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No One's Gonna Love You
Songs like
No One's Gonna Love You
by
Band of Horses
Based on a tempo of (+/- 10%) and a similar genre
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Band of Horses
No One's Gonna Love You
149 bpm • C# Maj • 03:37 • -3.58db
64% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Shins
So Says I - 2023 Remaster
148 bpm • G Maj • 02:48 • -3.61db
51% Popularity • 49% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Pete Yorn
On Your Side
150 bpm • G Maj • 05:02 • -7.93db
31% Popularity • 46% Danceability • 82% Energy • 20% Liveness
88% Instrumentalness • 80% Positiveness
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Frightened Rabbit
The Woodpile
150 bpm • D Maj • 03:27 • -4.62db
46% Popularity • 35% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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The National
Slow Show
150 bpm • E Maj • 04:08 • -8.39db
52% Popularity • 57% Danceability • 70% Energy • 15% Liveness
86% Instrumentalness • 51% Positiveness
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Damien Rice
Cannonball
148 bpm • C# Maj • 05:10 • -15.32db
58% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Real Estate
Talking Backwards
151 bpm • F Maj • 03:07 • -6.04db
50% Popularity • 41% Danceability • 88% Energy • 17% Liveness
82% Instrumentalness • 56% Positiveness
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The Shins
It's Only Life
148 bpm • C Maj • 04:01 • -6.61db
45% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Sea Wolf
Old Friend
147 bpm • G Maj • 03:57 • -8db
38% Popularity • 66% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Blind Pilot
Half Moon
151 bpm • G min • 03:28 • -9db
55% Popularity • 54% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Phoenix
Lasso
151 bpm • B Maj • 02:47 • -7.27db
61% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Band of Horses
Knock Knock
147 bpm • C# Maj • 03:58 • -10.32db
29% Popularity • 41% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Death Cab for Cutie
Tiny Vessels
147 bpm • F# min • 04:21 • -8.55db
48% Popularity • 57% Danceability • 65% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Augustana
Boston
147 bpm • C Maj • 04:05 • -5.07db
60% Popularity • 40% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Real Estate
It's Real
152 bpm • D Maj • 02:48 • -5.44db
52% Popularity • 42% Danceability • 86% Energy • 12% Liveness
10% Instrumentalness • 72% Positiveness
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Gregory Alan Isakov
Amsterdam
152 bpm • D# Maj • 03:18 • -12.51db
73% Popularity • 55% Danceability • 43% Energy • 12% Liveness
14% Instrumentalness • 53% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Airborne Toxic Event
Wishing Well
153 bpm • E Maj • 03:57 • -5db
38% Popularity • 39% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Spoon
The Underdog
145 bpm • G Maj • 03:42 • -6.48db
39% Popularity • 68% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 90% Positiveness
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Frightened Rabbit
Good Arms vs Bad Arms
153 bpm • A# Maj • 05:08 • -5.86db
16% Popularity • 36% Danceability • 80% Energy • 28% Liveness
1% Instrumentalness • 20% Positiveness
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Radical Face
Welcome Home, Son
145 bpm • F# Maj • 04:47 • -10.76db
71% Popularity • 59% Danceability • 50% Energy • 14% Liveness
78% Instrumentalness • 40% Positiveness
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Bright Eyes
We Are Nowhere and It's Now
145 bpm • A Maj • 04:12 • -8.27db
47% Popularity • 43% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Band of Horses
Infinite Arms
146 bpm • A min • 04:08 • -8db
37% Popularity • 40% Danceability • 56% Energy • 42% Liveness
1% Instrumentalness • 15% Positiveness
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Andrew Bird
Fake Palindromes
144 bpm • D Maj • 02:52 • -6db
56% Popularity • 46% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Damien Rice
Volcano
154 bpm • C Maj • 04:38 • -12.93db
50% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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The Postal Service
The District Sleeps Alone Tonight - Rema...
154 bpm • C Maj • 04:43 • -7.22db
56% Popularity • 63% Danceability • 75% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Phoenix
1901
144 bpm • C Maj • 03:13 • -5.65db
74% Popularity • 59% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Broken Bells
October
144 bpm • F# min • 03:38 • -5.09db
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Band of Horses
Ode To LRC
145 bpm • F Maj • 04:16 • -4.86db
39% Popularity • 29% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
32% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Blind Pilot
Oviedo
144 bpm • F Maj • 03:52 • -13.03db
46% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Death Cab for Cutie
The Ghosts of Beverly Drive
155 bpm • D Maj • 04:03 • -6.56db
52% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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The War On Drugs
Burning
155 bpm • A Maj • 05:48 • -8db
49% Popularity • 39% Danceability • 86% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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Alexi Murdoch
Song For You
155 bpm • E Maj • 04:17 • -25.11db
52% Popularity • 50% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Band of Horses
Marry Song
143 bpm • G# Maj • 03:23 • -7.67db
34% Popularity • 49% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Iron & Wine
Flightless Bird, American Mouth
155 bpm • D# Maj • 04:01 • -8db
70% Popularity • 37% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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The Postal Service
We Will Become Silhouettes - Remastered
155 bpm • D Maj • 05:00 • -8.42db
50% Popularity • 61% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 16% Positiveness
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The Decemberists
Don't Carry It All
143 bpm • G Maj • 04:16 • -4.33db
51% Popularity • 49% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
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Cold War Kids
Miracle Mile
143 bpm • D Maj • 03:00 • -3.14db
61% Popularity • 36% Danceability • 87% Energy • 32% Liveness
55% Instrumentalness • 30% Positiveness
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Sufjan Stevens
For the Widows in Paradise, For the Fath...
142 bpm • D# Maj • 03:57 • -13.92db
47% Popularity • 50% Danceability • 30% Energy • 36% Liveness
23% Instrumentalness • 61% Positiveness
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The Lumineers
Slow It Down
142 bpm • C# Maj • 05:07 • -14.42db
55% Popularity • 43% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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The Flaming Lips
Yoshimi Battles the Pink Robots, Pt. 1
156 bpm • C Maj • 04:47 • -7.92db
56% Popularity • 56% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Band of Horses
No One's Gonna Love You (Stockholm Versi...
142 bpm • C# Maj • 03:48 • -8.56db
47% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Coldplay
Swallowed in the Sea
142 bpm • B Maj • 03:59 • -10.82db
53% Popularity • 26% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Benjamin Francis Leftwich
Pictures
141 bpm • C# Maj • 02:57 • -10.23db
46% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sufjan Stevens
To Be Alone With You
142 bpm • C min • 02:48 • -18db
62% Popularity • 52% Danceability • 16% Energy • 12% Liveness
75% Instrumentalness • 36% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Radical Face
Wrapped In Piano Strings
141 bpm • A# Maj • 03:37 • -10.83db
44% Popularity • 39% Danceability • 44% Energy • 11% Liveness
20% Instrumentalness • 40% Positiveness
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The Shins
Kissing the Lipless - 2023 Remaster
141 bpm • F# Maj • 03:18 • -6.62db
46% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Coldplay
Warning Sign
141 bpm • D# Maj • 05:31 • -9.42db
60% Popularity • 53% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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The Walkmen
Heaven
158 bpm • A Maj • 04:22 • -6.25db
46% Popularity • 37% Danceability • 90% Energy • 12% Liveness
19% Instrumentalness • 54% Positiveness
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Band of Horses
In A Drawer
140 bpm • F# Maj • 03:58 • -6.82db
42% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Sigur Rós
HoppÃpolla
140 bpm • B Maj • 04:28 • -9.88db
55% Popularity • 31% Danceability • 54% Energy • 13% Liveness
22% Instrumentalness • 18% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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Future Islands
Seasons (Waiting on You)
140 bpm • A# Maj • 03:46 • -5.23db
64% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
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Volcano Choir
Byegone
140 bpm • C Maj • 04:22 • -10db
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Atlas Genius
Trojans
140 bpm • G Maj • 03:37 • -4.84db
58% Popularity • 72% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Band of Horses
NW Apt.
140 bpm • F# Maj • 03:01 • -4.1db
27% Popularity • 43% Danceability • 95% Energy • 10% Liveness
21% Instrumentalness • 20% Positiveness
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Sufjan Stevens
The Only Thing
159 bpm • D# Maj • 04:44 • -19.59db
61% Popularity • 51% Danceability • 15% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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The Avett Brothers
I And Love And You
140 bpm • D Maj • 05:00 • -9.98db
59% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Grizzly Bear
Two Weeks
160 bpm • F Maj • 04:06 • -6db
71% Popularity • 53% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Rilo Kiley
Portions for Foxes
139 bpm • D Maj • 04:44 • -3.64db
50% Popularity • 47% Danceability • 81% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Coldplay
A Rush of Blood to the Head
138 bpm • F Maj • 05:51 • -8.02db
57% Popularity • 52% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 12% Positiveness
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Guster
Amsterdam
161 bpm • C Maj • 03:37 • -7db
46% Popularity • 46% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Peter Bjorn and John
Young Folks
138 bpm • C Maj • 04:36 • -6.01db
77% Popularity • 70% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Bear's Den
Agape
138 bpm • E Maj • 04:28 • -6db
43% Popularity • 62% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gregory Alan Isakov
The Stable Song
138 bpm • D Maj • 06:00 • -11.95db
65% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Band of Horses
Blue Beard
138 bpm • D Maj • 03:22 • -8.23db
34% Popularity • 43% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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The War On Drugs
Red Eyes
162 bpm • A# Maj • 04:58 • -6.37db
66% Popularity • 46% Danceability • 81% Energy • 16% Liveness
20% Instrumentalness • 47% Positiveness
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Mumford & Sons
Tompkins Square Park
162 bpm • D min • 05:12 • -7db
37% Popularity • 46% Danceability • 79% Energy • 11% Liveness
3% Instrumentalness • 47% Positiveness
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Future Islands
A Dream of You and Me
137 bpm • A# Maj • 03:59 • -4.12db
56% Popularity • 69% Danceability • 94% Energy • 10% Liveness
5% Instrumentalness • 82% Positiveness
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Rogue Wave
Chicago x 12
137 bpm • F Maj • 05:39 • -5.78db
8% Popularity • 45% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Jimmy Eat World
Hear You Me
136 bpm • E Maj • 04:44 • -6.19db
62% Popularity • 46% Danceability • 52% Energy • 21% Liveness
4% Instrumentalness • 14% Positiveness
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The Head And The Heart
Rivers and Roads
136 bpm • C Maj • 04:44 • -10db
68% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Phoenix
Girlfriend
136 bpm • B Maj • 03:24 • -8.25db
50% Popularity • 70% Danceability • 66% Energy • 9% Liveness
3% Instrumentalness • 52% Positiveness
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Modest Mouse
Dashboard
136 bpm • B min • 04:06 • -5.01db
62% Popularity • 64% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Band of Horses
No One's Gonna Love You - Live Acoustic
136 bpm • C# Maj • 03:55 • -14.06db
31% Popularity • 53% Danceability • 16% Energy • 69% Liveness
0% Instrumentalness • 28% Positiveness
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Death Cab for Cutie
A Lack of Color
136 bpm • D# Maj • 03:35 • -13db
55% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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The New Basement Tapes
Kansas City
164 bpm • C Maj • 04:04 • -8.15db
60% Popularity • 54% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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The Decemberists
O Valencia!
135 bpm • C Maj • 03:47 • -8db
46% Popularity • 53% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Elliott Smith
Between The Bars
135 bpm • G min • 02:21 • -23.63db
67% Popularity • 52% Danceability • 7% Energy • 11% Liveness
76% Instrumentalness • 34% Positiveness
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Band of Horses
No One's Gonna Love You - Live from Spot...
136 bpm • C# Maj • 03:59 • -11db
41% Popularity • 55% Danceability • 19% Energy • 71% Liveness
0% Instrumentalness • 19% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Airborne Toxic Event
Half Of Something Else
135 bpm • A Maj • 04:38 • -5.42db
31% Popularity • 37% Danceability • 64% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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The Postal Service
Nothing Better
135 bpm • D Maj • 03:46 • -7.39db
53% Popularity • 70% Danceability • 67% Energy • 10% Liveness
5% Instrumentalness • 70% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
54% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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The Shins
We Will Become Silhouettes - Remastered
135 bpm • A Maj • 03:01 • -5db
53% Popularity • 74% Danceability • 80% Energy • 15% Liveness
10% Instrumentalness • 93% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Boxer Rebellion
If You Run
135 bpm • C Maj • 04:49 • -9.9db
33% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Manchester Orchestra
I've Got Friends
165 bpm • F# Maj • 04:57 • -5.43db
44% Popularity • 40% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Frightened Rabbit
Keep Yourself Warm
165 bpm • G Maj • 05:35 • -5db
23% Popularity • 18% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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The Airborne Toxic Event
All I Ever Wanted
165 bpm • C Maj • 04:17 • -3.89db
42% Popularity • 35% Danceability • 84% Energy • 19% Liveness
2% Instrumentalness • 24% Positiveness
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The War On Drugs
Under The Pressure
134 bpm • F# Maj • 08:52 • -6.55db
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
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The National
I Should Live in Salt
134 bpm • F Maj • 04:08 • -7.1db
54% Popularity • 52% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Death Cab for Cutie
Cath...
166 bpm • A Maj • 03:49 • -7db
51% Popularity • 38% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Manchester Orchestra
The Alien
165 bpm • F# Maj • 05:28 • -12.92db
46% Popularity • 46% Danceability • 33% Energy • 11% Liveness
25% Instrumentalness • 33% Positiveness
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Sufjan Stevens
Casimir Pulaski Day
134 bpm • G# Maj • 05:53 • -14.98db
55% Popularity • 68% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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No One's Gonna Love You