Songs like Next to You by John Vincent III
Based on a tempo of (+/- 10%) and a similar genre
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Chance Peña
Highs & Lows
132 bpm • D# Maj • 03:29 • -10.79db
60% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
60% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Daniel Nunnelee
Deer Trails
132 bpm • C min • 03:12 • -9.75db
29% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
54% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
54% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Roo Panes
There's A Place
131 bpm • D Maj • 06:08 • -13.95db
47% Popularity • 41% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
47% Popularity • 41% Danceability • 36% Energy • 9% Liveness
5% Instrumentalness • 21% Positiveness
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The Head And The Heart
Let's Be Still
131 bpm • A Maj • 04:28 • -10.72db
58% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Mt. Joy
I'm Your Wreck
131 bpm • E Maj • 03:53 • -6.96db
59% Popularity • 48% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 48% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Josiah and the Bonnevilles
Blood Moon
133 bpm • G# Maj • 02:48 • -9.52db
67% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Burchfield
The Last of the Honey Bees
134 bpm • F# Maj • 03:50 • -6.93db
56% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
56% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
74% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
74% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
69% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Angus & Julia Stone
Chateau
130 bpm • F Maj • 04:33 • -11.22db
56% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
56% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Palace
Holy Smoke
134 bpm • A min • 03:18 • -6.11db
51% Popularity • 36% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 36% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Briston Maroney
Small Talk
130 bpm • C Maj • 03:18 • -7.64db
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Dr. Dog
Nellie
130 bpm • E Maj • 03:37 • -9.94db
62% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Palace
Someday, Somewhere
130 bpm • C Maj • 03:12 • -9.39db
46% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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John Vincent III
I Want You to See
135 bpm • A Maj • 01:58 • -15.33db
27% Popularity • 62% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
27% Popularity • 62% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
84% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Schuster
Vienna
129 bpm • F Maj • 03:09 • -8.69db
67% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 52% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Edwin Raphael
Isle Of Strawberries
135 bpm • C# min • 03:35 • -5.5db
46% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 62% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Wilderado
Rubble To Rubble
135 bpm • A min • 03:24 • -8.38db
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 56% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Mt. Joy
Bathroom Light
135 bpm • D# Maj • 03:08 • -10.82db
63% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
63% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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John Vincent III
Who Is My Leader?
129 bpm • B min • 03:35 • -7.82db
26% Popularity • 45% Danceability • 64% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
26% Popularity • 45% Danceability • 64% Energy • 11% Liveness
49% Instrumentalness • 19% Positiveness
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Chance Peña
break up song
129 bpm • E Maj • 02:49 • -14.4db
50% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Watchhouse
Daylight
129 bpm • D min • 03:13 • -10db
70% Popularity • 58% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Zach Bryan
November Air
128 bpm • D# Maj • 04:03 • -9.8db
69% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
69% Popularity • 43% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Leon Bridges
River
128 bpm • G# Maj • 04:00 • -10.79db
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
73% Popularity • 64% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Tom Rosenthal
Lights Are On
136 bpm • D# Maj • 03:13 • -16.89db
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
79% Popularity • 44% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 25% Positiveness
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Del Water Gap
High Tops
128 bpm • G Maj • 03:58 • -5.13db
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.64db
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Mt. Joy
Jenny Jenkins
128 bpm • G# Maj • 03:19 • -9.39db
63% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
63% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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John Vincent III
Something out of a Dream
136 bpm • D# Maj • 03:05 • -11.44db
18% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Edwin Raphael
Will You Think Of Me Later?
128 bpm • D# Maj • 02:15 • -7.33db
54% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
54% Popularity • 66% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 54% Positiveness
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Sumbuck
Kissing Days (On the Pier)
128 bpm • B Maj • 04:21 • -8.81db
42% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
42% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Tyler Childers
In Your Love
127 bpm • G Maj • 03:45 • -9.56db
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Richy Mitch & The Coal Miners
Solstice
127 bpm • G Maj • 05:06 • -16.8db
46% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lord Huron
Love Like Ghosts
137 bpm • A Maj • 03:44 • -7.23db
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 48% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Penny and Sparrow
Eloise
138 bpm • G min • 02:48 • -8.32db
53% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Woodlock
Settle Down - Acoustic
138 bpm • C Maj • 02:45 • -7db
59% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
137 bpm • E Maj • 03:24 • -11.62db
55% Popularity • 40% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 23% Positiveness
55% Popularity • 40% Danceability • 34% Energy • 11% Liveness
12% Instrumentalness • 23% Positiveness
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Palace
Heaven Up There
138 bpm • E Maj • 07:17 • -10.54db
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
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Old Sea Brigade
Day by Day - Acoustic
138 bpm • F# min • 03:29 • -14db
54% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
54% Popularity • 60% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
76% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Ziggy Alberts
Days in the Sun
126 bpm • F# Maj • 03:34 • -10.79db
57% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Wilderado
Surefire
126 bpm • B Maj • 04:01 • -5.55db
60% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 66% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The 502s
Magdalene
126 bpm • F Maj • 02:31 • -12.14db
58% Popularity • 61% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
58% Popularity • 61% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Palace
Lover (Don't Let Me Down)
125 bpm • G Maj • 04:10 • -11.3db
49% Popularity • 51% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 51% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Tyler Childers
Shake the Frost (Live)
139 bpm • D Maj • 02:55 • -10db
76% Popularity • 45% Danceability • 34% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
76% Popularity • 45% Danceability • 34% Energy • 69% Liveness
0% Instrumentalness • 37% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mt. Joy
Dirty Love
125 bpm • F min • 02:44 • -7.61db
74% Popularity • 77% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 77% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Wilderado
Surefire - Piano
125 bpm • B Maj • 04:01 • -8db
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The 502s
Just A Little While
125 bpm • F min • 02:42 • -9.18db
66% Popularity • 64% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 64% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Oliver Hazard
The Flood
125 bpm • C Maj • 04:04 • -11.9db
42% Popularity • 60% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 60% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Amber Run
I Found
125 bpm • G min • 04:33 • -12.48db
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
73% Popularity • 57% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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The Paper Kites
Till the Flame Turns Blue
139 bpm • E Maj • 04:05 • -11.16db
42% Popularity • 32% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
42% Popularity • 32% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
53% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
60% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Hazlett
Missionary Feelings
125 bpm • D Maj • 03:32 • -13.23db
61% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Racoma
Country
140 bpm • B Maj • 03:07 • -7.15db
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Hans Williams
Willows
140 bpm • C Maj • 03:41 • -8.3db
57% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Jome
Cinnamon
140 bpm • G# min • 03:24 • -11db
57% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
57% Popularity • 46% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Billianne
Simply The Best
140 bpm • B Maj • 02:53 • -11.81db
67% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Nunnelee
Put Me in the Ground
140 bpm • C Maj • 04:26 • -9.13db
44% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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WILLIS
I Think I Like When It Rains
124 bpm • A Maj • 04:38 • -7db
71% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Wild Rivers
Amsterdam
140 bpm • C# Maj • 03:33 • -9.43db
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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John Vincent III
Back to My Ways
124 bpm • C min • 05:47 • -10.1db
42% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
42% Popularity • 33% Danceability • 34% Energy • 38% Liveness
5% Instrumentalness • 10% Positiveness
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Michael Marcagi
The Other Side
124 bpm • E Maj • 02:44 • -9.98db
75% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 70% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Backseat Lovers
Olivia
124 bpm • G Maj • 03:12 • -15.37db
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
56% Popularity • 78% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Josiah and the Bonnevilles
Burn
141 bpm • A Maj • 02:10 • -4.82db
57% Popularity • 64% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 64% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Rainbow Kitten Surprise
Devil Like Me
123 bpm • D Maj • 03:08 • -6.83db
70% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
70% Popularity • 68% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Zach Bryan
Oklahoma Smokeshow
123 bpm • G# Maj • 03:31 • -5.69db
82% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
82% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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John Vincent III
Darlin'
141 bpm • G Maj • 04:01 • -16.48db
27% Popularity • 42% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 42% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
72% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
72% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
56% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Myles Smith
Solo
123 bpm • C Maj • 03:19 • -7.99db
80% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
80% Popularity • 59% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Caamp
Vagabond
142 bpm • E Maj • 02:09 • -11.92db
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
72% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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Zach Bryan
Dawns
123 bpm • C Maj • 04:50 • -7.66db
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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The Lumineers
Sleep On The Floor
142 bpm • G Maj • 03:31 • -8.06db
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
71% Popularity • 39% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Houndmouth
Miracle Mile
142 bpm • F# Maj • 03:08 • -9.41db
54% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Josiah and the Bonnevilles
Basic Channels
143 bpm • F# Maj • 01:54 • -5.38db
64% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
65% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
65% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Stephen Sanchez
Hey Girl
122 bpm • F# min • 03:05 • -7.78db
65% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 39% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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John Vincent III
Madeline
143 bpm • E Maj • 05:32 • -12.97db
32% Popularity • 39% Danceability • 28% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
32% Popularity • 39% Danceability • 28% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
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Max McNown
A Lot More Free
143 bpm • C# Maj • 03:18 • -9.02db
73% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
73% Popularity • 49% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
