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Night Of Our Own
Songs like
Night Of Our Own
by
Steve Porcaro
Based on a tempo of (+/- 10%) and a similar genre
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Steve Porcaro
Night Of Our Own
80 bpm • A Maj • 03:34 • -9.37db
22% Popularity • 67% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Quint Starkie
Gotta Give it up
80 bpm • B min • 04:11 • -8.29db
12% Popularity • 64% Danceability • 56% Energy • 28% Liveness
1% Instrumentalness • 40% Positiveness
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Bluey
Stronger
80 bpm • B min • 04:44 • -8.17db
12% Popularity • 69% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Michael McDonald
Hail Mary
80 bpm • F# min • 06:52 • -8.43db
19% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Michael McDonald & Robben Ford
Long Haul
80 bpm • B min • 05:27 • -5.47db
10% Popularity • 53% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Richard Page
Diamonds
80 bpm • E Maj • 03:35 • -8.31db
12% Popularity • 57% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jude Cole
Tell the Truth
80 bpm • A# Maj • 05:27 • -9.31db
22% Popularity • 53% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Bill Champlin
The Fool Is All Alone
80 bpm • A Maj • 04:28 • -16.06db
8% Popularity • 47% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Tommy DeCarlo
It's Always Been You
80 bpm • D min • 03:36 • -11.77db
12% Popularity • 54% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Karla Bonoff
Way of the Heart
79 bpm • F# Maj • 04:30 • -11.26db
12% Popularity • 68% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Pat Boone
Thank You Billy Graham
79 bpm • E Maj • 05:50 • -10.52db
7% Popularity • 33% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Chicago
Now
81 bpm • E min • 04:57 • -9.41db
15% Popularity • 53% Danceability • 77% Energy • 55% Liveness
0% Instrumentalness • 63% Positiveness
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David Pack
That Girl Is Gone
81 bpm • A Maj • 04:44 • -7.01db
42% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Bill LaBounty
Comin' Back
79 bpm • D Maj • 03:45 • -12.35db
21% Popularity • 69% Danceability • 35% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Firefall
Always
81 bpm • C Maj • 03:47 • -9.54db
33% Popularity • 64% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Peter Frampton
You Can Be Sure
79 bpm • C# Maj • 04:27 • -7.2db
22% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jackie DeShannon
I've Got My Mind Made Up / I Don't Need ...
79 bpm • E min • 07:31 • -12.27db
3% Popularity • 31% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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David Foster
Who's Gonna Love You Tonight
82 bpm • A Maj • 03:51 • -12.59db
26% Popularity • 50% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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LAVA
Hard Times
82 bpm • F# min • 05:10 • -9.08db
15% Popularity • 58% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Bill LaBounty
Dream On
81 bpm • C Maj • 04:22 • -12.96db
51% Popularity • 73% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Terry Wollman
Our Love
82 bpm • A# Maj • 04:41 • -8.13db
14% Popularity • 30% Danceability • 46% Energy • 17% Liveness
32% Instrumentalness • 28% Positiveness
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Larsen/Feiten Band
Brown Eyes
82 bpm • A min • 03:29 • -13.02db
12% Popularity • 67% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Andreas Aleman
That Was Yesterday
82 bpm • A# min • 04:11 • -6.63db
18% Popularity • 61% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Oleta Adams
It's Alright with Me
82 bpm • A# min • 09:02 • -12.15db
12% Popularity • 60% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Steve Porcaro
Stakeout
82 bpm • B min • 00:50 • -17.87db
6% Popularity • 51% Danceability • 40% Energy • 15% Liveness
90% Instrumentalness • 90% Positiveness
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Dolly Parton
Bittersweet
82 bpm • D min • 04:03 • -7.03db
27% Popularity • 27% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Norwegian Fords
Fit In
78 bpm • D Maj • 03:19 • -7.27db
16% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jay Graydon
You're Not Alone
82 bpm • G min • 04:47 • -12.21db
13% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Chicago
Love Lives On
78 bpm • C# Maj • 05:18 • -11.17db
7% Popularity • 28% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Thierry Condor
Heart To Heart
83 bpm • F# min • 04:54 • -6.62db
9% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Lington
Tell It Like It Is
82 bpm • F Maj • 05:00 • -12db
36% Popularity • 54% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Laurence Elder
Surrounded By You
83 bpm • F# Maj • 05:06 • -5.84db
10% Popularity • 31% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Skunk Baxter
My Place In The Sun
83 bpm • G Maj • 05:18 • -5.93db
9% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Go West
Forget That Girl
83 bpm • E Maj • 04:18 • -7.89db
22% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Ruff
Lover's Mask
77 bpm • G min • 06:10 • -15.71db
10% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bill Champlin
Devil at the Wheel
83 bpm • G# Maj • 04:44 • -8.38db
21% Popularity • 73% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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LAVA
Water
83 bpm • G# min • 03:51 • -8.78db
15% Popularity • 59% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cassio Nobre
In The Waiting - Extended Version
83 bpm • A min • 04:53 • -7db
8% Popularity • 19% Danceability • 70% Energy • 31% Liveness
12% Instrumentalness • 26% Positiveness
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Genesis
Never a Time - 2007 Remaster
77 bpm • C Maj • 03:50 • -8.27db
41% Popularity • 57% Danceability • 53% Energy • 35% Liveness
1% Instrumentalness • 29% Positiveness
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Go West
The Sun and the Moon
77 bpm • G Maj • 04:55 • -12.15db
17% Popularity • 46% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Larsen/Feiten Band
Who'll Be the Fool Tonight
83 bpm • C Maj • 04:12 • -14db
43% Popularity • 68% Danceability • 56% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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Peter Cetera
Feels Like Heaven
83 bpm • G# Maj • 04:48 • -11db
44% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Eric Johnson
When The Sun Meets The Sky
84 bpm • D Maj • 07:53 • -14.23db
26% Popularity • 33% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Chicago
For The Love
84 bpm • E min • 04:02 • -12.44db
11% Popularity • 61% Danceability • 47% Energy • 19% Liveness
8% Instrumentalness • 71% Positiveness
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Fourplay
My Love's Leavin'
84 bpm • G# Maj • 05:11 • -10.98db
34% Popularity • 70% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Terry Wollman
Our Love
84 bpm • A# Maj • 04:51 • -9.11db
4% Popularity • 22% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Jay Graydon
Roxann
84 bpm • G Maj • 04:43 • -12db
30% Popularity • 64% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Jude Cole
Peaceful in Mine
84 bpm • F# Maj • 03:45 • -17.49db
9% Popularity • 55% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Bill LaBounty
Livin' It Up
84 bpm • F min • 04:21 • -14.08db
46% Popularity • 62% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Michael McDonald
Hey Girl
76 bpm • F# Maj • 05:56 • -16.16db
28% Popularity • 58% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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George Duke
You
84 bpm • G Maj • 04:38 • -12.83db
40% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Randy Goodrum
We're So Close
76 bpm • A# min • 03:39 • -13.93db
13% Popularity • 62% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Nicolette Larson
Let Me Go, Love
76 bpm • G# Maj • 03:49 • -15db
39% Popularity • 53% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Jennifer Warnes
Big Noise, New York
76 bpm • C min • 04:59 • -11.41db
21% Popularity • 66% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Pages
Come On Home
75 bpm • F# Maj • 03:30 • -10.06db
29% Popularity • 59% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
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Dave Grusin
Tick Tock
75 bpm • E min • 04:16 • -17.13db
17% Popularity • 73% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
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Don Henley
Annabel
75 bpm • F# Maj • 03:41 • -11.55db
21% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Oleta Adams
Will We Ever Learn
75 bpm • A Maj • 05:14 • -13.12db
18% Popularity • 55% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jay Graydon
One Way Or Another
75 bpm • D Maj • 04:42 • -16.04db
16% Popularity • 56% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 80% Positiveness
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Michael McDonald
Dark Side
75 bpm • A min • 05:53 • -9.28db
15% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Andreas Aleman
If It's a Dream
75 bpm • D Maj • 04:31 • -6.83db
29% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Joshua Kadison
Waiting In Green Velvet
86 bpm • D# Maj • 04:59 • -10.59db
5% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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LAVA
Falling Down
86 bpm • G Maj • 04:05 • -6.86db
10% Popularity • 69% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Oleta Adams
Do I Move You
75 bpm • G Maj • 06:04 • -11.07db
7% Popularity • 69% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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David Foster
Living for the Moment
86 bpm • C min • 04:50 • -11.13db
13% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Ephraim Lewis
Mortal Seed
86 bpm • F Maj • 04:35 • -11.01db
10% Popularity • 32% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mr. Mister
Lifetime
86 bpm • G Maj • 04:35 • -6.03db
12% Popularity • 32% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Mark Portmann
Here I Go Again
74 bpm • A min • 04:23 • -8.52db
10% Popularity • 68% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Jim Photoglo
There's Always Another Chance Left For L...
74 bpm • B Maj • 03:21 • -11.12db
11% Popularity • 63% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Oleta Adams
Don't Interrupt the Sorrow
86 bpm • F Maj • 04:58 • -7.26db
7% Popularity • 59% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Bonerama
Empty World
74 bpm • C# min • 05:56 • -4.47db
4% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Ray Charles
Hey Girl
74 bpm • G min • 05:15 • -10.03db
34% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Michael McDonald
Our Love
87 bpm • C Maj • 04:30 • -17db
39% Popularity • 57% Danceability • 23% Energy • 4% Liveness
0% Instrumentalness • 44% Positiveness
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Pages
Tell Me
88 bpm • A Maj • 03:52 • -9.93db
23% Popularity • 58% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bill Champlin
Gotta Get Back to Love
73 bpm • C# Maj • 03:30 • -14.76db
27% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Workshy
In This Neighbourhood
73 bpm • B Maj • 05:01 • -18.73db
17% Popularity • 69% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Michael Ruff
Once In a Lifetime
73 bpm • G Maj • 04:24 • -8db
40% Popularity • 69% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Jude Cole
Right There Now
88 bpm • G Maj • 05:04 • -9.94db
13% Popularity • 55% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Andreas Aleman
Helplessly in Love
88 bpm • G# Maj • 04:16 • -7db
38% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Porcaro
Painting By Numbers
88 bpm • C Maj • 04:31 • -13.81db
18% Popularity • 54% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Phil Gould
Colour of My Pain
88 bpm • F min • 07:27 • -9.89db
11% Popularity • 56% Danceability • 67% Energy • 7% Liveness
7% Instrumentalness • 52% Positiveness
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State Cows
All Over
88 bpm • A Maj • 04:10 • -11.1db
32% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Oz Noy
Chase the Clouds
88 bpm • A# min • 06:28 • -9db
23% Popularity • 75% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Richard Page
Peculiar Life
88 bpm • C Maj • 03:24 • -13.41db
11% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Andreas Aleman
Your Version of the Truth
88 bpm • E min • 03:21 • -7.23db
27% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Kere Buchanan
Slippin' Away
88 bpm • E min • 05:30 • -9.08db
11% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Dave Weckl
Carousel
88 bpm • B min • 05:16 • -13db
20% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bill LaBounty
Look Who's Lonely Now
89 bpm • B min • 03:56 • -12.35db
38% Popularity • 63% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Monkey House
Faith in the Middle
89 bpm • B min • 04:36 • -8.8db
13% Popularity • 79% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
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Larsen/Feiten Band
Danger Zone
89 bpm • E Maj • 05:04 • -14.32db
14% Popularity • 76% Danceability • 42% Energy • 13% Liveness
4% Instrumentalness • 93% Positiveness
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Claire Séverac
Much More Than You Know
90 bpm • B Maj • 04:08 • -7.57db
18% Popularity • 53% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Gary Wright
Close to You
90 bpm • F Maj • 04:06 • -15db
37% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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D'Sound
My Today
89 bpm • G min • 03:37 • -6.21db
10% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Phoebe Snow
Soothin'
90 bpm • F Maj • 04:07 • -15.33db
11% Popularity • 70% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Andreas Aleman
This Is Life
90 bpm • G Maj • 03:37 • -5.89db
28% Popularity • 66% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Bill LaBounty
Back To Your Star
90 bpm • C Maj • 05:24 • -10.61db
11% Popularity • 73% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Average White Band
No Easy Way to Say Goodbye
90 bpm • F Maj • 04:28 • -10.77db
15% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mr. Mister
Wheel of Life
90 bpm • C# Maj • 04:10 • -6.8db
15% Popularity • 53% Danceability • 68% Energy • 5% Liveness
1% Instrumentalness • 39% Positiveness
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Dionne Warwick
For You
90 bpm • G# Maj • 04:58 • -11db
40% Popularity • 68% Danceability • 52% Energy • 5% Liveness
2% Instrumentalness • 48% Positiveness
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Patti Austin
Baby, Come To Me
90 bpm • G min • 03:35 • -12.08db
63% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Night Of Our Own