Songs like Nighty Night by Louise Dowd
Based on a tempo of (+/- 10%) and a similar genre
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Louise Dowd
After You (As Featured in Netflix Origin...
106 bpm • C# min • 02:53 • -8.62db
30% Popularity • 24% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 24% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Katie Garfield
It's a Long Way Down
107 bpm • A min • 03:19 • -10db
30% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Thunder and Snow
Better Off
105 bpm • G Maj • 03:32 • -9.39db
23% Popularity • 62% Danceability • 47% Energy • 14% Liveness
2% Instrumentalness • 43% Positiveness
23% Popularity • 62% Danceability • 47% Energy • 14% Liveness
2% Instrumentalness • 43% Positiveness
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Jeremy Noel William Abbott
What a Time
105 bpm • D Maj • 02:52 • -9.56db
5% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Stacey Ruttledge
Imperfectly Beautiful (Instrumental)
107 bpm • B min • 03:32 • -10.86db
0% Popularity • 21% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 21% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Marc Ferrari
Nothing but Gold
105 bpm • D min • 04:23 • -8.2db
8% Popularity • 72% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 72% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Louise Dowd
Right for You
105 bpm • G# Maj • 02:56 • -8.21db
16% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 68% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jeremy Abbott
Dance My Fears Away
105 bpm • C min • 02:42 • -11.58db
0% Popularity • 78% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 78% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Boris Nonte
Come Alive
105 bpm • C# Maj • 02:17 • -6.48db
9% Popularity • 56% Danceability • 70% Energy • 12% Liveness
78% Instrumentalness • 36% Positiveness
9% Popularity • 56% Danceability • 70% Energy • 12% Liveness
78% Instrumentalness • 36% Positiveness
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Adam French
My Addiction
105 bpm • F min • 04:10 • -8.53db
28% Popularity • 47% Danceability • 71% Energy • 16% Liveness
4% Instrumentalness • 38% Positiveness
28% Popularity • 47% Danceability • 71% Energy • 16% Liveness
4% Instrumentalness • 38% Positiveness
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MS MR
All The Things Lost
105 bpm • A# Maj • 03:14 • -10.35db
42% Popularity • 67% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
42% Popularity • 67% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Ursine Vulpine
Without You - Extended
104 bpm • G min • 08:49 • -10.12db
36% Popularity • 26% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
36% Popularity • 26% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Louise Dowd
Framework
105 bpm • D Maj • 03:08 • -8.97db
2% Popularity • 52% Danceability • 76% Energy • 52% Liveness
78% Instrumentalness • 50% Positiveness
2% Popularity • 52% Danceability • 76% Energy • 52% Liveness
78% Instrumentalness • 50% Positiveness
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Alexiane
Savage
108 bpm • A Maj • 02:55 • -10.78db
20% Popularity • 36% Danceability • 40% Energy • 8% Liveness
14% Instrumentalness • 5% Positiveness
20% Popularity • 36% Danceability • 40% Energy • 8% Liveness
14% Instrumentalness • 5% Positiveness
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Jason Tarver
The Story of You and Me
104 bpm • F# min • 02:48 • -5.97db
0% Popularity • 65% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 65% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Candy Says
Beautiful Feeling
108 bpm • C min • 05:21 • -11db
36% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Hidden Citizens
Silent Running - Epic Trailer Version
108 bpm • A# Maj • 03:55 • -9db
31% Popularity • 26% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 26% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Lemolo
Swansea
104 bpm • C Maj • 03:50 • -10.12db
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
30% Popularity • 46% Danceability • 42% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
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Louise Dowd
Invisible Walls, Pt. 2
105 bpm • G Maj • 03:07 • -11.26db
0% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Class of 88
Walking on the Ceiling
109 bpm • A Maj • 03:15 • -8db
23% Popularity • 38% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 38% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 35% Positiveness
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Jonathan Buchanan
Welcome to a New Dawn
103 bpm • C# Maj • 03:14 • -15db
21% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
21% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Steelfeather
Heart of Darkness
103 bpm • E min • 03:13 • -12db
40% Popularity • 53% Danceability • 34% Energy • 9% Liveness
19% Instrumentalness • 14% Positiveness
40% Popularity • 53% Danceability • 34% Energy • 9% Liveness
19% Instrumentalness • 14% Positiveness
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Justin Byrd
The Best Thing
109 bpm • D Maj • 03:14 • -8db
8% Popularity • 47% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 47% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Rupert Pope
Final Teardrop
110 bpm • C Maj • 03:42 • -8.46db
24% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
24% Popularity • 50% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Hattie Williams
Drown
110 bpm • A# Maj • 02:25 • -10.38db
15% Popularity • 64% Danceability • 50% Energy • 19% Liveness
1% Instrumentalness • 27% Positiveness
15% Popularity • 64% Danceability • 50% Energy • 19% Liveness
1% Instrumentalness • 27% Positiveness
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Louise Dowd
Resonate
110 bpm • C Maj • 03:12 • -6.42db
3% Popularity • 49% Danceability • 71% Energy • 23% Liveness
3% Instrumentalness • 34% Positiveness
3% Popularity • 49% Danceability • 71% Energy • 23% Liveness
3% Instrumentalness • 34% Positiveness
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Jeremy Noel William Abbott
Above The Crowd
110 bpm • G Maj • 01:41 • -8.93db
1% Popularity • 66% Danceability • 72% Energy • 20% Liveness
82% Instrumentalness • 81% Positiveness
1% Popularity • 66% Danceability • 72% Energy • 20% Liveness
82% Instrumentalness • 81% Positiveness
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Heterogenius
Can't Stop Thinking 'Bout You
102 bpm • G# min • 03:16 • -5.29db
17% Popularity • 74% Danceability • 75% Energy • 22% Liveness
22% Instrumentalness • 52% Positiveness
17% Popularity • 74% Danceability • 75% Energy • 22% Liveness
22% Instrumentalness • 52% Positiveness
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Three Laws
The Only Way
110 bpm • C# min • 04:09 • -14.1db
12% Popularity • 54% Danceability • 21% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
12% Popularity • 54% Danceability • 21% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
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Rupert Pope
Chasing Stars
110 bpm • G Maj • 03:29 • -6.53db
37% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 57% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Stephen William Cornish
Our Day In The Sun
110 bpm • C# min • 03:01 • -8.36db
0% Popularity • 55% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 55% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Louise Dowd
The Space in Between
102 bpm • F# min • 03:50 • -6.62db
0% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Phillip Andrew Buckle
Peaceful
102 bpm • A# Maj • 01:33 • -5.5db
2% Popularity • 43% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 43% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Bella Goldwin
Can't Forget
112 bpm • D Maj • 06:14 • -16.46db
9% Popularity • 27% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
9% Popularity • 27% Danceability • 14% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
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Old Caltone
The Beast
112 bpm • C min • 03:52 • -11.07db
36% Popularity • 24% Danceability • 28% Energy • 20% Liveness
2% Instrumentalness • 8% Positiveness
36% Popularity • 24% Danceability • 28% Energy • 20% Liveness
2% Instrumentalness • 8% Positiveness
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FVR DRMS
Hallelujah
112 bpm • A# Maj • 03:08 • -11.45db
35% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Wendy Wang
Take On Me
112 bpm • G Maj • 05:15 • -11.33db
23% Popularity • 54% Danceability • 52% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
23% Popularity • 54% Danceability • 52% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Louise Dowd
Turn Quietly
111 bpm • B Maj • 02:24 • -7.94db
1% Popularity • 41% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 41% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Antoinette Halliday
Broken Morning
100 bpm • E min • 03:20 • -9.21db
8% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Gresby Race Nash
Run And Hide
100 bpm • D Maj • 02:30 • -13.65db
1% Popularity • 53% Danceability • 46% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
1% Popularity • 53% Danceability • 46% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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Sam Joseph Delves
Something About You
100 bpm • C Maj • 02:54 • -12db
18% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Generdyn
Bridges
100 bpm • D min • 04:00 • -6.57db
28% Popularity • 54% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 54% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Valen
Smoking Gun
100 bpm • F min • 03:38 • -11.94db
19% Popularity • 65% Danceability • 50% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
19% Popularity • 65% Danceability • 50% Energy • 11% Liveness
4% Instrumentalness • 42% Positiveness
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Louise Dowd
How The Story Goes
111 bpm • C Maj • 03:53 • -7.35db
0% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 52% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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machineheart
People Change
100 bpm • G Maj • 04:53 • -9db
32% Popularity • 48% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
32% Popularity • 48% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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GAITS
Other Side
100 bpm • G# min • 03:51 • -8db
39% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Louise Bernadette Dowd
If Time Were To Stand Still
99 bpm • A# min • 03:03 • -9.56db
11% Popularity • 22% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Nick Kingsley
Watch Me Coil
114 bpm • E min • 03:24 • -8.18db
22% Popularity • 52% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 52% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Jonathan Buchanan
Love and Rage
98 bpm • G Maj • 03:05 • -16.26db
25% Popularity • 65% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
25% Popularity • 65% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Louise Dowd
Remain
100 bpm • F Maj • 03:06 • -8.63db
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
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Jason Tarver
All of You
98 bpm • G Maj • 03:04 • -12.57db
3% Popularity • 57% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 57% Danceability • 38% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Huw Williams
Lost In The Noise
98 bpm • A min • 02:59 • -7.08db
0% Popularity • 56% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 56% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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ITG Studios
Capture My Soul
115 bpm • D min • 03:26 • -15.05db
19% Popularity • 63% Danceability • 25% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
19% Popularity • 63% Danceability • 25% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Lawless
Descent
98 bpm • F Maj • 04:33 • -10.85db
31% Popularity • 44% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
31% Popularity • 44% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 32% Positiveness
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Jonathan Buchanan
Arise Like Fire
98 bpm • F min • 03:12 • -15db
32% Popularity • 46% Danceability • 63% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
32% Popularity • 46% Danceability • 63% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Jeremy Noel William Abbott
Together
115 bpm • C# min • 03:01 • -10.85db
0% Popularity • 58% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 27% Positiveness
0% Popularity • 58% Danceability • 50% Energy • 9% Liveness
2% Instrumentalness • 27% Positiveness
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Louise Dowd
Mean Mover
99 bpm • C# Maj • 01:14 • -7.72db
0% Popularity • 67% Danceability • 84% Energy • 33% Liveness
87% Instrumentalness • 60% Positiveness
0% Popularity • 67% Danceability • 84% Energy • 33% Liveness
87% Instrumentalness • 60% Positiveness
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Steelfeather
Can You Feel It Coming
115 bpm • C min • 02:46 • -9.77db
39% Popularity • 59% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
39% Popularity • 59% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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Zella Day
Bloodline
115 bpm • D# Maj • 03:50 • -9.96db
19% Popularity • 45% Danceability • 56% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
19% Popularity • 45% Danceability • 56% Energy • 8% Liveness
6% Instrumentalness • 31% Positiveness
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Arctic Lake
Too Close
115 bpm • E Maj • 04:37 • -11.16db
24% Popularity • 31% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
24% Popularity • 31% Danceability • 20% Energy • 34% Liveness
1% Instrumentalness • 6% Positiveness
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Stephen William Cornish
Spaces Between - Remix
116 bpm • D Maj • 03:13 • -10.58db
0% Popularity • 34% Danceability • 57% Energy • 33% Liveness
32% Instrumentalness • 12% Positiveness
0% Popularity • 34% Danceability • 57% Energy • 33% Liveness
32% Instrumentalness • 12% Positiveness
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Scott B Ingham
Hearts Clinging On
116 bpm • C Maj • 03:17 • -11.26db
14% Popularity • 34% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 34% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Louise Dowd
Into the Sunset
98 bpm • C min • 02:25 • -7.83db
1% Popularity • 44% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
1% Popularity • 44% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
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Fassine
Feather Jesus
116 bpm • E min • 03:17 • -8.36db
24% Popularity • 66% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
24% Popularity • 66% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 51% Positiveness
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Mindy Smith
Returning Fire with Fire
116 bpm • C Maj • 03:31 • -7.81db
24% Popularity • 51% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
24% Popularity • 51% Danceability • 79% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Lexxi Saal
The Sound of Silence
96 bpm • A min • 02:47 • -7.59db
31% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Boris Nonte
Killing Lips
96 bpm • C# Maj • 02:03 • -6.12db
8% Popularity • 66% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
8% Popularity • 66% Danceability • 70% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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Phlotilla
Going Down Fighting
117 bpm • C Maj • 04:42 • -10.96db
20% Popularity • 58% Danceability • 48% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
20% Popularity • 58% Danceability • 48% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
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Louise Dowd
Your Love Is The Fire
115 bpm • C# min • 02:48 • -3.72db
3% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Tarver
Girls
117 bpm • F# min • 02:38 • -3.82db
4% Popularity • 56% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 56% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Benson Taylor
Delicate Problems
96 bpm • C min • 03:08 • -11.53db
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Antoinette Halliday
Crashing Cars
96 bpm • A min • 03:00 • -7.94db
5% Popularity • 45% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 45% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Annie Drury
River Flow
95 bpm • C min • 03:51 • -10.33db
16% Popularity • 31% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 31% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Unions
Silhouette
118 bpm • E min • 04:04 • -13.35db
20% Popularity • 39% Danceability • 38% Energy • 12% Liveness
62% Instrumentalness • 10% Positiveness
20% Popularity • 39% Danceability • 38% Energy • 12% Liveness
62% Instrumentalness • 10% Positiveness
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Louise Dowd
Confusion
116 bpm • D# min • 03:04 • -9.19db
10% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Fleurie
Fire in My Bones
118 bpm • A min • 03:35 • -10.57db
30% Popularity • 30% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 30% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Klergy
Where Your Secrets Hide
118 bpm • D min • 03:41 • -7.88db
35% Popularity • 70% Danceability • 51% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
35% Popularity • 70% Danceability • 51% Energy • 12% Liveness
3% Instrumentalness • 38% Positiveness
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Rupert Pope
Damage
95 bpm • A min • 03:28 • -8.74db
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Shanks Mansell
Love Is Contagious
95 bpm • B min • 03:39 • -7.6db
9% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Jackson
Like Dynamite
118 bpm • C Maj • 02:50 • -3.85db
1% Popularity • 54% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 54% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 21% Positiveness
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Louise Dowd
Nightfly
116 bpm • A min • 02:46 • -9.45db
4% Popularity • 70% Danceability • 61% Energy • 12% Liveness
85% Instrumentalness • 85% Positiveness
4% Popularity • 70% Danceability • 61% Energy • 12% Liveness
85% Instrumentalness • 85% Positiveness
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Jeremy Abbott
Go Get Em
95 bpm • A Maj • 02:02 • -6.19db
0% Popularity • 49% Danceability • 90% Energy • 6% Liveness
73% Instrumentalness • 87% Positiveness
0% Popularity • 49% Danceability • 90% Energy • 6% Liveness
73% Instrumentalness • 87% Positiveness
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Hidden Citizens
It's a Sin - Epic Trailer Version
95 bpm • G# Maj • 03:30 • -10.47db
29% Popularity • 25% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Young Summer
Will It Ever Be the Same
119 bpm • F Maj • 04:02 • -6db
39% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
39% Popularity • 58% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Jeremy Noel William Abbott
Everything With You
95 bpm • G Maj • 02:18 • -7.84db
1% Popularity • 48% Danceability • 83% Energy • 38% Liveness
72% Instrumentalness • 92% Positiveness
1% Popularity • 48% Danceability • 83% Energy • 38% Liveness
72% Instrumentalness • 92% Positiveness
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Nick Kingsley
Into the Night
119 bpm • C# Maj • 03:29 • -7.58db
18% Popularity • 45% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 45% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Louise Dowd
Lost for Words
117 bpm • E Maj • 03:30 • -4.44db
1% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
1% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Louise Lemón
Egyptian Darkness
119 bpm • F Maj • 04:09 • -8.43db
12% Popularity • 24% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 24% Danceability • 64% Energy • 56% Liveness
0% Instrumentalness • 10% Positiveness
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Joanna Jones as The Dame
Blood In the Water
119 bpm • C# Maj • 03:54 • -10db
39% Popularity • 49% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 49% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mindy Jones
Where Is My Mind
94 bpm • C# min • 03:07 • -11.94db
27% Popularity • 26% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Skylar Fri
Man Is Strange
94 bpm • F Maj • 03:47 • -8.95db
10% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Valen
Cold Blood
94 bpm • F min • 03:31 • -12.32db
30% Popularity • 59% Danceability • 36% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
30% Popularity • 59% Danceability • 36% Energy • 21% Liveness
88% Instrumentalness • 20% Positiveness
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Louise Dowd
Our Sun Will Never Fade
117 bpm • A min • 02:53 • -10.3db
0% Popularity • 63% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 63% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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David Andronico
Save Somebody
94 bpm • F# min • 03:42 • -9.09db
19% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 54% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jamie Norton
My Poison
120 bpm • G# min • 02:36 • -8db
16% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Portals
We Have Arrived
94 bpm • C# min • 03:35 • -8.58db
19% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
19% Popularity • 49% Danceability • 59% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
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Sam Joseph Delves
Own Devices
120 bpm • D Maj • 02:32 • -12.56db
23% Popularity • 35% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
23% Popularity • 35% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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I WAS THE LION
Never Take Me Alive
94 bpm • G# Maj • 04:18 • -8.78db
31% Popularity • 48% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 48% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 9% Positiveness
