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New Normal
Songs like
New Normal
by
Cooper Alan
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Scott
In Our Blood
75 bpm • C min • 02:53 • -4.87db
49% Popularity • 49% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Doleac
Another
75 bpm • G Maj • 03:08 • -6.28db
48% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cooper Alan
New Normal
75 bpm • G# min • 02:46 • -8db
56% Popularity • 72% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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David Morris
Who Hurt You
75 bpm • G Maj • 03:15 • -5db
49% Popularity • 63% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Sam Hunt
Kinfolks
76 bpm • C Maj • 03:01 • -5db
63% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Luke Combs
Must've Never Met You
75 bpm • F# Maj • 03:18 • -3.22db
69% Popularity • 46% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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James Barker Band
Wastin' Whiskey
76 bpm • B Maj • 03:10 • -3.06db
43% Popularity • 54% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Bryan Martin
Beauty in the Struggle
74 bpm • C# Maj • 02:32 • -7.5db
66% Popularity • 57% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Cooper Alan
Hitting Your Friends Up
76 bpm • C# Maj • 03:10 • -8db
41% Popularity • 56% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Ella Langley
Damn You
77 bpm • E Maj • 03:03 • -3db
57% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tenille Arts
Back Then, Right Now
77 bpm • F Maj • 03:02 • -3.23db
51% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Travis Denning
Buy A Girl A Drink
77 bpm • D# Maj • 03:16 • -6.01db
45% Popularity • 54% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Tuten Brothers
There She Is
77 bpm • G# Maj • 02:54 • -7db
45% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Bandi
Would Have Loved Her
78 bpm • G Maj • 03:16 • -6.09db
45% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Cooper Alan
Pink Umbrella Drinks
77 bpm • A# Maj • 03:28 • -7.93db
38% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Taylor Ray Holbrook
Tie Me Down
72 bpm • F Maj • 03:20 • -5.34db
49% Popularity • 53% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Scotty McCreery
This Is It
78 bpm • G# Maj • 03:50 • -6.79db
62% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Love Like Crazy
78 bpm • A# Maj • 03:37 • -5.11db
63% Popularity • 54% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Dylan Schneider
Wannabe
79 bpm • B Maj • 03:15 • -5.12db
53% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Drew Baldridge
Before You
79 bpm • F Maj • 03:39 • -6.17db
35% Popularity • 52% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Cooper Alan
Never Not Remember You
77 bpm • D Maj • 02:57 • -8.74db
58% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Gabby Barrett
Pick Me Up
80 bpm • D Maj • 02:49 • -5db
56% Popularity • 47% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Marlowe
All About It
80 bpm • D Maj • 03:05 • -6db
49% Popularity • 42% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lee Brice
Boy
79 bpm • F# Maj • 03:18 • -7.95db
62% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rvshvd
Raised Up
80 bpm • C# Maj • 03:33 • -5db
47% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Chase Matthew
Love Like That
80 bpm • F# Maj • 03:06 • -9db
55% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Scott
Nobody
80 bpm • F Maj • 02:42 • -7db
60% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Cooper Alan
Best Man
80 bpm • B Maj • 02:50 • -9.06db
42% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Spencer Crandall
Things I Can't Say
80 bpm • G# Maj • 02:44 • -4.22db
49% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Restless Road
Growing Old With You
80 bpm • F Maj • 03:16 • -7.12db
51% Popularity • 48% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Drew Baldridge
Imma
81 bpm • F Maj • 02:54 • -5.2db
37% Popularity • 54% Danceability • 84% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
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Troy Cartwright
That's Why
69 bpm • A Maj • 03:01 • -5.99db
54% Popularity • 42% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mitchell Tenpenny
Truth About You
81 bpm • A# Maj • 03:23 • -4.65db
61% Popularity • 52% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Jon Langston
All Eyes On Us
81 bpm • A# Maj • 03:02 • -2.54db
55% Popularity • 28% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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LOCASH
One Big Country Song
82 bpm • F Maj • 03:13 • -2.85db
57% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Upchurch
Shoulda Named It After Me
82 bpm • B Maj • 02:50 • -3.61db
55% Popularity • 35% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Chase McDaniel
Relapse
82 bpm • F# min • 03:19 • -5db
47% Popularity • 59% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
68% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Schneider
How Does It Sound
82 bpm • G Maj • 02:42 • -6db
60% Popularity • 54% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
68% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Priscilla Block
Off The Deep End
82 bpm • A# min • 03:16 • -5db
48% Popularity • 66% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The Reklaws
Where I'm From
83 bpm • F Maj • 03:31 • -4.15db
42% Popularity • 32% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Julia Cole
Even In My Dreams
85 bpm • F Maj • 03:11 • -3.56db
38% Popularity • 31% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Houser
Note to Self
85 bpm • C# Maj • 03:15 • -6.49db
67% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Morgan Wallen
More Surprised Than Me
85 bpm • F# Maj • 02:37 • -6.05db
64% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dalton Dover
Damn Good Life
87 bpm • G Maj • 02:38 • -6.52db
35% Popularity • 59% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 37% Positiveness
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High Valley
River's Still Running
86 bpm • C Maj • 03:09 • -5.66db
39% Popularity • 54% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Coffey Anderson
Cowboy Style
88 bpm • B Maj • 02:55 • -5.55db
32% Popularity • 53% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Noah Hicks
Dirt On It
88 bpm • C# Maj • 02:34 • -5db
56% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cooper Alan
This Ain't Country
88 bpm • C Maj • 02:46 • -10db
54% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Morgan Wallen
865
88 bpm • G# Maj • 03:10 • -5.25db
70% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Easton Corbin
Marry That Girl
88 bpm • E Maj • 03:10 • -7.41db
57% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Chase Rice
Forever To Go
89 bpm • C# Maj • 02:57 • -8.1db
49% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:49 • -7.74db
60% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
67% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Chase Matthew
Pull Up
90 bpm • C Maj • 02:32 • -5db
66% Popularity • 73% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Tim McGraw
Undivided
90 bpm • A# Maj • 02:57 • -4.75db
49% Popularity • 58% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Logan Mize
Grew Apart
89 bpm • G Maj • 02:52 • -7.84db
46% Popularity • 59% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Cooper Alan
To the Bar
90 bpm • E Maj • 02:32 • -3.93db
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Morgan Wallen
Wonderin’ Bout The Wind
91 bpm • F# Maj • 03:02 • -5.63db
64% Popularity • 48% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Johnson
Welcome to the Show
91 bpm • F# Maj • 02:40 • -3.83db
67% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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CHASE WRIGHT
Why Should We
92 bpm • G# min • 02:50 • -6db
46% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Cooper Alan
Runnin'
92 bpm • E Maj • 02:56 • -9.05db
47% Popularity • 59% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Drew Baldridge
Beach Ain't One
93 bpm • B Maj • 02:50 • -3.71db
39% Popularity • 60% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Doleac
Coulda Loved You Longer
93 bpm • B Maj • 02:56 • -6.41db
42% Popularity • 64% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
Death Row
93 bpm • D Maj • 03:51 • -7.64db
45% Popularity • 32% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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High Valley
Whatever It Takes
94 bpm • A# Maj • 02:48 • -5db
38% Popularity • 57% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Priscilla Block
I Bet You Wanna Know
94 bpm • G min • 02:39 • -5db
43% Popularity • 57% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Blanco Brown
Nobody's More Country
95 bpm • G Maj • 02:52 • -7.97db
48% Popularity • 61% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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David Morris
Does He Know About Us
95 bpm • F# min • 02:38 • -5.4db
51% Popularity • 64% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
67% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Craig Morgan
International Harvester
95 bpm • D Maj • 03:48 • -5.17db
60% Popularity • 70% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmie Allen
Good Times Roll
96 bpm • C Maj • 02:38 • -4.45db
57% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Drake Milligan
Hating Everything She Tries On
96 bpm • G# min • 02:45 • -4.74db
51% Popularity • 67% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Noah Hicks
Drinkin' in a College Town
96 bpm • F min • 02:22 • -4.51db
37% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
58% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Mac
Countryfied
96 bpm • B Maj • 02:16 • -3.83db
35% Popularity • 75% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmie Allen
Freedom Was A Highway
96 bpm • C# Maj • 03:32 • -4.49db
56% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Cooper Alan
Small Town Celebrities
97 bpm • G Maj • 03:06 • -5.64db
44% Popularity • 65% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
51% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Ian Munsick
Long Live Cowgirls
97 bpm • A# Maj • 03:05 • -5.98db
62% Popularity • 52% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
41% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Travis Denning
Dirt Road Down
98 bpm • G# Maj • 02:45 • -4.64db
54% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Dean Brody
I'd Go To Jail
98 bpm • D Maj • 03:02 • -5.5db
39% Popularity • 50% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Drew Baldridge
She's Somebody's Daughter
98 bpm • F# Maj • 02:56 • -5db
55% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Wallen
If I Know Me
100 bpm • G# Maj • 02:37 • -5.81db
70% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Hubbard
Me For Me
100 bpm • F# Maj • 02:54 • -5.84db
56% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Roman Alexander
Between You & Me
100 bpm • E Maj • 02:49 • -7.65db
48% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
56% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Logan Mize
Better Off Gone
100 bpm • F min • 03:02 • -7.42db
55% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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James Johnston
SMALL TOWN
100 bpm • D Maj • 02:40 • -4.85db
40% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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New Normal