Songs like Nica Libres At Dusk by Ben Howard
Based on a tempo of (+/- 10%) and a similar genre
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Ben Howard
Nica Libres At Dusk
148 bpm • A Maj • 06:34 • -12.79db
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
46% Popularity • 45% Danceability • 43% Energy • 10% Liveness
39% Instrumentalness • 36% Positiveness
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Matt Corby
No Ordinary Life
148 bpm • A# Maj • 03:58 • -7.21db
37% Popularity • 42% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 42% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Aisha Badru
Splintered
147 bpm • C# min • 04:10 • -12db
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Kiwanuka
I'll Never Love
149 bpm • D min • 02:45 • -11db
54% Popularity • 54% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
54% Popularity • 54% Danceability • 37% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
41% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
41% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Bear's Den
Agape
150 bpm • E Maj • 04:17 • -8.01db
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Howard
Three Tree Town
148 bpm • F Maj • 03:36 • -19db
41% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
41% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Manchester Orchestra
I Know How To Speak
150 bpm • B Maj • 06:00 • -8.64db
52% Popularity • 50% Danceability • 62% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
52% Popularity • 50% Danceability • 62% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
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Villagers
A Trick of the Light
150 bpm • B Maj • 04:08 • -8.16db
53% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
53% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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Fink
Pilgrim
150 bpm • F# min • 07:02 • -10.77db
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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Bear's Den
Dew On The Vine
146 bpm • E Maj • 05:02 • -6.78db
38% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
38% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
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The War On Drugs
Holding On
150 bpm • F# Maj • 05:50 • -5.03db
53% Popularity • 44% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
53% Popularity • 44% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
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Ben Howard
Under The Same Sun
148 bpm • A min • 04:46 • -12.17db
44% Popularity • 53% Danceability • 57% Energy • 9% Liveness
30% Instrumentalness • 18% Positiveness
44% Popularity • 53% Danceability • 57% Energy • 9% Liveness
30% Instrumentalness • 18% Positiveness
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Leif Vollebekk
Hot Tears
150 bpm • B min • 04:07 • -9.67db
54% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Amber Run
5AM
146 bpm • C Maj • 04:17 • -11.52db
53% Popularity • 36% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
53% Popularity • 36% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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S. Carey
Brassy Sun
145 bpm • C Maj • 03:36 • -18db
34% Popularity • 40% Danceability • 20% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
34% Popularity • 40% Danceability • 20% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
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Novo Amor
Faux
145 bpm • B Maj • 04:32 • -12db
48% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
48% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
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Bon Iver
Hey, Ma
144 bpm • C Maj • 03:36 • -10.96db
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Howard
A Boat To An Island On The Wall
146 bpm • F Maj • 07:10 • -9.06db
37% Popularity • 49% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
37% Popularity • 49% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
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Henry Jamison
Real Peach
152 bpm • C# Maj • 03:53 • -7db
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
49% Popularity • 58% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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The National
Rylan
144 bpm • B Maj • 03:43 • -5.57db
47% Popularity • 61% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 72% Positiveness
47% Popularity • 61% Danceability • 79% Energy • 4% Liveness
8% Instrumentalness • 72% Positiveness
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Ryan Adams
Shiver And Shake
144 bpm • A Maj • 03:05 • -14.78db
43% Popularity • 39% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 39% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Snow Patrol
Life On Earth
144 bpm • C# min • 05:22 • -9.02db
44% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 61% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Howard
There's Your Man
150 bpm • E min • 04:38 • -7.44db
37% Popularity • 60% Danceability • 83% Energy • 6% Liveness
12% Instrumentalness • 64% Positiveness
37% Popularity • 60% Danceability • 83% Energy • 6% Liveness
12% Instrumentalness • 64% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Kyson
Pictures
153 bpm • F min • 04:16 • -14.33db
34% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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S. Carey
Fire-scene
153 bpm • F Maj • 04:35 • -15db
33% Popularity • 50% Danceability • 28% Energy • 28% Liveness
11% Instrumentalness • 17% Positiveness
33% Popularity • 50% Danceability • 28% Energy • 28% Liveness
11% Instrumentalness • 17% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Blanco White
Sol
143 bpm • E Maj • 06:22 • -18.25db
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Howard
These Waters
145 bpm • A# Maj • 04:08 • -9.93db
42% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Damien Rice
Volcano
154 bpm • C Maj • 04:38 • -12.93db
49% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Hozier
Shrike
154 bpm • G min • 04:58 • -8.46db
63% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
63% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Julie Byrne
Natural Blue
142 bpm • A Maj • 03:59 • -16db
33% Popularity • 36% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 36% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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EL VY
No Time to Crank the Sun
155 bpm • C# Maj • 05:12 • -9db
30% Popularity • 53% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 56% Positiveness
30% Popularity • 53% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 56% Positiveness
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Ben Howard
Time Is Dancing
151 bpm • A# Maj • 06:49 • -13db
49% Popularity • 40% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
49% Popularity • 40% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
47% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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S. Carey
More I See
141 bpm • E Maj • 04:03 • -11db
44% Popularity • 47% Danceability • 46% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
44% Popularity • 47% Danceability • 46% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Bear's Den
When You Break
141 bpm • F min • 04:45 • -10.95db
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 51% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Fink
My Love’s Already There - Acoustic
155 bpm • G Maj • 03:30 • -14db
40% Popularity • 64% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
40% Popularity • 64% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Ben Howard
What The Moon Does
154 bpm • C Maj • 05:20 • -10.62db
37% Popularity • 54% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 61% Positiveness
37% Popularity • 54% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 61% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Henry Jamison
Through a Glass
156 bpm • D# Maj • 03:00 • -9db
34% Popularity • 45% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
34% Popularity • 45% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Big Red Machine
June's a River
156 bpm • F min • 04:27 • -13db
37% Popularity • 74% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 70% Positiveness
37% Popularity • 74% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 70% Positiveness
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Rosemary & Garlic
Old Now
140 bpm • F Maj • 04:49 • -13db
44% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
44% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
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Jesse Marchant
Frame for One
156 bpm • G# Maj • 05:23 • -8.09db
26% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
26% Popularity • 33% Danceability • 55% Energy • 13% Liveness
8% Instrumentalness • 25% Positiveness
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Ben Howard
Everything
141 bpm • D# Maj • 04:45 • -16.4db
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 51% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Volcano Choir
Byegone
140 bpm • C Maj • 04:22 • -10db
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Ben Howard
Heave Ho
140 bpm • C Maj • 06:18 • -10db
24% Popularity • 54% Danceability • 48% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 34% Liveness
84% Instrumentalness • 5% Positiveness
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CLOVES
Wasted Time
140 bpm • A Maj • 04:04 • -8db
39% Popularity • 44% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 19% Positiveness
39% Popularity • 44% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 19% Positiveness
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Mumford & Sons
Woman
157 bpm • C# min • 04:34 • -10.5db
58% Popularity • 59% Danceability • 56% Energy • 11% Liveness
45% Instrumentalness • 14% Positiveness
58% Popularity • 59% Danceability • 56% Energy • 11% Liveness
45% Instrumentalness • 14% Positiveness
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Blanco White
The Lily
158 bpm • D min • 04:14 • -10.15db
48% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
48% Popularity • 46% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
37% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Staves
Steady
139 bpm • B min • 03:28 • -8db
35% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Howard
Promise
157 bpm • D Maj • 06:24 • -15.74db
61% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
61% Popularity • 37% Danceability • 19% Energy • 36% Liveness
43% Instrumentalness • 18% Positiveness
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isaac gracie
that was then
158 bpm • D# Maj • 04:08 • -7.64db
34% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The War On Drugs
Nothing to Find
158 bpm • C Maj • 06:10 • -5db
46% Popularity • 33% Danceability • 92% Energy • 27% Liveness
13% Instrumentalness • 63% Positiveness
46% Popularity • 33% Danceability • 92% Energy • 27% Liveness
13% Instrumentalness • 63% Positiveness
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Palace
Heaven Up There
138 bpm • E Maj • 07:17 • -10.54db
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
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Bear's Den
Elysium
138 bpm • G Maj • 03:26 • -10db
18% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
18% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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Jesse Marchant
Sister, I
138 bpm • F Maj • 04:05 • -11db
32% Popularity • 47% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
32% Popularity • 47% Danceability • 43% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Ben Howard
All Is Now Harmed
157 bpm • E min • 05:02 • -9.01db
41% Popularity • 44% Danceability • 56% Energy • 8% Liveness
56% Instrumentalness • 43% Positiveness
41% Popularity • 44% Danceability • 56% Energy • 8% Liveness
56% Instrumentalness • 43% Positiveness
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Fink
Day 22
138 bpm • A# min • 05:09 • -13.43db
16% Popularity • 79% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
16% Popularity • 79% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
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Sufjan Stevens
The Only Thing
159 bpm • D# Maj • 04:44 • -19.59db
61% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
61% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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The War On Drugs
In Chains
138 bpm • B Maj • 07:20 • -4.82db
47% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
47% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
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Leif Vollebekk
East of Eden
138 bpm • G Maj • 04:50 • -14db
35% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
35% Popularity • 64% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 24% Positiveness
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The Tallest Man On Earth
I’m A Stranger Now
137 bpm • C Maj • 04:21 • -7.85db
38% Popularity • 56% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 56% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Howard
Gracious
158 bpm • B min • 04:57 • -15db
47% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 40% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Damien Jurado
Percy Faith
160 bpm • B Maj • 02:57 • -7db
28% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Billie Marten
Lionhearted
137 bpm • G Maj • 04:30 • -13db
35% Popularity • 34% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 34% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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The War On Drugs
Suffering
138 bpm • C Maj • 06:02 • -10.74db
46% Popularity • 54% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
46% Popularity • 54% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
44% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
44% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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The National
Hairpin Turns
136 bpm • G# Maj • 04:27 • -9.2db
32% Popularity • 65% Danceability • 45% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
32% Popularity • 65% Danceability • 45% Energy • 9% Liveness
7% Instrumentalness • 42% Positiveness
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Ben Howard
Evergreen
137 bpm • A# Maj • 04:04 • -15.03db
42% Popularity • 34% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 19% Positiveness
42% Popularity • 34% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 19% Positiveness
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Bonjah
Brother
136 bpm • C Maj • 05:15 • -12.05db
18% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Leif Vollebekk
Into the Ether
135 bpm • C# Maj • 05:49 • -12.07db
40% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 58% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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S. Carey
Hideout
135 bpm • G# Maj • 02:53 • -11.16db
33% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
33% Popularity • 30% Danceability • 36% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Sam Amidon
Juma Mountain
162 bpm • B min • 03:38 • -12.45db
27% Popularity • 48% Danceability • 47% Energy • 29% Liveness
60% Instrumentalness • 24% Positiveness
27% Popularity • 48% Danceability • 47% Energy • 29% Liveness
60% Instrumentalness • 24% Positiveness
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The War On Drugs
You Don't Have to Go
134 bpm • E Maj • 06:42 • -7.52db
38% Popularity • 52% Danceability • 79% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
38% Popularity • 52% Danceability • 79% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
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Ben Howard
End Of The Affair
136 bpm • D min • 07:46 • -10.67db
46% Popularity • 37% Danceability • 37% Energy • 11% Liveness
20% Instrumentalness • 5% Positiveness
46% Popularity • 37% Danceability • 37% Energy • 11% Liveness
20% Instrumentalness • 5% Positiveness
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Beirut
Gallipoli
133 bpm • A# Maj • 04:06 • -8.1db
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
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Bon Iver
33 “GOD”
133 bpm • E Maj • 03:33 • -10.47db
53% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
53% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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The National
I Am Easy To Find
134 bpm • B Maj • 04:30 • -11db
44% Popularity • 48% Danceability • 37% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
44% Popularity • 48% Danceability • 37% Energy • 24% Liveness
45% Instrumentalness • 19% Positiveness
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Foreign Fields
Correct Me
133 bpm • B min • 05:02 • -13.58db
21% Popularity • 26% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
21% Popularity • 26% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
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Manchester Orchestra
The Alien
165 bpm • F# Maj • 05:28 • -12.92db
46% Popularity • 46% Danceability • 33% Energy • 11% Liveness
25% Instrumentalness • 33% Positiveness
46% Popularity • 46% Danceability • 33% Energy • 11% Liveness
25% Instrumentalness • 33% Positiveness
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Ben Howard
Rivers In Your Mouth
161 bpm • B min • 05:11 • -10db
45% Popularity • 48% Danceability • 50% Energy • 13% Liveness
11% Instrumentalness • 13% Positiveness
45% Popularity • 48% Danceability • 50% Energy • 13% Liveness
11% Instrumentalness • 13% Positiveness
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Darlingside
Hold Your Head Up High
132 bpm • A Maj • 03:37 • -11.31db
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
41% Popularity • 38% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Anna Leone
My Soul I
132 bpm • A Maj • 04:15 • -10.57db
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
46% Popularity • 29% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Bear's Den
Laurel Wreath
132 bpm • G# Maj • 04:33 • -4.5db
39% Popularity • 49% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 49% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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Ben Howard
What A Day - Edit
136 bpm • G Maj • 04:17 • -9.03db
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
