Songs like New Name by Ras Michael and The Sons Of Negus
Based on a tempo of (+/- 10%) and a similar genre
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Ras Michael and The Sons Of Negus
New Name
90 bpm • D Maj • 06:05 • -20.95db
5% Popularity • 77% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
5% Popularity • 77% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Roy Shirley
Israelites Leave Babylon
91 bpm • D Maj • 03:29 • -9.96db
10% Popularity • 81% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 81% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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The Itals
Me Waan Justice
91 bpm • E min • 04:12 • -16.68db
29% Popularity • 68% Danceability • 52% Energy • 25% Liveness
13% Instrumentalness • 81% Positiveness
29% Popularity • 68% Danceability • 52% Energy • 25% Liveness
13% Instrumentalness • 81% Positiveness
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Althea And Donna
Going To Negril - 12'' Version
88 bpm • F# Maj • 07:06 • -10.17db
15% Popularity • 76% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 76% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Misty In Roots
On the Road
88 bpm • A Maj • 05:15 • -7db
19% Popularity • 86% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
19% Popularity • 86% Danceability • 47% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Tony Tuff
Caution
93 bpm • G min • 04:10 • -7.37db
18% Popularity • 85% Danceability • 73% Energy • 28% Liveness
43% Instrumentalness • 80% Positiveness
18% Popularity • 85% Danceability • 73% Energy • 28% Liveness
43% Instrumentalness • 80% Positiveness
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Ras Michael and The Sons Of Negus
A New Dub
90 bpm • D Maj • 03:27 • -13.36db
2% Popularity • 84% Danceability • 27% Energy • 32% Liveness
74% Instrumentalness • 79% Positiveness
2% Popularity • 84% Danceability • 27% Energy • 32% Liveness
74% Instrumentalness • 79% Positiveness
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Dillinger
Chuky Skank
87 bpm • G Maj • 02:39 • -9.5db
23% Popularity • 75% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 75% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Dennis Alcapone
Cassius Clay
94 bpm • A min • 03:26 • -5db
31% Popularity • 82% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 82% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Capital Letters
Buzzrock
85 bpm • D min • 03:25 • -8.26db
9% Popularity • 74% Danceability • 61% Energy • 12% Liveness
7% Instrumentalness • 37% Positiveness
9% Popularity • 74% Danceability • 61% Energy • 12% Liveness
7% Instrumentalness • 37% Positiveness
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Misty In Roots
New Day
95 bpm • F# min • 04:37 • -8db
26% Popularity • 83% Danceability • 56% Energy • 34% Liveness
14% Instrumentalness • 78% Positiveness
26% Popularity • 83% Danceability • 56% Energy • 34% Liveness
14% Instrumentalness • 78% Positiveness
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Half Pint
One Big Ghetto
85 bpm • A# min • 03:12 • -7.68db
23% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Ras Michael and The Sons Of Negus
No Hoppers Version
89 bpm • A Maj • 03:21 • -10.05db
2% Popularity • 88% Danceability • 36% Energy • 7% Liveness
54% Instrumentalness • 67% Positiveness
2% Popularity • 88% Danceability • 36% Energy • 7% Liveness
54% Instrumentalness • 67% Positiveness
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Charlie Chaplin
Batta Batta
95 bpm • D Maj • 03:20 • -5.38db
26% Popularity • 88% Danceability • 78% Energy • 21% Liveness
9% Instrumentalness • 64% Positiveness
26% Popularity • 88% Danceability • 78% Energy • 21% Liveness
9% Instrumentalness • 64% Positiveness
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The Sound Dimension
Rockfort Rock
84 bpm • G Maj • 02:23 • -10.98db
29% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
29% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
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The Ethiopian
Locust
84 bpm • G# Maj • 04:19 • -11.28db
24% Popularity • 82% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 82% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Techniques
Travelling Man
83 bpm • E min • 02:33 • -9.16db
26% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Junior Delgado
Liberation
83 bpm • C# Maj • 03:41 • -9db
29% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Ras Michael and The Sons Of Negus
New Name
91 bpm • D Maj • 05:50 • -12.55db
5% Popularity • 78% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
5% Popularity • 78% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Ras Michael
Truth & Right
83 bpm • C# Maj • 05:26 • -23db
9% Popularity • 78% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 52% Positiveness
9% Popularity • 78% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 52% Positiveness
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Michael Rose
Born Free
83 bpm • D Maj • 03:32 • -7.37db
23% Popularity • 69% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 69% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Slim Smith
Rougher Yet
83 bpm • D# min • 03:06 • -7.74db
27% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Capital Letters
Vinyard
82 bpm • A min • 03:25 • -12.02db
15% Popularity • 77% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 77% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Cornell Campbell
I'll Mash You Down
82 bpm • F# min • 02:46 • -6db
34% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
34% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
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Ras Michael and The Sons Of Negus
New Name
91 bpm • D Maj • 05:50 • -8db
16% Popularity • 78% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 78% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Jah Shaka
Drum Dub
83 bpm • C min • 03:04 • -10.72db
22% Popularity • 66% Danceability • 49% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
22% Popularity • 66% Danceability • 49% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
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Anthony Rocky Ellis
I'm the Ruler
82 bpm • A# Maj • 02:19 • -9.84db
24% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Lacksley Castell
Johnny Brown
82 bpm • A min • 03:38 • -11.96db
25% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Lloyd Charmers
One Woman
81 bpm • F# Maj • 03:14 • -14.77db
28% Popularity • 76% Danceability • 39% Energy • 14% Liveness
8% Instrumentalness • 46% Positiveness
28% Popularity • 76% Danceability • 39% Energy • 14% Liveness
8% Instrumentalness • 46% Positiveness
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Cannon
Bad Treatment
82 bpm • F min • 03:02 • -9.66db
21% Popularity • 82% Danceability • 55% Energy • 7% Liveness
86% Instrumentalness • 68% Positiveness
21% Popularity • 82% Danceability • 55% Energy • 7% Liveness
86% Instrumentalness • 68% Positiveness
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Ras Michael and The Sons Of Negus
No Hoppers
88 bpm • B min • 04:33 • -19.93db
5% Popularity • 86% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
5% Popularity • 86% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Michigan
Rub a Dub Style
81 bpm • B min • 06:13 • -8.11db
21% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Congos
Music Maker
81 bpm • A Maj • 03:59 • -14.35db
16% Popularity • 71% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 76% Positiveness
16% Popularity • 71% Danceability • 35% Energy • 10% Liveness
96% Instrumentalness • 76% Positiveness
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Junior Delgado
Away With You Fussing and Fighting
81 bpm • A Maj • 04:13 • -7db
16% Popularity • 69% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 69% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Bunny Wailer
I'm The Toughest
81 bpm • A min • 02:45 • -14.78db
36% Popularity • 71% Danceability • 41% Energy • 6% Liveness
30% Instrumentalness • 66% Positiveness
36% Popularity • 71% Danceability • 41% Energy • 6% Liveness
30% Instrumentalness • 66% Positiveness
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Dillinger
Natty Kung Fu
81 bpm • C# Maj • 03:03 • -10.17db
18% Popularity • 85% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 85% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Ras Michael and The Sons Of Negus
Jah Jah Power Shall Endure
94 bpm • G# Maj • 04:05 • -17.56db
2% Popularity • 68% Danceability • 38% Energy • 6% Liveness
95% Instrumentalness • 64% Positiveness
2% Popularity • 68% Danceability • 38% Energy • 6% Liveness
95% Instrumentalness • 64% Positiveness
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Martin Campbell
The War Must Cease
81 bpm • E min • 03:12 • -17db
23% Popularity • 86% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 86% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Prince Jazzbo
School
81 bpm • B min • 02:38 • -10.18db
30% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Michael Dyke
Saturday Night Special
81 bpm • A# min • 02:54 • -8.9db
21% Popularity • 80% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 80% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Al Campbell
Take a Ride
81 bpm • C# min • 02:51 • -10.27db
27% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Cornell Campbell
General Dub
81 bpm • C# Maj • 02:21 • -10db
29% Popularity • 78% Danceability • 36% Energy • 25% Liveness
58% Instrumentalness • 43% Positiveness
29% Popularity • 78% Danceability • 36% Energy • 25% Liveness
58% Instrumentalness • 43% Positiveness
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Ras Michael and The Sons Of Negus
Over The Mountain
85 bpm • C# Maj • 04:50 • -19db
5% Popularity • 75% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 75% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Lacksley Castell
Unkind to Myself
81 bpm • A min • 04:47 • -11db
18% Popularity • 78% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 78% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Jerry Johnson
Saxman Special
80 bpm • C Maj • 03:24 • -5.65db
15% Popularity • 76% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 49% Positiveness
15% Popularity • 76% Danceability • 61% Energy • 15% Liveness
90% Instrumentalness • 49% Positiveness
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Earl Cunningham
Cool Profile
80 bpm • D min • 03:46 • -13.75db
13% Popularity • 74% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
13% Popularity • 74% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
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Althea And Donna
No More Fighting - Remastered 2001
80 bpm • G Maj • 03:37 • -9.18db
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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The Revolutionaries
37 Orange Street
80 bpm • G Maj • 02:17 • -13.95db
21% Popularity • 80% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
21% Popularity • 80% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Ras Michael and The Sons Of Negus
It Is No Secret
96 bpm • A# Maj • 05:02 • -9.63db
4% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Lacksley Castell
Morning Glory
81 bpm • F min • 03:08 • -11db
37% Popularity • 83% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 83% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Junior Delgado
Every Natty
79 bpm • C min • 02:20 • -11.3db
27% Popularity • 75% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
27% Popularity • 75% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
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Jackie Edwards
Invasion (AKA Wa Da Da)
80 bpm • C# min • 03:26 • -9.34db
12% Popularity • 54% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
12% Popularity • 54% Danceability • 54% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
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Ken Boothe
Black, Gold and Green
79 bpm • D min • 03:09 • -12.04db
20% Popularity • 73% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 73% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Aggrovators
Dub Ites Green and Gold
79 bpm • A# min • 03:32 • -10.55db
11% Popularity • 76% Danceability • 50% Energy • 7% Liveness
63% Instrumentalness • 56% Positiveness
11% Popularity • 76% Danceability • 50% Energy • 7% Liveness
63% Instrumentalness • 56% Positiveness
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Ras Michael and The Sons Of Negus
It Is No Secret
96 bpm • F Maj • 05:38 • -9.28db
6% Popularity • 60% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 60% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Misty In Roots
Poor and Needy
79 bpm • A min • 10:59 • -9.96db
25% Popularity • 79% Danceability • 39% Energy • 11% Liveness
46% Instrumentalness • 88% Positiveness
25% Popularity • 79% Danceability • 39% Energy • 11% Liveness
46% Instrumentalness • 88% Positiveness
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The Interns
Nothing Is Impossible
79 bpm • A Maj • 03:43 • -4.16db
12% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 69% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Jah Carlos
Prepare Jah Man
79 bpm • A# Maj • 03:22 • -10.94db
11% Popularity • 73% Danceability • 48% Energy • 8% Liveness
50% Instrumentalness • 69% Positiveness
11% Popularity • 73% Danceability • 48% Energy • 8% Liveness
50% Instrumentalness • 69% Positiveness
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Cornell Campbell
Natty Dread In A Greenwich Farm
79 bpm • G min • 02:47 • -9db
28% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Aggrovators
Two Face Rasta Dub
79 bpm • G min • 05:25 • -7.09db
18% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Ras Michael and The Sons Of Negus
Babylon (Super Bomb)
79 bpm • E min • 03:40 • -10.46db
3% Popularity • 81% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 81% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Sugar Belly
Cousin Joe Pt 1
79 bpm • A Maj • 03:39 • -13db
25% Popularity • 67% Danceability • 35% Energy • 9% Liveness
63% Instrumentalness • 85% Positiveness
25% Popularity • 67% Danceability • 35% Energy • 9% Liveness
63% Instrumentalness • 85% Positiveness
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Lacksley Castell
Genie in a Jar
79 bpm • A min • 03:25 • -13.72db
33% Popularity • 88% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 88% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Anthony Johnson
Gunshot
78 bpm • D Maj • 03:08 • -7db
30% Popularity • 84% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 84% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Prince Jazzbo
Crabwalking
78 bpm • A min • 03:15 • -6db
25% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Joe Higgs
Let us do Something
104 bpm • E min • 03:40 • -10.66db
21% Popularity • 89% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 80% Positiveness
21% Popularity • 89% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 80% Positiveness
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Ras Michael and The Sons Of Negus
Hear River Jordan
96 bpm • B min • 04:55 • -17.33db
10% Popularity • 52% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 52% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Cornell Campbell
Boxing Around
78 bpm • D Maj • 04:10 • -9.9db
24% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Josey Wales
Love I Want
77 bpm • C# Maj • 03:02 • -13.19db
22% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Anthony Johnson
Gunshot
77 bpm • D Maj • 06:49 • -8.05db
19% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Prophet
Gunman
77 bpm • C Maj • 04:26 • -9.21db
26% Popularity • 78% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 78% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Duke Reid
Botheration
76 bpm • G Maj • 02:12 • -9.52db
29% Popularity • 78% Danceability • 43% Energy • 8% Liveness
46% Instrumentalness • 97% Positiveness
29% Popularity • 78% Danceability • 43% Energy • 8% Liveness
46% Instrumentalness • 97% Positiveness
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Ras Michael and The Sons Of Negus
Georges Lane
84 bpm • C# Maj • 03:42 • -7.46db
3% Popularity • 80% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 80% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 89% Positiveness
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Cornell Campbell
The Gorgan
77 bpm • G# Maj • 02:20 • -5db
24% Popularity • 76% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 76% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Leroy Sibbles
Garden of Life
76 bpm • D Maj • 04:22 • -8.96db
11% Popularity • 77% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 77% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Palmer
Ghetto Dance
77 bpm • E min • 07:02 • -8.99db
17% Popularity • 71% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 71% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Michael Prophet
Evil Doers
77 bpm • F# min • 03:25 • -7.81db
29% Popularity • 68% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 68% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Pablo Moses
Last Straw
77 bpm • D min • 03:47 • -9.25db
24% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ras Michael and The Sons Of Negus
Chant Out The Wicked
84 bpm • G Maj • 03:58 • -9.98db
2% Popularity • 68% Danceability • 55% Energy • 5% Liveness
43% Instrumentalness • 56% Positiveness
2% Popularity • 68% Danceability • 55% Energy • 5% Liveness
43% Instrumentalness • 56% Positiveness
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Carlton Livingston
Trodding
76 bpm • D Maj • 03:38 • -13db
40% Popularity • 81% Danceability • 40% Energy • 12% Liveness
30% Instrumentalness • 48% Positiveness
40% Popularity • 81% Danceability • 40% Energy • 12% Liveness
30% Instrumentalness • 48% Positiveness
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Pablo Gad
Trafalgar Square
110 bpm • F min • 05:24 • -8.98db
12% Popularity • 80% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 80% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Fred Locks
Love and Only Love
114 bpm • G# Maj • 03:19 • -11.37db
20% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Larry Marshall
Run Babylon
117 bpm • E min • 03:03 • -6.92db
17% Popularity • 96% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 96% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Bongo Herman
Know for I
115 bpm • C Maj • 02:47 • -10.14db
27% Popularity • 93% Danceability • 31% Energy • 9% Liveness
4% Instrumentalness • 94% Positiveness
27% Popularity • 93% Danceability • 31% Energy • 9% Liveness
4% Instrumentalness • 94% Positiveness
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Ras Michael and The Sons Of Negus
Truth and Right
83 bpm • C# min • 04:20 • -9.37db
6% Popularity • 77% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
6% Popularity • 77% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Dub Specialist
Musical Science
117 bpm • D# Maj • 03:17 • -8.82db
14% Popularity • 81% Danceability • 60% Energy • 6% Liveness
49% Instrumentalness • 76% Positiveness
14% Popularity • 81% Danceability • 60% Energy • 6% Liveness
49% Instrumentalness • 76% Positiveness
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Willie Williams
Addis a Baba
118 bpm • A# Maj • 03:37 • -8.81db
13% Popularity • 70% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 70% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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The Twinkle Brothers
Free Us - 2002 Digital Remastered
119 bpm • A min • 04:21 • -9.91db
17% Popularity • 78% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 78% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Tetrack
Isn't It Time
119 bpm • E min • 03:18 • -8db
11% Popularity • 81% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
11% Popularity • 81% Danceability • 62% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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Bongo Herman
Salaam
118 bpm • C Maj • 03:07 • -10.71db
10% Popularity • 86% Danceability • 59% Energy • 15% Liveness
63% Instrumentalness • 88% Positiveness
10% Popularity • 86% Danceability • 59% Energy • 15% Liveness
63% Instrumentalness • 88% Positiveness
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The Congos
Thief Is In The Vineyard
121 bpm • G Maj • 03:14 • -15.96db
21% Popularity • 92% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 92% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Ras Michael and The Sons Of Negus
Mr. Brown
83 bpm • G Maj • 04:12 • -8.62db
4% Popularity • 79% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
4% Popularity • 79% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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Capital Letters
Smoking My Ganja
121 bpm • D Maj • 04:22 • -7.38db
37% Popularity • 84% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 84% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Ranking Joe
Natty The Collie Smoker
121 bpm • A min • 03:04 • -4.37db
25% Popularity • 83% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 83% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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The Twinkle Brothers
Babylon Falling - 2002 Digital Remastere...
121 bpm • B min • 03:51 • -14.29db
32% Popularity • 82% Danceability • 37% Energy • 12% Liveness
13% Instrumentalness • 60% Positiveness
32% Popularity • 82% Danceability • 37% Energy • 12% Liveness
13% Instrumentalness • 60% Positiveness
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Pablo Gad
Trodding On Home
121 bpm • C# Maj • 03:22 • -8.76db
27% Popularity • 82% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 82% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Matumbi
Guide Us Jah - 2001 Digital Remaster
121 bpm • G min • 04:05 • -10.36db
15% Popularity • 88% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 88% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Ras Michael and The Sons Of Negus
Int'l Year Of The Child
98 bpm • E Maj • 06:48 • -16.37db
3% Popularity • 61% Danceability • 45% Energy • 17% Liveness
8% Instrumentalness • 75% Positiveness
3% Popularity • 61% Danceability • 45% Energy • 17% Liveness
8% Instrumentalness • 75% Positiveness
