Songs like Night Walk by Gavin Luke
Based on a tempo of (+/- 10%) and a similar genre
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Gavin Luke
Night Walk
170 bpm • F# Maj • 02:20 • -19.25db
42% Popularity • 25% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
42% Popularity • 25% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Norman Dück
My Lighthouse
170 bpm • A# Maj • 01:50 • -28.14db
44% Popularity • 42% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
44% Popularity • 42% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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Tristan Eckerson
It's Not Ice
170 bpm • A min • 03:34 • -25.42db
29% Popularity • 39% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
29% Popularity • 39% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Matt Stewart-Evans
Retrospect
170 bpm • C Maj • 03:38 • -21.57db
20% Popularity • 24% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Jen Brook
How Did We Wind Up Here?
171 bpm • G Maj • 02:02 • -25.14db
39% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
39% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
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Comet Blue
Stars Light Up The Water
171 bpm • G# Maj • 02:16 • -25.94db
43% Popularity • 27% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
43% Popularity • 27% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Gavin Luke
A Presence Felt
171 bpm • A min • 03:04 • -26.13db
37% Popularity • 19% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
37% Popularity • 19% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Patrick Hamilton
Winged Melancholy
169 bpm • E min • 02:19 • -27.76db
41% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
41% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Peter Sandberg
Remove The Complexities
168 bpm • E Maj • 02:15 • -21.7db
56% Popularity • 24% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
56% Popularity • 24% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Randy Oppenheim
Autumn in Bruges
172 bpm • A min • 02:01 • -25db
39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Jordane Tumarinson
Necessary Things
172 bpm • C min • 03:52 • -21db
43% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Agni Bjark
Leaves
167 bpm • F Maj • 02:17 • -22.92db
38% Popularity • 26% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
38% Popularity • 26% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Snow in April
Magnolia
167 bpm • G min • 02:28 • -21.98db
42% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
42% Popularity • 33% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Tomasz Kraal
Valse Glacée
174 bpm • A# min • 03:00 • -29.19db
28% Popularity • 25% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 25% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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S.A. Karl
Cassiopeia
167 bpm • B Maj • 02:48 • -29db
41% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
41% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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A. Blomqvist
Escapism
166 bpm • C min • 01:35 • -24db
59% Popularity • 30% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
59% Popularity • 30% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Matt Stewart-Evans
Waltz For Dreamers
174 bpm • C# Maj • 02:41 • -28.35db
45% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
45% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Charles Bolt
For A Lifetime
176 bpm • D Maj • 03:44 • -26.42db
35% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
35% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Geir Gudmundson
Lifeline
176 bpm • G# Maj • 02:58 • -32.59db
31% Popularity • 25% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 25% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Jonas Holmes
Must
176 bpm • E min • 02:46 • -20.42db
40% Popularity • 36% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
40% Popularity • 36% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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S.A. Karl
Rigel
176 bpm • B Maj • 02:43 • -31.32db
34% Popularity • 31% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
34% Popularity • 31% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Annebelle Coenraad
Op Die Fiets
176 bpm • G min • 02:21 • -26.46db
34% Popularity • 24% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Darrell Vitagliano
Gelsomino
164 bpm • A min • 01:58 • -27.71db
37% Popularity • 28% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
37% Popularity • 28% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Patrick Hamilton
La danse d'amour
177 bpm • F min • 02:26 • -22.49db
37% Popularity • 38% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
37% Popularity • 38% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Biba Dupont
Valse pour le premier jour du printemps
177 bpm • C min • 03:26 • -14db
28% Popularity • 30% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
28% Popularity • 30% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Moy Finneas
Weaving
163 bpm • E min • 02:13 • -24.02db
38% Popularity • 24% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
38% Popularity • 24% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Oskar Schuster
Damascus - Solo Piano
177 bpm • A min • 01:59 • -17.23db
45% Popularity • 26% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
45% Popularity • 26% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 19% Positiveness
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Esperanza
Stories
178 bpm • D min • 02:34 • -24.15db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Arden Forest
Kobicha
178 bpm • A# min • 02:39 • -20.78db
30% Popularity • 33% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
30% Popularity • 33% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Jackson Love
As Wind Echoes Over Snow
179 bpm • C min • 03:41 • -25.78db
39% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
39% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Reese Willis
Elysium
178 bpm • G# Maj • 02:19 • -22.83db
40% Popularity • 24% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
40% Popularity • 24% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
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Carl Faber
Emerald
161 bpm • C min • 02:42 • -24.41db
28% Popularity • 16% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
28% Popularity • 16% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Charles Bolt
The Dreamer
161 bpm • C min • 02:58 • -18.9db
35% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Teodor Wolgers
monologue
180 bpm • E Maj • 02:23 • -20.43db
19% Popularity • 42% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 50% Positiveness
19% Popularity • 42% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 50% Positiveness
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Sigrid Vass
Aquatic
180 bpm • C min • 02:23 • -22.36db
39% Popularity • 26% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
39% Popularity • 26% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 20% Positiveness
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Steven Gutheinz
Souvenirs
180 bpm • A Maj • 03:40 • -20.7db
37% Popularity • 47% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
37% Popularity • 47% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Danilo Stankovic
Stories
180 bpm • A Maj • 01:36 • -25.04db
57% Popularity • 43% Danceability • 9% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
57% Popularity • 43% Danceability • 9% Energy • 14% Liveness
86% Instrumentalness • 11% Positiveness
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Roberto Attanasio
Behind Those Eyes
180 bpm • B Maj • 03:16 • -18db
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Way Beyond
Raindrops
181 bpm • F min • 01:54 • -24.13db
39% Popularity • 28% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
39% Popularity • 28% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
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Teodor Wolgers
hopes
160 bpm • B min • 02:29 • -30.09db
39% Popularity • 52% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
39% Popularity • 52% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Arden Forest
Monastral
181 bpm • G# min • 02:03 • -25.35db
39% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
39% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Steven Gutheinz
Before the Lens (Solo Piano)
180 bpm • D# Maj • 02:36 • -18db
40% Popularity • 53% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
40% Popularity • 53% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Chris Donner
Rites of Passage
160 bpm • D Maj • 03:11 • -31.65db
41% Popularity • 22% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
41% Popularity • 22% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Elliot Ziegler
Lily Of The Nile
181 bpm • A Maj • 02:27 • -25.45db
37% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
37% Popularity • 34% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Adam Daudrich
Swells
159 bpm • C min • 02:45 • -28.13db
38% Popularity • 30% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
38% Popularity • 30% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Biba Dupont
Silhouette
181 bpm • F# Maj • 02:23 • -26.09db
34% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
34% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Luke Woodapple
Empathy in C Minor
182 bpm • C min • 03:13 • -26.35db
28% Popularity • 28% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
28% Popularity • 28% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Jef Martens
I Will Walk You Home
182 bpm • C# Maj • 02:10 • -28.36db
38% Popularity • 26% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
38% Popularity • 26% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Dmitry Evgrafov
Illumination
182 bpm • D Maj • 02:32 • -25.03db
42% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
42% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Edvard Kravchuk
Rising in the Sun
182 bpm • C Maj • 02:26 • -26.84db
50% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
50% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Jonas Holmes
Ripples on a Pond
183 bpm • C# Maj • 02:24 • -28.65db
33% Popularity • 22% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
33% Popularity • 22% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Fouad Elalamy
Reverence
158 bpm • C# Maj • 01:59 • -27.73db
35% Popularity • 51% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
35% Popularity • 51% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Martin Gauffin
Squaric
184 bpm • F min • 02:33 • -17.02db
30% Popularity • 41% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
30% Popularity • 41% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Jan Thiel
Süda
157 bpm • C Maj • 03:22 • -28.14db
38% Popularity • 40% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
38% Popularity • 40% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
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Piano Novel
Scintillations
156 bpm • B min • 02:44 • -22.92db
31% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
31% Popularity • 40% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Ben Crosland
The Snow is Melting
187 bpm • F Maj • 02:58 • -22.28db
50% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
50% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Amity Fall
Without
188 bpm • C# min • 02:30 • -27.09db
45% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
45% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Jef Martens
Morning Walk
153 bpm • B Maj • 01:28 • -17.61db
41% Popularity • 39% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
41% Popularity • 39% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
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Ossie Woods
Windmills
152 bpm • C min • 03:10 • -27.69db
36% Popularity • 29% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
36% Popularity • 29% Danceability • 9% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
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Ever So Blue
Cessura
153 bpm • A Maj • 03:05 • -28.38db
48% Popularity • 37% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
48% Popularity • 37% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
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Charles Bolt
Hush Now
152 bpm • D min • 01:49 • -21.68db
37% Popularity • 46% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
37% Popularity • 46% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
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Olivia Belli
Beside The Spring
151 bpm • F Maj • 02:57 • -27.26db
36% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Jakob Ahlbom
The Sun Might Rise in the West
150 bpm • D# Maj • 03:23 • -16.51db
32% Popularity • 24% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Borrtex
Flowing
150 bpm • A min • 01:51 • -32.67db
65% Popularity • 42% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
65% Popularity • 42% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Arelius
Water
150 bpm • F# Maj • 01:57 • -23.44db
57% Popularity • 33% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
57% Popularity • 33% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Franco Robert
Luna's Ascent
193 bpm • F min • 03:22 • -22.41db
34% Popularity • 39% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
34% Popularity • 39% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Ben Laver
Sleep
149 bpm • G# Maj • 02:17 • -29.96db
29% Popularity • 32% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
29% Popularity • 32% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Olivia Belli
Ambro
151 bpm • G Maj • 02:45 • -32.17db
35% Popularity • 35% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
35% Popularity • 35% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
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Patrik Berg Almkvisth
Her Eyes the Stars
148 bpm • C# min • 02:10 • -19.54db
60% Popularity • 44% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
60% Popularity • 44% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Megan Wofford
Little Memories
148 bpm • G Maj • 02:37 • -18.49db
39% Popularity • 62% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
39% Popularity • 62% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 73% Positiveness
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Gavin Luke
In Stillness
148 bpm • G# Maj • 02:14 • -23.7db
21% Popularity • 26% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
21% Popularity • 26% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Johannes Bornlöf
Twinkle of the Lights
148 bpm • A# Maj • 03:15 • -17.2db
40% Popularity • 44% Danceability • 43% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
40% Popularity • 44% Danceability • 43% Energy • 12% Liveness
95% Instrumentalness • 45% Positiveness
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Ben Laver
HYMN
149 bpm • F Maj • 03:33 • -18.03db
31% Popularity • 19% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
31% Popularity • 19% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Luis Berra
Seeds Don't Ask for Permission
148 bpm • F# Maj • 02:00 • -24db
49% Popularity • 31% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
49% Popularity • 31% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
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Ever So Blue
Sketches
147 bpm • A# Maj • 02:37 • -26.85db
54% Popularity • 35% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
54% Popularity • 35% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Piano Novel
Planet Unknown - Solo Piano Version
147 bpm • A# min • 02:49 • -22.04db
31% Popularity • 35% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 35% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Otto A. Totland
Anona
147 bpm • G Maj • 03:27 • -29.66db
36% Popularity • 30% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 30% Positiveness
36% Popularity • 30% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 30% Positiveness
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Lambert
The Dance
147 bpm • C# min • 02:46 • -21db
35% Popularity • 43% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
35% Popularity • 43% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 56% Positiveness
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Mattia Vlad Morleo
Flowing Air
146 bpm • E Maj • 03:42 • -25db
38% Popularity • 34% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 34% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Sam Eber
You Are Loved
197 bpm • C# Maj • 02:40 • -23.16db
32% Popularity • 28% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
32% Popularity • 28% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Tosh Møller
Alene uden dig
146 bpm • C# Maj • 02:37 • -25.81db
37% Popularity • 49% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 30% Positiveness
37% Popularity • 49% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 30% Positiveness
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Trevor Kowalski
Lion's Drift
146 bpm • D# Maj • 02:50 • -23.71db
27% Popularity • 51% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
27% Popularity • 51% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Piano Novel
Lumino Forest - Solo Piano Version
146 bpm • G# Maj • 03:05 • -24.21db
29% Popularity • 27% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Daniel Daecher
Leon
146 bpm • A min • 02:26 • -21.37db
27% Popularity • 35% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
27% Popularity • 35% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Gordon Matthew Thomas Sumner
Fields of Gold
145 bpm • G# Maj • 03:44 • -29.54db
35% Popularity • 55% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
35% Popularity • 55% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Evelyn Stein
And The Flowers Were Gray
144 bpm • D Maj • 02:51 • -26.01db
39% Popularity • 44% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 24% Positiveness
39% Popularity • 44% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 24% Positiveness
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Charles Bolt
You Are Peace
200 bpm • G min • 03:24 • -19.9db
46% Popularity • 44% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
46% Popularity • 44% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
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Brique a Braq
Le sable doré
145 bpm • G Maj • 02:37 • -20.74db
39% Popularity • 55% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 55% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Megan Wofford
Uprise
202 bpm • F Maj • 02:19 • -22.24db
38% Popularity • 26% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
38% Popularity • 26% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
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Jorulf
Reed Straw
202 bpm • G# Maj • 02:49 • -26.11db
26% Popularity • 24% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
26% Popularity • 24% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Olivia Belli
Silent Dusk
144 bpm • F# Maj • 03:29 • -30.38db
38% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
38% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Jackson Love
Prelude In A-Flat
203 bpm • C min • 02:40 • -28.99db
32% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 53% Positiveness
32% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 53% Positiveness
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Borghild Wenn
Filotimo
203 bpm • B min • 02:13 • -22.69db
35% Popularity • 30% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
35% Popularity • 30% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Lama House
Wish of the Progeny
204 bpm • G min • 02:29 • -19.68db
39% Popularity • 30% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
39% Popularity • 30% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Claribel Ramón
Con el tiempo todo se consigue
205 bpm • F Maj • 02:35 • -23.53db
40% Popularity • 31% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
40% Popularity • 31% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 21% Positiveness
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Comet Blue
Sand Between Our Fingers
205 bpm • D# min • 02:48 • -26.59db
40% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
40% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Carlos Cipa
The Place Where They Go
206 bpm • D# Maj • 04:15 • -28.92db
36% Popularity • 17% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
36% Popularity • 17% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Sumsar
Amorous Rebound
206 bpm • A# min • 01:49 • -30.2db
42% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
42% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
