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no telling what could might have happened
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no telling what could might have happened
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Don't Ask What Kind of Music
Based on a tempo of (+/- 10%) and a similar genre
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WHY?
Good Friday - Boards of Canada Remix
74 bpm • D Maj • 06:11 • -10.1db
23% Popularity • 34% Danceability • 94% Energy • 32% Liveness
47% Instrumentalness • 37% Positiveness
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IamSaiya
Time Will Heal Everything
74 bpm • D min • 01:12 • -24.62db
13% Popularity • 46% Danceability • 14% Energy • 10% Liveness
6% Instrumentalness • 27% Positiveness
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Don't Ask What Kind of Music
no telling what could might have happene...
74 bpm • A min • 01:59 • -10.1db
0% Popularity • 69% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cola
Landers
75 bpm • F# Maj • 04:18 • -13.54db
23% Popularity • 50% Danceability • 33% Energy • 12% Liveness
32% Instrumentalness • 13% Positiveness
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Bastien Keb
In The Woods
75 bpm • G min • 03:44 • -10.11db
8% Popularity • 35% Danceability • 44% Energy • 13% Liveness
40% Instrumentalness • 34% Positiveness
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Kuku Popo
Peido
73 bpm • B Maj • 01:03 • -14.15db
10% Popularity • 56% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Domani
Voice Memos
75 bpm • G# Maj • 01:20 • -10.16db
15% Popularity • 38% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Dawuna
Heaven
76 bpm • F# min • 05:40 • -14.21db
20% Popularity • 38% Danceability • 37% Energy • 9% Liveness
48% Instrumentalness • 39% Positiveness
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Don't Ask What Kind of Music
I'll Some 1
76 bpm • B Maj • 02:29 • -14.64db
0% Popularity • 48% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Shakey Graves
Ready or Not (Demo)
76 bpm • A# Maj • 02:38 • -15.8db
21% Popularity • 48% Danceability • 34% Energy • 20% Liveness
69% Instrumentalness • 40% Positiveness
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Beach Fossils
Rise
72 bpm • F Maj • 01:41 • -11db
32% Popularity • 46% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 60% Positiveness
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Rostam
Wood
71 bpm • B Maj • 05:42 • -9.02db
34% Popularity • 41% Danceability • 55% Energy • 8% Liveness
8% Instrumentalness • 66% Positiveness
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Filah Lah Lah
818
77 bpm • C Maj • 03:48 • -16.31db
21% Popularity • 42% Danceability • 39% Energy • 22% Liveness
21% Instrumentalness • 23% Positiveness
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Räjäyttäjät
Krapularobotti
77 bpm • B Maj • 04:40 • -12.45db
11% Popularity • 34% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Don't Ask What Kind of Music
Noise 1
72 bpm • F Maj • 02:32 • -16.45db
0% Popularity • 12% Danceability • 25% Energy • 26% Liveness
83% Instrumentalness • 4% Positiveness
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John Martyn
Glorious Fool
77 bpm • D Maj • 05:00 • -23.7db
9% Popularity • 59% Danceability • 19% Energy • 10% Liveness
44% Instrumentalness • 53% Positiveness
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Austin Williams
Do you
78 bpm • F# Maj • 03:41 • -19.34db
6% Popularity • 37% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 35% Positiveness
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Worldcorp Enterprises
business as usual (Intro)
70 bpm • F Maj • 01:03 • -20.38db
10% Popularity • 33% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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Kaho Matsui
dog whistle
78 bpm • D Maj • 05:01 • -9.56db
9% Popularity • 46% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Al'Tarba
Tarikh
78 bpm • B min • 04:57 • -6.92db
13% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Escalrose
Forever Love
78 bpm • C# min • 02:16 • -9.69db
13% Popularity • 42% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Rooster
Guts Theme
70 bpm • C# min • 02:10 • -4.48db
33% Popularity • 62% Danceability • 68% Energy • 57% Liveness
0% Instrumentalness • 12% Positiveness
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Jonwayne
After The Calm
78 bpm • A# min • 04:36 • -12.05db
14% Popularity • 41% Danceability • 49% Energy • 32% Liveness
6% Instrumentalness • 21% Positiveness
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Kaz Moon
What It's Like to Lose
79 bpm • B min • 02:26 • -14.12db
21% Popularity • 39% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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akil berani
a size bigger
79 bpm • F Maj • 02:08 • -15db
8% Popularity • 69% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Adult Jazz
No Sentry
69 bpm • F Maj • 05:16 • -6.64db
17% Popularity • 38% Danceability • 24% Energy • 11% Liveness
48% Instrumentalness • 7% Positiveness
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Lucrecia Dalt
No era sólida
69 bpm • F# Maj • 09:52 • -20.97db
9% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Heiswilling
We Can Have Peace
79 bpm • F min • 01:47 • -12.67db
11% Popularity • 38% Danceability • 46% Energy • 11% Liveness
57% Instrumentalness • 42% Positiveness
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Woodrow Charley
Broken Heart
80 bpm • A# Maj • 02:19 • -9.25db
18% Popularity • 58% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 21% Positiveness
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GRiZ
Know Time Like The Present
80 bpm • F# min • 02:36 • -9.66db
35% Popularity • 17% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Foreign Air
Grin Twin
69 bpm • C# Maj • 01:27 • -10.08db
26% Popularity • 34% Danceability • 50% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
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Black Box Recorder
Child Psychology - 2023 Remaster
80 bpm • D Maj • 04:07 • -10.35db
24% Popularity • 34% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
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Lolina
Night Flight
80 bpm • D# Maj • 03:29 • -11.51db
22% Popularity • 78% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Winter Aid
Within
80 bpm • F# min • 05:02 • -9.84db
17% Popularity • 51% Danceability • 46% Energy • 9% Liveness
64% Instrumentalness • 15% Positiveness
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BenB
Heads or Tails
80 bpm • C Maj • 02:02 • -10.97db
15% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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phem
suxker punch
80 bpm • F# Maj • 01:41 • -10.85db
17% Popularity • 64% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Kelpe
Arrival In Magic Hour - Vocal Mix
80 bpm • B Maj • 03:12 • -17.69db
11% Popularity • 56% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 67% Positiveness
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Kyp Malone
Drugs
68 bpm • G# min • 04:53 • -14.18db
1% Popularity • 16% Danceability • 37% Energy • 16% Liveness
76% Instrumentalness • 8% Positiveness
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Closed on Sunday
ben's death and tie fighter attack ~ sta...
80 bpm • E Maj • 01:19 • -9.38db
38% Popularity • 49% Danceability • 34% Energy • 14% Liveness
46% Instrumentalness • 6% Positiveness
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Gary Wilson
Gary Saw Linda Last Night
81 bpm • A# min • 05:04 • -10.69db
21% Popularity • 36% Danceability • 53% Energy • 51% Liveness
2% Instrumentalness • 17% Positiveness
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HÆLOS
I'm There
81 bpm • B min • 04:39 • -16.34db
30% Popularity • 62% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Yellow Ostrich
I Think U Are Great
81 bpm • D min • 01:21 • -8.84db
30% Popularity • 30% Danceability • 18% Energy • 11% Liveness
27% Instrumentalness • 10% Positiveness
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winezra
recently realized that I love myself BUT...
81 bpm • G# Maj • 02:06 • -14.82db
12% Popularity • 45% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Chet Faker
Get High
81 bpm • F Maj • 03:42 • -9.04db
52% Popularity • 70% Danceability • 57% Energy • 20% Liveness
16% Instrumentalness • 57% Positiveness
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Matana Roberts
enthralled not by her curious blend
81 bpm • E min • 03:55 • -13.52db
8% Popularity • 32% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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The Lonely Tree
it hurts so bad
81 bpm • D Maj • 01:12 • -16.6db
61% Popularity • 47% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Adult Jazz
Hum
82 bpm • C# Maj • 07:32 • -9.6db
27% Popularity • 29% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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A Thousand Faces
Journey
82 bpm • G Maj • 02:46 • -7.17db
29% Popularity • 46% Danceability • 54% Energy • 21% Liveness
27% Instrumentalness • 25% Positiveness
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Ben Howard
Finders Keepers
82 bpm • C Maj • 02:49 • -8.5db
29% Popularity • 48% Danceability • 39% Energy • 14% Liveness
59% Instrumentalness • 62% Positiveness
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Blvck Hippie
Smoke Break Interlude
83 bpm • F min • 02:05 • -14.78db
15% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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RAINMNY
Another Sin
84 bpm • C Maj • 01:36 • -14db
18% Popularity • 62% Danceability • 47% Energy • 11% Liveness
9% Instrumentalness • 34% Positiveness
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awfultune
crayons
66 bpm • G Maj • 05:37 • -13.9db
12% Popularity • 38% Danceability • 54% Energy • 86% Liveness
2% Instrumentalness • 43% Positiveness
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JID
Doo Wop
84 bpm • F# Maj • 01:15 • -15.47db
43% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Sufjan Stevens
All for Myself
84 bpm • F Maj • 02:57 • -14.06db
33% Popularity • 26% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Ben Howard
Total Eclipse
83 bpm • G# Maj • 01:30 • -10.04db
35% Popularity • 48% Danceability • 83% Energy • 17% Liveness
89% Instrumentalness • 77% Positiveness
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Naima Bock
Dim Dum
84 bpm • G min • 03:55 • -12.89db
14% Popularity • 21% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Take Care
Make It Stop
84 bpm • C Maj • 06:16 • -14.71db
33% Popularity • 54% Danceability • 12% Energy • 11% Liveness
44% Instrumentalness • 26% Positiveness
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C-to-the-V
Tickin'
84 bpm • A# min • 02:05 • -10.71db
20% Popularity • 33% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Gallowstreet
IJzeren Rijn
84 bpm • D Maj • 05:00 • -8.38db
11% Popularity • 35% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 26% Positiveness
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cLOUDDEAD
Apt. A (2)
84 bpm • A Maj • 05:49 • -7.67db
22% Popularity • 27% Danceability • 64% Energy • 18% Liveness
19% Instrumentalness • 14% Positiveness
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November Ultra
incantation (interlude)
84 bpm • B Maj • 01:19 • -16.79db
34% Popularity • 47% Danceability • 9% Energy • 19% Liveness
82% Instrumentalness • 13% Positiveness
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Fall Out Boy
Baby Annihilation
84 bpm • C# min • 01:07 • -12.39db
47% Popularity • 40% Danceability • 47% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Andrew G. Young
A Song For Mama remayk
85 bpm • G Maj • 01:05 • -9.96db
22% Popularity • 39% Danceability • 62% Energy • 15% Liveness
80% Instrumentalness • 60% Positiveness
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CalestaSoul Msc
Great Song
85 bpm • F# min • 03:03 • -9.16db
15% Popularity • 56% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Crusha
You're Standing In My Bedroom Door
85 bpm • G Maj • 05:42 • -13.14db
1% Popularity • 75% Danceability • 27% Energy • 16% Liveness
10% Instrumentalness • 50% Positiveness
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Psychotic Toilets
I'm Going to Fart in Your Face
85 bpm • G min • 01:07 • -10.28db
12% Popularity • 64% Danceability • 84% Energy • 34% Liveness
58% Instrumentalness • 95% Positiveness
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John Moods
Take Care
85 bpm • E Maj • 01:44 • -19.69db
14% Popularity • 47% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Dixon B. Tweenerlegs
Final Goodbye
64 bpm • C Maj • 01:05 • -8.66db
9% Popularity • 44% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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アブラ マッカートニー
隙間バイト
86 bpm • B Maj • 01:18 • -4.45db
14% Popularity • 53% Danceability • 94% Energy • 14% Liveness
76% Instrumentalness • 69% Positiveness
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Walter The Producer
Green Demo
85 bpm • D Maj • 02:52 • -9.01db
14% Popularity • 53% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Choker
Gusher
86 bpm • E min • 01:47 • -8.25db
21% Popularity • 45% Danceability • 75% Energy • 32% Liveness
78% Instrumentalness • 45% Positiveness
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Damaged Bug
Hubba Bubba
86 bpm • F Maj • 02:55 • -8.42db
10% Popularity • 35% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Portland August
Stem (Surfaced)
87 bpm • C Maj • 04:26 • -7.8db
24% Popularity • 42% Danceability • 62% Energy • 12% Liveness
7% Instrumentalness • 15% Positiveness
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IAMX
Animal Impulses
87 bpm • F min • 03:54 • -5.57db
45% Popularity • 26% Danceability • 61% Energy • 28% Liveness
1% Instrumentalness • 31% Positiveness
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Emezie
Queenfish
87 bpm • A Maj • 04:04 • -16.2db
35% Popularity • 60% Danceability • 38% Energy • 30% Liveness
19% Instrumentalness • 50% Positiveness
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Don't Ask What Kind of Music
Sload and Pitcheddown
87 bpm • A# Maj • 06:19 • -20.92db
0% Popularity • 46% Danceability • 15% Energy • 5% Liveness
46% Instrumentalness • 20% Positiveness
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Jorge.
Ruckus
87 bpm • E min • 02:19 • -10.95db
11% Popularity • 66% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Marigold
feelBETTA
88 bpm • A# Maj • 02:07 • -14.2db
24% Popularity • 23% Danceability • 26% Energy • 12% Liveness
36% Instrumentalness • 4% Positiveness
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bar italia
que suprise
88 bpm • E Maj • 03:13 • -7.05db
28% Popularity • 52% Danceability • 62% Energy • 33% Liveness
6% Instrumentalness • 47% Positiveness
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Jack Stauber
Candy Eyes
88 bpm • C Maj • 04:11 • -11.59db
44% Popularity • 74% Danceability • 35% Energy • 26% Liveness
85% Instrumentalness • 4% Positiveness
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Jockstrap
Robert
88 bpm • A# Maj • 03:29 • -8db
26% Popularity • 72% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Don't Ask What Kind of Music
turbo
88 bpm • E Maj • 02:56 • -15.56db
0% Popularity • 35% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 28% Positiveness
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ZIG MENTALITY
I & I
88 bpm • D Maj • 04:32 • -10db
18% Popularity • 73% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 27% Positiveness
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Adult Jazz
No Relief
89 bpm • D# Maj • 03:58 • -8.19db
20% Popularity • 81% Danceability • 15% Energy • 32% Liveness
1% Instrumentalness • 63% Positiveness
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Peter Kernel
Bravo
88 bpm • C Maj • 03:17 • -8.53db
14% Popularity • 48% Danceability • 69% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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MOSSBACK
september eleventh twenty twenty
89 bpm • A Maj • 02:43 • -10.77db
26% Popularity • 63% Danceability • 40% Energy • 45% Liveness
82% Instrumentalness • 67% Positiveness
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Fat White Family
The Archivist
90 bpm • D Maj • 01:29 • -7.72db
32% Popularity • 47% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 47% Positiveness
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Scott H. Biram
InterTransmissions
90 bpm • C Maj • 01:25 • -11.1db
18% Popularity • 50% Danceability • 74% Energy • 9% Liveness
26% Instrumentalness • 59% Positiveness
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Holly Hebe
Red to be Blue
90 bpm • A# min • 03:20 • -8.98db
7% Popularity • 63% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Bradley & Shawn
Dear Dad
90 bpm • F min • 01:52 • -18.57db
11% Popularity • 58% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 49% Positiveness
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Mira Calix
rightclick
90 bpm • C Maj • 02:54 • -11.52db
19% Popularity • 72% Danceability • 35% Energy • 10% Liveness
52% Instrumentalness • 30% Positiveness
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The Milk Snatchers
PRlude
90 bpm • C# min • 04:11 • -5.85db
10% Popularity • 54% Danceability • 84% Energy • 8% Liveness
94% Instrumentalness • 36% Positiveness
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Whitmer Thomas
Bushwhacked
90 bpm • D Maj • 06:30 • -9.7db
11% Popularity • 62% Danceability • 87% Energy • 10% Liveness
61% Instrumentalness • 68% Positiveness
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Rostam
Rudy
90 bpm • D Maj • 03:53 • -9.03db
24% Popularity • 65% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Louis Cole
Hurricane
90 bpm • C# Maj • 03:25 • -13db
15% Popularity • 64% Danceability • 63% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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Clara Yoo Msc
Are You Okay
90 bpm • B min • 03:01 • -9.56db
17% Popularity • 76% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Del Barber
Big Smoke
90 bpm • D min • 04:22 • -12.05db
12% Popularity • 49% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Tom Waits
Watch Her Disappear
90 bpm • F min • 02:33 • -14.27db
22% Popularity • 45% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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JK-47
reGrowth
91 bpm • D min • 02:44 • -16.21db
13% Popularity • 32% Danceability • 33% Energy • 20% Liveness
26% Instrumentalness • 26% Positiveness
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Elvis Depressedly
My Lai (Amy's Version)
91 bpm • C Maj • 01:26 • -11.12db
20% Popularity • 24% Danceability • 28% Energy • 13% Liveness
38% Instrumentalness • 14% Positiveness
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no telling what could might have happened