Songs like News At Ten by The Vapors
Based on a tempo of (+/- 10%) and a similar genre
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The Undertones
Boys Will Be Boys
176 bpm • F Maj • 01:27 • -7.63db
31% Popularity • 40% Danceability • 66% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 40% Danceability • 66% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
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The Vapors
Somehow
176 bpm • C# min • 03:33 • -6.82db
15% Popularity • 43% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 43% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Squeeze
Slightly Drunk
176 bpm • D Maj • 02:41 • -11.74db
22% Popularity • 30% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 30% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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The Go-Go's
Can't Stop The World
176 bpm • A Maj • 03:19 • -6db
27% Popularity • 47% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 47% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Monks
Spotty Face
176 bpm • A Maj • 03:13 • -8.46db
15% Popularity • 40% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 40% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Knack
Good Girls Don't
176 bpm • D Maj • 03:09 • -10db
41% Popularity • 40% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 40% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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The Vibrators
Automatic Lover
176 bpm • A Maj • 03:02 • -7.39db
14% Popularity • 52% Danceability • 89% Energy • 27% Liveness
1% Instrumentalness • 94% Positiveness
14% Popularity • 52% Danceability • 89% Energy • 27% Liveness
1% Instrumentalness • 94% Positiveness
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The Vapors
News At Ten
176 bpm • G Maj • 03:18 • -6db
28% Popularity • 35% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 35% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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The Clash
Capital Radio
175 bpm • E Maj • 03:20 • -8db
24% Popularity • 38% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 38% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Tourists
Blind Among the Flowers
175 bpm • A Maj • 03:31 • -12.35db
16% Popularity • 37% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 37% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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The Barracudas
(I Wish It Could Be) 1965 Again
175 bpm • A Maj • 03:26 • -6db
12% Popularity • 17% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 17% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 41% Positiveness
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The Dickies
(I'm Stuck In A Pagoda With) Tritia Toyo...
175 bpm • E Maj • 02:52 • -6db
22% Popularity • 37% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 37% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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The Motors
You Beat The Hell Outta Me
175 bpm • A Maj • 03:27 • -12.4db
12% Popularity • 44% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 44% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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The Vapors
Somehow
175 bpm • B Maj • 03:34 • -8.16db
7% Popularity • 42% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 42% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Clash
Julie's Been Working for the Drug Squad ...
175 bpm • A Maj • 03:03 • -6db
39% Popularity • 49% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 49% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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The Go-Go's
Beatnik Beach
174 bpm • A Maj • 02:53 • -10db
29% Popularity • 36% Danceability • 93% Energy • 7% Liveness
21% Instrumentalness • 78% Positiveness
29% Popularity • 36% Danceability • 93% Energy • 7% Liveness
21% Instrumentalness • 78% Positiveness
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Secret Affair
Do You Know?
178 bpm • F min • 03:56 • -5db
13% Popularity • 28% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 28% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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The Primitives
Really Stupid
178 bpm • F# Maj • 02:28 • -6.57db
18% Popularity • 32% Danceability • 98% Energy • 34% Liveness
43% Instrumentalness • 58% Positiveness
18% Popularity • 32% Danceability • 98% Energy • 34% Liveness
43% Instrumentalness • 58% Positiveness
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Tom Robinson Band
Ain't Gonna Take It
173 bpm • D Maj • 02:53 • -1.23db
13% Popularity • 22% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 22% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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The Vapors
News At Ten - Single Version
174 bpm • B min • 03:21 • -7db
13% Popularity • 34% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 34% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Ramones
Howling at the Moon (Sha-La-La)
174 bpm • A Maj • 04:07 • -6.05db
41% Popularity • 54% Danceability • 96% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
41% Popularity • 54% Danceability • 96% Energy • 5% Liveness
1% Instrumentalness • 53% Positiveness
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The Monks
I Ain't Gettin' Any
173 bpm • G Maj • 03:26 • -9.22db
17% Popularity • 60% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 60% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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The Nerves
Walking Out on Love
173 bpm • A Maj • 01:35 • -6db
31% Popularity • 29% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 29% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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The Piranhas
Getting Beaten Up
179 bpm • A Maj • 02:14 • -12db
21% Popularity • 68% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
21% Popularity • 68% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
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The Members
Solitary Confinement
173 bpm • A Maj • 05:57 • -6.24db
21% Popularity • 36% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 36% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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The Beat
Two Swords - 2012 Remaster
179 bpm • G Maj • 02:19 • -8.51db
25% Popularity • 43% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 43% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Vibrators
Turning Japanese
180 bpm • G Maj • 03:41 • -6.5db
21% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Monks
Johnny B. Rotten
179 bpm • B Maj • 02:56 • -8.94db
23% Popularity • 59% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 59% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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The Boomtown Rats
Lookin' After No. 1
180 bpm • C# min • 03:10 • -3.11db
32% Popularity • 32% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 32% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Vapors
Turning Japanese - Re-Recorded
180 bpm • C Maj • 03:43 • -10.91db
5% Popularity • 49% Danceability • 83% Energy • 82% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 49% Danceability • 83% Energy • 82% Liveness
0% Instrumentalness • 82% Positiveness
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Squeeze
Misadventure
180 bpm • G Maj • 02:54 • -12.35db
24% Popularity • 43% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 43% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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The Ruts
West One (Shine On Me)
172 bpm • D Maj • 05:42 • -15.53db
18% Popularity • 24% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 24% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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The Dickies
Stukas over Disneyland
181 bpm • B Maj • 03:11 • -5.04db
17% Popularity • 31% Danceability • 98% Energy • 8% Liveness
2% Instrumentalness • 77% Positiveness
17% Popularity • 31% Danceability • 98% Energy • 8% Liveness
2% Instrumentalness • 77% Positiveness
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The Beat
Click Click - 2012 Remaster
181 bpm • D Maj • 01:27 • -10.05db
26% Popularity • 42% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 42% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Any Trouble
Yesterday's Love
181 bpm • C# Maj • 02:53 • -6.69db
12% Popularity • 31% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 31% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Vapors
Turning Japanese - Non Stop Edit
180 bpm • C Maj • 03:44 • -5.85db
52% Popularity • 50% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 50% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Rudi
The Pressure's On
170 bpm • D Maj • 02:35 • -8db
22% Popularity • 42% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 42% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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The Ruts
Something That I Said
171 bpm • A Maj • 03:54 • -8db
21% Popularity • 33% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 33% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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XTC
Are You Receiving Me? - 2001 Remaster
170 bpm • C Maj • 03:05 • -4.78db
22% Popularity • 37% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 37% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie & The Hot Rods
The Power & The Glory
170 bpm • G Maj • 04:15 • -3.8db
14% Popularity • 25% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 25% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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The Members
Sally
170 bpm • A min • 02:55 • -12db
9% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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The Vapors
Trains
180 bpm • F# Maj • 03:26 • -6.68db
19% Popularity • 43% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 43% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Rudi
Big Time
183 bpm • D Maj • 02:47 • -7.93db
27% Popularity • 35% Danceability • 94% Energy • 28% Liveness
9% Instrumentalness • 62% Positiveness
27% Popularity • 35% Danceability • 94% Energy • 28% Liveness
9% Instrumentalness • 62% Positiveness
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Tubeway Army
That's Too Bad
170 bpm • G# Maj • 03:20 • -9db
20% Popularity • 33% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 33% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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The Knack
Let Me Out
169 bpm • D Maj • 02:21 • -8.34db
29% Popularity • 42% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 42% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Tonight
Drummer Man
169 bpm • A Maj • 02:46 • -5.18db
12% Popularity • 45% Danceability • 96% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 45% Danceability • 96% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
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The Members
Sally
170 bpm • A min • 02:55 • -6db
12% Popularity • 38% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 38% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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The Vapors
Spring Collection
170 bpm • B Maj • 02:53 • -9.91db
12% Popularity • 48% Danceability • 65% Energy • 3% Liveness
6% Instrumentalness • 95% Positiveness
12% Popularity • 48% Danceability • 65% Energy • 3% Liveness
6% Instrumentalness • 95% Positiveness
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Squeeze
Touching Me Touching You
169 bpm • A Maj • 02:25 • -12.48db
21% Popularity • 33% Danceability • 65% Energy • 34% Liveness
1% Instrumentalness • 82% Positiveness
21% Popularity • 33% Danceability • 65% Energy • 34% Liveness
1% Instrumentalness • 82% Positiveness
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Skids
Of One Skin
169 bpm • C# Maj • 02:26 • -13.09db
24% Popularity • 32% Danceability • 51% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
24% Popularity • 32% Danceability • 51% Energy • 10% Liveness
12% Instrumentalness • 22% Positiveness
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Penetration
Life's A Gamble
169 bpm • E Maj • 02:59 • -11.32db
18% Popularity • 26% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 26% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
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The Knack
Maybe Tonight
169 bpm • D Maj • 04:03 • -12db
22% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Vibrators
Whips and Furs
169 bpm • E Maj • 02:13 • -11.53db
33% Popularity • 42% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 42% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Vapors
Eyes On The Prize
172 bpm • C# Maj • 02:56 • -9.99db
15% Popularity • 42% Danceability • 84% Energy • 17% Liveness
2% Instrumentalness • 95% Positiveness
15% Popularity • 42% Danceability • 84% Energy • 17% Liveness
2% Instrumentalness • 95% Positiveness
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The Adverts
Great British Mistake
169 bpm • G Maj • 03:48 • -7db
18% Popularity • 15% Danceability • 98% Energy • 25% Liveness
1% Instrumentalness • 31% Positiveness
18% Popularity • 15% Danceability • 98% Energy • 25% Liveness
1% Instrumentalness • 31% Positiveness
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The Rezillos
Top of the Pops
184 bpm • D Maj • 02:55 • -12.22db
37% Popularity • 42% Danceability • 59% Energy • 10% Liveness
5% Instrumentalness • 97% Positiveness
37% Popularity • 42% Danceability • 59% Energy • 10% Liveness
5% Instrumentalness • 97% Positiveness
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Penetration
Danger Signs
183 bpm • B min • 02:28 • -5.49db
9% Popularity • 35% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 35% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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The Ruts
Babylon's Burning
168 bpm • A min • 02:35 • -8.52db
43% Popularity • 33% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 33% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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XTC
Radios In Motion - 2001 Remaster
184 bpm • A Maj • 02:54 • -3.16db
25% Popularity • 36% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 36% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Vapors
Trains
180 bpm • F# Maj • 03:29 • -8.93db
8% Popularity • 43% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 43% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Skids
The Olympian
168 bpm • C Maj • 03:30 • -7.07db
14% Popularity • 34% Danceability • 89% Energy • 65% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 34% Danceability • 89% Energy • 65% Liveness
0% Instrumentalness • 46% Positiveness
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Alberto Y Lost Trios Paranoias
Heads Down, No-Nonsense Mindless Boogie
184 bpm • A Maj • 02:42 • -9.52db
11% Popularity • 45% Danceability • 83% Energy • 5% Liveness
21% Instrumentalness • 77% Positiveness
11% Popularity • 45% Danceability • 83% Energy • 5% Liveness
21% Instrumentalness • 77% Positiveness
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The Rezillos
It Gets Me
184 bpm • G Maj • 02:11 • -11.52db
19% Popularity • 41% Danceability • 68% Energy • 78% Liveness
72% Instrumentalness • 96% Positiveness
19% Popularity • 41% Danceability • 68% Energy • 78% Liveness
72% Instrumentalness • 96% Positiveness
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Sparks
Mickey Mouse
168 bpm • A Maj • 03:19 • -4db
23% Popularity • 50% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 50% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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The Suburbs
Love Is the Law
184 bpm • C Maj • 04:44 • -5.02db
28% Popularity • 59% Danceability • 87% Energy • 31% Liveness
16% Instrumentalness • 69% Positiveness
28% Popularity • 59% Danceability • 87% Energy • 31% Liveness
16% Instrumentalness • 69% Positiveness
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The Vapors
Spring Collection
170 bpm • C# min • 02:52 • -7.33db
23% Popularity • 49% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 49% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Klark Kent
Don't Care
168 bpm • G Maj • 02:08 • -6.96db
20% Popularity • 51% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 51% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Oingo Boingo
Ain't This The Life - 10" EP
185 bpm • C# Maj • 03:28 • -9.59db
30% Popularity • 66% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 66% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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The Rezillos
Glad All Over
184 bpm • D Maj • 02:07 • -11db
22% Popularity • 33% Danceability • 62% Energy • 5% Liveness
31% Instrumentalness • 97% Positiveness
22% Popularity • 33% Danceability • 62% Energy • 5% Liveness
31% Instrumentalness • 97% Positiveness
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The Only Ones
City Of Fun - 2008 re-mastered version
185 bpm • D Maj • 03:30 • -6.75db
22% Popularity • 23% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 23% Danceability • 89% Energy • 70% Liveness
0% Instrumentalness • 56% Positiveness
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Penetration
Don't Dictate - Demo
168 bpm • D Maj • 02:56 • -13.66db
31% Popularity • 46% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 46% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Ruts
Dope For Guns
185 bpm • C Maj • 02:11 • -12db
28% Popularity • 43% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 43% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Martha and the Muffins
Monotone - 2002 Digital Remaster
167 bpm • C Maj • 02:45 • -9.22db
11% Popularity • 58% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 58% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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The Vapors
Live At The Marquee
168 bpm • B Maj • 04:02 • -8.39db
10% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 39% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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The Housemartins
Sitting On A Fence
185 bpm • F Maj • 02:58 • -10.59db
31% Popularity • 35% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 35% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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The Jim Carroll Band
Nothing is True
167 bpm • G# Maj • 03:29 • -12.97db
17% Popularity • 37% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 37% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Big Dipper
Faith Healer
167 bpm • G Maj • 03:07 • -6db
16% Popularity • 36% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 78% Positiveness
16% Popularity • 36% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 78% Positiveness
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Paul Collins
Walking Out on Love
167 bpm • A Maj • 01:44 • -7db
21% Popularity • 28% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 28% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Monks
No Shame
167 bpm • B min • 02:56 • -9.42db
10% Popularity • 65% Danceability • 89% Energy • 14% Liveness
62% Instrumentalness • 55% Positiveness
10% Popularity • 65% Danceability • 89% Energy • 14% Liveness
62% Instrumentalness • 55% Positiveness
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The Vapors
Sunstroke
167 bpm • C# min • 01:57 • -9.21db
5% Popularity • 61% Danceability • 79% Energy • 7% Liveness
15% Instrumentalness • 96% Positiveness
5% Popularity • 61% Danceability • 79% Energy • 7% Liveness
15% Instrumentalness • 96% Positiveness
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The Beat
Best Friend - 2012 Remaster
167 bpm • D Maj • 03:02 • -10.4db
33% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 53% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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20/20
Tonight We Fly
167 bpm • B Maj • 02:44 • -10.7db
18% Popularity • 40% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 40% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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Rich Kids
Marching Men
166 bpm • C# Maj • 03:50 • -13.36db
9% Popularity • 32% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 32% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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The Barracudas
I Can't Pretend
166 bpm • C Maj • 02:37 • -7db
20% Popularity • 22% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 22% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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The Diodes
Red Rubber Ball
165 bpm • G Maj • 02:35 • -5.5db
9% Popularity • 43% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 43% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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R.E.M.
Radio Free Europe
166 bpm • E Maj • 03:47 • -9.1db
18% Popularity • 34% Danceability • 74% Energy • 30% Liveness
9% Instrumentalness • 81% Positiveness
18% Popularity • 34% Danceability • 74% Energy • 30% Liveness
9% Instrumentalness • 81% Positiveness
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The Dickies
Fan Mail
187 bpm • F Maj • 03:04 • -6db
29% Popularity • 36% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 36% Danceability • 99% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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The Piranhas
Boyfriend
188 bpm • G Maj • 02:02 • -10.13db
11% Popularity • 60% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 60% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Dexys Midnight Runners
Thankfully Not Living in Yorkshire It Do...
165 bpm • F# min • 02:58 • -8.13db
20% Popularity • 52% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 52% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jilted John
I Was a Pre-Pubescent
188 bpm • E Maj • 02:54 • -8.27db
8% Popularity • 55% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 55% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Secret Affair
Let Your Heart Dance
188 bpm • F# min • 02:55 • -4.46db
20% Popularity • 36% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 36% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Martha and the Muffins
Paint By Number Heart - Remastered
165 bpm • A Maj • 03:29 • -10db
32% Popularity • 64% Danceability • 58% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
32% Popularity • 64% Danceability • 58% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
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The Dickies
Nights In White Satin
188 bpm • A Maj • 02:55 • -6db
27% Popularity • 28% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 28% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Rezillos
I Like It
188 bpm • G Maj • 01:46 • -10.49db
21% Popularity • 41% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 41% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dexys Midnight Runners
Show Me
188 bpm • D# Maj • 03:24 • -9.28db
28% Popularity • 44% Danceability • 79% Energy • 44% Liveness
1% Instrumentalness • 94% Positiveness
28% Popularity • 44% Danceability • 79% Energy • 44% Liveness
1% Instrumentalness • 94% Positiveness
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Stiv Bators
It's Cold Outside
165 bpm • B min • 02:51 • -3.74db
31% Popularity • 42% Danceability • 100% Energy • 4% Liveness
63% Instrumentalness • 47% Positiveness
31% Popularity • 42% Danceability • 100% Energy • 4% Liveness
63% Instrumentalness • 47% Positiveness
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The Monks
Out of Work Musician
164 bpm • A# min • 04:25 • -9.61db
12% Popularity • 58% Danceability • 75% Energy • 12% Liveness
32% Instrumentalness • 85% Positiveness
12% Popularity • 58% Danceability • 75% Energy • 12% Liveness
32% Instrumentalness • 85% Positiveness
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The Screaming Blue Messiahs
I Wanna Be a Flinstone
188 bpm • E Maj • 02:31 • -10.8db
22% Popularity • 42% Danceability • 93% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
22% Popularity • 42% Danceability • 93% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
