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Nibiru
Songs like
Nibiru
by
Ulrich Volker
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Frazier
Circles
120 bpm • C Maj • 02:38 • -20.32db
18% Popularity • 56% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Thomas Clerk
rays of sunshine
120 bpm • F Maj • 03:07 • -27db
31% Popularity • 52% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Maren Andrews
Twin Fifteens
120 bpm • A# Maj • 02:47 • -23.15db
36% Popularity • 61% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Christian Julian
The Corner Light
120 bpm • A# Maj • 02:42 • -23.51db
40% Popularity • 64% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Jalabert
Inner Peace
120 bpm • D# Maj • 03:10 • -32.04db
28% Popularity • 43% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Phoebe Weber
Born To Live
120 bpm • D Maj • 02:46 • -26.46db
36% Popularity • 68% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Ulrich Volker
Nibiru
120 bpm • C min • 02:39 • -28.06db
26% Popularity • 56% Danceability • 0% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Gerald Sherman
Tree Rhythm
120 bpm • D# Maj • 02:50 • -30.75db
37% Popularity • 50% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
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Alfred Mizzi
Sinkadus
121 bpm • D# Maj • 02:32 • -29.57db
24% Popularity • 40% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 37% Positiveness
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Manuel Zito
On Hold
119 bpm • G min • 02:14 • -25.96db
32% Popularity • 47% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Luna Bauer
Lady Ground
119 bpm • G# Maj • 02:54 • -26.76db
46% Popularity • 35% Danceability • 9% Energy • 11% Liveness
98% Instrumentalness • 44% Positiveness
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Henri Bentley
The Little Dancer
122 bpm • F min • 02:15 • -26.23db
35% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Satordi de Launay
Anaïs
118 bpm • A# min • 01:58 • -28.66db
15% Popularity • 43% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Arabelle Blanchar
Terrain libre
122 bpm • G Maj • 02:39 • -31.28db
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Grace Olimpia
Next Part Of The Dream
122 bpm • F# Maj • 03:13 • -25db
32% Popularity • 42% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Ingemar Aberg
Ballerina Light
118 bpm • C min • 02:38 • -29.92db
28% Popularity • 42% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 33% Positiveness
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Anna Goya
I Can't Meet U
118 bpm • D# Maj • 02:48 • -29.41db
34% Popularity • 26% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Kristoffer Wallin
Hope
123 bpm • A# Maj • 02:32 • -23.04db
20% Popularity • 51% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 41% Positiveness
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Amélie Doret
Transitions
117 bpm • G# min • 02:40 • -24.84db
43% Popularity • 44% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Avery Hall
As if She Were The Sun
123 bpm • G Maj • 02:10 • -27.58db
38% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Marco Caron
Inner Axis
117 bpm • D min • 02:35 • -27.35db
40% Popularity • 34% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Gino Carbone
Round Corners
123 bpm • E min • 02:26 • -21db
13% Popularity • 35% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Rusyav
In The Presence Of Starlight
117 bpm • G# Maj • 03:19 • -24.53db
29% Popularity • 36% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Grace Valiery
Amihan
123 bpm • A# Maj • 03:10 • -24db
44% Popularity • 34% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Mauro Cangemi
Lasciarsi andare
124 bpm • D# Maj • 02:14 • -32.43db
33% Popularity • 36% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Morunas
Quiet Places
124 bpm • D Maj • 02:04 • -27.6db
37% Popularity • 78% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Aria Abriana
Une Minute De Plus
124 bpm • D# min • 02:26 • -24.73db
43% Popularity • 23% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Bryan Zingerman
Pointed Leaves
116 bpm • C min • 02:46 • -21.7db
35% Popularity • 42% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Arndt Goudier
durch Nacht und Nebel
124 bpm • G min • 03:03 • -30db
40% Popularity • 30% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
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Cove Hollis
Tranquility
116 bpm • A# min • 03:02 • -29.98db
41% Popularity • 38% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Jasmin Lambert
Silentness
115 bpm • G min • 02:58 • -27.34db
36% Popularity • 28% Danceability • 10% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Oskar Tena
Into the Woods
125 bpm • F Maj • 02:55 • -26.19db
37% Popularity • 47% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Carissa Malone
Sleeping Sunrise
115 bpm • G# Maj • 02:56 • -23.59db
27% Popularity • 47% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 38% Positiveness
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Jonas Gewald
Growth
125 bpm • A# Maj • 02:43 • -28.17db
20% Popularity • 47% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 16% Positiveness
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De Maynes
Through Her Eyes
125 bpm • G Maj • 01:41 • -27.59db
30% Popularity • 53% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 27% Positiveness
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James Keer
Something Like Love
125 bpm • C Maj • 02:42 • -31db
39% Popularity • 45% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Coralie Millet
Loire
125 bpm • G# Maj • 02:14 • -29.17db
33% Popularity • 37% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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Anders Linros
Nordic Dream
115 bpm • D Maj • 02:22 • -23.42db
43% Popularity • 39% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Anderson Rivers
Red Roses
125 bpm • G# Maj • 01:54 • -28.62db
39% Popularity • 27% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Dwight Rivera
Stjärna
114 bpm • G Maj • 03:23 • -27.13db
44% Popularity • 30% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Sean Oban
Amici
114 bpm • E min • 02:08 • -24.13db
34% Popularity • 43% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Lux Tigon
Ocean
126 bpm • C min • 02:11 • -32.01db
36% Popularity • 25% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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Ingeborg
Song for the Dandelion
127 bpm • C min • 02:17 • -28.7db
32% Popularity • 52% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
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Pontus De Bjorn
Fratelli
127 bpm • F min • 02:07 • -30.85db
41% Popularity • 34% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Leyland Moore
Traces
114 bpm • F min • 03:13 • -25.12db
37% Popularity • 42% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
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Jakob Maler
Fairy Pools
113 bpm • C# Maj • 02:40 • -26.69db
36% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Lennox Cole
Gentle
127 bpm • F Maj • 02:12 • -27.67db
44% Popularity • 34% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Hiroko Murakami
Trei
113 bpm • E Maj • 02:31 • -27.4db
29% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
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EmÃl Miati
Because I Miss You
113 bpm • G# Maj • 02:25 • -28.08db
35% Popularity • 48% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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JON
Looking Back
113 bpm • C# Maj • 02:50 • -26.77db
26% Popularity • 34% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Harriet Ward
Endearing
113 bpm • A min • 02:17 • -28.55db
19% Popularity • 49% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Nel Swerts
Simple Things
113 bpm • C min • 02:26 • -27.48db
25% Popularity • 46% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Sorrel Hauer
Contemplation
128 bpm • F Maj • 03:04 • -23.71db
40% Popularity • 58% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Comet Blue
Stay The Night
113 bpm • A# min • 02:02 • -27.12db
32% Popularity • 42% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Orson D'Aubigné
Dans vos bras
112 bpm • D Maj • 02:38 • -24.62db
21% Popularity • 41% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Jenny Lange
Spiritual
128 bpm • A# Maj • 03:12 • -31.69db
32% Popularity • 18% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Moldoveanu
Sundara
112 bpm • D Maj • 02:42 • -24.11db
46% Popularity • 40% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
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Miguel Pérez
Vejez
112 bpm • F Maj • 02:18 • -22.22db
45% Popularity • 31% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Max Sauer
Caliesa
128 bpm • F# min • 02:52 • -28.02db
39% Popularity • 37% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Morunas
Keep You Safe
112 bpm • C# min • 02:04 • -25.75db
38% Popularity • 44% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Irene Gaifana
Innamorarsi
112 bpm • D# Maj • 02:32 • -30db
42% Popularity • 43% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Nicolai Bertoli
Calm after the Storm
112 bpm • D# Maj • 02:09 • -25.74db
34% Popularity • 40% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 28% Positiveness
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Amity Fall
Duende
112 bpm • G Maj • 02:31 • -27.84db
43% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Eleanor Neylan
Upraise
112 bpm • B Maj • 02:27 • -29.36db
43% Popularity • 57% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Yao Chen
Open Heart
112 bpm • B Maj • 03:53 • -28db
23% Popularity • 51% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Petit Lilou
Melopedie
112 bpm • A# Maj • 02:56 • -29.74db
35% Popularity • 40% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Fiona Astier
Potomac
129 bpm • C Maj • 02:10 • -31.75db
36% Popularity • 43% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 40% Positiveness
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Volker Wagner
Morgentau
129 bpm • C Maj • 03:02 • -25.66db
32% Popularity • 35% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Justus Rümenapp
Once when I was young
111 bpm • A# Maj • 02:01 • -25.23db
32% Popularity • 35% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Gafforelli
Silhouette
111 bpm • D# Maj • 03:32 • -33.09db
43% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Ossie Woods
Le Beau
130 bpm • F Maj • 03:25 • -24.13db
40% Popularity • 40% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 15% Positiveness
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Jase Moran
Aegean Fantaisie
130 bpm • E Maj • 02:51 • -24.61db
31% Popularity • 35% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Nicholas Wright
Stars above
111 bpm • F# min • 02:40 • -30.16db
21% Popularity • 49% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Mounia Sedé
Delphine
111 bpm • A# min • 02:22 • -23.59db
33% Popularity • 42% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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Amélie Chantal
Rêves d'éternité
130 bpm • D Maj • 01:56 • -21.84db
29% Popularity • 50% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Benjamin Dobbs
Ours
131 bpm • F Maj • 02:19 • -29.6db
47% Popularity • 37% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Gideon Lewis
Opening Up
110 bpm • A# min • 02:27 • -19.25db
32% Popularity • 44% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Roland Toubin
Presque l'amour
110 bpm • G# Maj • 02:22 • -25.81db
42% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Wolfgang Schulmann
Auf dem Felde
110 bpm • C Maj • 01:48 • -24.11db
23% Popularity • 33% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Hearth Mason
Mandeville
110 bpm • A# min • 02:17 • -29db
37% Popularity • 50% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Jase Moran
Distant Lapse
131 bpm • G Maj • 02:45 • -24.86db
35% Popularity • 47% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
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Astrid Sky
One More Night
110 bpm • D min • 02:17 • -28.81db
44% Popularity • 38% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Signe Bratlie
Akeleie
131 bpm • C Maj • 03:53 • -31.26db
43% Popularity • 42% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Patricia Aveline
Prenzlauer Berg
131 bpm • G# Maj • 02:12 • -23.59db
31% Popularity • 39% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Abel Laloux
Chronostasis
110 bpm • D# Maj • 02:34 • -27.3db
41% Popularity • 38% Danceability • 6% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
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Ella Lane
Resist
131 bpm • C Maj • 02:10 • -26.69db
30% Popularity • 35% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Rebecca Mayer
die letzten Schritte
110 bpm • D min • 02:42 • -20.86db
36% Popularity • 45% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Doris Casella
The Choice Is Mine
132 bpm • F min • 02:07 • -24.91db
31% Popularity • 41% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
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Niels Saunders
Memory Lane
109 bpm • D Maj • 02:18 • -29.72db
35% Popularity • 47% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Nate LaFleur
Marussian
109 bpm • G min • 02:11 • -22.79db
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Richard Mahees
In Motion
132 bpm • D# min • 02:13 • -28.51db
39% Popularity • 40% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Tim Missel
The Morning After
109 bpm • F# Maj • 02:16 • -28.44db
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Pavel Antonov Manev
Recluse
132 bpm • C min • 02:22 • -25.01db
32% Popularity • 42% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Sharon Lynn Makarenko
Nyhavn
132 bpm • D Maj • 03:02 • -21.21db
21% Popularity • 46% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Phileas Galle
In Reform
109 bpm • B min • 02:35 • -27db
47% Popularity • 43% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Lihua Zhao
The Far West
132 bpm • D# Maj • 02:51 • -28.96db
40% Popularity • 51% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 54% Positiveness
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Aiden Riedel
Perfectly Flawed
109 bpm • C# Maj • 02:47 • -28.66db
40% Popularity • 49% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Bendik Kjerstad
forelsket
109 bpm • B Maj • 02:01 • -27.66db
30% Popularity • 40% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Keiko Ishida
Imagery Noir
108 bpm • B min • 02:39 • -25.48db
38% Popularity • 40% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Mavis Marchena
Desalniettemin
133 bpm • F# Maj • 02:52 • -24.97db
35% Popularity • 44% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Nibiru