Songs like No Good at Lying by Charlie Hickey
Based on a tempo of (+/- 10%) and a similar genre
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Fog Lake
Catacombs
107 bpm • G Maj • 03:21 • -12.08db
36% Popularity • 60% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
36% Popularity • 60% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Brooke Bentham
Heavy Head (Keep It Near)
107 bpm • A Maj • 04:17 • -12.82db
21% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Dove & the Wolf
Free Around You
107 bpm • G Maj • 03:40 • -14.79db
26% Popularity • 33% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
26% Popularity • 33% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Ryann
Nineties
107 bpm • D Maj • 03:30 • -15.39db
23% Popularity • 55% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 55% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 15% Positiveness
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Charlie Hickey
No Good at Lying
107 bpm • C Maj • 02:59 • -6db
28% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lomelda
Hannah Happiest
108 bpm • D Maj • 03:46 • -15.9db
31% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
31% Popularity • 68% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
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Babehoven
Fugazi
108 bpm • A Maj • 04:26 • -10.63db
34% Popularity • 62% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 10% Positiveness
34% Popularity • 62% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 10% Positiveness
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Adrianne Lenker
New York City
108 bpm • C# Maj • 03:48 • -14.21db
45% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Claud
Ana ft. Nick Hakim
106 bpm • D Maj • 02:47 • -8.27db
20% Popularity • 67% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 67% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Julien Baker
Heatwave
108 bpm • G Maj • 02:44 • -6.44db
43% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Jodi
Get Back
106 bpm • C# min • 02:45 • -12.97db
12% Popularity • 74% Danceability • 27% Energy • 31% Liveness
18% Instrumentalness • 27% Positiveness
12% Popularity • 74% Danceability • 27% Energy • 31% Liveness
18% Instrumentalness • 27% Positiveness
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Joe Vann
Shuffle Around
108 bpm • G Maj • 02:47 • -14db
25% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 58% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Lizzie Reid
Company Car
108 bpm • G Maj • 03:02 • -9.93db
22% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Lomelda
Big Shot
105 bpm • A# Maj • 01:25 • -20.81db
22% Popularity • 73% Danceability • 3% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
22% Popularity • 73% Danceability • 3% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
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Sun June
Johnson City
109 bpm • G# min • 03:04 • -11.42db
16% Popularity • 71% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 71% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ethan Gruska
On the Outside
109 bpm • G Maj • 03:09 • -10.96db
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Airpark
Ballad No. 3
109 bpm • C Maj • 02:40 • -7.72db
16% Popularity • 63% Danceability • 56% Energy • 14% Liveness
60% Instrumentalness • 57% Positiveness
16% Popularity • 63% Danceability • 56% Energy • 14% Liveness
60% Instrumentalness • 57% Positiveness
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Charlie Martin
September
105 bpm • F# Maj • 03:47 • -7.59db
24% Popularity • 70% Danceability • 61% Energy • 11% Liveness
52% Instrumentalness • 80% Positiveness
24% Popularity • 70% Danceability • 61% Energy • 11% Liveness
52% Instrumentalness • 80% Positiveness
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Haley Blais
Rob the Original
105 bpm • G Maj • 03:41 • -8.18db
20% Popularity • 48% Danceability • 64% Energy • 16% Liveness
38% Instrumentalness • 56% Positiveness
20% Popularity • 48% Danceability • 64% Energy • 16% Liveness
38% Instrumentalness • 56% Positiveness
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Luminous Kid
Mountain Crystals
105 bpm • C Maj • 04:14 • -9.8db
18% Popularity • 42% Danceability • 43% Energy • 60% Liveness
6% Instrumentalness • 49% Positiveness
18% Popularity • 42% Danceability • 43% Energy • 60% Liveness
6% Instrumentalness • 49% Positiveness
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Sun June
Singing
105 bpm • A Maj • 03:00 • -7.36db
21% Popularity • 62% Danceability • 55% Energy • 35% Liveness
6% Instrumentalness • 32% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 35% Liveness
6% Instrumentalness • 32% Positiveness
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Harrison Whitford
Poltergeist Love
110 bpm • F Maj • 03:25 • -8.66db
12% Popularity • 67% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 67% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Charlie Hickey
Every Time I Think
110 bpm • D# Maj • 02:47 • -6.75db
13% Popularity • 57% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
13% Popularity • 57% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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Tyler Burkhart
Waiting for you
110 bpm • A Maj • 03:40 • -12.48db
30% Popularity • 61% Danceability • 37% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
30% Popularity • 61% Danceability • 37% Energy • 9% Liveness
82% Instrumentalness • 25% Positiveness
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Skullcrusher
Steps
110 bpm • G# Maj • 01:51 • -8db
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Greeting Committee
Call In The Morning
104 bpm • F# Maj • 04:08 • -13.71db
31% Popularity • 64% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
31% Popularity • 64% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
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Bon Iver
Brackett, WI
110 bpm • B Maj • 04:02 • -14db
44% Popularity • 49% Danceability • 34% Energy • 9% Liveness
75% Instrumentalness • 19% Positiveness
44% Popularity • 49% Danceability • 34% Energy • 9% Liveness
75% Instrumentalness • 19% Positiveness
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Julien Baker
Favor
104 bpm • F Maj • 04:38 • -9db
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Charlie Hickey
Ten Feet Tall
110 bpm • C Maj • 03:44 • -7db
22% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Adrianne Lenker
Snow Song
110 bpm • B Maj • 03:56 • -13.77db
39% Popularity • 70% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 70% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Tyler Burkhart
The Light Will Come Find Us
110 bpm • B Maj • 03:47 • -12.82db
20% Popularity • 42% Danceability • 22% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
20% Popularity • 42% Danceability • 22% Energy • 11% Liveness
59% Instrumentalness • 16% Positiveness
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Wild Pink
Ohio
104 bpm • F Maj • 03:43 • -9.14db
19% Popularity • 44% Danceability • 63% Energy • 21% Liveness
88% Instrumentalness • 21% Positiveness
19% Popularity • 44% Danceability • 63% Energy • 21% Liveness
88% Instrumentalness • 21% Positiveness
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Snail Mail
c. et al.
104 bpm • A# Maj • 03:23 • -12.41db
30% Popularity • 65% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 65% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Ethan Gruska
Crash Cart
103 bpm • D Maj • 02:44 • -14.55db
19% Popularity • 50% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 50% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Samia
Triptych
111 bpm • B Maj • 03:06 • -9db
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Julien Baker
Tokyo
111 bpm • A Maj • 03:43 • -8.19db
39% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
39% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Jodi
Hawks
111 bpm • E Maj • 03:31 • -12.75db
16% Popularity • 82% Danceability • 20% Energy • 10% Liveness
12% Instrumentalness • 34% Positiveness
16% Popularity • 82% Danceability • 20% Energy • 10% Liveness
12% Instrumentalness • 34% Positiveness
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Lomelda
Kisses
103 bpm • C Maj • 03:44 • -16db
35% Popularity • 49% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
35% Popularity • 49% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Charlie Hickey
Planet With Water
103 bpm • C# Maj • 03:07 • -11.88db
33% Popularity • 63% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 63% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Haley Blais
Survivor's Guilt
103 bpm • B Maj • 03:30 • -10.8db
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Hailaker
Caffeine Rivers
112 bpm • G Maj • 04:07 • -10.73db
30% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Sadurn
Dirt May
112 bpm • D# Maj • 02:47 • -9.22db
29% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Long Beard
Sweetheart
112 bpm • D Maj • 05:34 • -5.43db
30% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Better Oblivion Community Center
Big Black Heart
102 bpm • C# Maj • 03:26 • -9.98db
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Skullcrusher
You are my House
102 bpm • C Maj • 03:08 • -11db
33% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Haley Blais
Be Your Own Muse
112 bpm • D Maj • 04:01 • -7.88db
38% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
38% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Fog Lake
Dakota
102 bpm • F Maj • 03:34 • -11.6db
23% Popularity • 34% Danceability • 40% Energy • 17% Liveness
97% Instrumentalness • 28% Positiveness
23% Popularity • 34% Danceability • 40% Energy • 17% Liveness
97% Instrumentalness • 28% Positiveness
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Harrison Whitford
Salvation Army
102 bpm • F Maj • 03:48 • -9.65db
39% Popularity • 70% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
39% Popularity • 70% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
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Samia
Winnebago - Charlie Hickey Version
113 bpm • G Maj • 02:37 • -13db
23% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Daphne Gale
Twin Flames
101 bpm • B Maj • 03:25 • -10.56db
3% Popularity • 43% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 43% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Madi Diaz
Man In Me
113 bpm • D Maj • 04:48 • -11.12db
25% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Lomelda
Slide
102 bpm • G Maj • 01:16 • -18db
35% Popularity • 56% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 56% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Julien Baker
Relative Fiction
101 bpm • A Maj • 04:19 • -7.74db
45% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
45% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Hand Habits
4th of july
101 bpm • A# Maj • 02:56 • -10.89db
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Fenne Lily
Blood Moon
101 bpm • C# Maj • 01:18 • -17.6db
21% Popularity • 32% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 32% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Molly Payton
No One Else
114 bpm • D Maj • 03:45 • -10.52db
18% Popularity • 64% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 64% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Sun June
Tom Petty - bonus track
114 bpm • A# Maj • 01:59 • -14.17db
24% Popularity • 65% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 65% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Lucy Dacus
Going Going Gone - Edit
114 bpm • B Maj • 02:47 • -12.25db
27% Popularity • 69% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
27% Popularity • 69% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
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Lomelda
Brazos River
100 bpm • C Maj • 04:32 • -12.31db
21% Popularity • 43% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 43% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Maple Glider
Be Mean, It's Kinder Than Crying
100 bpm • E Maj • 02:15 • -8.82db
25% Popularity • 81% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 81% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Charlie Martin
June
100 bpm • F Maj • 03:17 • -8.48db
20% Popularity • 53% Danceability • 41% Energy • 13% Liveness
97% Instrumentalness • 20% Positiveness
20% Popularity • 53% Danceability • 41% Energy • 13% Liveness
97% Instrumentalness • 20% Positiveness
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Sun June
Finding out
100 bpm • C# Maj • 03:12 • -9.28db
13% Popularity • 64% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 32% Positiveness
13% Popularity • 64% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 32% Positiveness
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Haley Blais
Asleep
114 bpm • D Maj • 03:37 • -8.34db
21% Popularity • 55% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 25% Positiveness
21% Popularity • 55% Danceability • 63% Energy • 15% Liveness
9% Instrumentalness • 25% Positiveness
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Blue Deputy
New Jersey
100 bpm • E Maj • 05:15 • -14db
30% Popularity • 54% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
30% Popularity • 54% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Charlie Hickey
Time To Pretend
100 bpm • D Maj • 03:28 • -11.67db
21% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Florist
Remembering Spring 2013
115 bpm • G Maj • 01:55 • -18.44db
25% Popularity • 40% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
25% Popularity • 40% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Bella Porter
Influenza
115 bpm • C Maj • 03:07 • -18.06db
16% Popularity • 46% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 46% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Queen of Jeans
Get Lost
115 bpm • E Maj • 04:15 • -9.61db
28% Popularity • 65% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
28% Popularity • 65% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
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Eliza McLamb
Irish Exit
115 bpm • C Maj • 04:47 • -11.62db
30% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Snail Mail
Headlock
115 bpm • A Maj • 03:12 • -7.38db
38% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Hickey
Hangar
100 bpm • E Maj • 02:55 • -12.04db
16% Popularity • 68% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 68% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Florist
If Blue Could Be Happiness
115 bpm • C Maj • 05:07 • -14db
44% Popularity • 52% Danceability • 29% Energy • 14% Liveness
76% Instrumentalness • 32% Positiveness
44% Popularity • 52% Danceability • 29% Energy • 14% Liveness
76% Instrumentalness • 32% Positiveness
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Gabe Goodman
The Villain
115 bpm • A Maj • 03:36 • -13.44db
19% Popularity • 78% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
19% Popularity • 78% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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Free Cake For Every Creature
Be Home Soon
99 bpm • B Maj • 03:40 • -14.71db
29% Popularity • 61% Danceability • 48% Energy • 9% Liveness
33% Instrumentalness • 49% Positiveness
29% Popularity • 61% Danceability • 48% Energy • 9% Liveness
33% Instrumentalness • 49% Positiveness
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Christian Lee Hutson
State Bird
99 bpm • C# Maj • 02:50 • -9.63db
25% Popularity • 66% Danceability • 45% Energy • 65% Liveness
46% Instrumentalness • 61% Positiveness
25% Popularity • 66% Danceability • 45% Energy • 65% Liveness
46% Instrumentalness • 61% Positiveness
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Petey
California - Prius Edition
115 bpm • D Maj • 03:58 • -14db
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Lomelda
Late Dawn
99 bpm • E min • 05:36 • -16.45db
20% Popularity • 38% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 38% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Florist
M
99 bpm • C Maj • 02:46 • -17.81db
47% Popularity • 42% Danceability • 5% Energy • 34% Liveness
4% Instrumentalness • 14% Positiveness
47% Popularity • 42% Danceability • 5% Energy • 34% Liveness
4% Instrumentalness • 14% Positiveness
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Sadurn
special power
115 bpm • D Maj • 03:36 • -12.83db
27% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Katy Kirby
Fireman
99 bpm • E Maj • 03:39 • -13.14db
24% Popularity • 69% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 69% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Better Oblivion Community Center
Chesapeake
99 bpm • C# Maj • 04:04 • -13.33db
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Rusty Clanton
Leap Year
99 bpm • D# Maj • 03:28 • -19.73db
17% Popularity • 60% Danceability • 15% Energy • 6% Liveness
29% Instrumentalness • 46% Positiveness
17% Popularity • 60% Danceability • 15% Energy • 6% Liveness
29% Instrumentalness • 46% Positiveness
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Lomelda
Nervous Driver
116 bpm • A# Maj • 02:24 • -20db
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Maggie Rogers
Steady Now
99 bpm • G# min • 03:50 • -4.19db
32% Popularity • 43% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 43% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Bloomsday
ISO
99 bpm • A# Maj • 03:39 • -8.66db
11% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Big Thief
Off You
99 bpm • F Maj • 04:04 • -9.95db
27% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Alison Sudol
If Patience Doesn’t Kill Me
116 bpm • C Maj • 03:24 • -18.83db
15% Popularity • 43% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
15% Popularity • 43% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Rusty Clanton
Colder
98 bpm • D# Maj • 03:36 • -18.45db
31% Popularity • 53% Danceability • 14% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
31% Popularity • 53% Danceability • 14% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
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Fenne Lily
To Be a Woman Pt. 1
116 bpm • F min • 01:37 • -16.91db
20% Popularity • 20% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Maple Glider
Baby Tiger
117 bpm • F# Maj • 03:52 • -14.16db
28% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Adrianne Lenker
Wallet
98 bpm • A Maj • 03:42 • -13.94db
35% Popularity • 56% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
35% Popularity • 56% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Skullcrusher
Song for Nick Drake
98 bpm • E Maj • 02:57 • -12.26db
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Molly Parden
These Are the Times
117 bpm • D Maj • 03:43 • -12.19db
14% Popularity • 52% Danceability • 31% Energy • 12% Liveness
77% Instrumentalness • 15% Positiveness
14% Popularity • 52% Danceability • 31% Energy • 12% Liveness
77% Instrumentalness • 15% Positiveness
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Sam Tudor
Change My Shape
98 bpm • D# min • 03:38 • -12.5db
17% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Snail Mail
Adore You - Valentine Demo
117 bpm • C# Maj • 03:37 • -15.37db
19% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 52% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Harrison Whitford
Anyplace I Am
98 bpm • F Maj • 04:02 • -17.85db
17% Popularity • 34% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 36% Positiveness
17% Popularity • 34% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 36% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
