Songs like New Cancer by The Ribeye Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The Latest
You Don't Know Me
172 bpm • G Maj • 03:17 • -8.81db
23% Popularity • 16% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 16% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 50% Positiveness
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Subsonics
It's A Long Way Suzy To New York City
172 bpm • D Maj • 01:44 • -5.49db
14% Popularity • 25% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 25% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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The Ribeye Brothers
New Cancer
172 bpm • G Maj • 01:58 • -3.73db
0% Popularity • 29% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 29% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Caesars
3D-TV
172 bpm • C# min • 02:10 • -4.95db
10% Popularity • 27% Danceability • 94% Energy • 34% Liveness
12% Instrumentalness • 83% Positiveness
10% Popularity • 27% Danceability • 94% Energy • 34% Liveness
12% Instrumentalness • 83% Positiveness
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Zorton and the Cannibals
Mike Rack (Is on the Scene)
171 bpm • E Maj • 02:38 • -4.96db
11% Popularity • 20% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 20% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Marnoc
Never The Machine
171 bpm • A# min • 03:01 • -12.28db
10% Popularity • 42% Danceability • 78% Energy • 12% Liveness
18% Instrumentalness • 32% Positiveness
10% Popularity • 42% Danceability • 78% Energy • 12% Liveness
18% Instrumentalness • 32% Positiveness
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The Maharajas
Maggot Mocker
174 bpm • D Maj • 01:52 • -3db
11% Popularity • 30% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 30% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Colbert Armstrong
Don't Say
170 bpm • G Maj • 02:57 • -11.67db
31% Popularity • 46% Danceability • 70% Energy • 52% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 46% Danceability • 70% Energy • 52% Liveness
0% Instrumentalness • 51% Positiveness
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The Morlocks
One Foot in the Grave
170 bpm • A Maj • 02:38 • -4db
13% Popularity • 12% Danceability • 97% Energy • 25% Liveness
1% Instrumentalness • 45% Positiveness
13% Popularity • 12% Danceability • 97% Energy • 25% Liveness
1% Instrumentalness • 45% Positiveness
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The Ribeye Brothers
You Left Me Shit
170 bpm • E Maj • 03:05 • -6.1db
0% Popularity • 48% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 48% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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The Streetwalkin' Cheetahs
Crazy Operator
170 bpm • C Maj • 03:18 • -3.98db
10% Popularity • 38% Danceability • 98% Energy • 64% Liveness
16% Instrumentalness • 28% Positiveness
10% Popularity • 38% Danceability • 98% Energy • 64% Liveness
16% Instrumentalness • 28% Positiveness
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Adam Bomb
Box Of Shite
170 bpm • A Maj • 01:58 • -3.04db
11% Popularity • 14% Danceability • 98% Energy • 33% Liveness
79% Instrumentalness • 51% Positiveness
11% Popularity • 14% Danceability • 98% Energy • 33% Liveness
79% Instrumentalness • 51% Positiveness
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Zorton and the Cannibals
Oh Sharon
174 bpm • G Maj • 02:21 • -4.86db
12% Popularity • 20% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 20% Danceability • 91% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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HOUSE Of ALL
For This Be Glory
174 bpm • A Maj • 02:57 • -6.75db
19% Popularity • 44% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 44% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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In The City
Short and Sweet
175 bpm • E min • 02:24 • -13.35db
9% Popularity • 27% Danceability • 60% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
9% Popularity • 27% Danceability • 60% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
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Sharon Dalton
Beautiful Rose
169 bpm • G Maj • 03:33 • -7.08db
19% Popularity • 32% Danceability • 90% Energy • 32% Liveness
87% Instrumentalness • 35% Positiveness
19% Popularity • 32% Danceability • 90% Energy • 32% Liveness
87% Instrumentalness • 35% Positiveness
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Death Threat Cassette
Whittled out of Wood
169 bpm • E min • 03:48 • -5.38db
8% Popularity • 34% Danceability • 89% Energy • 23% Liveness
44% Instrumentalness • 28% Positiveness
8% Popularity • 34% Danceability • 89% Energy • 23% Liveness
44% Instrumentalness • 28% Positiveness
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The Dawks
Flat Out Bat
169 bpm • B Maj • 02:55 • -6.42db
10% Popularity • 47% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 47% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Zorton and the Cannibals
Long Pork
169 bpm • D Maj • 02:36 • -4.04db
12% Popularity • 34% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
12% Popularity • 34% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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The Morlocks
No One Rides for Free
176 bpm • D min • 03:02 • -4db
12% Popularity • 25% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 25% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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The Ribeye Brothers
Swagger Turns To Stagger
176 bpm • D Maj • 03:31 • -7.37db
0% Popularity • 38% Danceability • 82% Energy • 13% Liveness
4% Instrumentalness • 68% Positiveness
0% Popularity • 38% Danceability • 82% Energy • 13% Liveness
4% Instrumentalness • 68% Positiveness
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The Cynics
I Know
176 bpm • F Maj • 02:22 • -12db
12% Popularity • 30% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 30% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Mr. Lamp
Singin' on the Scaffold
176 bpm • G Maj • 03:37 • -5.19db
11% Popularity • 24% Danceability • 93% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
11% Popularity • 24% Danceability • 93% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
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MIDDLEMAN
Imitation Blues
168 bpm • A Maj • 02:28 • -5.36db
7% Popularity • 11% Danceability • 86% Energy • 20% Liveness
6% Instrumentalness • 26% Positiveness
7% Popularity • 11% Danceability • 86% Energy • 20% Liveness
6% Instrumentalness • 26% Positiveness
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Zorton and the Cannibals
Gotta Get You Outta My Head
169 bpm • C Maj • 02:32 • -5.52db
13% Popularity • 31% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 31% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Rupert Fuhrmeister
I Need The Love
177 bpm • D Maj • 02:49 • -4.39db
19% Popularity • 35% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 35% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Ichi-Bons
Show Me the Ropes
177 bpm • E min • 02:04 • -7.09db
11% Popularity • 44% Danceability • 88% Energy • 40% Liveness
3% Instrumentalness • 87% Positiveness
11% Popularity • 44% Danceability • 88% Energy • 40% Liveness
3% Instrumentalness • 87% Positiveness
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Shawn Diveglia
Protracted Lockdown
167 bpm • G# Maj • 05:45 • -10.25db
25% Popularity • 20% Danceability • 65% Energy • 7% Liveness
78% Instrumentalness • 35% Positiveness
25% Popularity • 20% Danceability • 65% Energy • 7% Liveness
78% Instrumentalness • 35% Positiveness
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The Jackets
Be Myself
167 bpm • C Maj • 02:40 • -6.67db
9% Popularity • 26% Danceability • 89% Energy • 11% Liveness
15% Instrumentalness • 67% Positiveness
9% Popularity • 26% Danceability • 89% Energy • 11% Liveness
15% Instrumentalness • 67% Positiveness
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kaidomi music
gold brooch
167 bpm • E Maj • 02:52 • -7.34db
11% Popularity • 45% Danceability • 82% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
11% Popularity • 45% Danceability • 82% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
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The Satelliters
Last Day On Earth
167 bpm • A Maj • 02:35 • -6.91db
8% Popularity • 38% Danceability • 93% Energy • 32% Liveness
2% Instrumentalness • 70% Positiveness
8% Popularity • 38% Danceability • 93% Energy • 32% Liveness
2% Instrumentalness • 70% Positiveness
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The 925
Get out of My Kitchen
177 bpm • G Maj • 02:33 • -7.04db
8% Popularity • 23% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 23% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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The Cowboys
Transatlantic Romantic
167 bpm • A Maj • 02:29 • -5.38db
17% Popularity • 33% Danceability • 96% Energy • 24% Liveness
21% Instrumentalness • 83% Positiveness
17% Popularity • 33% Danceability • 96% Energy • 24% Liveness
21% Instrumentalness • 83% Positiveness
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Muck and the Mires
King Of The Beat
166 bpm • A Maj • 02:31 • -4.88db
9% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 50% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Janus 4-14
RedRum
178 bpm • F Maj • 02:56 • -5.55db
9% Popularity • 21% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 21% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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MFC Chicken
Spontaneous Combust
179 bpm • D# Maj • 02:09 • -4.37db
11% Popularity • 28% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 28% Danceability • 92% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Wretched Pinhead Puppets
I DON'T THINK I LIKE YOUR THINK'N
179 bpm • E Maj • 02:35 • -6.36db
19% Popularity • 50% Danceability • 94% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 50% Danceability • 94% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
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Alicia Lucas
Cheatin
179 bpm • F# Maj • 03:54 • -11.8db
24% Popularity • 35% Danceability • 75% Energy • 28% Liveness
1% Instrumentalness • 81% Positiveness
24% Popularity • 35% Danceability • 75% Energy • 28% Liveness
1% Instrumentalness • 81% Positiveness
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The Ribeye Brothers
Puzzled Panther
165 bpm • A Maj • 02:09 • -5.69db
0% Popularity • 33% Danceability • 94% Energy • 16% Liveness
26% Instrumentalness • 92% Positiveness
0% Popularity • 33% Danceability • 94% Energy • 16% Liveness
26% Instrumentalness • 92% Positiveness
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Dead Moon
Don't Burn The Fires
164 bpm • D Maj • 03:47 • -5.43db
11% Popularity • 27% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 27% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Zorton and the Cannibals
You're Going Away
179 bpm • E Maj • 02:50 • -7db
11% Popularity • 24% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 24% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Bullet?
Desertrun-V2
164 bpm • D Maj • 02:20 • -5db
10% Popularity • 29% Danceability • 82% Energy • 7% Liveness
84% Instrumentalness • 60% Positiveness
10% Popularity • 29% Danceability • 82% Energy • 7% Liveness
84% Instrumentalness • 60% Positiveness
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The Sexy Christians
I'm Yours
164 bpm • G Maj • 02:59 • -6.85db
15% Popularity • 49% Danceability • 53% Energy • 7% Liveness
17% Instrumentalness • 82% Positiveness
15% Popularity • 49% Danceability • 53% Energy • 7% Liveness
17% Instrumentalness • 82% Positiveness
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The Most Beautiful Losers
Whiskey Grrrl
164 bpm • C Maj • 03:04 • -5.99db
13% Popularity • 17% Danceability • 98% Energy • 22% Liveness
1% Instrumentalness • 65% Positiveness
13% Popularity • 17% Danceability • 98% Energy • 22% Liveness
1% Instrumentalness • 65% Positiveness
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The Ribeye Brothers
Spaceage Caveman
165 bpm • A Maj • 02:54 • -4.38db
1% Popularity • 39% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 39% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The LustKillers
Lust Killer
181 bpm • B min • 02:58 • -3.79db
11% Popularity • 31% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 31% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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M.O.T.O.
Tight Little Bitch
163 bpm • G Maj • 01:52 • -5.41db
8% Popularity • 32% Danceability • 90% Energy • 12% Liveness
21% Instrumentalness • 80% Positiveness
8% Popularity • 32% Danceability • 90% Energy • 12% Liveness
21% Instrumentalness • 80% Positiveness
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The Woggles
Hole In My Heart
163 bpm • A min • 02:26 • -6.48db
15% Popularity • 30% Danceability • 92% Energy • 18% Liveness
3% Instrumentalness • 61% Positiveness
15% Popularity • 30% Danceability • 92% Energy • 18% Liveness
3% Instrumentalness • 61% Positiveness
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Zorton and the Cannibals
Love Me Greasy
163 bpm • F Maj • 02:33 • -6db
14% Popularity • 28% Danceability • 94% Energy • 17% Liveness
62% Instrumentalness • 61% Positiveness
14% Popularity • 28% Danceability • 94% Energy • 17% Liveness
62% Instrumentalness • 61% Positiveness
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King Khan and the Shrines
Got the Itch
163 bpm • B min • 02:49 • -2.5db
8% Popularity • 30% Danceability • 97% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 30% Danceability • 97% Energy • 48% Liveness
0% Instrumentalness • 81% Positiveness
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The Ribeye Brothers
Shit Car
180 bpm • G Maj • 03:39 • -5.67db
0% Popularity • 46% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 46% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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The Greenhornes
Shadow of Grief
163 bpm • C Maj • 02:50 • -6.32db
14% Popularity • 22% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 22% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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banda del rione
Birra
163 bpm • A min • 03:24 • -10.85db
16% Popularity • 50% Danceability • 74% Energy • 39% Liveness
2% Instrumentalness • 80% Positiveness
16% Popularity • 50% Danceability • 74% Energy • 39% Liveness
2% Instrumentalness • 80% Positiveness
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Napoleon Skillington
When You Are Alone
162 bpm • A# Maj • 03:08 • -5.41db
25% Popularity • 14% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 14% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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The Jack Cades
Something New
162 bpm • C Maj • 03:37 • -5.55db
8% Popularity • 30% Danceability • 97% Energy • 8% Liveness
29% Instrumentalness • 72% Positiveness
8% Popularity • 30% Danceability • 97% Energy • 8% Liveness
29% Instrumentalness • 72% Positiveness
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Garden Station
Everybody Has To Go Home
162 bpm • C Maj • 02:55 • -2.68db
4% Popularity • 25% Danceability • 99% Energy • 35% Liveness
3% Instrumentalness • 62% Positiveness
4% Popularity • 25% Danceability • 99% Energy • 35% Liveness
3% Instrumentalness • 62% Positiveness
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The Ribeye Brothers
A1 to Portland
164 bpm • D Maj • 02:14 • -3.93db
0% Popularity • 27% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 27% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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La La Superstar
Bourbon Dreams
161 bpm • D Maj • 02:40 • -5.37db
12% Popularity • 30% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 30% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Supercluster
Over My Head
161 bpm • B min • 02:50 • -8.67db
8% Popularity • 34% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 34% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Barrence Whitfield & The Savages
Right Hand Man
161 bpm • D Maj • 02:29 • -4.47db
9% Popularity • 31% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 31% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Scoop The Mids
Blue Kitch-hella
161 bpm • D Maj • 03:19 • -4.18db
5% Popularity • 41% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 41% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Fin-de-Siècle
Lazy Miss Dazy
160 bpm • G Maj • 01:44 • -5.83db
14% Popularity • 27% Danceability • 98% Energy • 19% Liveness
80% Instrumentalness • 28% Positiveness
14% Popularity • 27% Danceability • 98% Energy • 19% Liveness
80% Instrumentalness • 28% Positiveness
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The Ribeye Brothers
So Long Marconi
164 bpm • D Maj • 02:21 • -5.1db
0% Popularity • 44% Danceability • 99% Energy • 32% Liveness
16% Instrumentalness • 96% Positiveness
0% Popularity • 44% Danceability • 99% Energy • 32% Liveness
16% Instrumentalness • 96% Positiveness
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Blue Hunger
Don't Want Life to Take Me by the Hand
160 bpm • A Maj • 01:06 • -9.73db
22% Popularity • 75% Danceability • 32% Energy • 7% Liveness
81% Instrumentalness • 90% Positiveness
22% Popularity • 75% Danceability • 32% Energy • 7% Liveness
81% Instrumentalness • 90% Positiveness
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Chris Bullinger
Five and Dime
160 bpm • G Maj • 03:07 • -7.97db
15% Popularity • 46% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 46% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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The Gruesomes
Serves You Right
160 bpm • A Maj • 02:15 • -4.19db
13% Popularity • 43% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 43% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The ROLF
Smile off Your Face
160 bpm • C Maj • 04:12 • -8.21db
0% Popularity • 33% Danceability • 76% Energy • 10% Liveness
24% Instrumentalness • 45% Positiveness
0% Popularity • 33% Danceability • 76% Energy • 10% Liveness
24% Instrumentalness • 45% Positiveness
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Grunge Norris & the Slackers
Filthy Lucre
160 bpm • E min • 04:15 • -6.11db
19% Popularity • 35% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 35% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Ribeye Brothers
Call of the Scraphead
182 bpm • D Maj • 02:56 • -6.52db
0% Popularity • 40% Danceability • 82% Energy • 23% Liveness
6% Instrumentalness • 84% Positiveness
0% Popularity • 40% Danceability • 82% Energy • 23% Liveness
6% Instrumentalness • 84% Positiveness
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FOXY MOJO
What Else Can I Do
160 bpm • C Maj • 03:23 • -5.37db
20% Popularity • 45% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 45% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Willie Nile
The Day The Earth Stood Still - Live
160 bpm • G# Maj • 04:11 • -7.24db
12% Popularity • 42% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 42% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 42% Positiveness
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The Lilacs
Jenny 2 X
185 bpm • C Maj • 03:36 • -13.47db
12% Popularity • 37% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 37% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Underdog
Rocket Baby
160 bpm • B Maj • 02:40 • -0.37db
12% Popularity • 27% Danceability • 97% Energy • 11% Liveness
86% Instrumentalness • 87% Positiveness
12% Popularity • 27% Danceability • 97% Energy • 11% Liveness
86% Instrumentalness • 87% Positiveness
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Chris Bullinger
Your Rock ‘n’ Roll
160 bpm • G Maj • 02:34 • -7.77db
10% Popularity • 42% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 42% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Regulate Proposal
Climb Classroom
185 bpm • F# Maj • 01:08 • -6.56db
19% Popularity • 43% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 43% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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The Len Price 3
I Can't Hear a Thing
160 bpm • D min • 01:36 • -9db
10% Popularity • 16% Danceability • 78% Energy • 35% Liveness
22% Instrumentalness • 79% Positiveness
10% Popularity • 16% Danceability • 78% Energy • 35% Liveness
22% Instrumentalness • 79% Positiveness
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The Ribeye Brothers
If You Hate Me
186 bpm • D# Maj • 03:12 • -4.37db
0% Popularity • 40% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 40% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Fabian Dickens
Go
159 bpm • B min • 02:53 • -9.7db
27% Popularity • 21% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 21% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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The Vibrators
Bad Time - Demo 1976
185 bpm • E min • 01:54 • -7.71db
7% Popularity • 27% Danceability • 95% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
7% Popularity • 27% Danceability • 95% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Fruit Tones
I Don't Speak a Language
158 bpm • F min • 02:19 • -5.48db
8% Popularity • 41% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 41% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Thriller Party
Bullet Farmer
187 bpm • A Maj • 01:23 • -4.12db
11% Popularity • 15% Danceability • 97% Energy • 24% Liveness
83% Instrumentalness • 48% Positiveness
11% Popularity • 15% Danceability • 97% Energy • 24% Liveness
83% Instrumentalness • 48% Positiveness
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The Len Price 3
Break Your Neck
158 bpm • F# Maj • 02:00 • -4db
10% Popularity • 28% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 28% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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The Ribeye Brothers
Gunga Din
186 bpm • G Maj • 04:42 • -6.02db
0% Popularity • 42% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 42% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 84% Positiveness
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Michael Ferguson
Hell Hounds Followed Me - Acoustic Versi...
188 bpm • A Maj • 02:29 • -6.33db
14% Popularity • 24% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 24% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The White Wires
Goodbye Girl
157 bpm • B Maj • 01:46 • -2.83db
12% Popularity • 38% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 38% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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The Caezars
Be My Witch
157 bpm • B Maj • 02:49 • -7.12db
12% Popularity • 44% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 44% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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The Bad Beats
Drive Slow
157 bpm • G min • 03:04 • -3.51db
10% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Susie Dierser
Built In This Way
189 bpm • E Maj • 04:58 • -11.28db
0% Popularity • 47% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 47% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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The Ribeye Brothers
Crawling Disaster
186 bpm • D Maj • 02:27 • -6.03db
0% Popularity • 29% Danceability • 78% Energy • 32% Liveness
6% Instrumentalness • 77% Positiveness
0% Popularity • 29% Danceability • 78% Energy • 32% Liveness
6% Instrumentalness • 77% Positiveness
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DOEDSDANS
storyman
157 bpm • G Maj • 02:54 • -10.52db
13% Popularity • 49% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 49% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Morlocks
We Can Get Together
157 bpm • E Maj • 03:13 • -3.52db
15% Popularity • 17% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 17% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The White Wires
Take My Hand
157 bpm • D min • 02:24 • -2.3db
10% Popularity • 36% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 36% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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The Maharajas
(Let's) Play House
157 bpm • E Maj • 02:35 • -4.56db
21% Popularity • 38% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 38% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Muck and the Mires
Strange Waves
156 bpm • E min • 02:50 • -6.03db
10% Popularity • 28% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 28% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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The Ribeye Brothers
Baby, It's Cold Inside
158 bpm • E Maj • 02:21 • -6.13db
0% Popularity • 33% Danceability • 93% Energy • 40% Liveness
11% Instrumentalness • 57% Positiveness
0% Popularity • 33% Danceability • 93% Energy • 40% Liveness
11% Instrumentalness • 57% Positiveness
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Pär Edwardson
Coffee Drops & Lemon Curd
156 bpm • E Maj • 03:16 • -5.37db
13% Popularity • 60% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 60% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Brian Jin
Thursday
156 bpm • A Maj • 02:49 • -4.77db
9% Popularity • 30% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 30% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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WYLDLIFE
I'm Just Losing That Girl
190 bpm • D# Maj • 01:41 • -2.52db
9% Popularity • 28% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 28% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
