Songs like No Holiday by The Wannadies
Based on a tempo of (+/- 10%) and a similar genre
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Jake Bugg
Lightning Bolt
116 bpm • A Maj • 02:24 • -4.56db
64% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Glasvegas
Flowers & Football Tops
116 bpm • G Maj • 06:56 • -5.88db
30% Popularity • 32% Danceability • 81% Energy • 13% Liveness
26% Instrumentalness • 4% Positiveness
30% Popularity • 32% Danceability • 81% Energy • 13% Liveness
26% Instrumentalness • 4% Positiveness
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Jack Peñate
Torn on the Platform
116 bpm • A Maj • 03:53 • -4.56db
39% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Wannadies
Bumble Bee Boy
116 bpm • E Maj • 02:56 • -5.44db
7% Popularity • 86% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 86% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Coral
Put the Sun Back
116 bpm • E Maj • 03:02 • -6db
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Kasabian
Fire
117 bpm • A# Maj • 04:12 • -5.64db
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
66% Popularity • 52% Danceability • 74% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
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The Smiths
Asleep - 2011 Remaster
115 bpm • C Maj • 04:13 • -15.87db
64% Popularity • 51% Danceability • 26% Energy • 15% Liveness
53% Instrumentalness • 22% Positiveness
64% Popularity • 51% Danceability • 26% Energy • 15% Liveness
53% Instrumentalness • 22% Positiveness
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Fleetwood Mac
Everywhere - 2017 Remaster
115 bpm • E Maj • 03:46 • -10.99db
82% Popularity • 73% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
82% Popularity • 73% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Morrissey
Everyday Is Like Sunday - 2011 Remaster
117 bpm • C Maj • 03:35 • -5db
60% Popularity • 60% Danceability • 87% Energy • 31% Liveness
44% Instrumentalness • 56% Positiveness
60% Popularity • 60% Danceability • 87% Energy • 31% Liveness
44% Instrumentalness • 56% Positiveness
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The Wannadies
Dying For More
115 bpm • G Maj • 04:52 • -7.77db
12% Popularity • 75% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
12% Popularity • 75% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Weezer
Island In The Sun
115 bpm • E min • 03:20 • -6.26db
80% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
80% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Razorlight
Before I Fall To Pieces
114 bpm • D Maj • 03:22 • -4.7db
52% Popularity • 50% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 50% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Happy Mondays
Kinky Afro
118 bpm • F Maj • 03:59 • -12.55db
51% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 55% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Kooks
Too Much Of Nothing
114 bpm • C# min • 04:11 • -1.46db
14% Popularity • 48% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 48% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Eels
Mr. E's Beautiful Blues
114 bpm • D Maj • 04:18 • -6.63db
43% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 66% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Cage The Elephant
Cigarette Daydreams
114 bpm • D Maj • 03:28 • -3.44db
82% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
82% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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The Killers
Jenny Was A Friend Of Mine
114 bpm • B Maj • 04:03 • -5.61db
61% Popularity • 54% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 54% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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New Radicals
You Get What You Give
114 bpm • D Maj • 05:00 • -5.4db
77% Popularity • 62% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
77% Popularity • 62% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Twang
Either Way
114 bpm • D Maj • 04:03 • -2.61db
42% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 48% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Arctic Monkeys
Baby I'm Yours
114 bpm • D Maj • 02:32 • -9.36db
72% Popularity • 46% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
72% Popularity • 46% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Glasvegas
Daddy's Gone
114 bpm • A Maj • 04:22 • -7.17db
39% Popularity • 30% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 30% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Charlatans
The Only One I Know
113 bpm • F Maj • 03:58 • -13.1db
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 55% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Killers
All These Things That I've Done
118 bpm • F# Maj • 05:01 • -7.29db
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 54% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Wannadies
Shorty
119 bpm • C Maj • 03:30 • -5.02db
24% Popularity • 52% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 52% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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The Smiths
The Boy with the Thorn in His Side - 201...
119 bpm • G Maj • 03:16 • -7db
65% Popularity • 51% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
65% Popularity • 51% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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GROUPLOVE
Tongue Tied
113 bpm • D# Maj • 03:38 • -5.84db
80% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
80% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Razorlight
Who Needs Love
113 bpm • D Maj • 03:31 • -3.61db
43% Popularity • 76% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 76% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Popsicle
Dusty Roads
113 bpm • A Maj • 03:37 • -5.24db
14% Popularity • 33% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
14% Popularity • 33% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Inspiral Carpets
This Is How It Feels
119 bpm • B Maj • 03:05 • -12.84db
51% Popularity • 50% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 50% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Toploader
Dancing in the Moonlight
119 bpm • A# Maj • 03:52 • -3.46db
81% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
81% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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The Stone Roses
I Wanna Be Adored - Remastered 2009
113 bpm • E min • 04:52 • -9.16db
67% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
67% Popularity • 49% Danceability • 86% Energy • 23% Liveness
21% Instrumentalness • 59% Positiveness
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Eagle-Eye Cherry
Save Tonight
120 bpm • C Maj • 04:02 • -8.74db
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
74% Popularity • 55% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Echobelly
King of the Kerb
112 bpm • B Maj • 03:58 • -8.67db
41% Popularity • 41% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 41% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 45% Positiveness
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Vampire Weekend
Oxford Comma
120 bpm • C Maj • 03:15 • -4.23db
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Arctic Monkeys
Mardy Bum
112 bpm • D Maj • 02:55 • -5.45db
75% Popularity • 63% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
75% Popularity • 63% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Glasvegas
Geraldine
120 bpm • C Maj • 03:45 • -3.75db
45% Popularity • 47% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 47% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
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Pär Wiksten
Öm Sommarvals
120 bpm • A Maj • 02:35 • -13.95db
34% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 71% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Blossoms
Your Girlfriend
120 bpm • D Maj • 02:41 • -4.83db
57% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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David Bowie
Heroes - 2017 Remaster
112 bpm • G Maj • 06:11 • -6.49db
76% Popularity • 49% Danceability • 76% Energy • 9% Liveness
49% Instrumentalness • 44% Positiveness
76% Popularity • 49% Danceability • 76% Energy • 9% Liveness
49% Instrumentalness • 44% Positiveness
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The Cardigans
Lovefool
112 bpm • A Maj • 03:13 • -6.03db
81% Popularity • 70% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
81% Popularity • 70% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Air
Sexy Boy
112 bpm • C Maj • 04:58 • -6.15db
64% Popularity • 44% Danceability • 65% Energy • 11% Liveness
61% Instrumentalness • 21% Positiveness
64% Popularity • 44% Danceability • 65% Energy • 11% Liveness
61% Instrumentalness • 21% Positiveness
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Badly Drawn Boy
Something to Talk About
120 bpm • C Maj • 03:40 • -10db
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
47% Popularity • 60% Danceability • 61% Energy • 12% Liveness
16% Instrumentalness • 53% Positiveness
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Dodgy
Good Enough
112 bpm • C Maj • 04:01 • -6.02db
53% Popularity • 58% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
53% Popularity • 58% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Pulp
Something Changed
121 bpm • G Maj • 03:18 • -8.33db
54% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
54% Popularity • 54% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 38% Positiveness
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Squeeze
Up The Junction
121 bpm • A Maj • 03:11 • -12.97db
56% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
56% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Feeder
Buck Rogers
121 bpm • F Maj • 03:13 • -4.35db
57% Popularity • 48% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 48% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Stereophonics
Have A Nice Day
121 bpm • C# min • 03:25 • -4.09db
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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The Stone Roses
(Song for My) Sugar Spun Sister - Remast...
121 bpm • A Maj • 03:26 • -5.65db
51% Popularity • 35% Danceability • 85% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
51% Popularity • 35% Danceability • 85% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Declan McKenna
Brazil
121 bpm • E Maj • 04:12 • -5.21db
83% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
83% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Pulp
Like A Friend
111 bpm • F Maj • 04:31 • -8.96db
46% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 30% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Cass Elliot
Make Your Own Kind Of Music
121 bpm • E Maj • 02:19 • -13.02db
66% Popularity • 53% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
66% Popularity • 53% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Weezer
Buddy Holly
121 bpm • G# Maj • 02:39 • -4.61db
76% Popularity • 56% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
76% Popularity • 56% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Libertines
Music When The Lights Go Out
111 bpm • C Maj • 03:02 • -6db
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 42% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Supergrass
Moving
111 bpm • G Maj • 04:26 • -6.66db
49% Popularity • 47% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 47% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Elastica
Connection
121 bpm • D# Maj • 02:20 • -5.78db
58% Popularity • 68% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 88% Positiveness
58% Popularity • 68% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 88% Positiveness
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Amy Winehouse
Tears Dry On Their Own
122 bpm • C# min • 03:06 • -13.39db
76% Popularity • 63% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
76% Popularity • 63% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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The Cribs
Men's Needs
122 bpm • C# min • 03:15 • -2.26db
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Wannadies
String Song
110 bpm • A min • 04:39 • -6.03db
15% Popularity • 22% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 22% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Cornershop
Brimful of Asha
110 bpm • A Maj • 04:07 • -6.15db
44% Popularity • 83% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
44% Popularity • 83% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Doves
There Goes The Fear
110 bpm • F Maj • 06:54 • -4.5db
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
47% Popularity • 50% Danceability • 98% Energy • 3% Liveness
7% Instrumentalness • 51% Positiveness
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Florence + The Machine
You've Got The Love
110 bpm • F# Maj • 02:48 • -4.7db
76% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Fratellis
Henrietta
122 bpm • F# min • 03:32 • -3.14db
56% Popularity • 60% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 60% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
76% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
76% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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The Wannadies
Yeah
110 bpm • F Maj • 03:08 • -5.07db
20% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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MGMT
Kids
123 bpm • A Maj • 05:02 • -3.87db
80% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
80% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 17% Positiveness
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The Vaccines
A Lack of Understanding
123 bpm • F# Maj • 02:58 • -6.22db
49% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Cardigans
Live And Learn
109 bpm • D Maj • 04:16 • -7db
41% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Reef
Place Your Hands
109 bpm • D Maj • 03:38 • -4.52db
53% Popularity • 51% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 51% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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The Sundays
Here's Where the Story Ends
109 bpm • G Maj • 03:50 • -8.62db
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Wannadies
I Love Myself
110 bpm • C Maj • 03:06 • -5.08db
13% Popularity • 62% Danceability • 91% Energy • 13% Liveness
4% Instrumentalness • 46% Positiveness
13% Popularity • 62% Danceability • 91% Energy • 13% Liveness
4% Instrumentalness • 46% Positiveness
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Catatonia
Mulder and Scully
109 bpm • F# min • 04:11 • -5.29db
49% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Babybird
You're Gorgeous
124 bpm • F Maj • 03:42 • -7.43db
56% Popularity • 58% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 58% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Edison Lighthouse
Love Grows (Where My Rosemary Goes)
109 bpm • A Maj • 02:54 • -4.61db
74% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
74% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Mystery Jets
Two Doors Down
124 bpm • C# min • 03:39 • -3.17db
45% Popularity • 56% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 56% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Oh, Atoms
Sugar Mouse
124 bpm • C Maj • 04:13 • -6.6db
29% Popularity • 60% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 60% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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The Wannadies
Someone Somewhere
124 bpm • G Maj • 04:49 • -4.35db
19% Popularity • 34% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
19% Popularity • 34% Danceability • 78% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Travis
Why Does It Always Rain On Me?
108 bpm • E Maj • 04:25 • -9.26db
63% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Ocean Colour Scene
The Circle
124 bpm • D Maj • 03:43 • -5.68db
43% Popularity • 51% Danceability • 87% Energy • 38% Liveness
5% Instrumentalness • 61% Positiveness
43% Popularity • 51% Danceability • 87% Energy • 38% Liveness
5% Instrumentalness • 61% Positiveness
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Primal Scream
Country Girl
124 bpm • F min • 04:31 • -3.17db
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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The Beautiful South
Rotterdam (Or Anywhere)
108 bpm • C Maj • 03:35 • -7.68db
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
57% Popularity • 72% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Space
Female of the Species
108 bpm • G min • 03:19 • -6.48db
48% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The Wannadies
Disko
124 bpm • A Maj • 03:03 • -6.4db
13% Popularity • 59% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 59% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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No Doubt
Just A Girl
108 bpm • D Maj • 03:29 • -4.82db
77% Popularity • 64% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
77% Popularity • 64% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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kent
Kräm (så nära får ingen gå)
125 bpm • F Maj • 02:41 • -8.79db
51% Popularity • 33% Danceability • 72% Energy • 35% Liveness
1% Instrumentalness • 42% Positiveness
51% Popularity • 33% Danceability • 72% Energy • 35% Liveness
1% Instrumentalness • 42% Positiveness
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Sufjan Stevens
Chicago
125 bpm • G Maj • 06:04 • -9.66db
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Kinks
Waterloo Sunset
108 bpm • C# min • 03:14 • -7.38db
66% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
66% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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New Order
Temptation
125 bpm • C Maj • 06:59 • -9.48db
57% Popularity • 60% Danceability • 88% Energy • 22% Liveness
85% Instrumentalness • 94% Positiveness
57% Popularity • 60% Danceability • 88% Energy • 22% Liveness
85% Instrumentalness • 94% Positiveness
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The Wannadies
Uri Geller
125 bpm • E Maj • 02:51 • -5.88db
14% Popularity • 58% Danceability • 78% Energy • 14% Liveness
36% Instrumentalness • 52% Positiveness
14% Popularity • 58% Danceability • 78% Energy • 14% Liveness
36% Instrumentalness • 52% Positiveness
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Optimus
Love To Dub You
125 bpm • F# Maj • 07:05 • -5.41db
0% Popularity • 65% Danceability • 89% Energy • 12% Liveness
91% Instrumentalness • 67% Positiveness
0% Popularity • 65% Danceability • 89% Energy • 12% Liveness
91% Instrumentalness • 67% Positiveness
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The Killers
Smile Like You Mean It
125 bpm • D# min • 03:54 • -4.26db
70% Popularity • 35% Danceability • 96% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
70% Popularity • 35% Danceability • 96% Energy • 21% Liveness
1% Instrumentalness • 38% Positiveness
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The Mock Turtles
Can You Dig It?
108 bpm • E Maj • 04:08 • -3.72db
45% Popularity • 50% Danceability • 92% Energy • 62% Liveness
13% Instrumentalness • 83% Positiveness
45% Popularity • 50% Danceability • 92% Energy • 62% Liveness
13% Instrumentalness • 83% Positiveness
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The Cardigans
I Need Some Fine Wine And You, You Need ...
125 bpm • F min • 03:33 • -4.71db
39% Popularity • 43% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 43% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Julian Casablancas
11th Dimension
126 bpm • F# min • 04:03 • -2.77db
53% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
53% Popularity • 57% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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The Wannadies
Nothing Wrong
125 bpm • C Maj • 03:06 • -5.63db
11% Popularity • 63% Danceability • 81% Energy • 47% Liveness
8% Instrumentalness • 56% Positiveness
11% Popularity • 63% Danceability • 81% Energy • 47% Liveness
8% Instrumentalness • 56% Positiveness
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Cornershop
Brimful of Asha - Norman Cook Remix Sing...
126 bpm • B Maj • 04:03 • -3.91db
63% Popularity • 68% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
75% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
75% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Ocean Colour Scene
The Riverboat Song
107 bpm • B min • 04:54 • -6.39db
52% Popularity • 48% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 48% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 56% Positiveness
