Songs like Night Go Slow by Catey Shaw
Based on a tempo of (+/- 10%) and a similar genre
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Catey Shaw
Walks All Over You
125 bpm • B Maj • 03:06 • -10.02db
20% Popularity • 68% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 50% Positiveness
20% Popularity • 68% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 50% Positiveness
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Tyler Glenn
G.D.M.M.L. GRLS
125 bpm • G# min • 04:03 • -5.66db
17% Popularity • 66% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 66% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Clover the Girl
Filter This
125 bpm • C# min • 03:28 • -6db
14% Popularity • 64% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 64% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Sizzy Rocket
Champagne Room
125 bpm • A min • 04:20 • -8.38db
11% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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King Princess
Homegirl
125 bpm • C Maj • 03:01 • -7db
38% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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WRENN
I'm Tired of Being Alone
125 bpm • F Maj • 03:23 • -6.21db
18% Popularity • 26% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 26% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Catey Shaw
Clouds
125 bpm • G Maj • 03:51 • -6.99db
2% Popularity • 81% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
2% Popularity • 81% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Hollie Col
She Knows
126 bpm • C Maj • 03:10 • -3.35db
34% Popularity • 57% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 57% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Dresses
Painting Roses
126 bpm • B Maj • 03:05 • -11.25db
30% Popularity • 70% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 70% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Fleurie
Sparks
126 bpm • D Maj • 03:39 • -11.29db
13% Popularity • 56% Danceability • 45% Energy • 9% Liveness
8% Instrumentalness • 9% Positiveness
13% Popularity • 56% Danceability • 45% Energy • 9% Liveness
8% Instrumentalness • 9% Positiveness
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King Princess
Femme Fatale - RISE Recording
125 bpm • F Maj • 02:53 • -12db
35% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Natalia Kills
Outta Time
124 bpm • G# Maj • 03:42 • -6db
23% Popularity • 65% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 65% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Catey Shaw
Lovesick Jerk
125 bpm • A# Maj • 04:05 • -7.55db
2% Popularity • 73% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 73% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Meiko
Bad Things
126 bpm • A min • 03:14 • -12.24db
37% Popularity • 69% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
37% Popularity • 69% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Tegan and Sara
Boyfriend
124 bpm • A min • 02:47 • -6db
42% Popularity • 69% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 69% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Orla Gartland
Between My Teeth
124 bpm • A min • 03:16 • -5.27db
33% Popularity • 83% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 83% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 60% Positiveness
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Hey Violet
Clean - Stripped
126 bpm • A Maj • 03:17 • -7.27db
13% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lowell
LGBT
124 bpm • E Maj • 04:02 • -8.43db
26% Popularity • 38% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 38% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Catey Shaw
Night Go Slow
125 bpm • D Maj • 03:19 • -10.12db
30% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Phoebe Ryan
Be Real
123 bpm • A Maj • 03:42 • -4db
25% Popularity • 54% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 54% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Tegan and Sara
100x
126 bpm • G# Maj • 03:02 • -7.11db
28% Popularity • 77% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 77% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Holly Henry
Coriander/Chamomile
127 bpm • B Maj • 03:52 • -16.28db
16% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 57% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sizzy Rocket
Bestie
123 bpm • A Maj • 03:29 • -6.29db
27% Popularity • 78% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 78% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Lorde
The Louvre
123 bpm • C Maj • 04:31 • -9.98db
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
63% Popularity • 66% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Catey Shaw
Outerspace
124 bpm • D Maj • 03:24 • -7.7db
16% Popularity • 79% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 79% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Ames
Flowers for Anna
123 bpm • G min • 03:30 • -23.14db
24% Popularity • 68% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 68% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Tegan and Sara
Miami Still - Demo
126 bpm • A Maj • 03:36 • -6.6db
11% Popularity • 71% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 71% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Korey Dane
Blood on the Mattress
127 bpm • G# Maj • 02:57 • -7db
27% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Cyn
Holy Roller
123 bpm • G Maj • 03:42 • -5.6db
26% Popularity • 72% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 72% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Hey Violet
Congratulations - Recorded At Spotify St...
123 bpm • B Maj • 03:13 • -8.99db
27% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Catey Shaw
I'd Be Laughing
123 bpm • A# Maj • 03:35 • -8.45db
2% Popularity • 52% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 52% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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MOTHICA
Heavy Heart
123 bpm • A Maj • 03:30 • -7.56db
16% Popularity • 65% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 65% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Maude Latour
Lovesick
128 bpm • C# Maj • 02:50 • -7.68db
31% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Hollie Col
Passenger Seat
122 bpm • F# Maj • 03:58 • -6.02db
14% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 61% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Troye Sivan
Animal
122 bpm • G# Maj • 04:25 • -11.16db
46% Popularity • 34% Danceability • 31% Energy • 30% Liveness
1% Instrumentalness • 5% Positiveness
46% Popularity • 34% Danceability • 31% Energy • 30% Liveness
1% Instrumentalness • 5% Positiveness
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Us The Duo
Fighting for You
128 bpm • G# Maj • 03:32 • -4.58db
21% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 70% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Maty Noyes
Perspective
128 bpm • C# min • 02:51 • -7db
22% Popularity • 56% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 56% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Caity Krone
Record About You
128 bpm • C Maj • 05:05 • -7db
8% Popularity • 66% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 66% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Julia Nunes
All the Same
128 bpm • C Maj • 03:42 • -9.91db
10% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Grace Mitchell
Breaking Hearts
128 bpm • A# min • 03:27 • -6.05db
12% Popularity • 67% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 67% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Betty Who
Friend Like Me
122 bpm • B Maj • 03:37 • -11.93db
22% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Grace VanderWaal
A Better Life
122 bpm • G Maj • 04:04 • -7.77db
29% Popularity • 40% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Lights
Almost Had Me
128 bpm • C# min • 03:53 • -6db
25% Popularity • 55% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 55% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Hey Violet
Guys My Age - Stripped
122 bpm • G# min • 03:44 • -8.73db
32% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Julia Michaels
Pink
122 bpm • F# min • 02:48 • -7.27db
33% Popularity • 93% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 93% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Mary Lambert
Hang Out With You
122 bpm • B Maj • 03:12 • -7.3db
22% Popularity • 81% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
22% Popularity • 81% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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W. Darling
Hunting Happiness
128 bpm • G# min • 03:50 • -7db
23% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Kat Cunning
Wild Poppies
128 bpm • A min • 03:09 • -5.64db
24% Popularity • 66% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Hollie Col
Let Yourself Down
128 bpm • D min • 03:52 • -6.72db
31% Popularity • 47% Danceability • 47% Energy • 10% Liveness
16% Instrumentalness • 10% Positiveness
31% Popularity • 47% Danceability • 47% Energy • 10% Liveness
16% Instrumentalness • 10% Positiveness
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Catey Shaw
Weak
129 bpm • F# min • 03:52 • -14.18db
2% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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MUNA
Crying On The Bathroom Floor - Acoustic
129 bpm • C# Maj • 04:02 • -5db
23% Popularity • 64% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 64% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Phoebe Green
Nosebleed
129 bpm • B Maj • 02:09 • -10.21db
15% Popularity • 33% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 33% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Transviolet
Night Vision
121 bpm • D# Maj • 03:54 • -6.6db
24% Popularity • 56% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 56% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
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Lights
Same Sea
121 bpm • D Maj • 04:12 • -9.63db
29% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Zella Day
The Outlaw Josey Wales
121 bpm • B Maj • 03:08 • -5.38db
34% Popularity • 56% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 56% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Sophie Cates
lost cause
121 bpm • C Maj • 03:07 • -8.67db
22% Popularity • 50% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 50% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Holly Henry
The Ghost
120 bpm • D# Maj • 03:31 • -10.57db
12% Popularity • 82% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 82% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Chappell Roan
School Nights
130 bpm • F# min • 04:09 • -10db
54% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bahari
Reasons
130 bpm • F min • 03:05 • -5.06db
13% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Mary Lambert
Monochromatic
130 bpm • C Maj • 03:19 • -9.67db
12% Popularity • 57% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 57% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Alice Kristiansen
Lost in Translation
120 bpm • F# Maj • 03:47 • -7db
14% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 54% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Zealyn
Summer Day
130 bpm • B min • 04:05 • -5.87db
12% Popularity • 49% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 49% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Phebe Starr
Feel My Love
130 bpm • D Maj • 03:35 • -4.52db
19% Popularity • 61% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 61% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Zolita
Explosion
120 bpm • F Maj • 03:30 • -15db
30% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Halsey
Is There Somewhere
130 bpm • A Maj • 03:31 • -7.62db
52% Popularity • 51% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 51% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Kesha
Rainbow
120 bpm • C Maj • 03:38 • -6db
46% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Blind Truth
I Want Her
130 bpm • G min • 03:02 • -4.34db
31% Popularity • 69% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 69% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Ryn Weaver
Reasons Not To Die - Demo
130 bpm • E Maj • 03:40 • -10db
42% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Transviolet
Bloodstream
120 bpm • F Maj • 03:28 • -6.84db
38% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Echosmith
Tell Her You Love Her
120 bpm • G Maj • 04:06 • -7.63db
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Halsey
Trouble - Stripped
120 bpm • G# min • 03:34 • -6.8db
49% Popularity • 68% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 68% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Catey Shaw
Revolution
120 bpm • A# Maj • 04:06 • -7.18db
12% Popularity • 62% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Phoebe Ryan
James Has Changed
120 bpm • G Maj • 03:22 • -5.23db
24% Popularity • 67% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 67% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Bellorage
For a While
120 bpm • F min • 04:38 • -10.86db
9% Popularity • 67% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 67% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Kailee Morgue
Medusa
120 bpm • D# min • 03:23 • -7.77db
46% Popularity • 91% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
46% Popularity • 91% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Dresses
Frozen
120 bpm • G# Maj • 02:54 • -7.94db
9% Popularity • 66% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
9% Popularity • 66% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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teddy<3
Life Goes On
120 bpm • G Maj • 03:38 • -11.86db
17% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Catey Shaw
The Ransom
120 bpm • C Maj • 03:56 • -7db
13% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Bleachers
Take Me Away
120 bpm • F# min • 02:28 • -9.23db
21% Popularity • 66% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
21% Popularity • 66% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Halsey
Young God
120 bpm • A min • 03:00 • -6.51db
56% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 45% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kailee Morgue
Medusa - Acoustic
120 bpm • D# min • 03:22 • -5.31db
13% Popularity • 77% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 77% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Ashe
Choirs
120 bpm • C Maj • 03:02 • -8.64db
32% Popularity • 71% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 71% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Zella Day
1965
120 bpm • C Maj • 03:38 • -5.53db
41% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 55% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Mary Lambert
Sing To Me
120 bpm • F Maj • 03:53 • -14.53db
11% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Brendan Maclean
The Feeling Again
120 bpm • F Maj • 04:13 • -8.88db
9% Popularity • 41% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 41% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Tegan and Sara
That Girl
131 bpm • F Maj • 02:44 • -7.13db
27% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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King Princess
Watching My Phone
119 bpm • B min • 03:00 • -6.86db
30% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 60% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Katie Herzig
Jack And Jill
131 bpm • D Maj • 02:45 • -8db
32% Popularity • 65% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 65% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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dodie
Not What I Meant
119 bpm • C Maj • 02:23 • -13.4db
40% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Cruel Youth
Hatefuck
119 bpm • A Maj • 04:04 • -6.35db
41% Popularity • 42% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 42% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Troye Sivan
Seventeen
119 bpm • E Maj • 03:38 • -7.25db
49% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Hollie Col
I'm Not Calling
132 bpm • C Maj • 04:03 • -7.57db
22% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Tyler Glenn
One More
132 bpm • E min • 03:47 • -8.64db
12% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Charlotte Lawrence
God Must Be Doing Cocaine
118 bpm • G Maj • 03:14 • -9.33db
35% Popularity • 32% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 32% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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PEâ–³CEKEEPER
Next To You
132 bpm • G# Maj • 05:38 • -12.62db
19% Popularity • 60% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 60% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Vanessa Carlton
Operator
132 bpm • B min • 03:16 • -9.4db
2% Popularity • 55% Danceability • 51% Energy • 17% Liveness
7% Instrumentalness • 22% Positiveness
2% Popularity • 55% Danceability • 51% Energy • 17% Liveness
7% Instrumentalness • 22% Positiveness
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LOLO
The Courtyard
118 bpm • C Maj • 03:03 • -8.62db
15% Popularity • 40% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 40% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Bahari
Altar Of The Sun
118 bpm • G Maj • 05:13 • -4.09db
11% Popularity • 59% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 59% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
