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No One Knows Nothing Anymore
Songs like
No One Knows Nothing Anymore
by
Billy Bragg
Based on a tempo of (+/- 10%) and a similar genre
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Billy Bragg
No One Knows Nothing Anymore
146 bpm • C Maj • 04:31 • -9.33db
14% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Sean Rowe
Jonathan
146 bpm • A min • 04:36 • -6.22db
11% Popularity • 44% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Malcolm Middleton
Blue Plastic Bags
146 bpm • B Maj • 03:24 • -10.33db
20% Popularity • 64% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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The Low Anthem
To Ohio
145 bpm • D Maj • 03:17 • -10db
22% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Gillian Welch
Wrecking Ball
145 bpm • C Maj • 04:56 • -9db
24% Popularity • 47% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Okkervil River
A Girl In Port
147 bpm • E Maj • 06:36 • -7db
24% Popularity • 44% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Willy Mason
The End Of The Race
145 bpm • C# min • 03:27 • -10.5db
13% Popularity • 53% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Golden Smog
Jennifer Save Me
147 bpm • E Maj • 04:48 • -6.88db
14% Popularity • 28% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
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Lambchop
Gone Tomorrow
145 bpm • F# Maj • 06:59 • -12.94db
5% Popularity • 38% Danceability • 45% Energy • 13% Liveness
82% Instrumentalness • 35% Positiveness
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Richmond Fontaine
Post To Wire
145 bpm • F min • 02:13 • -7.88db
23% Popularity • 59% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Phosphorescent
We'll Be Here Soon
148 bpm • F# Maj • 03:17 • -12.26db
21% Popularity • 31% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Steve Mason
A Lot of Love
144 bpm • G Maj • 04:23 • -8.64db
17% Popularity • 40% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Dave Van Ronk
Green Rocky Road
148 bpm • F# Maj • 03:55 • -19.72db
20% Popularity • 51% Danceability • 27% Energy • 54% Liveness
0% Instrumentalness • 36% Positiveness
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Monsters Of Folk
Ahead of The Curve
144 bpm • A Maj • 03:40 • -6.98db
22% Popularity • 51% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Decemberists
Till The Water’s All Long Gone
148 bpm • B min • 05:01 • -9.89db
26% Popularity • 49% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Teddy Thompson
The Future
144 bpm • G min • 06:49 • -5db
27% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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Calexico
Sunken Waltz
148 bpm • C Maj • 02:27 • -9.08db
31% Popularity • 43% Danceability • 61% Energy • 41% Liveness
1% Instrumentalness • 60% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Elvis Costello
Tramp the Dirt Down
144 bpm • G Maj • 05:41 • -10db
26% Popularity • 40% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Willy Mason
What Is This
143 bpm • A min • 02:54 • -6db
27% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Thompson
Sibella
143 bpm • D min • 04:15 • -7.72db
14% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Billy Bragg
She's Got a New Spell
149 bpm • G Maj • 03:25 • -6.34db
28% Popularity • 63% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Calexico
Tapping On The Line
148 bpm • D Maj • 03:28 • -11.33db
3% Popularity • 55% Danceability • 39% Energy • 15% Liveness
2% Instrumentalness • 44% Positiveness
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Uncle Tupelo
Moonshiner
143 bpm • C Maj • 04:23 • -13.75db
37% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Belle and Sebastian
The State I Am in
143 bpm • F# Maj • 04:59 • -7.73db
23% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Kirsty MacColl
Darling, Let's Have Another Baby
143 bpm • D Maj • 03:25 • -8.32db
9% Popularity • 55% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Whiskeytown
Sit & Listen To The Rain
149 bpm • F Maj • 04:05 • -11.6db
30% Popularity • 41% Danceability • 47% Energy • 24% Liveness
1% Instrumentalness • 31% Positiveness
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Billy Bragg
A Change Is Gonna Come
149 bpm • D Maj • 03:58 • -11.16db
8% Popularity • 40% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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John Doe
Pressing On
143 bpm • E Maj • 05:54 • -7.28db
19% Popularity • 40% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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The National
Demons
150 bpm • E min • 03:31 • -6.33db
45% Popularity • 54% Danceability • 77% Energy • 8% Liveness
86% Instrumentalness • 42% Positiveness
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Villagers
The Pact (I'll Be Your Fever)
150 bpm • G Maj • 03:28 • -12db
32% Popularity • 61% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 89% Positiveness
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The Felice Brothers
Days of the Years
142 bpm • A Maj • 03:58 • -10db
31% Popularity • 45% Danceability • 42% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
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Nick Cave & The Bad Seeds
The Ship Song (Single Version) (1998 Rem...
142 bpm • G Maj • 04:43 • -8.31db
21% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Lemonheads
Hey, That's No Way to Say Goodbye
150 bpm • F# min • 03:04 • -14.15db
18% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Bragg
Brickbat
150 bpm • G Maj • 03:14 • -8.72db
13% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Phosphorescent
Tell Me Baby (Have You Had Enough)
150 bpm • D Maj • 04:37 • -12.05db
22% Popularity • 33% Danceability • 34% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Villagers
Becoming A Jackal
150 bpm • C Maj • 03:21 • -10db
36% Popularity • 58% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Caitlin Rose
Shanghai Cigarettes
142 bpm • D# Maj • 03:52 • -5.75db
2% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Roddy Frame
Western Skies
142 bpm • G# min • 03:32 • -7.06db
13% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Teddy Thompson
Everybody Move It
151 bpm • C Maj • 02:55 • -7.13db
25% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Billy Bragg
Upfield
142 bpm • G Maj • 04:06 • -3.78db
16% Popularity • 42% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Richard Thompson
Beeswing
141 bpm • C min • 05:42 • -8.71db
17% Popularity • 43% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Chuck Prophet
Wish Me Luck
141 bpm • A Maj • 03:37 • -2.54db
13% Popularity • 32% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Phosphorescent
A New Anhedonia
141 bpm • E Maj • 04:03 • -9.69db
26% Popularity • 23% Danceability • 28% Energy • 17% Liveness
10% Instrumentalness • 11% Positiveness
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Jim James
Goin' to Acapulco
151 bpm • A Maj • 04:58 • -7db
39% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Lemonheads
I Just Can't Take It Anymore
151 bpm • E Maj • 03:04 • -7.56db
9% Popularity • 51% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Bill Callahan
Lapse
151 bpm • G Maj • 06:29 • -14.84db
13% Popularity • 46% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Okkervil River
Our Life is Not a Movie or Maybe
151 bpm • G Maj • 04:24 • -7.02db
30% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Feelies
Nobody Knows
151 bpm • G Maj • 02:52 • -6.1db
22% Popularity • 48% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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The Felice Brothers
Don't Wake the Scarecrow
141 bpm • D Maj • 04:56 • -10.91db
15% Popularity • 45% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 31% Positiveness
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Cat Power
Stuck Inside of Mobile with the Memphis ...
141 bpm • E Maj • 06:53 • -7db
29% Popularity • 45% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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The Duke & The King
If You Ever Get Famous
152 bpm • D Maj • 03:47 • -14db
14% Popularity • 43% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Jonathan Wilson
Moses Pain
141 bpm • C Maj • 06:38 • -9.73db
15% Popularity • 51% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 44% Positiveness
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Billy Bragg
King Tide and the Sunny Day Flood
152 bpm • A# Maj • 02:59 • -9.67db
8% Popularity • 54% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Sean Rowe
Downwind
152 bpm • C# min • 04:15 • -4.15db
15% Popularity • 42% Danceability • 86% Energy • 23% Liveness
11% Instrumentalness • 50% Positiveness
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Jay Farrar
Old L.A.
152 bpm • E min • 03:03 • -7.72db
4% Popularity • 35% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Yo La Tengo
Fourth Time Around
152 bpm • E Maj • 05:07 • -13.82db
25% Popularity • 45% Danceability • 47% Energy • 42% Liveness
39% Instrumentalness • 22% Positiveness
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Nick Lowe
Stoplight Roses
152 bpm • E Maj • 03:28 • -13.61db
17% Popularity • 43% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Damien Jurado
Throwing Your Voice
140 bpm • C Maj • 03:01 • -9.78db
19% Popularity • 68% Danceability • 36% Energy • 13% Liveness
10% Instrumentalness • 41% Positiveness
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Clem Snide
Moment in the Sun
153 bpm • B Maj • 05:31 • -7.07db
19% Popularity • 30% Danceability • 63% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Sean Rowe
The Walker
139 bpm • E Maj • 04:25 • -14.63db
13% Popularity • 52% Danceability • 28% Energy • 11% Liveness
52% Instrumentalness • 28% Positiveness
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The Decemberists
Mistral
139 bpm • E min • 03:54 • -5.18db
25% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Ottewell
Shapes and Shadows
139 bpm • G Maj • 03:45 • -8.04db
7% Popularity • 59% Danceability • 65% Energy • 14% Liveness
3% Instrumentalness • 64% Positiveness
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Phosphorescent
It's Hard To Be Humble (When You're From...
139 bpm • C Maj • 04:28 • -9.27db
17% Popularity • 47% Danceability • 68% Energy • 11% Liveness
44% Instrumentalness • 82% Positiveness
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Damien Jurado
Letters & Drawings
139 bpm • A Maj • 05:25 • -9.77db
17% Popularity • 60% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Billy Bragg
The L&N Don't Stop Here Anymore
154 bpm • F Maj • 04:29 • -10.45db
18% Popularity • 45% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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The Low Anthem
The Ballad of the Broken Bones
139 bpm • F Maj • 03:58 • -11db
20% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jakob Dylan
Will It Grow
138 bpm • C# min • 04:49 • -10.82db
26% Popularity • 70% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Richard Thompson
Beeswing
138 bpm • F Maj • 05:33 • -14.48db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Decemberists
Calamity Song
154 bpm • D Maj • 03:48 • -3.95db
44% Popularity • 48% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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The National
Think You Can Wait
154 bpm • G# min • 04:37 • -12.4db
36% Popularity • 45% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Beck
True Love Will Find You in the End
138 bpm • G Maj • 03:23 • -10db
35% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ryan Adams & The Cardinals
Let It Ride
154 bpm • D min • 03:23 • -4.92db
46% Popularity • 43% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Dexys
Free
138 bpm • G# Maj • 03:40 • -9.22db
11% Popularity • 78% Danceability • 79% Energy • 17% Liveness
7% Instrumentalness • 89% Positiveness
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Billy Bragg
Tank Park Salute
138 bpm • G Maj • 03:30 • -11.56db
25% Popularity • 58% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Josh Rouse
Slaveship
138 bpm • G Maj • 03:10 • -9db
20% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Monsters Of Folk
Whole Lotta Losin'
155 bpm • E Maj • 02:45 • -5.24db
16% Popularity • 52% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Mason Jennings
The Lonesome Death of Hattie Carroll
155 bpm • B Maj • 05:13 • -12.47db
19% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Delines
State Line
137 bpm • C# min • 03:25 • -9.65db
2% Popularity • 50% Danceability • 35% Energy • 9% Liveness
46% Instrumentalness • 24% Positiveness
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Richard Thompson
Saving the Good Stuff for You
156 bpm • D Maj • 03:54 • -8.14db
25% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Martha Wainwright
Tower Of Song
137 bpm • A Maj • 03:44 • -9db
33% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
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Loudon Wainwright III
Missing You
156 bpm • E Maj • 03:29 • -8.44db
9% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Nick Cave & The Bad Seeds
Babe, You Turn Me On
137 bpm • C Maj • 04:21 • -11.62db
34% Popularity • 60% Danceability • 40% Energy • 12% Liveness
16% Instrumentalness • 31% Positiveness
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Hiss Golden Messenger
Jesus Shot Me in the Head
136 bpm • B Maj • 05:07 • -9.81db
11% Popularity • 54% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Damien Jurado
Metallic Cloud
136 bpm • F# Maj • 03:25 • -7db
27% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Evan Dando
All My Life
135 bpm • C min • 03:11 • -14db
24% Popularity • 45% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Bragg
Levi Stubbs' Tears
135 bpm • B min • 03:31 • -6db
40% Popularity • 44% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Okkervil River
It Was My Season
135 bpm • B Maj • 04:26 • -7.26db
13% Popularity • 64% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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World Party
Sweet Soul Dream
135 bpm • A Maj • 04:39 • -8.3db
35% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Conor Oberst
Sausalito
158 bpm • E min • 03:10 • -7.05db
36% Popularity • 55% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Mark Kozelek
Livingstone Bramble
135 bpm • D Maj • 05:00 • -7.96db
13% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Adams & The Cardinals
Beautiful Sorta
135 bpm • A Maj • 03:00 • -4.05db
24% Popularity • 25% Danceability • 78% Energy • 29% Liveness
2% Instrumentalness • 67% Positiveness
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Billy Bragg
Greetings to the New Brunette
135 bpm • G# Maj • 03:31 • -4.31db
34% Popularity • 58% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Felice Brothers
Copperstown
134 bpm • D Maj • 06:13 • -13.04db
1% Popularity • 50% Danceability • 30% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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Phosphorescent
Too Sick To Pray
159 bpm • C# Maj • 02:37 • -11.71db
24% Popularity • 41% Danceability • 27% Energy • 9% Liveness
1% Instrumentalness • 58% Positiveness
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Howe Gelb
Running Behind
134 bpm • G Maj • 02:24 • -17.11db
22% Popularity • 70% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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Calexico
Fortune Teller
134 bpm • E Maj • 03:57 • -12.72db
13% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Richard Hawley
The Sea Calls
160 bpm • C Maj • 05:54 • -14.24db
21% Popularity • 36% Danceability • 40% Energy • 9% Liveness
48% Instrumentalness • 33% Positiveness
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Billy Bragg
The Boy Done Good
134 bpm • F# min • 03:21 • -6.33db
18% Popularity • 64% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Felice Brothers
Wonderful Life
134 bpm • C Maj • 04:02 • -11.29db
27% Popularity • 53% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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No One Knows Nothing Anymore