Songs like Nietzsche by The Dandy Warhols
Based on a tempo of (+/- 10%) and a similar genre
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TV On The Radio
Happy Idiot
140 bpm • B min • 03:03 • -4.24db
62% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
62% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Public Service Broadcasting
Spitfire
140 bpm • B Maj • 03:57 • -5.07db
41% Popularity • 59% Danceability • 93% Energy • 39% Liveness
52% Instrumentalness • 56% Positiveness
41% Popularity • 59% Danceability • 93% Energy • 39% Liveness
52% Instrumentalness • 56% Positiveness
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The Strokes
Heart In a Cage
140 bpm • G# Maj • 03:26 • -5.13db
64% Popularity • 42% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 12% Positiveness
64% Popularity • 42% Danceability • 86% Energy • 37% Liveness
80% Instrumentalness • 12% Positiveness
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Future Islands
Seasons (Waiting on You)
140 bpm • A# Maj • 03:46 • -5.23db
64% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
64% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
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The Dandy Warhols
Nietzsche
140 bpm • B min • 05:40 • -5.81db
33% Popularity • 37% Danceability • 84% Energy • 68% Liveness
32% Instrumentalness • 34% Positiveness
33% Popularity • 37% Danceability • 84% Energy • 68% Liveness
32% Instrumentalness • 34% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Babyshambles
Delivery
141 bpm • F Maj • 02:41 • -4.2db
46% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Blur
Parklife - 2012 Remaster
139 bpm • E Maj • 03:05 • -6.09db
63% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Von Bondies
No Regrets
141 bpm • A Maj • 02:34 • -4db
30% Popularity • 36% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 36% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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The Subways
Rock & Roll Queen
141 bpm • A# min • 02:49 • -6.26db
59% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Clap Your Hands Say Yeah
The Skin of My Yellow Country Teeth
142 bpm • C Maj • 05:43 • -5.16db
50% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Eels
I Like Birds
138 bpm • D Maj • 02:31 • -7db
48% Popularity • 67% Danceability • 65% Energy • 16% Liveness
38% Instrumentalness • 78% Positiveness
48% Popularity • 67% Danceability • 65% Energy • 16% Liveness
38% Instrumentalness • 78% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Raconteurs
Broken Boy Soldier
138 bpm • E min • 03:02 • -5db
42% Popularity • 40% Danceability • 85% Energy • 33% Liveness
21% Instrumentalness • 38% Positiveness
42% Popularity • 40% Danceability • 85% Energy • 33% Liveness
21% Instrumentalness • 38% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
58% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
58% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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LCD Soundsystem
North American Scum
138 bpm • A Maj • 05:28 • -4.53db
49% Popularity • 88% Danceability • 84% Energy • 26% Liveness
3% Instrumentalness • 68% Positiveness
49% Popularity • 88% Danceability • 84% Energy • 26% Liveness
3% Instrumentalness • 68% Positiveness
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Placebo
Slave to the Wage
142 bpm • A# min • 04:06 • -5.93db
48% Popularity • 51% Danceability • 96% Energy • 24% Liveness
70% Instrumentalness • 49% Positiveness
48% Popularity • 51% Danceability • 96% Energy • 24% Liveness
70% Instrumentalness • 49% Positiveness
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Elastica
Waking Up
138 bpm • A min • 03:15 • -4db
42% Popularity • 46% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 56% Positiveness
42% Popularity • 46% Danceability • 97% Energy • 6% Liveness
52% Instrumentalness • 56% Positiveness
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The Jam
That's Entertainment
142 bpm • C min • 03:32 • -11.52db
60% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 57% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Wolfmother
Dimension
142 bpm • B min • 04:25 • -4.16db
42% Popularity • 48% Danceability • 79% Energy • 38% Liveness
2% Instrumentalness • 57% Positiveness
42% Popularity • 48% Danceability • 79% Energy • 38% Liveness
2% Instrumentalness • 57% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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The Presidents Of The United States Of America
Lump
142 bpm • F# Maj • 02:14 • -3.92db
71% Popularity • 51% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
71% Popularity • 51% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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LCD Soundsystem
All My Friends
143 bpm • D Maj • 07:42 • -5.61db
59% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
59% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
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Interpol
The Heinrich Maneuver
137 bpm • E min • 03:28 • -3.86db
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
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The Lemonheads
If I Could Talk I'd Tell You
137 bpm • A Maj • 02:50 • -6db
42% Popularity • 50% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
42% Popularity • 50% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 70% Positiveness
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The Cardigans
My Favourite Game
143 bpm • F min • 03:40 • -6.19db
71% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Spoon
Got Nuffin
144 bpm • C Maj • 03:58 • -7db
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
16% Popularity • 63% Danceability • 87% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
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The Raveonettes
Love In a Trashcan
136 bpm • E min • 02:51 • -2db
43% Popularity • 56% Danceability • 95% Energy • 33% Liveness
3% Instrumentalness • 85% Positiveness
43% Popularity • 56% Danceability • 95% Energy • 33% Liveness
3% Instrumentalness • 85% Positiveness
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Spiderbait
Shazam!
136 bpm • G Maj • 02:03 • -3.36db
45% Popularity • 51% Danceability • 89% Energy • 24% Liveness
93% Instrumentalness • 86% Positiveness
45% Popularity • 51% Danceability • 89% Energy • 24% Liveness
93% Instrumentalness • 86% Positiveness
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We Are Scientists
Nobody Move, Nobody Get Hurt
144 bpm • F# Maj • 03:12 • -4.74db
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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The Dandy Warhols
This Is The Tide
136 bpm • B min • 05:00 • -5.2db
11% Popularity • 45% Danceability • 89% Energy • 43% Liveness
86% Instrumentalness • 51% Positiveness
11% Popularity • 45% Danceability • 89% Energy • 43% Liveness
86% Instrumentalness • 51% Positiveness
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Nada Surf
Enjoy the Silence
136 bpm • F# Maj • 03:21 • -5db
6% Popularity • 40% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 40% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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LCD Soundsystem
Daft Punk Is Playing at My House
136 bpm • G Maj • 05:14 • -4.56db
58% Popularity • 92% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 92% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Raveonettes
That Great Love Sound
136 bpm • A# Maj • 03:15 • -4.25db
27% Popularity • 40% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 40% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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New Order
Crystal
136 bpm • F# Maj • 06:50 • -5.03db
49% Popularity • 52% Danceability • 89% Energy • 7% Liveness
50% Instrumentalness • 25% Positiveness
49% Popularity • 52% Danceability • 89% Energy • 7% Liveness
50% Instrumentalness • 25% Positiveness
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Pixies
Debaser
136 bpm • F min • 02:51 • -9.15db
62% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
62% Popularity • 49% Danceability • 91% Energy • 7% Liveness
71% Instrumentalness • 54% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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Goldfrapp
Ooh La La
145 bpm • E min • 03:24 • -7.73db
60% Popularity • 48% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
60% Popularity • 48% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
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Foo Fighters
Times Like These
145 bpm • E min • 04:25 • -3.79db
69% Popularity • 38% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 38% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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The Kills
The Good Ones
135 bpm • A Maj • 03:29 • -8.23db
29% Popularity • 74% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
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The Stone Roses
She Bangs the Drums - Remastered
145 bpm • A Maj • 03:52 • -5db
62% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
62% Popularity • 34% Danceability • 98% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
60% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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Black Rebel Motorcycle Club
Shuffle Your Feet
145 bpm • B min • 02:53 • -6.49db
43% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 54% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Franz Ferdinand
Darts Of Pleasure
145 bpm • E min • 02:59 • -7.64db
47% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Eagles Of Death Metal
Complexity
145 bpm • A Maj • 02:46 • -4.54db
41% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
53% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Spoon
The Underdog
145 bpm • G Maj • 03:42 • -6.48db
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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The Hives
Tick Tick Boom
135 bpm • C Maj • 03:25 • -3.12db
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Sonic Youth
Sugar Kane
135 bpm • G Maj • 05:57 • -5.35db
48% Popularity • 34% Danceability • 91% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
48% Popularity • 34% Danceability • 91% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
50% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Band Of Skulls
Death By Diamonds And Pearls
135 bpm • G Maj • 03:12 • -4.5db
47% Popularity • 49% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 49% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
68% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Johnny Marr
Easy Money
135 bpm • F# min • 04:03 • -4.05db
44% Popularity • 51% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 51% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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The Dandy Warhols
Big Indian
134 bpm • G Maj • 03:34 • -5.76db
26% Popularity • 52% Danceability • 79% Energy • 10% Liveness
24% Instrumentalness • 55% Positiveness
26% Popularity • 52% Danceability • 79% Energy • 10% Liveness
24% Instrumentalness • 55% Positiveness
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OK Go
Here It Goes Again
146 bpm • C Maj • 02:59 • -2.31db
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Beck
Sexx Laws
134 bpm • E Maj • 03:39 • -4.07db
47% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
47% Popularity • 65% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Rapture
Echoes
134 bpm • G# min • 03:06 • -4.16db
48% Popularity • 60% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
48% Popularity • 60% Danceability • 92% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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The Hives
Walk Idiot Walk
146 bpm • A Maj • 03:31 • -3.93db
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
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Black Rebel Motorcycle Club
Whatever Happened To My Rock 'N' Roll (P...
146 bpm • D Maj • 04:38 • -3db
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 17% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 10% Positiveness
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The Dandy Warhols
Get Off
146 bpm • E min • 03:10 • -4.88db
49% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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The Clash
London Calling - Remastered
134 bpm • C Maj • 03:20 • -7.34db
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
71% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Death In Vegas
So You Say You Lost Your Baby
134 bpm • A Maj • 02:58 • -4.09db
23% Popularity • 46% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Joy Division
Love Will Tear Us Apart - 2020 Remaster
147 bpm • D Maj • 03:28 • -7.46db
71% Popularity • 53% Danceability • 92% Energy • 13% Liveness
76% Instrumentalness • 90% Positiveness
71% Popularity • 53% Danceability • 92% Energy • 13% Liveness
76% Instrumentalness • 90% Positiveness
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Placebo
Every You Every Me
133 bpm • A# Maj • 03:33 • -7.55db
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
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The Dandy Warhols
Hard On For Jesus
134 bpm • B min • 04:36 • -8.03db
25% Popularity • 25% Danceability • 67% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
25% Popularity • 25% Danceability • 67% Energy • 33% Liveness
8% Instrumentalness • 34% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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The Kills
Doing It To Death
133 bpm • A Maj • 04:07 • -8.03db
50% Popularity • 64% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 65% Positiveness
50% Popularity • 64% Danceability • 69% Energy • 6% Liveness
1% Instrumentalness • 65% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Pixies
Wave Of Mutilation
133 bpm • F Maj • 02:03 • -10.82db
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
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The Von Bondies
C'mon C'mon
148 bpm • F Maj • 02:13 • -4db
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Black Rebel Motorcycle Club
Berlin
132 bpm • C Maj • 03:10 • -2.32db
36% Popularity • 56% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 56% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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White Lies
To Lose My Life
132 bpm • A# min • 03:11 • -4.71db
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
53% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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The Kills
Last Day Of Magic
148 bpm • C# Maj • 03:23 • -3db
37% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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The Smashing Pumpkins
Tonight, Tonight - Remastered 2012
148 bpm • F# Maj • 04:14 • -9.38db
66% Popularity • 28% Danceability • 67% Energy • 24% Liveness
75% Instrumentalness • 22% Positiveness
66% Popularity • 28% Danceability • 67% Energy • 24% Liveness
75% Instrumentalness • 22% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
68% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Vines
TV Pro
132 bpm • A min • 03:47 • -5.2db
20% Popularity • 29% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
20% Popularity • 29% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Jack White
Sixteen Saltines
132 bpm • B min • 02:35 • -7.88db
51% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Frank Black
Headache
132 bpm • B Maj • 02:52 • -4.87db
36% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
36% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
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Dinosaur Jr.
Feel the Pain
132 bpm • C Maj • 04:19 • -8.36db
57% Popularity • 34% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
57% Popularity • 34% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 85% Positiveness
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Yeah Yeah Yeahs
Y Control
132 bpm • C Maj • 04:00 • -4.28db
52% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
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The Lemonheads
It's a Shame About Ray - Remastered
131 bpm • A Maj • 03:07 • -9db
46% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Black Rebel Motorcycle Club
Weapon Of Choice
149 bpm • F min • 02:49 • -1.93db
40% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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XTC
Making Plans For Nigel
150 bpm • G Maj • 04:13 • -6.04db
58% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 63% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Hot Hot Heat
Bandages
150 bpm • E min • 03:32 • -4db
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The Black Keys
Gold on the Ceiling
130 bpm • C Maj • 03:44 • -4.63db
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
76% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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The Beta Band
Dry the Rain
150 bpm • E Maj • 06:06 • -11.29db
52% Popularity • 59% Danceability • 63% Energy • 22% Liveness
17% Instrumentalness • 75% Positiveness
52% Popularity • 59% Danceability • 63% Energy • 22% Liveness
17% Instrumentalness • 75% Positiveness
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Doves
Catch The Sun
130 bpm • D Maj • 04:49 • -6.49db
38% Popularity • 35% Danceability • 84% Energy • 19% Liveness
4% Instrumentalness • 22% Positiveness
38% Popularity • 35% Danceability • 84% Energy • 19% Liveness
4% Instrumentalness • 22% Positiveness
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Editors
An End Has a Start
150 bpm • F# min • 03:45 • -2.43db
52% Popularity • 35% Danceability • 92% Energy • 34% Liveness
11% Instrumentalness • 54% Positiveness
52% Popularity • 35% Danceability • 92% Energy • 34% Liveness
11% Instrumentalness • 54% Positiveness
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Republica
Ready to Go
130 bpm • D Maj • 05:01 • -4.67db
53% Popularity • 55% Danceability • 95% Energy • 19% Liveness
15% Instrumentalness • 24% Positiveness
53% Popularity • 55% Danceability • 95% Energy • 19% Liveness
15% Instrumentalness • 24% Positiveness
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The Rapture
House Of Jealous Lovers
130 bpm • C# Maj • 05:04 • -5.02db
42% Popularity • 73% Danceability • 74% Energy • 28% Liveness
35% Instrumentalness • 77% Positiveness
42% Popularity • 73% Danceability • 74% Energy • 28% Liveness
35% Instrumentalness • 77% Positiveness
