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No Sky
Songs like
No Sky
by
Angela Mocanu
Based on a tempo of (+/- 10%) and a similar genre
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Hannah Spearritt
That's Why They Call Him Daddy
78 bpm • D Maj • 03:23 • -11.51db
10% Popularity • 68% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Mizz Fish
It Starts With Sorry
78 bpm • F Maj • 01:29 • -11.84db
9% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Bethany Joy Lenz
Where Are You Goin'?
78 bpm • C# Maj • 04:55 • -13.32db
16% Popularity • 46% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Timothy Gulan
Emma
78 bpm • G# Maj • 03:32 • -14.09db
8% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Charles Keating
Going Up
78 bpm • D Maj • 04:57 • -11.41db
10% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Angela Mocanu
No Sky
78 bpm • A# Maj • 02:41 • -10.56db
8% Popularity • 63% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Williams
Romeo Midnight
78 bpm • C# Maj • 01:35 • -13.95db
14% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Lynne Shankel
I Will Make Thunder
78 bpm • D Maj • 04:06 • -6.64db
11% Popularity • 38% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Borle
When The Earth Stopped Turning
79 bpm • E Maj • 04:00 • -15.92db
12% Popularity • 48% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Isabella Lundgren
Where am I Goin
77 bpm • C Maj • 04:55 • -10.27db
13% Popularity • 28% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Roger Rees
Man In the Mirror
79 bpm • A# min • 03:24 • -20.64db
10% Popularity • 34% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Kim Huber
Little Women
79 bpm • E Maj • 04:35 • -12.88db
27% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Williams
"Aaay"Mless
78 bpm • D min • 02:57 • -7.12db
9% Popularity • 66% Danceability • 56% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Angela Mocanu
My Shadow
79 bpm • C Maj • 02:02 • -13db
9% Popularity • 41% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Nancy Kahelski
Shake It Off
79 bpm • D Maj • 03:04 • -10.06db
8% Popularity • 40% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lee Lessack
Open Arms
79 bpm • C Maj • 04:57 • -12.22db
11% Popularity • 20% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sight & Sound Theatres
Arise and Go
79 bpm • C min • 03:15 • -5.69db
7% Popularity • 36% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Rob Gardner
Miracles
79 bpm • F# min • 05:54 • -18.39db
12% Popularity • 30% Danceability • 11% Energy • 63% Liveness
0% Instrumentalness • 11% Positiveness
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Paul Williams
What I Dreamed Last Night
79 bpm • A Maj • 03:26 • -14.84db
8% Popularity • 47% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Angela Mocanu
One I Love
79 bpm • A# Maj • 02:36 • -10.75db
9% Popularity • 55% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Andrew Lloyd Webber
Montage - New Broadway Cast Recording 20...
77 bpm • D# min • 02:15 • -8.25db
8% Popularity • 33% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Soara-Joye Ross
Finally
77 bpm • D Maj • 04:38 • -4.33db
9% Popularity • 42% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Bonnie Milligan
I Will Make Thunder
77 bpm • D Maj • 04:06 • -6.23db
13% Popularity • 41% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 21% Positiveness
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CREZL
Fall On Me
79 bpm • F# Maj • 04:16 • -7.83db
20% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Marian Santiago
Song of John (Prayers Wrapped in Songs)
80 bpm • D Maj • 02:52 • -8.42db
8% Popularity • 35% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Mark Hadfield
Edgar Allen Poe
76 bpm • A# min • 02:49 • -11.32db
11% Popularity • 72% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Harry Groener
By Candlelight
80 bpm • A# Maj • 02:48 • -9.38db
12% Popularity • 57% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Sashika Dias
Paradise
76 bpm • B min • 02:37 • -10.23db
8% Popularity • 36% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 48% Positiveness
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Kyle Mcarthur
The Man in 4-B
80 bpm • E Maj • 03:16 • -10.29db
9% Popularity • 40% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Joshua Dowen
Do It for Our Country
80 bpm • A# Maj • 02:45 • -5.73db
8% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Gruber
Lullaby of Broadway
80 bpm • C Maj • 04:44 • -7.85db
9% Popularity • 32% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
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Nadim Naaman
Goodbye / Boom Boom
80 bpm • E Maj • 07:14 • -8.36db
8% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Pippa Cleary
Pieces of My Heart
80 bpm • D# Maj • 02:49 • -14.59db
8% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Alison Fraser
Picture Postcard Place (Reprise)
76 bpm • F Maj • 01:11 • -17.03db
12% Popularity • 74% Danceability • 13% Energy • 43% Liveness
0% Instrumentalness • 44% Positiveness
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BenjamÃn Ayub Soto
Phantoms
76 bpm • F min • 02:31 • -17.14db
9% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Mo Willems
We Are in a Play
76 bpm • G# Maj • 04:47 • -7.04db
12% Popularity • 60% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Cathy Rigby
I Gotta Crow
76 bpm • G# Maj • 02:20 • -16.81db
13% Popularity • 40% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Lynn Ahrens
Knoxville
81 bpm • C Maj • 04:51 • -11.15db
11% Popularity • 29% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Courtney Monsma
I Can't Lose You
81 bpm • G Maj • 03:06 • -8.37db
9% Popularity • 34% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jenna Lea Rosen
Fly Away
76 bpm • A# Maj • 03:26 • -11.79db
15% Popularity • 27% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Joey Niceforo
As I Love You
75 bpm • C# Maj • 03:40 • -10.18db
8% Popularity • 26% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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J. Elaine Marcos
Honestly
81 bpm • G Maj • 03:43 • -5.42db
9% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Lloyd Webber
With One Look
81 bpm • A Maj • 03:17 • -14.4db
10% Popularity • 22% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Lynn Ahrens
The Ferryman
81 bpm • E min • 01:10 • -13.35db
11% Popularity • 41% Danceability • 31% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Two Little Fish
I Chose You
75 bpm • A min • 04:41 • -9.13db
30% Popularity • 20% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Cast of Most Peculiar Dreams
Providence and Destiny
75 bpm • D# Maj • 04:47 • -17.68db
25% Popularity • 33% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 10% Positiveness
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Original Cast of Hope Despair Musical
Turn It Around
75 bpm • F# Maj • 05:42 • -10.77db
8% Popularity • 53% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Pulp Musicals
Gunpowder and Rum, Part 3
75 bpm • F min • 03:55 • -8.08db
10% Popularity • 38% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Isabella Lundgren
It's Not Where You Start it's Where You ...
81 bpm • A# min • 03:55 • -9.2db
11% Popularity • 49% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Chace Curtis
Purple Pillow
75 bpm • D Maj • 02:56 • -23.31db
8% Popularity • 44% Danceability • 1% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Eden Espinosa
Malagueña
82 bpm • E min • 04:10 • -9.26db
10% Popularity • 47% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Ethan Slater
Aren't We? / Another Start
75 bpm • D# Maj • 03:15 • -8.47db
7% Popularity • 42% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Micah Sandt
Hello, Mr Gable (Reprise)
75 bpm • D Maj • 02:10 • -13.61db
10% Popularity • 51% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Jenna Lea Rosen
When Nighttime Falls
82 bpm • F Maj • 04:51 • -13.74db
28% Popularity • 27% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rob Houchen
Comic Book Kind of Love - Live at Cadoga...
74 bpm • F Maj • 02:21 • -11.6db
10% Popularity • 42% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Gregg Edelman
My Time of Day / I've Never Been In Love...
82 bpm • G min • 04:06 • -17.68db
8% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Kathy Troccoli
Romancing My Soul
74 bpm • A Maj • 03:11 • -12.85db
13% Popularity • 23% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 1, Oh, What a Beau...
82 bpm • E Maj • 03:19 • -21db
12% Popularity • 24% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Isabella Lundgren
A Fine Romance
82 bpm • C Maj • 04:16 • -10.37db
22% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Elena Tal
Ana Bechoach
82 bpm • D# min • 05:11 • -8.96db
20% Popularity • 34% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Caroline Kava
For That's My Way
82 bpm • G min • 01:28 • -16.57db
10% Popularity • 62% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Roger Rees
Art
82 bpm • D Maj • 05:11 • -12.07db
10% Popularity • 54% Danceability • 28% Energy • 45% Liveness
0% Instrumentalness • 55% Positiveness
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Seahorse Trash
Too Close
74 bpm • A min • 03:19 • -19.98db
9% Popularity • 31% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ellie Fishman
Making History
83 bpm • G Maj • 04:16 • -5.1db
12% Popularity • 46% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Susan Egan
Tell Him Anything
83 bpm • D min • 04:09 • -9.06db
11% Popularity • 25% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Mary Testa
Rita's Confession
73 bpm • G Maj • 03:41 • -8.9db
14% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Maryann Plunkett
I Know
73 bpm • G Maj • 02:53 • -15.09db
30% Popularity • 40% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Gladys Rich
American Lullaby
83 bpm • G Maj • 02:20 • -18.08db
11% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Nicky Croydon
Poor Sweet Baby
83 bpm • F min • 03:19 • -20.51db
8% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Remi Lemarchand
Send in the Clowns
83 bpm • B Maj • 02:13 • -16.97db
8% Popularity • 21% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Ashleigh Gray
Girl for All Seasons
83 bpm • C Maj • 02:42 • -4.66db
8% Popularity • 36% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Malcolm Gets
Speaking French
83 bpm • C min • 04:19 • -11.01db
11% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Barbra Streisand
Where Is It Written? - Demo
84 bpm • G# Maj • 05:16 • -13.06db
13% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Williams
The Thing About Girls
84 bpm • C# Maj • 01:08 • -14.08db
10% Popularity • 70% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 44% Positiveness
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Claire Layden
Destiny
73 bpm • F# Maj • 02:46 • -12.55db
9% Popularity • 36% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Marc Kudisch
I Was Here
84 bpm • D Maj • 03:10 • -11.83db
8% Popularity • 32% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Micah Sandt
White Cliffs of Dover (Reprise)
73 bpm • D# Maj • 02:33 • -19.14db
11% Popularity • 54% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Leigh Barrett
Will The Sun Ever Shine Again
84 bpm • C Maj • 02:49 • -11.88db
9% Popularity • 36% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Carly Waddell
Count Your Blessings Instead of Sheep
72 bpm • C# min • 01:38 • -18db
8% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 11, It's a Scandal...
72 bpm • G Maj • 03:25 • -13.81db
8% Popularity • 48% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Malcolm Gets
Mr. Witherspoon's Friday Night
84 bpm • D min • 04:30 • -12.34db
11% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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John Cardoza
Dance With Me
84 bpm • D Maj • 01:19 • -13.29db
34% Popularity • 54% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Joey Madison
Return The Favor
72 bpm • F# Maj • 04:26 • -6.37db
10% Popularity • 76% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Christian Borle
My Dogs
85 bpm • E Maj • 04:51 • -9.52db
10% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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GENTRI
Defying Gravity
72 bpm • F Maj • 04:22 • -9.63db
25% Popularity • 32% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Liz Callaway
What Could Be Better?
85 bpm • C Maj • 03:52 • -15.21db
9% Popularity • 56% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Denée Benton
What'd You Do This Time?
85 bpm • A Maj • 02:31 • -7.89db
9% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jordan Tyson
Sadness and Joy
85 bpm • A Maj • 02:24 • -12.5db
35% Popularity • 37% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Janet Metz
Nice
85 bpm • A# Maj • 03:41 • -16.94db
9% Popularity • 39% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Isaac Joshua Brown
When You Wake Up
85 bpm • G# Maj • 02:14 • -9.29db
12% Popularity • 33% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Lynn Ahrens
The Butterfly
85 bpm • C Maj • 02:30 • -12.73db
11% Popularity • 23% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Beat by Beat Press
Old Stuff
85 bpm • A Maj • 04:05 • -15.77db
7% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Liz Callaway
We Start Today
85 bpm • G Maj • 03:40 • -13.12db
8% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kristen Anderson-Lopez
Let It Go
71 bpm • G Maj • 03:28 • -9.63db
8% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Pulp Musicals
President Chester Thomas
86 bpm • G Maj • 02:59 • -7.66db
9% Popularity • 48% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
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Cathy Rigby
Distant Melody
71 bpm • E Maj • 03:01 • -24.83db
11% Popularity • 26% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Liv Andrusier
The Charmed Existence of Fred Rose
86 bpm • C# Maj • 03:01 • -9.15db
16% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Traditional
Sometimes I Feel Like a Motherless Child...
86 bpm • F min • 02:39 • -16.32db
19% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Lloyd Webber
As If We Never Said Goodbye
86 bpm • E Maj • 06:12 • -16.01db
11% Popularity • 30% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
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Cass Morgan
How Far Can You See?
87 bpm • F Maj • 06:22 • -12.02db
11% Popularity • 50% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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No Sky