Songs like Next 2 U by Ffion
Based on a tempo of (+/- 10%) and a similar genre
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Estelle Fly
HEAVY
95 bpm • C# Maj • 02:36 • -5.89db
24% Popularity • 67% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 67% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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CLNGR
From Here
95 bpm • C# min • 03:01 • -7.57db
33% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 71% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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BETSIE GØLD
Craving You
95 bpm • C Maj • 02:56 • -9.17db
18% Popularity • 80% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 80% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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KELLA
Just My Type
95 bpm • D# Maj • 02:52 • -5.97db
8% Popularity • 84% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 84% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Caroline Kole
Karma
95 bpm • F# min • 02:33 • -5.35db
10% Popularity • 80% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 80% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Rave Republic
In My City
95 bpm • A# min • 02:57 • -4.26db
21% Popularity • 74% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 74% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Velee
Nothing Like Wine
95 bpm • F Maj • 03:03 • -5.17db
26% Popularity • 82% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 82% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Grayson Gibson
Stay the Night
95 bpm • F min • 03:22 • -4.94db
10% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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sundial
if I go
95 bpm • C min • 02:59 • -9.55db
24% Popularity • 70% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 70% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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JST FRNDS
All Night Long
95 bpm • D# Maj • 03:35 • -7.96db
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Elyar
SAD SEX
95 bpm • C Maj • 03:07 • -6.45db
12% Popularity • 75% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 75% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ffion
tricky situation
95 bpm • F# Maj • 02:06 • -7.58db
5% Popularity • 83% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
5% Popularity • 83% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Jasmine Sokko
MESS
95 bpm • C# Maj • 03:01 • -5.03db
23% Popularity • 73% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 73% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Nevada
Don't Call Me
95 bpm • A Maj • 03:33 • -7db
35% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Midsplit
Deserve
95 bpm • F# Maj • 02:53 • -4db
20% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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SVRCINA
Back 2 Good
95 bpm • A Maj • 03:06 • -5.46db
16% Popularity • 86% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 86% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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INTERSECTION
Falling
95 bpm • D# Maj • 03:14 • -5.06db
32% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Ffion
Next 2 U
95 bpm • G# min • 03:06 • -11.77db
13% Popularity • 76% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 76% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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MYRNE
Call, Call Me
95 bpm • A# min • 03:47 • -4.97db
19% Popularity • 62% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 62% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Joshua Francois
Pay it Later
95 bpm • G Maj • 02:54 • -5.66db
12% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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TheSmartLocal
Can You Feel It
95 bpm • A Maj • 02:51 • -7.81db
15% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 61% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Why Don't We
8 Letters - Luca Schreiner Remix
95 bpm • C# min • 03:14 • -4.75db
23% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 61% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Leonell Cassio
Lie 2 You
95 bpm • A min • 04:02 • -8.5db
27% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 58% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Eric Chou
Old Days
95 bpm • A Maj • 03:18 • -8.58db
29% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Talia Jean Perez
Conflicted
96 bpm • A# min • 04:02 • -10.21db
20% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Jordie Power
Reunite
94 bpm • C# min • 02:43 • -9db
32% Popularity • 66% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 66% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Nozomi Lyn
Sunset Avenue
96 bpm • C Maj • 04:30 • -7.66db
24% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Barrett Crake
Love Knot
96 bpm • A min • 03:26 • -6.73db
18% Popularity • 66% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 66% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Chris James
Better To Lie
94 bpm • G Maj • 02:50 • -5.8db
29% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 66% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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TYLERxCORDY
cut u down
96 bpm • G# min • 02:49 • -8.67db
22% Popularity • 60% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 60% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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mei quinn
say goodbye
94 bpm • B min • 03:05 • -8db
24% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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S O U N D S
Don't Throw Our Love Away
96 bpm • E Maj • 03:32 • -8db
22% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Lex
Heavier Things
94 bpm • B Maj • 03:35 • -5.48db
10% Popularity • 86% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 86% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Bahari
Chasers
96 bpm • C min • 03:00 • -6.75db
22% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 67% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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xpired
Your Call
94 bpm • G# Maj • 02:26 • -5.84db
5% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 65% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Anthony de la Torre
Know Me
94 bpm • C# min • 03:17 • -9.08db
33% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Emily Vu
Weekend
97 bpm • B Maj • 02:46 • -8.31db
26% Popularity • 79% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 79% Danceability • 55% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Tabitha Nauser
When Will I Be Loved
94 bpm • C Maj • 02:46 • -4db
15% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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NLSN
Blue in My Eyes
97 bpm • G# Maj • 03:18 • -5.66db
36% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Savannah Sgro
Love Me Like You Used To
93 bpm • E min • 03:04 • -6.23db
19% Popularity • 60% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 60% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Far East Movement
Bamboo
97 bpm • F min • 03:30 • -6.05db
25% Popularity • 71% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 71% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
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INTERSECTION
Heart of Gold
93 bpm • C# Maj • 03:23 • -5.87db
20% Popularity • 64% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 64% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Loote
lost
97 bpm • E Maj • 02:56 • -6.01db
43% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Barrios
All My Sins
93 bpm • C Maj • 02:51 • -8db
31% Popularity • 69% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 69% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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J.Fla
Are You My Villain - SJUR Remix
93 bpm • B min • 02:21 • -4.3db
10% Popularity • 76% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 76% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Evan Blum
Can't Find the Words
93 bpm • G Maj • 03:37 • -7.69db
8% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Why Don't We
What Am I - Cash Cash Remix
97 bpm • D# Maj • 02:39 • -3.48db
28% Popularity • 66% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 66% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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John K
Chill
92 bpm • C# min • 03:25 • -5.48db
29% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Megan Lee
Me, Myself And I
98 bpm • D Maj • 03:42 • -8.7db
20% Popularity • 61% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 61% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Julia Duclos
Illusion
98 bpm • A min • 02:49 • -5.9db
29% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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李凱馨
Tattoo on My Face
98 bpm • B Maj • 03:17 • -6.45db
16% Popularity • 80% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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WANYI
Meet Me Tonight
98 bpm • D Maj • 03:27 • -5.29db
8% Popularity • 66% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 66% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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CADMIUM
Feel It Too
98 bpm • F# min • 03:18 • -5.78db
39% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 84% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Ethan Dufault
Kryptonite
98 bpm • E Maj • 03:10 • -7.28db
33% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 71% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Qinn
Echo
98 bpm • D min • 03:46 • -8.56db
10% Popularity • 70% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 70% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Craig Reever
Put It On
98 bpm • F Maj • 03:30 • -5.3db
24% Popularity • 73% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 73% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Taylor Grey
Back to Bite
92 bpm • F# min • 03:39 • -8.27db
10% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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HIGHST
Jet Planes
92 bpm • D Maj • 02:30 • -4.23db
12% Popularity • 63% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 63% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Arden Cho
Good Goodbye
92 bpm • G min • 03:23 • -8.57db
10% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 74% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Richie Krisak
Change My Way
92 bpm • A Maj • 03:18 • -4db
30% Popularity • 55% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 55% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Joakim Molitor
Remember When
98 bpm • F Maj • 02:59 • -6db
19% Popularity • 56% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 56% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Loote
Good To Me
92 bpm • D# Maj • 02:58 • -6.82db
29% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 62% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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GARETH FERNANDEZ
Be Cool
92 bpm • A Maj • 02:52 • -10.89db
24% Popularity • 76% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 76% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Tabitha Nauser
hurricane
99 bpm • A Maj • 02:47 • -10.36db
10% Popularity • 72% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 72% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Dasco
Hard To Love
99 bpm • D Maj • 03:03 • -6.75db
18% Popularity • 87% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 87% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Emma Sameth
Spin With You - Boy Blue Remix
99 bpm • F min • 02:40 • -9db
16% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Talitha.
fooled me
91 bpm • F min • 03:14 • -11.91db
23% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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ANGIE安吉
Whereshudigo
99 bpm • E min • 03:11 • -5.32db
9% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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J.Fla
Starlight
100 bpm • A# min • 03:29 • -6.24db
27% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Laudr8
Hold Me Down
100 bpm • C Maj • 02:38 • -10db
11% Popularity • 80% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 80% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Valentina Ploy
Satellite
100 bpm • C Maj • 04:03 • -9.65db
34% Popularity • 71% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 71% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Disco Hue
Better Now
100 bpm • F# Maj • 04:03 • -5.94db
21% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Why Don't We
What Am I - Casualkimono Remix
100 bpm • G# Maj • 03:11 • -6.24db
15% Popularity • 64% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 64% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Tim White
This Is Love
100 bpm • D Maj • 03:12 • -6.2db
9% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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SHN
so cool
100 bpm • A# min • 02:45 • -7db
31% Popularity • 81% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 81% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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FASSounds
Out of My Mind
100 bpm • F# min • 02:26 • -6.8db
28% Popularity • 74% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 74% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Charlene Su
don't wanna grow up
100 bpm • C Maj • 02:55 • -11db
29% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 75% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Maria Lynn
Drama Free
100 bpm • A# Maj • 03:05 • -5.04db
31% Popularity • 64% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 64% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Juliette Reilly
sad hungry lonely
100 bpm • D# Maj • 02:44 • -6.99db
9% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 66% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Over Easy
Don't Know You
100 bpm • F Maj • 03:17 • -4.79db
17% Popularity • 58% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 58% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Palm Trees
They Told Me
100 bpm • F Maj • 03:01 • -7db
31% Popularity • 69% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 69% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jason Chen
Boba
90 bpm • B Maj • 03:13 • -6.69db
20% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 63% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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GARETH FERNANDEZ
idrm
90 bpm • F min • 02:18 • -6.64db
30% Popularity • 64% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 64% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Taylor Grey
Don't Wanna Wake Up
100 bpm • C# min • 03:36 • -6.7db
21% Popularity • 74% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 74% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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My Buddy Mike
Hollow
100 bpm • C# Maj • 03:52 • -7db
36% Popularity • 69% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 69% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Estelle Fly
Just Friends
100 bpm • F# min • 03:38 • -5.76db
34% Popularity • 74% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 74% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 73% Positiveness
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Juze
Three Words
100 bpm • A# Maj • 03:19 • -5db
15% Popularity • 67% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 67% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Alex Aiono
Be Alright Forever
100 bpm • B Maj • 03:02 • -4.57db
30% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 67% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hurshel
Lie
100 bpm • C min • 03:06 • -3.71db
19% Popularity • 78% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 78% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Perry Bancs
All Okay
100 bpm • F# Maj • 03:47 • -10db
29% Popularity • 80% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 80% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Johann Hedemann
over getting over you
100 bpm • A# Maj • 03:35 • -7db
9% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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ABRAM
War in My Brain
100 bpm • G# Maj • 03:03 • -8.6db
3% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Deep Chills
Backfire
100 bpm • B Maj • 03:04 • -7.05db
31% Popularity • 81% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 81% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Rian Cult
Sundays in New York
100 bpm • C Maj • 03:02 • -4.36db
30% Popularity • 82% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 82% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 57% Positiveness
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Jasmine Sokko
TETRIS
100 bpm • C# Maj • 02:20 • -6db
20% Popularity • 79% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 79% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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James Carter
Used To
100 bpm • E min • 02:39 • -5.64db
31% Popularity • 75% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 75% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Lovel
Ready
100 bpm • G# min • 02:48 • -4.93db
12% Popularity • 77% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 77% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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INTERSECTION
Hot Water
100 bpm • G Maj • 03:18 • -5.87db
20% Popularity • 68% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 68% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
