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No Comparison
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shye.
Based on a tempo of (+/- 10%) and a similar genre
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shye.
CAVING IN
168 bpm • G Maj • 03:42 • -7.34db
7% Popularity • 61% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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sammy rash
sentimental
169 bpm • A# Maj • 01:52 • -7.2db
41% Popularity • 68% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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bandcalledbeach
summer days
170 bpm • A Maj • 02:33 • -7.07db
24% Popularity • 71% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Raynes
Drive You Back Home
170 bpm • D# Maj • 03:10 • -5.93db
42% Popularity • 64% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Jacob Lee
Never Needed You
170 bpm • A# min • 03:49 • -5.19db
28% Popularity • 46% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Tanner Massey
Break Me
170 bpm • E min • 02:35 • -6.13db
18% Popularity • 60% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 64% Positiveness
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shye.
No Comparison
168 bpm • A# Maj • 03:32 • -6.11db
1% Popularity • 52% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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NIGHTBREAKERS
Fake Smile
170 bpm • B Maj • 02:56 • -3.98db
34% Popularity • 48% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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NOA LONE
way up
170 bpm • G# Maj • 02:58 • -4.36db
40% Popularity • 66% Danceability • 67% Energy • 31% Liveness
2% Instrumentalness • 75% Positiveness
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Joachim
The Day We Met
170 bpm • C Maj • 02:46 • -5.36db
34% Popularity • 59% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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No Fltr
Lost Tonight
166 bpm • A Maj • 02:33 • -6.8db
38% Popularity • 56% Danceability • 72% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
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Lahar
Love Me (Or Not)
166 bpm • C# min • 02:39 • -6.46db
35% Popularity • 51% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 76% Positiveness
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Mason Watts
In Your Arms
166 bpm • G Maj • 02:23 • -6.51db
41% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jake Cornell
Come Around
171 bpm • G# min • 02:54 • -9.76db
41% Popularity • 46% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Andrew Mitch
don't wanna go to heaven
170 bpm • E Maj • 03:45 • -8.42db
11% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Random Chance
ROLL WITH THE PUNCHES
165 bpm • E Maj • 02:10 • -7.97db
19% Popularity • 53% Danceability • 66% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
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Philtered
I Guess I'm in Love
165 bpm • C Maj • 03:45 • -5.32db
7% Popularity • 50% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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Bradley Kim
if it's what you want
165 bpm • B Maj • 02:55 • -6.04db
21% Popularity • 48% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Dawson Fuss
Oblivious
165 bpm • C Maj • 02:59 • -6.03db
15% Popularity • 46% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Caroline Dare
On the Fly
165 bpm • D Maj • 02:55 • -6.02db
39% Popularity • 50% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Nate Mitchell
Dotted Line
165 bpm • G Maj • 03:25 • -8.51db
14% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Armen Paul
Calling You Mine
172 bpm • F Maj • 03:00 • -6.03db
33% Popularity • 44% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Lynnea
Spirit Please
172 bpm • C min • 03:50 • -11.78db
11% Popularity • 44% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Keano Lee
Holy
172 bpm • B Maj • 03:07 • -5.91db
30% Popularity • 39% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Venerable
A Place 4 Me
164 bpm • G# Maj • 03:55 • -6.02db
9% Popularity • 50% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Lost Stars
I'd Rather Die
172 bpm • C Maj • 02:50 • -6.68db
39% Popularity • 49% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Eleven Point Two
Out of the Noise
172 bpm • C# min • 03:01 • -10.66db
19% Popularity • 57% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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shye.
If You Need Someone - Remix
172 bpm • C Maj • 04:01 • -7.33db
1% Popularity • 49% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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lowlino
Sunshine in the Rain
164 bpm • C Maj • 01:54 • -17.27db
24% Popularity • 73% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Williams
If We Got Us
164 bpm • C# Maj • 02:58 • -6.77db
16% Popularity • 47% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Mitch James
Bird In A Hurricane
173 bpm • G Maj • 02:52 • -8.98db
37% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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HARIZ
Without You
163 bpm • A Maj • 02:49 • -6.51db
35% Popularity • 55% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Demois
Losing Your Heart
173 bpm • F Maj • 03:02 • -11.82db
31% Popularity • 42% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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shye.
YOU AND NO ONE ELSE
174 bpm • E Maj • 03:24 • -4.98db
14% Popularity • 56% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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Brooke Alexx
Girlfriend
162 bpm • G# Maj • 02:26 • -3.22db
47% Popularity • 61% Danceability • 95% Energy • 12% Liveness
1% Instrumentalness • 88% Positiveness
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Louis Knight
Say It Again
162 bpm • C# min • 02:54 • -10.1db
16% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Joachim
No Words
175 bpm • A# Maj • 03:05 • -4.8db
21% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Alex Sampson
The Girl Who Cried Love
161 bpm • C Maj • 02:57 • -8.78db
37% Popularity • 34% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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James TW
Timeless
176 bpm • C# Maj • 03:03 • -7.61db
50% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Joel Piper
Right Before The Win
160 bpm • A Maj • 03:19 • -6.35db
11% Popularity • 50% Danceability • 78% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
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Bradley Baker
Scared
160 bpm • B Maj • 03:45 • -8.32db
23% Popularity • 49% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Louis Knight
Make This Up
175 bpm • B Maj • 03:18 • -4db
15% Popularity • 41% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Arden
The Sculptor
160 bpm • A Maj • 03:24 • -8.51db
8% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Shawn Hook
Bigger Than The Night
160 bpm • F# min • 02:58 • -7.07db
33% Popularity • 49% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Fabian Secon
We All Hurt the Same
160 bpm • F Maj • 02:53 • -12.77db
25% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jillian Rossi
Nantucket - Demo
160 bpm • C Maj • 03:00 • -7.74db
32% Popularity • 64% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Ian Fischer
Starcrossed
160 bpm • F Maj • 03:31 • -6.92db
18% Popularity • 59% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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GABLE
How to Love
160 bpm • G# Maj • 03:30 • -12.49db
15% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Caleb Hearn
Birthdays & Funerals - Wedding Version
177 bpm • F# Maj • 03:52 • -11.66db
38% Popularity • 29% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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David J
Still
160 bpm • B Maj • 02:46 • -7.38db
41% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Mack
Better Half Of Me
177 bpm • C Maj • 02:32 • -13.27db
53% Popularity • 43% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Blake Proehl
think i like u
158 bpm • B Maj • 03:01 • -5.2db
38% Popularity • 60% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Greg Pearson
Chains
158 bpm • C# Maj • 02:45 • -2.51db
25% Popularity • 58% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Harry Holles
Nothing Like You
158 bpm • G# Maj • 02:45 • -8.32db
10% Popularity • 70% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Stephan Wolfram
Unsaid Goodbyes
158 bpm • A# Maj • 03:53 • -10.88db
39% Popularity • 63% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Joli
Lonely Together
158 bpm • B min • 02:03 • -6.1db
25% Popularity • 72% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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shye.
Love Just Don't Know Me
180 bpm • E min • 02:12 • -9.67db
1% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Tom Shawcroft
love you, always - acoustic
180 bpm • E Maj • 02:16 • -10.38db
31% Popularity • 82% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Simon Vior
Like a Rush
180 bpm • F# min • 02:44 • -5.57db
16% Popularity • 57% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Vince Palmeri
Holding On For Life
180 bpm • B min • 02:54 • -4.96db
26% Popularity • 50% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Jared Benjamin
Let It Burn
180 bpm • B Maj • 02:34 • -6.87db
59% Popularity • 55% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Garrett Adair
Compass
180 bpm • G# min • 03:27 • -8.49db
28% Popularity • 28% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Turaab
n.i.m.r.a
156 bpm • C# Maj • 03:41 • -11.07db
26% Popularity • 40% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Edwin Boulevard
control
156 bpm • F Maj • 03:23 • -8.37db
20% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Ryan Nealon
A Lot To Lose
156 bpm • E Maj • 03:33 • -8.31db
23% Popularity • 54% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Strac
Steal You
156 bpm • C# Maj • 03:10 • -7.46db
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Kron
Need To Know
156 bpm • C# Maj • 02:36 • -7.85db
9% Popularity • 48% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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P A R A G O N
One More Ride
156 bpm • D Maj • 03:10 • -7.6db
20% Popularity • 68% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Jared Coffey
Seventeen
156 bpm • D# Maj • 02:31 • -12.68db
10% Popularity • 43% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Spencer Jordan
i hate your ghost
182 bpm • G Maj • 02:35 • -6.44db
18% Popularity • 42% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lahar
Needed You (More Than You Needed Me)
182 bpm • F min • 03:01 • -6.51db
31% Popularity • 46% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Ryan Mack
Follow
155 bpm • C# Maj • 02:28 • -7.36db
50% Popularity • 68% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Orion Sisters
friends
155 bpm • F# Maj • 03:00 • -2.89db
36% Popularity • 54% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Isaac Chan
hollywood bliss
155 bpm • C# min • 02:50 • -5.5db
17% Popularity • 56% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Lio Kalebic
stars for company
154 bpm • B Maj • 01:35 • -8.66db
34% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cameron Sanderson
Something Left
183 bpm • G Maj • 03:38 • -3.24db
38% Popularity • 21% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Wade Graves
Sinking Feeling House
154 bpm • A# min • 04:02 • -5.16db
9% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Alex Angelo
You Go First
154 bpm • C min • 02:17 • -6.76db
33% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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shye.
VOICE RECORDING: L.S.4.28
152 bpm • F Maj • 02:45 • -6.52db
5% Popularity • 42% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Ellis
Half the Time
152 bpm • A Maj • 02:17 • -7.15db
34% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Damiano
Say It Back
186 bpm • A Maj • 02:27 • -11.15db
22% Popularity • 54% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cameron Sanderson
There's Always Next Year
153 bpm • C Maj • 02:37 • -9.54db
25% Popularity • 48% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Isabella Kensington
Work It Out
150 bpm • D Maj • 03:08 • -12.86db
22% Popularity • 70% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Raynes
Chasing Love
150 bpm • C Maj • 03:40 • -8.23db
35% Popularity • 46% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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shye.
Be The Bad Guy
152 bpm • G# Maj • 03:16 • -3.84db
3% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Jeremy Shada
Escape
188 bpm • B Maj • 03:27 • -8.34db
20% Popularity • 54% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Bradley Kim
Like You Did
150 bpm • G# Maj • 02:51 • -7.22db
17% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Dawson
Rainbow Lovers
150 bpm • B min • 02:43 • -5.57db
10% Popularity • 62% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Ellisay
Thunder
150 bpm • A Maj • 02:53 • -5.17db
10% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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OCCO BAY
Forever
150 bpm • G# Maj • 02:37 • -6.22db
36% Popularity • 64% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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A Story Told
Choked Up
150 bpm • E Maj • 01:06 • -6.75db
36% Popularity • 56% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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ryman leon
it's a problem
150 bpm • D Maj • 02:53 • -9.83db
37% Popularity • 55% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Charlie Aky
Better After All
150 bpm • G Maj • 02:31 • -6.67db
27% Popularity • 67% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Benedict
She Calls Me Her Blessing
150 bpm • A min • 03:19 • -5.5db
28% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Mitchell
Kansas
150 bpm • F Maj • 03:53 • -9.54db
33% Popularity • 36% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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elijah woods
losing a friend
150 bpm • F Maj • 03:34 • -7.88db
56% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Xander Sallows
Severely - Acoustic
150 bpm • G Maj • 02:29 • -11.35db
24% Popularity • 45% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Carter Rubin
falling too hard
150 bpm • B Maj • 03:25 • -12.04db
30% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Henry Michael
Before You're Gone
150 bpm • A Maj • 04:00 • -8.97db
21% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Benedict
Racing To Sundown
150 bpm • F# min • 03:42 • -6.04db
30% Popularity • 67% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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No Comparison