% Popularity • 54% Danceability • 98% Energy • 38% Liveness
38% Instrumentalness • 57% Positiveness
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The Reduction Agents
80's Celebration
135 bpm • G Maj • 02:24 • -9db
16% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 45% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Jasmine Jituboh
What the World Needs
148 bpm • G Maj • 04:23 • -6.14db
20% Popularity • 42% Danceability • 82% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 42% Danceability • 82% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
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stepbrothers
SHE TOLD ME
148 bpm • G# Maj • 03:27 • -11.38db
13% Popularity • 59% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 59% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Phoenix Foundation
Gandalf
135 bpm • G Maj • 06:02 • -9.5db
7% Popularity • 38% Danceability • 46% Energy • 10% Liveness
66% Instrumentalness • 15% Positiveness
7% Popularity • 38% Danceability • 46% Energy • 10% Liveness
66% Instrumentalness • 15% Positiveness
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RVG
Heart Paste
135 bpm • C Maj • 02:40 • -4.14db
9% Popularity • 26% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
9% Popularity • 26% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Jason Flanagan
Movies On
134 bpm • D min • 03:36 • -9.38db
29% Popularity • 86% Danceability • 64% Energy • 14% Liveness
64% Instrumentalness • 48% Positiveness
29% Popularity • 86% Danceability • 64% Energy • 14% Liveness
64% Instrumentalness • 48% Positiveness
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Dan Kelly
Bullets & Blood - Criostasis Remix Edit
148 bpm • C# Maj • 03:19 • -4db
0% Popularity • 57% Danceability • 99% Energy • 20% Liveness
87% Instrumentalness • 35% Positiveness
0% Popularity • 57% Danceability • 99% Energy • 20% Liveness
87% Instrumentalness • 35% Positiveness
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Peter Bjorn and John
Summer Breeze
148 bpm • E min • 03:22 • -7.43db
10% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 68% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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James McCartney
Primrose Hill
148 bpm • C Maj • 03:12 • -9.28db
36% Popularity • 42% Danceability • 60% Energy • 17% Liveness
1% Instrumentalness • 19% Positiveness
36% Popularity • 42% Danceability • 60% Energy • 17% Liveness
1% Instrumentalness • 19% Positiveness
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Tugboat Captain
Be Strong, Smoke Less
134 bpm • D Maj • 03:15 • -5.8db
11% Popularity • 52% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 52% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Chris D Smith
SIMONE
134 bpm • C Maj • 04:07 • -10.28db
1% Popularity • 49% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 49% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Scotti Mars
Natasha
134 bpm • A min • 03:08 • -5.79db
2% Popularity • 62% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 62% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Kelly
Ex Bandido
134 bpm • D# Maj • 03:08 • -8.89db
2% Popularity • 65% Danceability • 61% Energy • 47% Liveness
40% Instrumentalness • 61% Positiveness
2% Popularity • 65% Danceability • 61% Energy • 47% Liveness
40% Instrumentalness • 61% Positiveness
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Clement Beatrice
We Can All Have More South America
134 bpm • E Maj • 03:08 • -7.6db
9% Popularity • 65% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 65% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Twerps
Through the Day
149 bpm • E min • 03:05 • -4.05db
14% Popularity • 29% Danceability • 79% Energy • 16% Liveness
94% Instrumentalness • 46% Positiveness
14% Popularity • 29% Danceability • 79% Energy • 16% Liveness
94% Instrumentalness • 46% Positiveness
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Mr Rascal
The Magic
149 bpm • D Maj • 04:23 • -6db
16% Popularity • 46% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 46% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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The Burning Hell
Dancer/Romancer
149 bpm • A Maj • 02:48 • -8.57db
8% Popularity • 52% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 52% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Dorothy Lindsay
Dirty Blues
133 bpm • E Maj • 03:36 • -8.62db
27% Popularity • 51% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
27% Popularity • 51% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
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Floodlights
Matter of Time
149 bpm • G Maj • 02:55 • -5.47db
27% Popularity • 49% Danceability • 85% Energy • 13% Liveness
10% Instrumentalness • 84% Positiveness
27% Popularity • 49% Danceability • 85% Energy • 13% Liveness
10% Instrumentalness • 84% Positiveness
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New Nausea
Bright Bloody Blue
149 bpm • C Maj • 03:52 • -4.84db
8% Popularity • 34% Danceability • 83% Energy • 36% Liveness
4% Instrumentalness • 48% Positiveness
8% Popularity • 34% Danceability • 83% Energy • 36% Liveness
4% Instrumentalness • 48% Positiveness
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Michael Wyeth
Enigmatic Voyage
133 bpm • C Maj • 02:00 • -17.11db
11% Popularity • 60% Danceability • 36% Energy • 17% Liveness
95% Instrumentalness • 45% Positiveness
11% Popularity • 60% Danceability • 36% Energy • 17% Liveness
95% Instrumentalness • 45% Positiveness
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The Stanford Family Band
Make My Day
133 bpm • G Maj • 02:58 • -3.96db
15% Popularity • 54% Danceability • 83% Energy • 22% Liveness
2% Instrumentalness • 84% Positiveness
15% Popularity • 54% Danceability • 83% Energy • 22% Liveness
2% Instrumentalness • 84% Positiveness
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James Sullivan
Day Late Dollar Short
150 bpm • D Maj • 03:45 • -4.02db
10% Popularity • 33% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 33% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Crepes
Mild Conversation
133 bpm • A Maj • 03:42 • -4.83db
13% Popularity • 59% Danceability • 74% Energy • 22% Liveness
2% Instrumentalness • 80% Positiveness
13% Popularity • 59% Danceability • 74% Energy • 22% Liveness
2% Instrumentalness • 80% Positiveness
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RVG
That's All
150 bpm • E Maj • 05:06 • -6.01db
14% Popularity • 36% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
14% Popularity • 36% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Woodrow Jeremiah
Close Chance
133 bpm • C# min • 04:15 • -1.78db
23% Popularity • 44% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 44% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Benedict Nora
Pinebird Bouquet
150 bpm • D Maj • 01:51 • -13.69db
23% Popularity • 41% Danceability • 48% Energy • 11% Liveness
46% Instrumentalness • 31% Positiveness
23% Popularity • 41% Danceability • 48% Energy • 11% Liveness
46% Instrumentalness • 31% Positiveness
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Lawrence Arabia
A Little Hate
150 bpm • D Maj • 03:02 • -7.4db
17% Popularity • 47% Danceability • 92% Energy • 34% Liveness
83% Instrumentalness • 80% Positiveness
17% Popularity • 47% Danceability • 92% Energy • 34% Liveness
83% Instrumentalness • 80% Positiveness
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Boomgates
Hanging Rock
133 bpm • D Maj • 03:59 • -6.63db
8% Popularity • 47% Danceability • 77% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
8% Popularity • 47% Danceability • 77% Energy • 14% Liveness
2% Instrumentalness • 29% Positiveness
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White Noise Maker
Deep Fake
150 bpm • C Maj • 03:33 • -6.85db
15% Popularity • 67% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 67% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Don Panzik
On Our Way Up
150 bpm • F# min • 03:08 • -9.3db
15% Popularity • 60% Danceability • 41% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 60% Danceability • 41% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
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Spencer Freeman
Between the Two Smiles
132 bpm • E Maj • 02:27 • -13.65db
24% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
