Songs like No Control by Kelvin Moon Loh
Based on a tempo of (+/- 10%) and a similar genre
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Kelvin Moon Loh
No Control
100 bpm • D Maj • 03:16 • -6db
40% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Chaz Duffy
Talia
100 bpm • C# Maj • 03:44 • -14.71db
55% Popularity • 39% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 39% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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George Salazar
The Bro Duet
100 bpm • F# Maj • 03:11 • -16.54db
38% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Original Broadway Cast Of Matilda The Musical
School Song
100 bpm • A# Maj • 03:57 • -9.53db
39% Popularity • 68% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 68% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Grey Henson
Revenge Party
100 bpm • G# Maj • 05:06 • -4.75db
61% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Central Park Cast
First Class Hands
99 bpm • F# Maj • 03:09 • -8db
23% Popularity • 56% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 56% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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'In The Heights' Original Broadway Company
Blackout
100 bpm • G min • 03:57 • -5.49db
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Tiffany Tatreau
What the World Needs
100 bpm • G# Maj • 03:03 • -9db
59% Popularity • 76% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 76% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Christopher Jackson
Cabinet Battle #2
99 bpm • B Maj • 02:22 • -9.12db
62% Popularity • 75% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 75% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Neil Bartram
I'm Allergic to Cats
101 bpm • F Maj • 03:31 • -12db
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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CollegeHumor's Dropout
This Is My Chance
101 bpm • A# Maj • 01:34 • -11.82db
25% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Matt Dahan
Where Are We Going?
101 bpm • F# min • 02:51 • -7.74db
22% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Anthony Warlow
I Need to Know
99 bpm • F# min • 03:42 • -7.94db
38% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Cheech Manohar
Whose House Is This?
101 bpm • A Maj • 02:36 • -4.85db
46% Popularity • 82% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 82% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Megan Hilty
Before You Go
101 bpm • C Maj • 01:49 • -9.69db
28% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Barrett Wilbert Weed
Fight for Me
99 bpm • D# Maj • 02:35 • -9db
56% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
40% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Original StarKid Cast of The Trail To Oregon!
The Grind
99 bpm • C Maj • 03:51 • -6.88db
27% Popularity • 46% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 46% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Brian D'Arcy James
Once Shattered, Now Whole
98 bpm • D Maj • 01:46 • -12db
30% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Lea Salonga
Nothing Good
98 bpm • D Maj • 01:40 • -7db
38% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jade Johnson
The Double Bubble Duchess
98 bpm • D Maj • 02:46 • -6db
28% Popularity • 75% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 75% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Phillipa Soo
Schuyler Defeated
102 bpm • C Maj • 01:03 • -10.42db
61% Popularity • 74% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 74% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Leslie Kritzer
No Reason
98 bpm • F# Maj • 03:11 • -5.6db
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Mike Faist
Sincerely, Me
98 bpm • G Maj • 03:42 • -5.71db
62% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
62% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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George Salazar
The Tree on the Hill
102 bpm • G Maj • 02:57 • -12.41db
41% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rosalie Craig
Welcome to the Bay
98 bpm • G# Maj • 01:50 • -10db
35% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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SIX
I Don't Need Your Love
98 bpm • F Maj • 06:07 • -8.57db
57% Popularity • 54% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 54% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
37% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Erika Henningsen
Do This Thing
102 bpm • G# Maj • 03:33 • -4.52db
45% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Stage Stars
It Sucks to Be Me - Accompaniment with G...
103 bpm • F# min • 05:04 • -8.74db
17% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jay Armstrong Johnson
Leave Luanne
103 bpm • D min • 07:33 • -6.05db
40% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Roger Bart
The Brain
103 bpm • F min • 04:57 • -9.68db
25% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 62% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Kristin Chenoweth
My New Philosophy
103 bpm • A Maj • 02:56 • -12.27db
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Sarah Smallwood Parsons
The Song That No One Likes
97 bpm • C Maj • 03:37 • -11.85db
21% Popularity • 53% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 53% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Lin-Manuel Miranda
One School
97 bpm • F Maj • 02:47 • -8.14db
40% Popularity • 73% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 73% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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CollegeHumor's Dropout
Ticket To Somewhere New/Home Run
97 bpm • F# Maj • 02:43 • -12.91db
24% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Carrie Compere
Strong
97 bpm • D Maj • 03:26 • -7.69db
39% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Sanders
Forbidden Fruit (The Duke's Theme)
96 bpm • C# Maj • 02:44 • -13.6db
36% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Andrew Rannells
Kevin
104 bpm • D min • 05:22 • -5db
33% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kevin Chamberlin
The Moon And Me
104 bpm • C Maj • 03:03 • -10.82db
36% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Eric William Morris
The Pitiful Children
104 bpm • G# Maj • 03:49 • -4.72db
41% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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John Tartaglia
What Do You Do with a B.A. in English / ...
104 bpm • D Maj • 05:55 • -10db
16% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Speedrun
96 bpm • A min • 02:38 • -4.89db
29% Popularity • 49% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 49% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Chris McCarrell
The Last Day of Summer
104 bpm • B Maj • 03:35 • -9.07db
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Tam
The Pitiful Children
104 bpm • C min • 04:16 • -5db
30% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Daniel Huttlestone
Your Fault
104 bpm • A Maj • 01:57 • -11db
51% Popularity • 88% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 88% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Jessica Keenan Wynn
Yo Girl
104 bpm • C# Maj • 01:46 • -8.71db
56% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Kimiko Glenn
Hootenanny Chorale
105 bpm • E Maj • 01:39 • -7.35db
28% Popularity • 32% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 32% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Chris McCarrell
Lost!
96 bpm • F min • 03:18 • -6.41db
45% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Original StarKid Cast of Nightmare Time 2
Perky's Buds
105 bpm • F Maj • 02:16 • -5.9db
23% Popularity • 44% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 44% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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George Salazar
Andy's Song
105 bpm • A Maj • 03:56 • -12.03db
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Heidi Blickenstaff
I Got This
95 bpm • C# Maj • 04:51 • -5db
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Lin-Manuel Miranda
The Story of Tonight
95 bpm • E Maj • 01:31 • -10.58db
66% Popularity • 49% Danceability • 24% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 49% Danceability • 24% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
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Megan Nicole Dong
Breathe in a Bag
95 bpm • A Maj • 01:51 • -9.51db
31% Popularity • 53% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 53% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Eric William Morris
Be More Chill - Pt. 2
105 bpm • E Maj • 02:13 • -7db
31% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
39% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Barrett Wilbert Weed
Beautiful
95 bpm • C# Maj • 08:19 • -8.17db
61% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Mandy Moore
Crossing the Line
106 bpm • A# Maj • 02:42 • -6.61db
48% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Parvesh Cheena
I Don't Know Him
94 bpm • F# min • 01:17 • -8.71db
32% Popularity • 69% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 69% Danceability • 68% Energy • 54% Liveness
0% Instrumentalness • 42% Positiveness
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Gabriel Ebert
Telly
94 bpm • C# Maj • 03:10 • -11.22db
31% Popularity • 66% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 66% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Brightman
Crazytown
94 bpm • F# Maj • 05:06 • -9db
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
94 bpm • C Maj • 03:26 • -8db
26% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking
106 bpm • D# Maj • 03:24 • -6.5db
66% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
66% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Hadestown Original Broadway Company
Chant
94 bpm • G# min • 06:31 • -7db
37% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jeremy Jordan
The World Will Know
94 bpm • G Maj • 04:08 • -8db
50% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Jason Gotay
Women and Sandwiches
107 bpm • G# Maj • 03:24 • -7.62db
28% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Alex Brightman
Say My Name
94 bpm • F min • 03:55 • -5.94db
65% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Erika Henningsen
It Roars
107 bpm • A# Maj • 03:31 • -5db
51% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Central Park Cast
Manager to Manager
93 bpm • A Maj • 01:58 • -8.6db
33% Popularity • 83% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 83% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Hadestown Original Broadway Company
Chant (Reprise)
94 bpm • A Maj • 04:01 • -7db
32% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jeff McCarthy
Cop Song
107 bpm • C# Maj • 02:43 • -10.15db
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 78% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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White Collar Prison
If It's Not Too Much Trouble (You're Goi...
93 bpm • C# Maj • 03:02 • -8.38db
17% Popularity • 38% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 38% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Rachel Bay Jones
Good For You
108 bpm • D# Maj • 03:05 • -4.69db
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Evan Todd
Blue
108 bpm • F# min • 02:47 • -5.2db
56% Popularity • 76% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 76% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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The Guy Who Didn't Like Musicals Cast
The Guy Who Didn't Like Musicals
108 bpm • G# Maj • 04:05 • -8.24db
42% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Hadestown Original Broadway Company
Way Down Hadestown
93 bpm • A# min • 05:00 • -5.41db
40% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Original StarKid Cast of Twisted
If I Believed
108 bpm • D Maj • 01:57 • -9db
36% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Will Connolly
Voices in My Head
109 bpm • G Maj • 04:18 • -6db
34% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Chris McCarrell
The Minotaur / The Weirdest Dream
92 bpm • F Maj • 01:40 • -8.26db
36% Popularity • 48% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 48% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Carolee Carmello
Waiting
91 bpm • A# Maj • 02:25 • -7.42db
37% Popularity • 34% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 34% Danceability • 49% Energy • 55% Liveness
0% Instrumentalness • 15% Positiveness
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Lillian Castillo
The Uranium Suite
91 bpm • C Maj • 03:56 • -14db
51% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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![Haven't You Noticed (I'm a Star) [feat. Olivia Olson] cover art](https://i.scdn.co/image/ab67616d00001e02e18ff29a2fe8e9c0df309fa6)
Steven Universe
Haven't You Noticed (I'm a Star)
93 bpm • G Maj • 01:05 • -7.48db
52% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Original StarKid Cast of Twisted
I Steal Everything
109 bpm • F Maj • 03:07 • -8.68db
34% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Central Park Cast
Keep It Low Key
110 bpm • D Maj • 02:13 • -10.64db
24% Popularity • 86% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 86% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Molly Ranson
Carrie
110 bpm • D Maj • 04:09 • -5.11db
40% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Isabella Russo
Portal Tummy and Me
91 bpm • F Maj • 00:49 • -9.09db
26% Popularity • 52% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 52% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Terry Mann
The Riddle
110 bpm • F Maj • 03:05 • -10.51db
36% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking (Reprise)
110 bpm • G# Maj • 02:46 • -7.29db
60% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Steven Universe
Happily Ever After
90 bpm • E Maj • 05:10 • -9.31db
52% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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George Salazar
Michael in the Bathroom
111 bpm • E Maj • 05:21 • -16db
18% Popularity • 64% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 64% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Be More Chill Original Broadway Ensemble
The Play
90 bpm • E Maj • 06:20 • -6.59db
22% Popularity • 45% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 45% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Kimiko Glenn
Recruitment Song
111 bpm • D Maj • 02:41 • -8.29db
27% Popularity • 56% Danceability • 56% Energy • 62% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 56% Danceability • 56% Energy • 62% Liveness
0% Instrumentalness • 60% Positiveness
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Drew Gehling
It Only Takes a Taste
111 bpm • F# Maj • 03:08 • -12db
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness