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no excuses
Songs like
no excuses
by
Virginia To Vegas
Based on a tempo of (+/- 10%) and a similar genre
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Loving Caliber
Cincinnati
145 bpm • D Maj • 03:28 • -7.44db
23% Popularity • 72% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Virginia To Vegas
no excuses
145 bpm • A Maj • 03:17 • -5db
33% Popularity • 78% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Mike Posner
Howling at the Moon
145 bpm • G Maj • 02:26 • -6.92db
38% Popularity • 56% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Jonathan & Friends
Young Morales
144 bpm • A# Maj • 02:26 • -8db
28% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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19&YOU
HEAD/HEART
144 bpm • G Maj • 02:49 • -6.49db
20% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mykyl
HOW TO LIVE
146 bpm • C# Maj • 03:49 • -5.83db
26% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Beren Olivia
Hurt Again
144 bpm • A min • 03:00 • -7.72db
31% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Hailee Steinfeld
SunKissing
144 bpm • E Maj • 02:57 • -4.32db
55% Popularity • 58% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Carlie Hanson
Girls in Line for the Bathroom
147 bpm • C# Maj • 02:27 • -6.53db
33% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Nightly
lover/loner
147 bpm • A Maj • 02:31 • -5.68db
33% Popularity • 69% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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19&YOU
Past Life
146 bpm • B min • 02:54 • -7.28db
21% Popularity • 71% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Victoria Anthony
Kinda Into You
143 bpm • F Maj • 02:56 • -3.46db
33% Popularity • 65% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Emily Vaughn
grown ups
143 bpm • A Maj • 02:39 • -15.4db
36% Popularity • 77% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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Hastings
Take Mine
147 bpm • F min • 03:12 • -5db
30% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Shawn Mendes
When You're Gone
147 bpm • F Maj • 02:52 • -5.81db
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
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dreamfone
body like gossip
142 bpm • D Maj • 03:12 • -7.13db
29% Popularity • 63% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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The Summer Set
Street Lightning
148 bpm • C# Maj • 03:36 • -5db
42% Popularity • 57% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Devin Kennedy
Hurt U
148 bpm • D Maj • 02:52 • -8.24db
50% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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David Alexander
Dancing Alone
148 bpm • G# Maj • 03:19 • -6.65db
36% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Nightly
dirty white chucks
148 bpm • C# Maj • 02:38 • -5.95db
38% Popularity • 75% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Carlie Hanson
Illusion
142 bpm • F# min • 02:49 • -5.08db
35% Popularity • 65% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Charlie Puth
Marks On My Neck
142 bpm • C# Maj • 02:18 • -8.59db
35% Popularity • 86% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Julia Michaels
Sorry To Me Too
148 bpm • B min • 03:29 • -6.77db
49% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jane & The Boy
Strike
142 bpm • B min • 02:18 • -6.78db
33% Popularity • 70% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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OSTON
Stay for Me
150 bpm • E min • 03:04 • -9.37db
35% Popularity • 59% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Beren Olivia
Read My Mind
150 bpm • D Maj • 02:58 • -9.2db
40% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Haiden Henderson
Sorry to Your Next Ex
141 bpm • G# Maj • 02:49 • -8db
49% Popularity • 61% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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salem ilese
Crypto â‚¿oy
150 bpm • E Maj • 02:21 • -4.59db
29% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Zach Zoya
Upper Hand
150 bpm • G min • 02:52 • -6db
35% Popularity • 64% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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JORDY
IDK SH!T
150 bpm • D Maj • 02:51 • -4db
45% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Fiji Blue
Another Day
140 bpm • C# Maj • 02:33 • -5.88db
49% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Mykyl
Never Say No
150 bpm • D Maj • 02:42 • -8.27db
36% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Laur Elle
Hate That You Love Me
150 bpm • D Maj • 03:13 • -7.03db
34% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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The Chainsmokers
Something Different
150 bpm • F Maj • 02:34 • -8db
42% Popularity • 60% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Nightly
on your sleeve
140 bpm • D# Maj • 03:26 • -4.1db
37% Popularity • 61% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Olivia Lunny
Sad To See You Happy
140 bpm • G# Maj • 02:54 • -5.73db
29% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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IOLITE
Lost in a City
140 bpm • C Maj • 03:10 • -6.57db
30% Popularity • 49% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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DVBBS
Summer Nights
151 bpm • C# Maj • 02:36 • -6.72db
37% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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JESSIA
One of the Guys
152 bpm • G Maj • 01:58 • -4.12db
53% Popularity • 76% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Virginia To Vegas
Colourful
152 bpm • F# Maj • 03:11 • -3.16db
20% Popularity • 61% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Kevin Chung
where do we go from here
138 bpm • B Maj • 03:03 • -6.92db
28% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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emma løv
Friends
152 bpm • C Maj • 02:50 • -6.73db
48% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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vaultboy
everything sucks
138 bpm • F# Maj • 01:56 • -7.31db
43% Popularity • 73% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Gryffin
Forever
138 bpm • G# Maj • 03:07 • -5.73db
52% Popularity • 56% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Benicio Bryant
WHO HURT YOU?
138 bpm • A Maj • 02:22 • -6.89db
31% Popularity • 74% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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New Hope Club
L.U.S.H.
138 bpm • F# min • 02:52 • -5.65db
40% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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A R I Z O N A
Dark Skies
153 bpm • A# Maj • 03:14 • -6.2db
46% Popularity • 68% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Fiji Blue
Up Down
153 bpm • C Maj • 03:10 • -8.03db
43% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
51% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Virginia To Vegas
intro
136 bpm • C Maj • 00:58 • -8.68db
16% Popularity • 55% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 18% Positiveness
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Spencer Sutherland
Paranoia
136 bpm • B Maj • 03:11 • -6.23db
38% Popularity • 73% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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almost monday
this is growing up - stripped
136 bpm • F# Maj • 02:38 • -6.38db
20% Popularity • 71% Danceability • 72% Energy • 15% Liveness
2% Instrumentalness • 27% Positiveness
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Sam Short
Already Mine
136 bpm • F Maj • 02:25 • -10.2db
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Mike Posner
I'm Not Dead Yet - ellis edit
136 bpm • A min • 03:12 • -4.2db
31% Popularity • 77% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Christian French
thank god
136 bpm • F# min • 02:39 • -5.82db
41% Popularity • 84% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Cheat Codes
Sippin
155 bpm • B Maj • 02:41 • -5.19db
30% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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elijah woods
someone new
155 bpm • B Maj • 03:15 • -13.99db
40% Popularity • 56% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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New Rules
24 Hours
135 bpm • B min • 03:06 • -4db
43% Popularity • 66% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Lost Kings
Broken In All The Right Places
155 bpm • D Maj • 02:45 • -5.18db
45% Popularity • 63% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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In Paradise
Nothing Better
135 bpm • C Maj • 03:16 • -5.29db
24% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Chainsmokers
High
135 bpm • C Maj • 02:55 • -6.18db
65% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Virginia To Vegas
over you
135 bpm • G# Maj • 03:02 • -5.5db
20% Popularity • 76% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Great Good Fine Ok
Someone To You
135 bpm • G Maj • 03:20 • -6.03db
38% Popularity • 80% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Two Friends
Timebomb
157 bpm • D Maj • 03:02 • -5.77db
44% Popularity • 50% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Why Don't We
How Do You Love Somebody
156 bpm • A Maj • 03:00 • -4.14db
57% Popularity • 63% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Walk off the Earth
Hold On To Your Love
157 bpm • G Maj • 02:46 • -7.88db
34% Popularity • 56% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Landon Austin
Little Bit Longer
134 bpm • G# Maj • 02:54 • -5.8db
13% Popularity • 82% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Virginia To Vegas
TIME!
134 bpm • C# Maj • 03:12 • -6.2db
34% Popularity • 69% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Heather Sommer
talking in my sleep
158 bpm • G# Maj • 02:34 • -5.38db
44% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Loote
she's all yours
158 bpm • F# Maj • 02:41 • -6db
49% Popularity • 57% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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dreamr.
Summer Of '16
133 bpm • C Maj • 02:48 • -5.68db
44% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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JP Saxe
Soft Landing
158 bpm • B min • 02:27 • -6.38db
35% Popularity • 49% Danceability • 58% Energy • 45% Liveness
0% Instrumentalness • 60% Positiveness
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elijah woods
good guys
158 bpm • D min • 02:49 • -9db
38% Popularity • 87% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Zach Hood
Pink Ferrari
158 bpm • D# Maj • 02:29 • -4.22db
45% Popularity • 50% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Virginia To Vegas
Beautiful - Utopian Version
133 bpm • G Maj • 03:26 • -8.36db
11% Popularity • 43% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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ehren
I WANT YOU
132 bpm • D Maj • 03:18 • -6.03db
33% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Michael J Woodard
hope full
132 bpm • C# Maj • 03:08 • -3.68db
29% Popularity • 65% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Sam MacPherson
Crash Course
132 bpm • C# Maj • 02:01 • -6db
57% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -7.21db
40% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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OSIS
City Lights
132 bpm • A# Maj • 02:35 • -6.74db
36% Popularity • 84% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Nicky Youre
Eyes On You
132 bpm • A# Maj • 02:57 • -4.36db
64% Popularity • 73% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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New Hope Club
Call Me a Quitter
160 bpm • A Maj • 02:24 • -5.28db
37% Popularity • 77% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Script
Dare You To Doubt Me
160 bpm • A Maj • 03:11 • -3.44db
47% Popularity • 66% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Beren Olivia
Red Ripped Sweater
160 bpm • D Maj • 03:22 • -7.56db
28% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jax
u love u
160 bpm • G# Maj • 02:03 • -8.15db
51% Popularity • 79% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 75% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:42 • -6.57db
51% Popularity • 77% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Ethan Dufault
View
160 bpm • C# min • 03:27 • -6.55db
41% Popularity • 55% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Max Drazen
Blurry Pictures
131 bpm • B min • 01:42 • -5.52db
50% Popularity • 74% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Seth Power
Going Somewhere
131 bpm • E min • 02:46 • -8db
28% Popularity • 74% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Hastings
Chapstick
161 bpm • C Maj • 03:05 • -4.72db
36% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Nicky Youre
Sunroof
131 bpm • A# Maj • 02:43 • -5.11db
82% Popularity • 77% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Valley
nevermind
131 bpm • A Maj • 02:56 • -8.04db
48% Popularity • 76% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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GUNNAR
She's In My Head
130 bpm • A Maj • 02:59 • -5.58db
28% Popularity • 75% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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JORDY
Till It Hurts
130 bpm • G Maj • 03:20 • -7.39db
31% Popularity • 68% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Orlando
Daydream
130 bpm • F# min • 02:55 • -5.03db
39% Popularity • 69% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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david hugo
Die Right Here
130 bpm • C# Maj • 02:07 • -4.14db
55% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Cheat Codes
One Night Left
130 bpm • F# Maj • 03:27 • -5.09db
38% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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no excuses