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No Hope for Humanity
Songs like
No Hope for Humanity
by
Jesse Stockton
Based on a tempo of (+/- 10%) and a similar genre
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Steady Wells
Open Fire
115 bpm • G Maj • 03:01 • -10.63db
8% Popularity • 47% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Matthew Pocius
Have You No Clue?
115 bpm • A Maj • 02:25 • -8.29db
12% Popularity • 52% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 47% Positiveness
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Jesse Stockton
No Hope for Humanity
115 bpm • C Maj • 05:32 • -8.73db
0% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Eggy Benedict
Feeling Better
115 bpm • G Maj • 03:06 • -11.89db
10% Popularity • 61% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Monica Wyant
The Sugartown
115 bpm • B Maj • 04:33 • -12.48db
17% Popularity • 60% Danceability • 44% Energy • 24% Liveness
78% Instrumentalness • 16% Positiveness
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Steven Barton
Work Is For Bees
115 bpm • G# Maj • 04:50 • -7.37db
1% Popularity • 51% Danceability • 73% Energy • 12% Liveness
8% Instrumentalness • 48% Positiveness
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McKay
Day Moon
115 bpm • D Maj • 03:44 • -9.12db
13% Popularity • 65% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Jenner Fox
Tree Man
115 bpm • F Maj • 03:36 • -18.97db
9% Popularity • 57% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Andy Thorn
Winter's Gone
114 bpm • C Maj • 03:18 • -9.1db
17% Popularity • 57% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Ward Beyle
Gypsy Soul
114 bpm • C Maj • 04:08 • -9.71db
13% Popularity • 81% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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The Blue Ridge Girls
Man In The Moon
114 bpm • D Maj • 03:00 • -6.41db
32% Popularity • 57% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Michael C Parris
Honeybee
114 bpm • E min • 04:17 • -10.04db
13% Popularity • 70% Danceability • 38% Energy • 48% Liveness
1% Instrumentalness • 24% Positiveness
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Jesse Stockton
Housefire
116 bpm • G Maj • 03:00 • -4.57db
2% Popularity • 74% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Ryan David Green
Afterlife
114 bpm • D Maj • 03:07 • -10.76db
18% Popularity • 63% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 56% Positiveness
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The Laurettes
Not Going Home
114 bpm • C Maj • 04:10 • -7.51db
12% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Ross Thorn
Gravedigger's Son
114 bpm • F# Maj • 05:00 • -12.54db
11% Popularity • 53% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Barnstar!
The Way Young Lovers Do
116 bpm • A min • 04:17 • -5.92db
9% Popularity • 37% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Bruce Whyet
A New Way To Cry
117 bpm • D# Maj • 03:02 • -12.64db
26% Popularity • 58% Danceability • 11% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
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Steven Barton
Single Bucket
117 bpm • A# Maj • 03:33 • -5.87db
1% Popularity • 47% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Damn Tall Buildings
Sleeping Dogs
117 bpm • C Maj • 02:58 • -6.86db
9% Popularity • 66% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 96% Positiveness
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Daniel's Den
Cut of Glory's Figure
117 bpm • G Maj • 02:57 • -8.75db
21% Popularity • 67% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Deacon Blue
Queen of the New Year - Acoustic Version
113 bpm • G Maj • 03:24 • -10.02db
24% Popularity • 55% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Carly King
Wake Me up in Jackson
113 bpm • A Maj • 02:59 • -9.48db
15% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Ruane
Take Me There
113 bpm • B min • 04:37 • -7.56db
13% Popularity • 64% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Dirty Blanket
New Disease
113 bpm • A Maj • 05:13 • -6.73db
12% Popularity • 57% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Tony Kamel
This River
113 bpm • A Maj • 03:24 • -10.88db
15% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Morsel
As the Mole Digs
117 bpm • A# Maj • 02:28 • -8.53db
17% Popularity • 59% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Hill Figs
Lost Love and Home
117 bpm • A Maj • 04:44 • -5.64db
7% Popularity • 42% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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PA star
River Baby
117 bpm • G# Maj • 02:38 • -8.15db
10% Popularity • 60% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Malingo
The Dog Song
113 bpm • G Maj • 01:59 • -8.55db
23% Popularity • 42% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The Blaine Show
Growin Up and Throwin Up
118 bpm • C Maj • 02:12 • -9.9db
7% Popularity • 71% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Darren Roy Clarke
Westward
113 bpm • G Maj • 03:35 • -9.09db
5% Popularity • 50% Danceability • 53% Energy • 14% Liveness
19% Instrumentalness • 68% Positiveness
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Matt Moran
The Last Cowboy
118 bpm • F Maj • 05:13 • -4.74db
10% Popularity • 41% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Bertha Faraday
The Moon Of Southern Cities
118 bpm • G min • 04:43 • -8.94db
21% Popularity • 59% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Smilo & the Ghost
Captain of the Ship
112 bpm • G Maj • 04:10 • -8.34db
10% Popularity • 62% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Last Revel
I've Been Waiting
118 bpm • E Maj • 02:43 • -11.05db
16% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Elliott BROOD
Long Since Lost
112 bpm • C Maj • 04:06 • -8.46db
19% Popularity • 61% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Michael C Parris
Life Is Beautiful
118 bpm • D Maj • 03:26 • -10.18db
33% Popularity • 69% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Arrow in the Sky
My Sunshine
118 bpm • A Maj • 03:20 • -8.41db
10% Popularity • 57% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Joel Jerome
Answering the Call
118 bpm • G Maj • 04:31 • -10.38db
22% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Tommy Goodroad
See You Around
112 bpm • E Maj • 05:04 • -7.32db
12% Popularity • 35% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Foolery
On Water
118 bpm • G Maj • 03:31 • -9.56db
8% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Oliver
Ain't Over Til It's Over
118 bpm • G Maj • 03:24 • -12.25db
9% Popularity • 65% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Two Stroke Motors
TV Movies
112 bpm • E min • 03:55 • -7.5db
9% Popularity • 79% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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John Craigie
Chapel Hill
112 bpm • C Maj • 03:32 • -9.22db
8% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Clement Beatrice
Sweet Mauve Blue Sky
112 bpm • D Maj • 03:47 • -7.25db
8% Popularity • 63% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Barlow Carpenter
Wire
119 bpm • B min • 05:24 • -8.41db
27% Popularity • 47% Danceability • 49% Energy • 27% Liveness
12% Instrumentalness • 15% Positiveness
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Palmyra
Rolling Hills
111 bpm • C Maj • 02:50 • -12.75db
18% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Okay Alright
a month or two
119 bpm • F Maj • 02:52 • -10.56db
15% Popularity • 67% Danceability • 59% Energy • 14% Liveness
7% Instrumentalness • 74% Positiveness
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Charlie Senger
The Age Of Ashes
119 bpm • B Maj • 02:50 • -6.5db
30% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Sammy Kay
Meet You in Mexico
111 bpm • E Maj • 03:20 • -7.06db
19% Popularity • 41% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Gavin Story
Shiner Girl
119 bpm • D Maj • 02:58 • -4.22db
12% Popularity • 57% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Richard Powers
Dandelion Bruised
111 bpm • D Maj • 03:30 • -7.89db
10% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Jesse Stockton
Please Forgive Them
111 bpm • D Maj • 03:47 • -7.27db
0% Popularity • 76% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Mendomusic
This Time It’s Different
119 bpm • D Maj • 02:30 • -12.31db
14% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Yarn
Alone on the Weekend
119 bpm • B Maj • 04:04 • -9.9db
9% Popularity • 60% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Gasoline Lollipops
Dawn
111 bpm • G Maj • 02:12 • -10.6db
13% Popularity • 61% Danceability • 42% Energy • 11% Liveness
57% Instrumentalness • 37% Positiveness
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Tom Neven & the Side Effect
Never Again
119 bpm • A Maj • 03:06 • -4.37db
13% Popularity • 55% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Richard Inman
Lethbridge County Blue
110 bpm • B min • 04:10 • -8.54db
25% Popularity • 37% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Jesse Stockton
Can't Get Away with It
120 bpm • G Maj • 02:29 • -5.09db
0% Popularity • 57% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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The Jackson Line
The Day That I Held You
110 bpm • E Maj • 03:37 • -9.73db
19% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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C.W. Lewis
I Am Weary (Let Me Rest)
120 bpm • D Maj • 03:23 • -5.71db
12% Popularity • 58% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Steinar Ytrehus
When the Snow Falls
120 bpm • F# min • 04:09 • -14.29db
10% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bertha Faraday
Light Of Darkness
120 bpm • G min • 04:10 • -9.02db
20% Popularity • 54% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
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The Steel Wheels
Memories In Mind
120 bpm • G Maj • 03:16 • -8.04db
15% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jesse Stockton
Caustic Dream
110 bpm • G Maj • 03:28 • -7.42db
0% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Noah Daniel
Close
120 bpm • G# Maj • 03:08 • -9.85db
10% Popularity • 76% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Lucas Wolf
Deadwood
120 bpm • A Maj • 04:19 • -9.32db
11% Popularity • 47% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Brennan Scott Greene
Stray Dog
120 bpm • G Maj • 03:14 • -10.05db
11% Popularity • 49% Danceability • 46% Energy • 30% Liveness
7% Instrumentalness • 26% Positiveness
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Dangermuffin
Outlaw's Plan
120 bpm • G Maj • 03:16 • -9.17db
11% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Dirty Blanket
Waiting All My Days
120 bpm • G Maj • 02:41 • -6.82db
11% Popularity • 52% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Michael C Parris
If I Was in Nashville
110 bpm • E Maj • 04:21 • -8.13db
12% Popularity • 66% Danceability • 40% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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The Riverside
Anyone Who Looks to Jesus (John 3:14-17,...
120 bpm • D Maj • 04:18 • -12.76db
27% Popularity • 39% Danceability • 43% Energy • 28% Liveness
10% Instrumentalness • 42% Positiveness
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Steven Barton
Morning
110 bpm • C min • 04:45 • -7.58db
1% Popularity • 56% Danceability • 69% Energy • 20% Liveness
37% Instrumentalness • 56% Positiveness
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Sierra Drive Sessions
Take Me Anywhere - Live
121 bpm • A Maj • 04:27 • -12.36db
12% Popularity • 59% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Horst Tautz
What Is Really True
109 bpm • F# min • 02:50 • -12.97db
20% Popularity • 61% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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We Still Have Dreams
Disney Robin Hood Medley
121 bpm • G# Maj • 03:16 • -12.29db
11% Popularity • 51% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Michael C Parris
A Three Legged Dog Named Bo
110 bpm • E Maj • 03:32 • -9.41db
12% Popularity • 66% Danceability • 43% Energy • 24% Liveness
1% Instrumentalness • 47% Positiveness
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Mitch Breen
Changed Man
121 bpm • C Maj • 03:58 • -10.59db
23% Popularity • 68% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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The Copper Children
Nowhere Again
109 bpm • C Maj • 03:33 • -14.07db
22% Popularity • 73% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mason Bracker
In The Summertime
121 bpm • D Maj • 04:58 • -9.84db
20% Popularity • 62% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Walker
Silver & Gold
109 bpm • G Maj • 02:58 • -11.18db
11% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Yarn
Empty Pockets
109 bpm • C Maj • 03:11 • -9.38db
20% Popularity • 67% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Skin & Bones
Always Got the Blues on Mondays
109 bpm • C# min • 02:59 • -10.36db
18% Popularity • 73% Danceability • 35% Energy • 11% Liveness
23% Instrumentalness • 35% Positiveness
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Michael C Parris
That Damn Apple
109 bpm • D Maj • 04:57 • -12.61db
19% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Rocko Wheeler
Nobody Owns the Girl
109 bpm • C Maj • 03:50 • -14.74db
12% Popularity • 54% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Steven Barton
Desert
109 bpm • A# Maj • 04:47 • -8.02db
1% Popularity • 59% Danceability • 60% Energy • 14% Liveness
25% Instrumentalness • 68% Positiveness
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TK & The Holy Know-Nothings
Pickle
122 bpm • E Maj • 02:22 • -7.95db
8% Popularity • 46% Danceability • 50% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
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A Different Thread
Big Crane
122 bpm • E Maj • 03:21 • -7.94db
13% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Katie Mae & the Lubrication
Dandelion
122 bpm • A# Maj • 03:17 • -6.31db
17% Popularity • 45% Danceability • 59% Energy • 10% Liveness
6% Instrumentalness • 18% Positiveness
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Christopher K. Doyle
A Real Thoughtful Man
108 bpm • A Maj • 03:22 • -7.75db
10% Popularity • 51% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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The Dang-It Bobbys
Hey Guess What
108 bpm • C Maj • 02:51 • -9.23db
10% Popularity • 73% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Marc Erickson
Imagine a Happy Ending
122 bpm • F# Maj • 03:48 • -7.3db
28% Popularity • 44% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Dom Beech
Sweet Summer Rain
122 bpm • A Maj • 03:50 • -7.39db
9% Popularity • 57% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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The Lubben Brothers
'Bout Time
108 bpm • D Maj • 03:08 • -16.36db
13% Popularity • 58% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 12% Positiveness
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Luke Richard Powers
Redwood
108 bpm • D Maj • 03:35 • -7.34db
8% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Michael C Parris
No Romeo or Juliet
108 bpm • D Maj • 04:37 • -7.54db
20% Popularity • 68% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jesse Stockton
All the Rest
108 bpm • C Maj • 05:16 • -10.37db
2% Popularity • 71% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Rob Heron & the Tea Pad Orchestra
A Call To Mothers' Arms
123 bpm • D Maj • 03:18 • -7.81db
12% Popularity • 61% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Barnstar!
When My Times Comes
123 bpm • E Maj • 04:53 • -7.02db
9% Popularity • 44% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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No Hope for Humanity