Songs like Night Lights by Gerry Mulligan Sextet
Based on a tempo of (+/- 10%) and a similar genre
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
45% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
45% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Ike Quebec
Shu Shu
80 bpm • E min • 03:32 • -22db
42% Popularity • 68% Danceability • 16% Energy • 7% Liveness
87% Instrumentalness • 71% Positiveness
42% Popularity • 68% Danceability • 16% Energy • 7% Liveness
87% Instrumentalness • 71% Positiveness
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Jeremy Pelt
Little Girl Blue
80 bpm • F Maj • 07:17 • -19db
42% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
42% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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Joe Henderson
Blue Bossa - Remastered
82 bpm • F min • 08:02 • -11.7db
49% Popularity • 53% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
49% Popularity • 53% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Johnny Hodges
The Last Time I Saw Paris
82 bpm • C Maj • 02:54 • -21.43db
55% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
55% Popularity • 55% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 52% Positiveness
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Antônio Carlos Jobim
Triste
82 bpm • A Maj • 02:09 • -20.45db
50% Popularity • 40% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 15% Positiveness
50% Popularity • 40% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 15% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
55% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
55% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Ike Quebec
Lloro Tu Despedida
80 bpm • C min • 03:01 • -16.1db
42% Popularity • 64% Danceability • 30% Energy • 9% Liveness
34% Instrumentalness • 73% Positiveness
42% Popularity • 64% Danceability • 30% Energy • 9% Liveness
34% Instrumentalness • 73% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Ahmad Jamal
For All We Know
80 bpm • C Maj • 02:47 • -20.31db
51% Popularity • 60% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
51% Popularity • 60% Danceability • 13% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Bill Evans Trio
Nardis
80 bpm • C Maj • 05:49 • -24.47db
44% Popularity • 52% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
44% Popularity • 52% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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Curtis Fuller Quintet
Love, Your Spell Is Everywhere
83 bpm • F min • 07:09 • -22.02db
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
45% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
45% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
45% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Wayne Shorter
Black Orpheus
83 bpm • F min • 04:35 • -15db
33% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
33% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
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Yusef Lateef
First Gymnopedie
79 bpm • G Maj • 03:27 • -18db
44% Popularity • 45% Danceability • 36% Energy • 16% Liveness
89% Instrumentalness • 19% Positiveness
44% Popularity • 45% Danceability • 36% Energy • 16% Liveness
89% Instrumentalness • 19% Positiveness
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Lennie Tristano
Requiem
83 bpm • G min • 04:52 • -11.85db
23% Popularity • 45% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
23% Popularity • 45% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Lester Young
There Will Never Be Another You
83 bpm • C min • 03:25 • -17.94db
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Ike Quebec
Linda Flor
79 bpm • F Maj • 03:29 • -18.34db
34% Popularity • 60% Danceability • 17% Energy • 10% Liveness
66% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 17% Energy • 10% Liveness
66% Instrumentalness • 66% Positiveness
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Duke Pearson
Farewell Machelle
78 bpm • C min • 02:48 • -26.67db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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Wes Montgomery Trio
Missile Blues - Take 6
78 bpm • C Maj • 06:00 • -17.05db
29% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Gerry Mulligan
Stardust
84 bpm • C# Maj • 04:46 • -18.63db
51% Popularity • 54% Danceability • 7% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
51% Popularity • 54% Danceability • 7% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
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Nat Adderley
Work Song
78 bpm • D# Maj • 04:12 • -18db
38% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
38% Popularity • 67% Danceability • 23% Energy • 12% Liveness
35% Instrumentalness • 52% Positiveness
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Jimmy Raney
Yesterdays
78 bpm • G# min • 03:03 • -18db
30% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
30% Popularity • 50% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 42% Positiveness
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Miles Davis Quartet
Miles Ahead
78 bpm • G min • 04:29 • -14.85db
26% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
26% Popularity • 51% Danceability • 30% Energy • 31% Liveness
4% Instrumentalness • 70% Positiveness
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McCoy Tyner
We'll Be Together Again
78 bpm • G# Maj • 03:40 • -20.72db
52% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
52% Popularity • 48% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Sonny Rollins Quartet
Paul's Pal - Rudy Van Gelder Remaster
77 bpm • G Maj • 05:09 • -12.71db
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
47% Popularity • 58% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 46% Positiveness
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Bud Powell Trio
Somebody Loves Me - 1990 Remaster
77 bpm • D min • 02:55 • -20db
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
48% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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The Gil Evans Orchestra
Where Flamingos Fly
77 bpm • D min • 05:12 • -22.85db
26% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
26% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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John Coltrane Quartet
They Say It's Wonderful
77 bpm • F# Maj • 03:02 • -17.22db
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
52% Popularity • 46% Danceability • 9% Energy • 10% Liveness
71% Instrumentalness • 7% Positiveness
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George Van Eps
Cheek To Cheek
77 bpm • F Maj • 02:21 • -26db
41% Popularity • 67% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
41% Popularity • 67% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 36% Positiveness
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Tommy Flanagan Trio
You Go To My Head
77 bpm • D# Maj • 04:27 • -21db
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 20% Liveness
90% Instrumentalness • 21% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
32% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Yusef Lateef
Michelle
77 bpm • D min • 01:44 • -21db
59% Popularity • 39% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
59% Popularity • 39% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Eric Legnini Trio
I Fall in Love
76 bpm • F min • 02:45 • -15.56db
46% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
46% Popularity • 46% Danceability • 25% Energy • 15% Liveness
81% Instrumentalness • 44% Positiveness
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Billy Strayhorn
Chelsea Bridge
76 bpm • G# Maj • 03:17 • -17.34db
34% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
34% Popularity • 50% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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George Van Eps
Sunny
76 bpm • F min • 02:19 • -25.15db
36% Popularity • 49% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
36% Popularity • 49% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Hank Jones
My Wish
76 bpm • D min • 03:32 • -27db
37% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
37% Popularity • 41% Danceability • 4% Energy • 13% Liveness
76% Instrumentalness • 16% Positiveness
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Wayne Shorter
Black Nile - Remastered 2004 / Rudy Van ...
76 bpm • G min • 06:28 • -10.11db
34% Popularity • 44% Danceability • 59% Energy • 8% Liveness
18% Instrumentalness • 59% Positiveness
34% Popularity • 44% Danceability • 59% Energy • 8% Liveness
18% Instrumentalness • 59% Positiveness
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Don Ellis
Nicole
87 bpm • D min • 05:33 • -21.62db
13% Popularity • 29% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
13% Popularity • 29% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Ike Quebec
Loie - Alternate Take
75 bpm • C Maj • 03:33 • -21.09db
36% Popularity • 65% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 73% Positiveness
36% Popularity • 65% Danceability • 13% Energy • 12% Liveness
69% Instrumentalness • 73% Positiveness
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Rahsaan Roland Kirk
Alfie
75 bpm • C Maj • 02:51 • -18.08db
36% Popularity • 45% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
36% Popularity • 45% Danceability • 7% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Bobby Timmons
The Sit-In
87 bpm • G# Maj • 04:15 • -19db
27% Popularity • 59% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
27% Popularity • 59% Danceability • 24% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Barry Harris Trio
Embraceable You
75 bpm • F Maj • 03:56 • -13.28db
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
40% Popularity • 38% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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George Van Eps
The Nearness Of You - Instrumental
75 bpm • F min • 06:10 • -23.3db
29% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
29% Popularity • 57% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
52% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Miles Davis Quartet
Old Devil Moon
88 bpm • F min • 03:22 • -13.6db
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Tal Farlow
Autumn In New York
75 bpm • G min • 05:03 • -21.79db
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
30% Popularity • 59% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Bobby Timmons Trio
Softly, As In A Morning Sunrise
88 bpm • C# Maj • 05:30 • -31.43db
27% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
27% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
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Kenny Drew
I Could Write a Book
74 bpm • F min • 04:43 • -16.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Lennie Tristano
Atonement
74 bpm • A min • 02:32 • -19.87db
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Ike Quebec
Loie
74 bpm • C Maj • 03:10 • -21db
55% Popularity • 67% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 79% Positiveness
55% Popularity • 67% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 79% Positiveness
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Howard Roberts
When The Sun Comes Out
89 bpm • C min • 04:15 • -15.06db
32% Popularity • 60% Danceability • 20% Energy • 16% Liveness
66% Instrumentalness • 40% Positiveness
32% Popularity • 60% Danceability • 20% Energy • 16% Liveness
66% Instrumentalness • 40% Positiveness
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Tal Farlow
Little Girl Blue
74 bpm • F Maj • 03:22 • -35.39db
34% Popularity • 57% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
34% Popularity • 57% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Wes Montgomery
Days Of Wine And Roses
89 bpm • G min • 03:46 • -25.41db
54% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
54% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Toshiko Akiyoshi
Long Yellow Road
73 bpm • D min • 05:38 • -17db
24% Popularity • 46% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 42% Positiveness
24% Popularity • 46% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 42% Positiveness
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McCoy Tyner
After The Rain - Live At Village Vanguar...
73 bpm • G# Maj • 03:37 • -26.97db
27% Popularity • 31% Danceability • 4% Energy • 27% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 27% Liveness
92% Instrumentalness • 4% Positiveness
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Ike Quebec
Favela - Alternate Take
90 bpm • G min • 03:21 • -19.25db
39% Popularity • 70% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
39% Popularity • 70% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
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Stan Getz
But Beautiful
73 bpm • B Maj • 04:40 • -21.88db
58% Popularity • 50% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
58% Popularity • 50% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 32% Positiveness
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Brad Mehldau
I Fall in Love Too Easily
90 bpm • C Maj • 07:18 • -21.43db
38% Popularity • 39% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
38% Popularity • 39% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Henderson
Recorda Me
91 bpm • C Maj • 06:01 • -10.18db
39% Popularity • 65% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
39% Popularity • 65% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
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Red Garland Trio
'Tis Autumn
72 bpm • C min • 09:07 • -18db
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
43% Popularity • 59% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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Teddy Wilson
As Times Goes By
91 bpm • G# Maj • 03:07 • -16db
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
44% Popularity • 44% Danceability • 27% Energy • 28% Liveness
90% Instrumentalness • 29% Positiveness
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McCoy Tyner
Groove Waltz
91 bpm • F Maj • 05:31 • -17db
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
66% Instrumentalness • 47% Positiveness
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
66% Instrumentalness • 47% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Enrico Rava
Peace
91 bpm • F Maj • 01:29 • -22db
50% Popularity • 17% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
31% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Dexter Gordon
I'm A Fool To Want You
91 bpm • F min • 06:42 • -16db
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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John Coltrane Quartet
All Or Nothing At All
92 bpm • G Maj • 03:35 • -11.89db
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Bill Charlap Trio
What Are You Doing The Rest Of Your Life...
92 bpm • A min • 07:30 • -25.65db
37% Popularity • 39% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
37% Popularity • 39% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Ryo Fukui
Willow Weep For Me
72 bpm • G Maj • 07:43 • -12.23db
40% Popularity • 34% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 16% Positiveness
40% Popularity • 34% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 16% Positiveness
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Don Byas
Old Folks
71 bpm • F Maj • 03:02 • -14db
39% Popularity • 50% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
39% Popularity • 50% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
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Hank Mobley
Little Girl Blue
92 bpm • G# Maj • 08:43 • -20db
34% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
34% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Lennie Tristano
Inflight
93 bpm • F min • 02:05 • -17db
52% Popularity • 52% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 54% Positiveness
52% Popularity • 52% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 54% Positiveness
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Paul Desmond
The Theme from "Black Orpheus"
93 bpm • G min • 04:10 • -19db
44% Popularity • 52% Danceability • 32% Energy • 7% Liveness
76% Instrumentalness • 80% Positiveness
44% Popularity • 52% Danceability • 32% Energy • 7% Liveness
76% Instrumentalness • 80% Positiveness
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Mary Lou Williams
My Blue Heaven
70 bpm • F min • 03:10 • -14.62db
33% Popularity • 69% Danceability • 26% Energy • 27% Liveness
5% Instrumentalness • 62% Positiveness
33% Popularity • 69% Danceability • 26% Energy • 27% Liveness
5% Instrumentalness • 62% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
50% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
50% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
35% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
35% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Gerry Mulligan Sextet
Duke Ellington Medley: Moon Mist / In a ...
70 bpm • G min • 04:28 • -14db
4% Popularity • 42% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 32% Positiveness
4% Popularity • 42% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 32% Positiveness
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Oscar Peterson
Blue And Sentimental
70 bpm • D# min • 02:26 • -25db
61% Popularity • 55% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 12% Positiveness
61% Popularity • 55% Danceability • 11% Energy • 14% Liveness
87% Instrumentalness • 12% Positiveness
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George Van Eps
Why Was I Born?
70 bpm • F min • 01:23 • -28.69db
44% Popularity • 52% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
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Miles Davis Quintet
My Funny Valentine - Rudy Van Gelder Rem...
70 bpm • C min • 05:58 • -15.47db
54% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 55% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Bud Powell Trio
Off Minor - 1990 Remaster
94 bpm • D# Maj • 02:23 • -17db
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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Roy Hargrove
Easy To Remember
70 bpm • F min • 06:10 • -16.13db
21% Popularity • 38% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
21% Popularity • 38% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Red Garland Trio
Rain
94 bpm • G# Maj • 04:14 • -13.33db
39% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
39% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
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Gerry Mulligan Sextet
Tell Me When
69 bpm • C# Maj • 04:09 • -23.73db
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
46% Popularity • 38% Danceability • 3% Energy • 17% Liveness
23% Instrumentalness • 26% Positiveness
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Bobby Jaspar
What's New
95 bpm • C Maj • 03:45 • -10.99db
30% Popularity • 63% Danceability • 24% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
30% Popularity • 63% Danceability • 24% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
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Miles Davis Quintet
It Could Happen To You
94 bpm • F min • 06:36 • -11db
47% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Duke Jordan
Two Lovers
95 bpm • C Maj • 03:07 • -21.54db
34% Popularity • 51% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
34% Popularity • 51% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Teddy Wilson
All Of Me
96 bpm • A Maj • 02:57 • -14.86db
41% Popularity • 54% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
41% Popularity • 54% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Ike Quebec
Nature Boy - Remastered 2004/Rudy Van Ge...
96 bpm • F min • 02:44 • -15.6db
45% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
45% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
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Bobby Timmons Trio
They Didn't Believe Me
96 bpm • G# Maj • 06:47 • -25.93db
30% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
