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Night and Day (Foxtrot)
Songs like
Night and Day (Foxtrot)
by
The Len Phillips Big Band
Based on a tempo of (+/- 10%) and a similar genre
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Brent Thomas Mills
Tango Escrita
120 bpm • F min • 02:34 • -7.57db
31% Popularity • 74% Danceability • 62% Energy • 13% Liveness
50% Instrumentalness • 96% Positiveness
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Debayres
Revolucion Tango - Original Mix Version
120 bpm • A min • 02:17 • -11.61db
14% Popularity • 86% Danceability • 61% Energy • 12% Liveness
50% Instrumentalness • 59% Positiveness
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The Len Phillips Big Band
Night and Day (Foxtrot)
120 bpm • G min • 04:06 • -13.26db
4% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Fortuna Productions
The Cape
120 bpm • F min • 02:06 • -3.61db
14% Popularity • 71% Danceability • 85% Energy • 10% Liveness
27% Instrumentalness • 94% Positiveness
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Gilles Douieb
Viva Florida
120 bpm • D Maj • 02:29 • -6.15db
16% Popularity • 94% Danceability • 73% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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Genio & Pierrots
Medley cha cha cha : Shine, Sunshine day...
120 bpm • G min • 04:02 • -8.97db
21% Popularity • 86% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Brent Thomas Mills
Everything Blue
120 bpm • C Maj • 02:52 • -7.34db
9% Popularity • 76% Danceability • 69% Energy • 13% Liveness
87% Instrumentalness • 50% Positiveness
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Debayres
Murga Tango
120 bpm • G min • 02:22 • -9.52db
24% Popularity • 81% Danceability • 72% Energy • 88% Liveness
86% Instrumentalness • 73% Positiveness
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The Len Phillips Big Band
Where or When (Foxtrot)
120 bpm • G# Maj • 02:43 • -12.88db
4% Popularity • 70% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Dancelife Studio Orchestra & Singers
Lady Marmalade (Cha Cha Cha / 30 Bpm)
120 bpm • F min • 03:29 • -14.45db
15% Popularity • 84% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Andy Fortuna Productions
Matador Paso
120 bpm • A# Maj • 02:06 • -4.56db
11% Popularity • 69% Danceability • 76% Energy • 30% Liveness
2% Instrumentalness • 96% Positiveness
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CFD
Kiss (Cha Cha Cha / 30 BPM)
120 bpm • F min • 03:00 • -8.43db
8% Popularity • 89% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Brent Thomas Mills
The Other Tango
120 bpm • G min • 02:55 • -7.6db
28% Popularity • 79% Danceability • 63% Energy • 6% Liveness
88% Instrumentalness • 89% Positiveness
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Osi Tejerina
Toptango - Original Mix Version
120 bpm • G Maj • 02:52 • -7.49db
16% Popularity • 78% Danceability • 85% Energy • 9% Liveness
72% Instrumentalness • 81% Positiveness
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Eight To The Bar
Dirty Dog
120 bpm • E min • 03:28 • -7.09db
28% Popularity • 85% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Carlos Sarmiento
Cha Cha Inn
120 bpm • D# Maj • 02:47 • -3.5db
15% Popularity • 84% Danceability • 88% Energy • 12% Liveness
87% Instrumentalness • 99% Positiveness
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Korotkoff
The Other Side [ChaChaCha 30BPM]
120 bpm • D min • 02:49 • -10.73db
9% Popularity • 79% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Italian Ballroom
Un Beso - 30 bpm
120 bpm • D Maj • 03:50 • -7.09db
18% Popularity • 85% Danceability • 46% Energy • 28% Liveness
60% Instrumentalness • 91% Positiveness
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Stefano Linari
Tanghero - Tango
120 bpm • A Maj • 02:53 • -6.18db
27% Popularity • 80% Danceability • 56% Energy • 14% Liveness
48% Instrumentalness • 95% Positiveness
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Blue Angels
Espana Mi Amor - Pd 61 Bpm
120 bpm • F Maj • 02:04 • -6.23db
24% Popularity • 83% Danceability • 69% Energy • 2% Liveness
70% Instrumentalness • 96% Positiveness
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Eight To The Bar
Rumba Queen
120 bpm • A min • 03:32 • -6.8db
16% Popularity • 81% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Poncho Sanchez
Subway Harry
120 bpm • F min • 04:40 • -10.57db
22% Popularity • 66% Danceability • 61% Energy • 64% Liveness
36% Instrumentalness • 88% Positiveness
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Gerli Padar
All About the Bass (Slow Fox)
120 bpm • A Maj • 04:03 • -7.26db
19% Popularity • 74% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Italian Ballroom
La Cumparsita - 30bpm
120 bpm • G min • 03:14 • -4.54db
22% Popularity • 91% Danceability • 57% Energy • 8% Liveness
87% Instrumentalness • 81% Positiveness
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Orchester Werner Tauber
Love Is a Many Splendored Thing
120 bpm • F min • 02:38 • -9.35db
11% Popularity • 52% Danceability • 34% Energy • 7% Liveness
2% Instrumentalness • 65% Positiveness
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CFD
El Conquistador [Paso Doble / 60 BPM]
120 bpm • C min • 02:08 • -9.34db
11% Popularity • 84% Danceability • 54% Energy • 3% Liveness
93% Instrumentalness • 98% Positiveness
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Alfred Hause
Bella Magdalena
120 bpm • A Maj • 03:02 • -12.71db
10% Popularity • 54% Danceability • 30% Energy • 8% Liveness
18% Instrumentalness • 69% Positiveness
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Ross Mitchell, His Band & Singers
Love Potion #9 - Cha Cha Cha / 30 BPM
120 bpm • A# Maj • 02:20 • -10.67db
21% Popularity • 84% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 98% Positiveness
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Willie Bobo & His Orchestra
Timbale Groove
120 bpm • B Maj • 02:49 • -7.54db
13% Popularity • 77% Danceability • 70% Energy • 8% Liveness
14% Instrumentalness • 96% Positiveness
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Tango Ballroom Orchestra Alfred Hause
El Choclo (Tango)
120 bpm • D min • 02:40 • -19.64db
31% Popularity • 57% Danceability • 13% Energy • 10% Liveness
44% Instrumentalness • 55% Positiveness
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Orchester Werner Tauber
New York, New York
120 bpm • D Maj • 02:47 • -7.17db
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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CFD
September (Cha Cha Cha / 30 BPM)
120 bpm • A Maj • 02:54 • -9.43db
4% Popularity • 85% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Kurt Edelhagen
Slowfox: 30 Takte Pro Minute - Adios
120 bpm • F Maj • 02:20 • -11.22db
45% Popularity • 57% Danceability • 49% Energy • 13% Liveness
82% Instrumentalness • 67% Positiveness
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Della Reese
Why Don't You Do Right
121 bpm • D min • 02:46 • -8.38db
22% Popularity • 81% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Poncho Sanchez
Knock On Wood
119 bpm • B min • 03:31 • -11.23db
20% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Tito Rodriguez
Voulez Vou Cha Cha Chá
121 bpm • G min • 02:27 • -9.91db
15% Popularity • 77% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Orchester Werner Tauber
Smoke Gets In Your Eyes
119 bpm • G Maj • 03:30 • -7.59db
12% Popularity • 56% Danceability • 41% Energy • 13% Liveness
50% Instrumentalness • 34% Positiveness
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CFD
Loco in Acapulco (Cha Cha Cha / 30 BPM)
120 bpm • C# Maj • 02:50 • -8.47db
3% Popularity • 89% Danceability • 65% Energy • 4% Liveness
2% Instrumentalness • 98% Positiveness
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The Strings Of Paris
Spanish Gipsy Dance
121 bpm • F Maj • 02:05 • -10.58db
33% Popularity • 64% Danceability • 69% Energy • 16% Liveness
96% Instrumentalness • 86% Positiveness
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Della Reese
There's A Small Hotel
119 bpm • D Maj • 02:15 • -12.43db
14% Popularity • 87% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Don Swan & His Orchestra
Hooray for Hollywood
121 bpm • C Maj • 02:34 • -8.48db
24% Popularity • 75% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Walter Laird & Nico Gomez
Oye Como Va ((Chachacha / 30 Bpm))
121 bpm • E min • 02:23 • -11.68db
13% Popularity • 92% Danceability • 54% Energy • 25% Liveness
4% Instrumentalness • 96% Positiveness
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Ross Mitchell, His Band & Singers
Sway (Cha Cha Cha)
119 bpm • A# min • 02:19 • -9.57db
21% Popularity • 94% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Billy May & His Orchestra
Hernando's Hideaway
121 bpm • C Maj • 02:17 • -8db
34% Popularity • 74% Danceability • 38% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
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Carlos Sarmiento
Mambo Nights
121 bpm • C Maj • 03:11 • -5.67db
22% Popularity • 90% Danceability • 84% Energy • 9% Liveness
85% Instrumentalness • 97% Positiveness
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Andy Fortuna
Speak up Mambo
121 bpm • F min • 03:42 • -4.03db
19% Popularity • 80% Danceability • 85% Energy • 29% Liveness
5% Instrumentalness • 98% Positiveness
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Tito Rodriguez & His Orchestra
Theme from 'the Apartment'
119 bpm • D min • 02:27 • -14db
30% Popularity • 89% Danceability • 40% Energy • 8% Liveness
25% Instrumentalness • 73% Positiveness
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Walter Laird & Nico Gomez
Speak Up Mambo ((Chachacha / 30 Bpm))
121 bpm • F min • 03:03 • -10.59db
13% Popularity • 80% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Edmundo Ros & His Orchestra
La Bamba
119 bpm • C Maj • 02:00 • -12.42db
14% Popularity • 71% Danceability • 54% Energy • 13% Liveness
7% Instrumentalness • 88% Positiveness
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Great Tango Artists
La Cumparsita
121 bpm • E min • 04:27 • -8.7db
13% Popularity • 75% Danceability • 29% Energy • 4% Liveness
14% Instrumentalness • 82% Positiveness
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Cirque du Soleil
Tango
122 bpm • G# Maj • 05:13 • -11.93db
32% Popularity • 62% Danceability • 36% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Tommy Dorsey
Tea For Two Cha Cha
118 bpm • G# Maj • 02:54 • -24db
26% Popularity • 91% Danceability • 25% Energy • 11% Liveness
64% Instrumentalness • 82% Positiveness
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Tito Rodriguez & His Orchestra
The Apartment
119 bpm • D min • 02:26 • -12.24db
26% Popularity • 87% Danceability • 49% Energy • 8% Liveness
14% Instrumentalness • 79% Positiveness
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Tango Ballroom Orchestra Alfred Hause
Schwarze Augen - Dark Eyes (Tango) - New...
122 bpm • D min • 03:47 • -17.79db
9% Popularity • 33% Danceability • 25% Energy • 8% Liveness
83% Instrumentalness • 31% Positiveness
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Walter Laird & Nico Gomez
Espana Cani ((Paso Doble))
119 bpm • D Maj • 02:07 • -12.05db
16% Popularity • 80% Danceability • 56% Energy • 9% Liveness
7% Instrumentalness • 94% Positiveness
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Great Tango Artists
Besame Mucho
121 bpm • D min • 04:30 • -13.38db
12% Popularity • 63% Danceability • 41% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Edmundo Ros & His Orchestra
Hair
121 bpm • C min • 02:33 • -12.47db
18% Popularity • 68% Danceability • 58% Energy • 13% Liveness
94% Instrumentalness • 61% Positiveness
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Los Flamencos
España CañÃ, Pasodoble
118 bpm • G Maj • 02:07 • -5.42db
19% Popularity • 70% Danceability • 55% Energy • 22% Liveness
67% Instrumentalness • 91% Positiveness
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Sophie Milman
My Baby Just Cares For Me
122 bpm • G# Maj • 03:34 • -7db
36% Popularity • 64% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Trijntje Oosterhuis
Another Saturday Night
118 bpm • E min • 03:46 • -7db
27% Popularity • 73% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Walter Laird & Nico Gomez
Alta Sociedad ((Chachacha / 30 Bpm))
122 bpm • F Maj • 03:20 • -11.58db
15% Popularity • 80% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 96% Positiveness
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Tony Crane and His Band
Cadiz - Paso Doble / 62 BPM
122 bpm • D Maj • 02:02 • -9.2db
10% Popularity • 80% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 77% Positiveness
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Great Tango Artists
Hernando's Hideaway
121 bpm • E min • 04:14 • -9.11db
33% Popularity • 79% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 64% Positiveness
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StudioGroup
The Crocodile Tango - Tango / 30 Bpm
118 bpm • A min • 02:14 • -17.82db
17% Popularity • 66% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Cantovano and His Orchestra
Cha cha souvenir
122 bpm • D Maj • 02:47 • -3.27db
21% Popularity • 83% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Mo' Better Swing
I Like Chopin / Fly Me to the Moon - Swi...
118 bpm • F Maj • 03:46 • -8.66db
18% Popularity • 71% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Lemon
Latin Lover
118 bpm • A min • 03:37 • -8db
30% Popularity • 89% Danceability • 94% Energy • 14% Liveness
83% Instrumentalness • 98% Positiveness
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DJ DLVG
Espana Cani '2013' - Paso Doble / 61 BPM
122 bpm • A Maj • 02:02 • -8.57db
30% Popularity • 81% Danceability • 89% Energy • 22% Liveness
80% Instrumentalness • 95% Positiveness
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Great Tango Artists
El Choclo
121 bpm • D Maj • 04:44 • -8.76db
17% Popularity • 69% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Walter Laird & Nico Gomez
Rhythm Only / Rico Vacilon ((Chachacha))
118 bpm • D# min • 04:43 • -13.66db
9% Popularity • 85% Danceability • 59% Energy • 7% Liveness
84% Instrumentalness • 89% Positiveness
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Juan Vicente Zambrano
Tengo Tu Tango
118 bpm • F min • 02:42 • -5.69db
20% Popularity • 95% Danceability • 69% Energy • 4% Liveness
86% Instrumentalness • 87% Positiveness
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Arthur Murray Orchestra
Midnight Tango
122 bpm • F Maj • 02:32 • -10.49db
26% Popularity • 54% Danceability • 45% Energy • 8% Liveness
60% Instrumentalness • 77% Positiveness
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Roberto Scaglioni
Rodeo - Tango
122 bpm • G Maj • 02:49 • -7.25db
17% Popularity • 78% Danceability • 74% Energy • 13% Liveness
41% Instrumentalness • 88% Positiveness
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Ruben Gonzalez, Jr.
Saboreando
118 bpm • E min • 04:32 • -10db
18% Popularity • 68% Danceability • 54% Energy • 18% Liveness
20% Instrumentalness • 82% Positiveness
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Great Tango Artists
Quien Sera
121 bpm • E min • 04:12 • -10.33db
16% Popularity • 69% Danceability • 40% Energy • 9% Liveness
32% Instrumentalness • 59% Positiveness
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Walter Laird & Nico Gomez
Historia De Un Amor ((Chachacha / 30 Bpm...
122 bpm • D min • 02:17 • -9.2db
17% Popularity • 71% Danceability • 56% Energy • 26% Liveness
82% Instrumentalness • 95% Positiveness
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The Strings Of Paris
New York, New York
117 bpm • D# Maj • 02:07 • -14.26db
28% Popularity • 44% Danceability • 40% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
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Arthur Murray Orchestra
Watermelon Heart (Corazon De Melon)
122 bpm • C Maj • 02:46 • -8.64db
17% Popularity • 89% Danceability • 68% Energy • 32% Liveness
47% Instrumentalness • 97% Positiveness
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Della Reese
Daddy
117 bpm • C min • 02:41 • -8.97db
28% Popularity • 93% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Alfred Hause
A Media Luz (Tango) - New Recording
123 bpm • D Maj • 02:44 • -20.16db
25% Popularity • 51% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 60% Positiveness
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Empress Orchestra
Caravan
123 bpm • F Maj • 02:21 • -10.63db
23% Popularity • 64% Danceability • 50% Energy • 16% Liveness
39% Instrumentalness • 61% Positiveness
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Andy Fortuna Productions
Don't Cry For Me Argentina
123 bpm • A# Maj • 02:04 • -6.76db
20% Popularity • 63% Danceability • 67% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
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Sr Ortegon
Picante
123 bpm • C# Maj • 01:35 • -6.72db
35% Popularity • 97% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Ken Turner & His Orchestra
Patsy
123 bpm • D Maj • 02:51 • -12.4db
14% Popularity • 80% Danceability • 52% Energy • 11% Liveness
85% Instrumentalness • 79% Positiveness
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Johnny Pacheco
Clap Your Hands Cha Cha
117 bpm • E min • 02:38 • -11.19db
9% Popularity • 54% Danceability • 55% Energy • 24% Liveness
90% Instrumentalness • 93% Positiveness
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Alfred Hause
Donna Vatra
117 bpm • A min • 03:17 • -10.89db
5% Popularity • 58% Danceability • 43% Energy • 11% Liveness
83% Instrumentalness • 58% Positiveness
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Empress Orchestra
The Boy
123 bpm • C min • 02:34 • -8.56db
30% Popularity • 63% Danceability • 53% Energy • 10% Liveness
27% Instrumentalness • 58% Positiveness
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Tango Orchester Alfred Hause
Tango Erotico
117 bpm • G Maj • 03:43 • -12.1db
10% Popularity • 63% Danceability • 38% Energy • 33% Liveness
90% Instrumentalness • 85% Positiveness
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Johny M
Intoxicated (Cha Cha 31)
123 bpm • C Maj • 02:11 • -4.76db
29% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Strings of Paris
Olé Guapa
124 bpm • A Maj • 02:56 • -9.58db
21% Popularity • 50% Danceability • 29% Energy • 6% Liveness
48% Instrumentalness • 79% Positiveness
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Irven Tidswell and His Festival Orchestra
You're Nobody Till Somebody Loves You
116 bpm • A# min • 02:58 • -11.01db
8% Popularity • 68% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Los Gatos
Bludan
116 bpm • F min • 04:29 • -6.23db
14% Popularity • 73% Danceability • 73% Energy • 70% Liveness
82% Instrumentalness • 51% Positiveness
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Blue Angels
Latin Tango
124 bpm • E Maj • 01:52 • -9.51db
31% Popularity • 77% Danceability • 28% Energy • 9% Liveness
51% Instrumentalness • 81% Positiveness
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The Len Phillips Big Band
This Nearly Was Mine (Cha Cha Cha)
124 bpm • G# Maj • 01:55 • -12.8db
11% Popularity • 94% Danceability • 36% Energy • 4% Liveness
93% Instrumentalness • 75% Positiveness
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Italian Ballroom
Nel sole nel mare - Cha cha cha 31 bpm
124 bpm • G Maj • 03:24 • -5.87db
24% Popularity • 86% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Gerli Padar
Creative (Cha Cha)
124 bpm • D min • 04:10 • -6.08db
13% Popularity • 70% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Otros Aires
Essa
124 bpm • G Maj • 02:49 • -4.22db
34% Popularity • 88% Danceability • 73% Energy • 14% Liveness
45% Instrumentalness • 84% Positiveness
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New Ballroom Dance Orchestra
Do You Cha Cha?
124 bpm • C Maj • 02:13 • -5.66db
20% Popularity • 80% Danceability • 96% Energy • 7% Liveness
91% Instrumentalness • 91% Positiveness
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Blue Angels
Tango Appasionato
124 bpm • D min • 02:16 • -8.66db
25% Popularity • 74% Danceability • 34% Energy • 9% Liveness
76% Instrumentalness • 49% Positiveness
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The Len Phillips Big Band
Puente at Grossinger’s (Cha Cha Cha)
124 bpm • C Maj • 02:13 • -9.33db
22% Popularity • 96% Danceability • 37% Energy • 4% Liveness
89% Instrumentalness • 87% Positiveness
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Night and Day (Foxtrot)