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New Girl in Town
Songs like
New Girl in Town
by
Jim Edgar
Based on a tempo of (+/- 10%) and a similar genre
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The Coasters
Searchin'
155 bpm • B min • 02:15 • -3.5db
12% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Jim Edgar
New Girl in Town
155 bpm • A Maj • 01:44 • -7.87db
0% Popularity • 51% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 92% Positiveness
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Kip Tyler
She Got Eyes
155 bpm • E Maj • 02:14 • -7.57db
16% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Jody Reynolds
Beaulah Lee
155 bpm • A Maj • 02:20 • -8.24db
11% Popularity • 56% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Greg Overman
The Little Lil
155 bpm • A# min • 03:36 • -13db
26% Popularity • 58% Danceability • 47% Energy • 19% Liveness
13% Instrumentalness • 96% Positiveness
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Big Sandy & His Fly-Rite Boys
Missouri Gal
155 bpm • E Maj • 03:16 • -6.78db
9% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Drexler John
Free Me Lord
155 bpm • E Maj • 03:01 • -2.36db
24% Popularity • 33% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Fury
How Many Nights, How Many Days
155 bpm • A# Maj • 02:49 • -8.74db
19% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Imply Synonymous
Touch Dealer
154 bpm • B Maj • 02:29 • -15.1db
17% Popularity • 49% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
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Danny & The Juniors
Sassy Fran
156 bpm • E min • 02:10 • -8.35db
9% Popularity • 43% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Marcia Ratke
Let's Get Very High
154 bpm • B min • 02:51 • -7.14db
28% Popularity • 48% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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Sugar Pie DeSanto
Love so Strong
154 bpm • A# Maj • 02:00 • -14.76db
17% Popularity • 54% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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Drexler John
Eyes On The Prize
156 bpm • A Maj • 02:33 • -10.02db
13% Popularity • 53% Danceability • 80% Energy • 35% Liveness
58% Instrumentalness • 68% Positiveness
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Jim Fleming
Ask Her to Dance
157 bpm • G Maj • 02:20 • -6.59db
9% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Willie Mitchell
In the Mood
153 bpm • D# min • 02:14 • -7.11db
0% Popularity • 74% Danceability • 91% Energy • 11% Liveness
90% Instrumentalness • 98% Positiveness
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Bailey's Nervous Kats
Devil's Run - 1960
157 bpm • E Maj • 01:58 • -6.26db
12% Popularity • 38% Danceability • 90% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
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Marcia Ratke
Letz Roll
154 bpm • C Maj • 02:55 • -7.39db
28% Popularity • 49% Danceability • 89% Energy • 22% Liveness
4% Instrumentalness • 80% Positiveness
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Greg Overman
Knock
153 bpm • C Maj • 03:33 • -11.88db
26% Popularity • 54% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 93% Positiveness
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Drexler John
Take It Easy
156 bpm • A Maj • 01:46 • -2.15db
18% Popularity • 48% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Platters
Shake It Up Mambo
153 bpm • A# min • 02:41 • -12.37db
12% Popularity • 41% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Chuck Jones
Olde Coke Bar
153 bpm • D# Maj • 01:47 • -7.84db
7% Popularity • 59% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
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The Hollywood Flames
Strollin' On The Beach
153 bpm • A Maj • 01:49 • -11db
10% Popularity • 40% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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The Nightdrivers
Nightmare
153 bpm • A min • 02:22 • -4.45db
12% Popularity • 39% Danceability • 94% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Jimmy Clanton
That's You Baby
153 bpm • F Maj • 02:31 • -4.28db
12% Popularity • 49% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Drexler John
Ahavah
157 bpm • C Maj • 02:45 • -3.5db
24% Popularity • 23% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 58% Positiveness
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Quinn Devlin
Steal Your Soul (That's What She'll Do)
152 bpm • E Maj • 03:31 • -8.86db
12% Popularity • 44% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Rhythm Shakers
Home Wrecker
158 bpm • C Maj • 02:40 • -4.92db
9% Popularity • 62% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Limboos
Uncle Sailed Away
158 bpm • G# Maj • 02:41 • -4.02db
18% Popularity • 38% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Regez
Peaceful Kind
152 bpm • E Maj • 03:09 • -5.08db
18% Popularity • 58% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 66% Positiveness
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The Skytones
You're So Fine
152 bpm • C Maj • 02:16 • -5.55db
13% Popularity • 43% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Swinging Blue Jeans
You've Got Love
152 bpm • A Maj • 01:56 • -6.58db
13% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Coasters
What About Us
152 bpm • C Maj • 02:36 • -3.09db
11% Popularity • 47% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Settle Loutish
Relieve Context
159 bpm • C# Maj • 02:24 • -14.94db
17% Popularity • 49% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Jim Edgar
Your Alright
151 bpm • A Maj • 01:51 • -11.3db
0% Popularity • 64% Danceability • 55% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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Raw Meat
Love With No Return
151 bpm • A min • 02:38 • -7.08db
11% Popularity • 58% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Francesca Sparrow
Young Uneasy
151 bpm • D Maj • 03:50 • -8.72db
19% Popularity • 48% Danceability • 71% Energy • 29% Liveness
7% Instrumentalness • 89% Positiveness
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Trade Martin
Moanin'
151 bpm • D Maj • 02:21 • -5.17db
18% Popularity • 39% Danceability • 91% Energy • 25% Liveness
82% Instrumentalness • 68% Positiveness
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The Coasters
Yakety Yak
158 bpm • A# Maj • 01:53 • -4.11db
13% Popularity • 38% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny's Uncalled Four
Movin' & Groovin'
151 bpm • E Maj • 01:59 • -6.45db
8% Popularity • 60% Danceability • 90% Energy • 19% Liveness
87% Instrumentalness • 97% Positiveness
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Alvie Self
Seven Minutes Till Four
151 bpm • G Maj • 02:08 • -7.64db
14% Popularity • 54% Danceability • 91% Energy • 28% Liveness
87% Instrumentalness • 98% Positiveness
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Elaine Charles
Wrong Will Never Come Out Right
160 bpm • G# Maj • 02:32 • -6.87db
10% Popularity • 43% Danceability • 89% Energy • 40% Liveness
81% Instrumentalness • 83% Positiveness
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Bobby Darin
Splish Splash
150 bpm • F Maj • 02:01 • -4.53db
14% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Drexler John
Cancer Culture
150 bpm • C Maj • 03:26 • -4.01db
18% Popularity • 42% Danceability • 97% Energy • 60% Liveness
6% Instrumentalness • 61% Positiveness
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Worn-Tin
In My Place
150 bpm • G# Maj • 02:47 • -6.98db
18% Popularity • 64% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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The Pilgrims Five
And Blue
150 bpm • G Maj • 02:23 • -11.46db
10% Popularity • 36% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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Deke Dickerson and the Whippersnappers
Bucket of Blood
150 bpm • E Maj • 02:04 • -5.83db
12% Popularity • 61% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Anna Dukke
Good Mind
150 bpm • G Maj • 03:04 • -6.52db
13% Popularity • 84% Danceability • 90% Energy • 22% Liveness
1% Instrumentalness • 98% Positiveness
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Jack Bruce
You Burned The Tables On Me - Live, BBC ...
150 bpm • C Maj • 04:13 • -9.39db
10% Popularity • 43% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Drexler John
Our Lives
150 bpm • C# min • 02:22 • -7.1db
19% Popularity • 52% Danceability • 80% Energy • 21% Liveness
74% Instrumentalness • 93% Positiveness
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Boom! Boom! Deluxe
Two-Bit Hustler
160 bpm • A Maj • 02:51 • -10.7db
16% Popularity • 66% Danceability • 90% Energy • 55% Liveness
2% Instrumentalness • 95% Positiveness
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COOLS
Baby It's Alright
149 bpm • C Maj • 03:00 • -3.65db
8% Popularity • 56% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Neil Sedaka
Honey
160 bpm • B Maj • 02:05 • -12.1db
9% Popularity • 46% Danceability • 89% Energy • 18% Liveness
81% Instrumentalness • 93% Positiveness
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Los Torontos
You're a One
161 bpm • C Maj • 02:15 • -4.09db
10% Popularity • 38% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Dylan Kirk And The Killers
Sinner Not A Saint
161 bpm • C Maj • 03:02 • -6.01db
10% Popularity • 68% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ray Peterson
I'm Gone
149 bpm • E Maj • 01:56 • -11.35db
14% Popularity • 54% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Bloodshot Bill
That Feeling
148 bpm • G Maj • 01:56 • -3.95db
11% Popularity • 40% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Ruby Ann
Your Mamas Here
148 bpm • E Maj • 01:58 • -7.82db
13% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Howlin' Wolf
Baby Workout - Live
162 bpm • F Maj • 03:03 • -8.94db
10% Popularity • 43% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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The Hi-Stakes
Please Don't Subjectify Me
148 bpm • C Maj • 02:04 • -6.14db
11% Popularity • 69% Danceability • 76% Energy • 18% Liveness
11% Instrumentalness • 97% Positiveness
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King Curtis
I Still Want You
148 bpm • E Maj • 02:29 • -8.71db
12% Popularity • 47% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Link Wray
Deacon Jones
163 bpm • E min • 02:07 • -11.18db
10% Popularity • 42% Danceability • 73% Energy • 68% Liveness
53% Instrumentalness • 74% Positiveness
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Mickey Jupp
Got No God
148 bpm • G Maj • 02:29 • -6.28db
11% Popularity • 70% Danceability • 88% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
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The Liverbirds
Talking About You - Remastered 2024
147 bpm • F Maj • 03:07 • -11.47db
10% Popularity • 65% Danceability • 76% Energy • 36% Liveness
3% Instrumentalness • 96% Positiveness
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Wilson Pickett
What to Do
147 bpm • A# Maj • 02:04 • -5.03db
11% Popularity • 42% Danceability • 66% Energy • 35% Liveness
57% Instrumentalness • 88% Positiveness
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Greg Overman
Cherokee
147 bpm • C Maj • 02:47 • -12.29db
26% Popularity • 47% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Kip Tyler
Bongo Rock
164 bpm • G Maj • 02:19 • -8.79db
7% Popularity • 56% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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The Desperados
Messing With My Mind
146 bpm • B min • 03:00 • -2.65db
13% Popularity • 49% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Ritchie Valens
Boney Moronie
146 bpm • F Maj • 02:44 • -8.18db
9% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
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J.B. Lenoir
Five Years
146 bpm • D# Maj • 01:44 • -8db
15% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Creep
Betty Lou's Got A New Tattoo
146 bpm • A Maj • 02:01 • -9.27db
10% Popularity • 44% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Aron Blue
Here Kitty Kitty
146 bpm • A Maj • 03:08 • -8.7db
20% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
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Marcia Ratke
It's Time For Bop
165 bpm • G Maj • 02:15 • -7.39db
28% Popularity • 49% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 85% Positiveness
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Messed Up Trio
Way Too Wasted
165 bpm • E min • 02:34 • -5.59db
21% Popularity • 45% Danceability • 93% Energy • 10% Liveness
16% Instrumentalness • 87% Positiveness
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Link Wray
Mashed Potato Party
146 bpm • B Maj • 02:12 • -7.03db
11% Popularity • 44% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Freddy Cannon
Patty Baby
146 bpm • C Maj • 02:00 • 1.02db
1% Popularity • 56% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Benny and the Cats
Good Deal Lucille
165 bpm • A# Maj • 02:32 • -4.74db
13% Popularity • 45% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Googie Rene
Wiggle Toe, Pt. 2
165 bpm • C Maj • 02:27 • -8.24db
14% Popularity • 59% Danceability • 75% Energy • 3% Liveness
66% Instrumentalness • 75% Positiveness
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Ray Conniff
Cuddle Up A Little Closer
146 bpm • B min • 02:00 • -13.18db
10% Popularity • 71% Danceability • 51% Energy • 25% Liveness
2% Instrumentalness • 78% Positiveness
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Try Industrious
Capture Boyfriend
165 bpm • A Maj • 03:42 • -11db
17% Popularity • 37% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Tito RamÃrez
Evelyn
165 bpm • F Maj • 03:49 • -7db
10% Popularity • 62% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Brian Poole
Twist Little Sister
165 bpm • G Maj • 01:58 • -9.14db
8% Popularity • 46% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Lovesick
I'm in Love with My Baby
165 bpm • E min • 02:36 • -9.72db
14% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Frankie Avalon
Muscle Beach Party
145 bpm • G Maj • 02:07 • -7.58db
8% Popularity • 54% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Sanford Clark
Travelin' Man
165 bpm • G Maj • 02:12 • -6.12db
15% Popularity • 50% Danceability • 70% Energy • 22% Liveness
2% Instrumentalness • 91% Positiveness
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The Astronauts
4:56 Stingray
145 bpm • A Maj • 02:01 • -10.32db
9% Popularity • 52% Danceability • 70% Energy • 71% Liveness
0% Instrumentalness • 84% Positiveness
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Huelyn Duvall
Teen Queen
166 bpm • D Maj • 02:02 • -4.85db
11% Popularity • 59% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny O'Keefe
Lets Have a Party
145 bpm • E min • 01:38 • -9.53db
16% Popularity • 46% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Trashmen
Suzie Q
145 bpm • D# Maj • 02:10 • -7.05db
9% Popularity • 47% Danceability • 82% Energy • 14% Liveness
56% Instrumentalness • 96% Positiveness
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Greg Overman
Light Me
145 bpm • G Maj • 03:36 • -15.81db
26% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Mellows
For You
145 bpm • E Maj • 02:30 • -8.92db
10% Popularity • 56% Danceability • 68% Energy • 16% Liveness
2% Instrumentalness • 97% Positiveness
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The Nut Jumpers
Boogie in the Shack
167 bpm • E Maj • 02:10 • -7.49db
8% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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CaptC
Can't Citify a Country Guy (Radio Cut)
166 bpm • D Maj • 02:37 • -7.48db
19% Popularity • 41% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Hurry Alike
Swear Negotiation
167 bpm • G Maj • 02:29 • -11db
17% Popularity • 61% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny & The Hurricanes
Ten Little Indians
167 bpm • C Maj • 02:07 • -5.36db
7% Popularity • 32% Danceability • 93% Energy • 11% Liveness
96% Instrumentalness • 75% Positiveness
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Neil Sedaka
Come Back Joe
167 bpm • C# Maj • 02:25 • -12.81db
8% Popularity • 42% Danceability • 68% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
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Charlie Feathers
Gone! Gone! Gone!
167 bpm • G Maj • 03:19 • -10.78db
8% Popularity • 63% Danceability • 76% Energy • 32% Liveness
7% Instrumentalness • 85% Positiveness
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Link Wray
Baby Doll
144 bpm • C Maj • 02:02 • -7.84db
11% Popularity • 47% Danceability • 81% Energy • 25% Liveness
55% Instrumentalness • 71% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
The Train Kept A Rollin'
168 bpm • A Maj • 02:17 • -9.73db
15% Popularity • 57% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Big Jay McNeely
... Back... Shack... Track
143 bpm • F# Maj • 02:39 • -9.84db
11% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Jesse Watson
Nashville Boogie
167 bpm • F Maj • 01:38 • -5.99db
9% Popularity • 47% Danceability • 82% Energy • 5% Liveness
93% Instrumentalness • 92% Positiveness
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New Girl in Town