Songs like No End by Philippe Roche
Based on a tempo of (+/- 10%) and a similar genre
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Philippe Roche
No End
140 bpm • C min • 01:08 • -19.03db
0% Popularity • 57% Danceability • 7% Energy • 9% Liveness
60% Instrumentalness • 28% Positiveness
0% Popularity • 57% Danceability • 7% Energy • 9% Liveness
60% Instrumentalness • 28% Positiveness
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Thoinot Arbeau
Basse-danse Jouissance vous donneray (Ar...
140 bpm • F min • 01:47 • -31.37db
13% Popularity • 27% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
13% Popularity • 27% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Domenico Scarlatti
Messe de Madrid à quatre voix: Christe
140 bpm • G min • 00:57 • -20.71db
0% Popularity • 17% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
0% Popularity • 17% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Suite in G Minor, BWV 995: II. Allemande
141 bpm • F# min • 06:21 • -26.9db
13% Popularity • 35% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 35% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Carl Philipp Emanuel Bach
March in G Major, BWV Anh. 124
141 bpm • C# Maj • 01:25 • -38.08db
10% Popularity • 38% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 38% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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Giuseppe Sammartini
Sonata No. 3 in G Major: III. Allegro
141 bpm • G Maj • 02:22 • -11.64db
26% Popularity • 36% Danceability • 36% Energy • 22% Liveness
95% Instrumentalness • 58% Positiveness
26% Popularity • 36% Danceability • 36% Energy • 22% Liveness
95% Instrumentalness • 58% Positiveness
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Bernhard Romberg
Sonata No. 2 in F Major: II. Adagio
139 bpm • C Maj • 06:17 • -28.28db
21% Popularity • 30% Danceability • 4% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
21% Popularity • 30% Danceability • 4% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
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Giorgio Mainerio
La Parma
139 bpm • F Maj • 02:13 • -27.71db
11% Popularity • 30% Danceability • 2% Energy • 9% Liveness
34% Instrumentalness • 28% Positiveness
11% Popularity • 30% Danceability • 2% Energy • 9% Liveness
34% Instrumentalness • 28% Positiveness
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Claudio Monteverdi
O Primavera, gioventu dell'anno
138 bpm • E Maj • 02:37 • -19.62db
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
11% Popularity • 20% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 20% Positiveness
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Edmund Rubbra
The Jade Mountain, Op. 116: IV. A Song o...
142 bpm • A Maj • 01:15 • -22.3db
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
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François Couperin
Rondeau in B-Flat Major "Les Bergeries",...
141 bpm • E min • 04:16 • -39.76db
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Silvius Leopold Weiss
Chaconne in D Major, WeissSW 2 No. 10
143 bpm • A Maj • 05:35 • -21.81db
10% Popularity • 37% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Claude Le Jeune
Bataille
143 bpm • C Maj • 03:30 • -17.81db
0% Popularity • 55% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 55% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Francesco Lecce
Sonate e Partite: No. 22, Bourrè (Recom...
144 bpm • C Maj • 03:41 • -11.6db
22% Popularity • 47% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
22% Popularity • 47% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
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Claudio Monteverdi
Messe In illo tempore à six voix: Bened...
137 bpm • A# Maj • 02:05 • -20.96db
0% Popularity • 16% Danceability • 14% Energy • 14% Liveness
99% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 14% Energy • 14% Liveness
99% Instrumentalness • 4% Positiveness
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Arijs Skepasts
Es Gulu Gulu
144 bpm • C min • 04:37 • -29.21db
9% Popularity • 14% Danceability • 2% Energy • 8% Liveness
59% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 2% Energy • 8% Liveness
59% Instrumentalness • 4% Positiveness
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Andreas Böhlen
Boffons (Sobre las Variaciones de Jacob ...
144 bpm • G# Maj • 01:26 • -31.92db
9% Popularity • 38% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
9% Popularity • 38% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
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Heinrich Schütz
Da pacem, Domine, SWV 465
135 bpm • A min • 05:50 • -13.08db
18% Popularity • 22% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Paschal de l'Estochard
Le beau du monde
136 bpm • G min • 02:28 • -23.23db
0% Popularity • 22% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 (Arr. A.S. ...
136 bpm • G Maj • 01:03 • -22.56db
11% Popularity • 33% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
11% Popularity • 33% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Jean-Philippe Rameau
Pièces de clavecin avec une méthode, S...
135 bpm • F Maj • 06:49 • -24.27db
15% Popularity • 15% Danceability • 2% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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pintiaux sebastien
s&l
145 bpm • A Maj • 02:04 • -18.41db
0% Popularity • 70% Danceability • 32% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
0% Popularity • 70% Danceability • 32% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
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Francesco Lecce
Sonate e Partite: No. 13, Allegro spirit...
146 bpm • G Maj • 02:15 • -11.19db
22% Popularity • 46% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 98% Positiveness
22% Popularity • 46% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 98% Positiveness
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Heinrich Schütz
Symphoniæ Sacræ II, Op. 10, SWV 341-36...
135 bpm • D min • 05:56 • -16.88db
11% Popularity • 28% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
Dixit dominus I
133 bpm • C Maj • 07:41 • -22.03db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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Giovanni Maria Trabaci
Ricercate, e altri varij capricci, Libro...
132 bpm • A min • 02:37 • -23.7db
8% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Philippe Roche
Uddholic
132 bpm • F Maj • 00:46 • -11.31db
0% Popularity • 63% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
0% Popularity • 63% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Michel Godard
Improvisation on De profundis clamavi
131 bpm • D min • 04:00 • -24.56db
0% Popularity • 25% Danceability • 4% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
0% Popularity • 25% Danceability • 4% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Prelude
132 bpm • D min • 02:11 • -41.35db
7% Popularity • 29% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
7% Popularity • 29% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messe In illo tempore à six voix: Agnus...
134 bpm • A# Maj • 02:56 • -23.05db
0% Popularity • 16% Danceability • 13% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 13% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Philipp Rosseter
When laura smiles
131 bpm • A min • 01:52 • -26.16db
0% Popularity • 28% Danceability • 4% Energy • 12% Liveness
70% Instrumentalness • 40% Positiveness
0% Popularity • 28% Danceability • 4% Energy • 12% Liveness
70% Instrumentalness • 40% Positiveness
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Dolci Accenti
Sonata Per Viola da Gamba No. 2 in a Min...
131 bpm • G# min • 02:28 • -23db
10% Popularity • 25% Danceability • 2% Energy • 35% Liveness
97% Instrumentalness • 11% Positiveness
10% Popularity • 25% Danceability • 2% Energy • 35% Liveness
97% Instrumentalness • 11% Positiveness
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Hu-Wei Huang
Pictures from Bashu (arr. Yi-Wen Jiang f...
131 bpm • A min • 01:31 • -26.99db
19% Popularity • 25% Danceability • 3% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
19% Popularity • 25% Danceability • 3% Energy • 6% Liveness
76% Instrumentalness • 11% Positiveness
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Giovanni Battista Fontana
Sonate Per 1, 2, 3, per il violino, o co...
130 bpm • G Maj • 05:35 • -18.38db
8% Popularity • 34% Danceability • 6% Energy • 24% Liveness
64% Instrumentalness • 10% Positiveness
8% Popularity • 34% Danceability • 6% Energy • 24% Liveness
64% Instrumentalness • 10% Positiveness
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James Oswald
A Sonata of Scots Tunes: II. Ettrick Ban...
131 bpm • C# Maj • 01:00 • -19.45db
21% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
21% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
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Klaus-Martin Bresgott
Esti dal - Nachtlied
130 bpm • F Maj • 02:41 • -23.92db
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Motet, SWV 378: Die mit tranen saen
129 bpm • E min • 03:59 • -25.01db
7% Popularity • 19% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Johann Hermann Schein
Corollarium. Canzon à 5
130 bpm • A min • 04:09 • -17.62db
13% Popularity • 24% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
13% Popularity • 24% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
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Bartolomeo Tromboncino
Canto 206: S'i 'l dissi mai
152 bpm • F Maj • 01:06 • -22.89db
0% Popularity • 32% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 32% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
8% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
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![Dances: Galliard [22] cover art](https://i.scdn.co/image/ab67616d00001e02c3336736e770b698ae7e58d0)
Anthony Holborne
Dances: Galliard [22]
129 bpm • F Maj • 01:13 • -16.96db
8% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
8% Popularity • 43% Danceability • 8% Energy • 6% Liveness
58% Instrumentalness • 64% Positiveness
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Leopold I
Guldnes Leben (Golden Days)
128 bpm • G Maj • 03:03 • -15.65db
8% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Jacob van Eyck
Amarilli mia bella (Modo IV)
128 bpm • G# Maj • 01:57 • -33db
23% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 34% Positiveness
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António Pereira da Costa
Concerto VIII in C Minor: IV. Adagio
128 bpm • C min • 01:04 • -18.73db
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
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Monsieur de Sainte-Colombe
Concert XLIV
127 bpm • F Maj • 06:16 • -24.76db
8% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
8% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
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Alessandro Piccinini
Toccata cromatica XII
127 bpm • A# Maj • 03:39 • -19.74db
8% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
8% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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Claude Le Jeune
Bataille II
127 bpm • F Maj • 03:07 • -16.86db
0% Popularity • 46% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 46% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Anonyme
Su l'herba frescha
155 bpm • A# Maj • 01:12 • -25.4db
0% Popularity • 25% Danceability • 11% Energy • 13% Liveness
55% Instrumentalness • 86% Positiveness
0% Popularity • 25% Danceability • 11% Energy • 13% Liveness
55% Instrumentalness • 86% Positiveness
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Heinrich Schütz
Motet, SWV 391: Selig sind die toten
127 bpm • G Maj • 04:19 • -22.99db
2% Popularity • 17% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada tercera
126 bpm • E Maj • 02:06 • -16.31db
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
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Claudio Monteverdi
Lamento della Ninfa, SV 163 (Arr. for Ba...
126 bpm • A min • 04:51 • -14.27db
9% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 36% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVf. Rittorne...
126 bpm • C# min • 01:11 • -16.9db
15% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
15% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
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Philippe Roche
Disco Roots
125 bpm • E Maj • 01:05 • -7.62db
0% Popularity • 74% Danceability • 84% Energy • 28% Liveness
69% Instrumentalness • 57% Positiveness
0% Popularity • 74% Danceability • 84% Energy • 28% Liveness
69% Instrumentalness • 57% Positiveness
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MartÍn Palmeri
Misa Tango: V. Benedictus
124 bpm • G Maj • 02:57 • -16.26db
10% Popularity • 20% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 20% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Heinrich Schütz
Musikalische exequien requiem: Herr, wen...
125 bpm • C Maj • 03:38 • -22.58db
0% Popularity • 19% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Rocco Greco
Sinfonia Viggesima seconda a due viole
124 bpm • G min • 02:25 • -20db
8% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
8% Popularity • 39% Danceability • 18% Energy • 9% Liveness
97% Instrumentalness • 56% Positiveness
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Francesco Lecce
Sonate e Partite: No. 7, Vivace (Recompo...
124 bpm • G Maj • 01:18 • -10.98db
22% Popularity • 54% Danceability • 22% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
22% Popularity • 54% Danceability • 22% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
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David Ohana
What Should I Say
124 bpm • G# min • 02:11 • -9.33db
0% Popularity • 54% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 54% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: IV. Al...
124 bpm • C Maj • 01:52 • -18.98db
10% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
10% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
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Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
14% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
14% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
► Preview
Gaspar Sanz
Zarabanda Española: Improvisación
123 bpm • C# Maj • 04:18 • -25.36db
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
► Preview
Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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pintiaux sebastien
gemini
160 bpm • D Maj • 02:55 • -16.41db
0% Popularity • 54% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 15% Positiveness
0% Popularity • 54% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 15% Positiveness
► Preview
Andrea Willaert
Canto 132: Si ce n'est l'amour
123 bpm • C Maj • 01:53 • -22.98db
0% Popularity • 43% Danceability • 14% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 43% Danceability • 14% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Thomas Otten
Lost Love
122 bpm • E min • 01:38 • -14.97db
16% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Cantata I....
122 bpm • B min • 01:33 • -15.96db
9% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
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Étienne Moulinié
Airs de cour, Troisième Livre: Objet le...
122 bpm • E Maj • 03:23 • -24.64db
8% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Giuseppe Sammartini
Sonata No. 2 in F Major: III. Allegro
161 bpm • F Maj • 01:24 • -12.38db
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
97% Instrumentalness • 76% Positiveness
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
97% Instrumentalness • 76% Positiveness
► Preview
Roque Ceruti
Escuchad dos sacristanes
161 bpm • G min • 04:43 • -21.62db
8% Popularity • 41% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 41% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Gaspar Sanz
Paradetas
122 bpm • C# Maj • 02:16 • -24db
12% Popularity • 52% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 52% Positiveness
12% Popularity • 52% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 52% Positiveness
► Preview
Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
► Preview
Philipp Heinrich Erlebach
Sonata Sesta in F Major: II. Allemande
121 bpm • E Maj • 02:13 • -16.96db
12% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
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John Dowland
M. George Whitehead his Almand
120 bpm • A# Maj • 02:09 • -19.68db
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
8% Popularity • 32% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Cello Covers
Calm Your Nerves with Cello Music
120 bpm • D Maj • 04:17 • -29.3db
21% Popularity • 62% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 8% Positiveness
21% Popularity • 62% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 8% Positiveness
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Francesco Landini
Lasso di donna
121 bpm • D Maj • 02:49 • -34.1db
0% Popularity • 29% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
0% Popularity • 29% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Girolamo Frescobaldi
Balletto (Arr. for Harp and Baroque Guit...
120 bpm • B Maj • 01:08 • -25db
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
22% Popularity • 47% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Philippe Roche
Hotel Champagne
120 bpm • A# Maj • 02:13 • -6.07db
0% Popularity • 51% Danceability • 94% Energy • 19% Liveness
91% Instrumentalness • 71% Positiveness
0% Popularity • 51% Danceability • 94% Energy • 19% Liveness
91% Instrumentalness • 71% Positiveness
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pintiaux sebastien
may
120 bpm • C Maj • 02:48 • -17.61db
0% Popularity • 58% Danceability • 25% Energy • 20% Liveness
96% Instrumentalness • 19% Positiveness
0% Popularity • 58% Danceability • 25% Energy • 20% Liveness
96% Instrumentalness • 19% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": III....
120 bpm • E Maj • 02:05 • -20db
15% Popularity • 66% Danceability • 23% Energy • 15% Liveness
14% Instrumentalness • 91% Positiveness
15% Popularity • 66% Danceability • 23% Energy • 15% Liveness
14% Instrumentalness • 91% Positiveness
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Francisco Correa de Arauxo
Très glosas sobre el canto de la Inmacu...
120 bpm • B Maj • 03:51 • -17.07db
12% Popularity • 36% Danceability • 13% Energy • 26% Liveness
12% Instrumentalness • 23% Positiveness
12% Popularity • 36% Danceability • 13% Energy • 26% Liveness
12% Instrumentalness • 23% Positiveness
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Anónimo
Pasión: Improperium. Tenor Y Bajo Solo...
164 bpm • B Maj • 02:45 • -16.07db
8% Popularity • 30% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 30% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 447
164 bpm • A min • 04:32 • -17.82db
15% Popularity • 12% Danceability • 11% Energy • 11% Liveness
52% Instrumentalness • 6% Positiveness
15% Popularity • 12% Danceability • 11% Energy • 11% Liveness
52% Instrumentalness • 6% Positiveness
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Emilio de' Cavalieri
Godi turba mortal
165 bpm • G min • 01:55 • -23.71db
8% Popularity • 21% Danceability • 6% Energy • 6% Liveness
22% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 6% Liveness
22% Instrumentalness • 8% Positiveness
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Leone Sinigaglia
Ave Maria for String Quartet
165 bpm • A Maj • 01:41 • -26db
16% Popularity • 9% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Henry Lawes
A Dialogue on a Kisse
167 bpm • F# Maj • 02:49 • -18.09db
11% Popularity • 38% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 38% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Alessandro Grandi
O quam tu pulchra es
167 bpm • G min • 03:59 • -17.95db
15% Popularity • 12% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
15% Popularity • 12% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
15% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Claude Le Jeune
Les saisons: L'automne
168 bpm • C Maj • 01:28 • -18.23db
0% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Heinrich Schütz
Motet, SWV 269: Fili mi, absalon
170 bpm • G min • 05:59 • -23.04db
2% Popularity • 10% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
2% Popularity • 10% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Jacques Hotteterre
Suite No. 3 in G major for recorder & b....
170 bpm • F# Maj • 03:46 • -25.71db
9% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 17% Positiveness
9% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 17% Positiveness
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Marc-Antoine Charpentier
Pastorale sur la naissance de notre Seig...
171 bpm • C Maj • 04:36 • -22.48db
0% Popularity • 23% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 23% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 20% Positiveness
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Antonio Cifra
Magi videntes stellam
172 bpm • A min • 01:38 • -17.9db
0% Popularity • 22% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 22% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Dolci Accenti
Sonata Per Viola da Gamba No. 3 in G Maj...
171 bpm • F# Maj • 01:21 • -23db
12% Popularity • 26% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
12% Popularity • 26% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Claude Le Jeune
Les saisons: L'hiver
170 bpm • A min • 02:33 • -20.78db
0% Popularity • 14% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 14% Danceability • 12% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: IX. Quos pretioso sangu...
173 bpm • F Maj • 02:13 • -17.79db
16% Popularity • 9% Danceability • 16% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 16% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
