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No Ties
Songs like
No Ties
by
Fiji Blue
Based on a tempo of (+/- 10%) and a similar genre
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Nxtime
Call My Bluff
96 bpm • F# min • 03:43 • -7.57db
34% Popularity • 70% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Fiji Blue
No Ties
96 bpm • F# min • 02:30 • -5db
35% Popularity • 81% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Public Library Commute
Mile High
96 bpm • G# min • 03:29 • -8.52db
38% Popularity • 70% Danceability • 67% Energy • 10% Liveness
11% Instrumentalness • 72% Positiveness
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Fly By Midnight
Be Right There
96 bpm • C Maj • 03:13 • -4.96db
46% Popularity • 74% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Charlene Su
iwas4u
96 bpm • A# min • 02:34 • -7db
36% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Jesse Gold
Sugar Island
96 bpm • C# min • 02:58 • -10.56db
36% Popularity • 79% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Turley
Arizona
96 bpm • B Maj • 02:41 • -9.24db
28% Popularity • 61% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Chris James
Heaven or Hell
96 bpm • D Maj • 02:22 • -6.86db
45% Popularity • 71% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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HYBS
Killer
95 bpm • D min • 03:18 • -8db
64% Popularity • 75% Danceability • 44% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
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Bones & The Boy
Good In Me
95 bpm • C Maj • 02:28 • -6.85db
45% Popularity • 58% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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The Millennial Club
complicated/overrated
95 bpm • E Maj • 02:28 • -6db
60% Popularity • 73% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Public Library Commute
Summertime
95 bpm • E Maj • 03:00 • -8db
52% Popularity • 72% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Magsy
TRUTH IS
97 bpm • B Maj • 02:48 • -6.81db
20% Popularity • 64% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Chris James
Enjoy The Weather
97 bpm • G# Maj • 02:30 • -8.03db
32% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Yueku
Somewhere Else
95 bpm • G Maj • 03:01 • -6.21db
36% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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JORDANN
Safe Space
97 bpm • F# min • 03:23 • -8.57db
38% Popularity • 76% Danceability • 56% Energy • 9% Liveness
26% Instrumentalness • 61% Positiveness
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The Millennial Club
When It's Just You & I
95 bpm • C# Maj • 05:16 • -7.65db
32% Popularity • 60% Danceability • 78% Energy • 8% Liveness
16% Instrumentalness • 53% Positiveness
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Mike Spector
Take Me to the Moon
95 bpm • C Maj • 03:15 • -8db
32% Popularity • 72% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jesse Barrera
Maybe We Could Be a Thing
95 bpm • E Maj • 02:56 • -9.27db
64% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Conor Matthews
The Dance
95 bpm • F# min • 02:14 • -8db
42% Popularity • 83% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Christian Kuria
Vain
95 bpm • G# min • 04:20 • -9db
43% Popularity • 84% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Isaac Lewis
Patient
95 bpm • E min • 04:04 • -6.93db
14% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Gentle Bones
Shouldn't Have To Run
95 bpm • A Maj • 02:45 • -8.73db
43% Popularity • 37% Danceability • 46% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
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Anton Khabbaz
Let's Fly to New Zealand
95 bpm • B Maj • 03:31 • -9db
25% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Clubhouse
Crystal Ball
95 bpm • E min • 02:48 • -7.39db
22% Popularity • 76% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Kyle Lux
Softly
97 bpm • G Maj • 03:20 • -8db
35% Popularity • 81% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Emotional Oranges
Petty
97 bpm • D# min • 03:15 • -8.79db
44% Popularity • 68% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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slchld
lone summer
97 bpm • C Maj • 03:01 • -6.67db
50% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Oscar Anton
blueberry stains
97 bpm • G# Maj • 03:06 • -9.64db
16% Popularity • 65% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Fiji Blue
Outside
95 bpm • F# min • 02:54 • -6.88db
57% Popularity • 59% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Nxtime
keep in touch
94 bpm • A Maj • 03:29 • -8db
37% Popularity • 60% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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KALLITECHNIS
Lights Off
95 bpm • F min • 02:30 • -7.23db
37% Popularity • 56% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Dru Chen
Connect The Dots
98 bpm • D Maj • 02:05 • -9.23db
42% Popularity • 69% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Jesse Barrera
No Reservations
98 bpm • F Maj • 03:03 • -7db
54% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Talitha.
crazy
94 bpm • B min • 02:38 • -8.74db
40% Popularity • 74% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Fiji Blue
Lucky
98 bpm • F# Maj • 02:32 • -7.1db
41% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Jesse Gold
All Over Again
98 bpm • F# Maj • 02:24 • -5.9db
38% Popularity • 91% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Public Library Commute
Run It Back
98 bpm • C Maj • 02:24 • -5.98db
50% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Kevin Chung
Maybe It's Nothing
98 bpm • G Maj • 02:05 • -6.59db
42% Popularity • 88% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Nieman
100
94 bpm • B min • 02:43 • -7db
36% Popularity • 79% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
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polun
Higher Ground
94 bpm • C min • 03:16 • -10db
21% Popularity • 72% Danceability • 46% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Grant Schaffer
Easier To Love
94 bpm • E Maj • 03:33 • -7.89db
36% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Bones & The Boy
Pretty Boy
94 bpm • G Maj • 02:33 • -7db
32% Popularity • 81% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Chandler Juliet
Love Language
94 bpm • A# Maj • 03:25 • -8db
29% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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lost spaces
fake.guitars
98 bpm • A Maj • 03:35 • -7.3db
38% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Breakfast Road
Wait On Me
94 bpm • E min • 02:15 • -7.66db
21% Popularity • 72% Danceability • 71% Energy • 16% Liveness
90% Instrumentalness • 36% Positiveness
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Alaina Castillo
sad girls always finish first
94 bpm • C Maj • 03:15 • -6.05db
30% Popularity • 70% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Saticöy
Nice & Easy
98 bpm • G# Maj • 03:41 • -8.52db
13% Popularity • 73% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 71% Positiveness
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Max Drazen
Let Me Down Slow
98 bpm • E Maj • 02:58 • -5.85db
48% Popularity • 74% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Forrest Nolan
a song from yesterday
94 bpm • C# Maj • 03:18 • -8.43db
34% Popularity • 76% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jacob Sigman
Sticks And Stones
94 bpm • C# min • 03:07 • -9.06db
15% Popularity • 65% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Magsy
NOISY MIND
99 bpm • A# min • 03:14 • -5.34db
16% Popularity • 77% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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Bazzi
Uh Oh
99 bpm • C# min • 03:00 • -5.84db
39% Popularity • 82% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Rocketman
Holding On (to me)
93 bpm • C min • 03:59 • -12db
25% Popularity • 72% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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John K
cheap sunglasses
99 bpm • G# Maj • 03:19 • -5.89db
50% Popularity • 80% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Mei Jun
Rudimental
93 bpm • D min • 04:22 • -8.35db
32% Popularity • 75% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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MAX
GUCCI BAG
93 bpm • C# Maj • 02:14 • -11.08db
45% Popularity • 87% Danceability • 48% Energy • 9% Liveness
20% Instrumentalness • 61% Positiveness
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Jesse Gold
Happy Lonely Boy
93 bpm • F# Maj • 02:15 • -5.54db
34% Popularity • 82% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Adam Turley
Movie
93 bpm • B Maj • 03:10 • -6.83db
31% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Aeris Roves
Cairo
93 bpm • G# Maj • 03:01 • -6.22db
27% Popularity • 70% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 54% Positiveness
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Mina Okabe
Take It Further
93 bpm • F Maj • 03:21 • -8db
39% Popularity • 76% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jake Miller
Keep Her
99 bpm • C Maj • 02:51 • -6.31db
19% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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brb.
whoops
93 bpm • G# min • 02:27 • -9.49db
57% Popularity • 82% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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ASTN
Be So Cruel
93 bpm • F min • 02:12 • -5.54db
45% Popularity • 86% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Forrest Nolan
MIA
100 bpm • C Maj • 02:44 • -9.64db
38% Popularity • 79% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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andreas owens
bad4you
100 bpm • F min • 02:50 • -8.48db
36% Popularity • 75% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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JORDANN
Effective Communication
100 bpm • B min • 02:42 • -8.87db
42% Popularity • 78% Danceability • 54% Energy • 26% Liveness
28% Instrumentalness • 58% Positiveness
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Jay Isaiah
Movies
100 bpm • G# min • 03:24 • -10.07db
22% Popularity • 86% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sylo
Citrus
100 bpm • A min • 02:39 • -5.43db
33% Popularity • 81% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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The Millennial Club
love is so hard!
100 bpm • F# Maj • 04:27 • -12.63db
42% Popularity • 77% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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Stirfryboyz
METROPOLIS
100 bpm • C Maj • 03:45 • -10.25db
18% Popularity • 66% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Fiji Blue
I Think It Went Like
100 bpm • F# Maj • 02:48 • -7.34db
34% Popularity • 75% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Clubhouse
Heartbroke
100 bpm • B min • 03:03 • -7db
36% Popularity • 80% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Yueku
Damage Control
100 bpm • E Maj • 02:33 • -8.72db
24% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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slenderbodies
smilin'
100 bpm • C Maj • 02:39 • -8.16db
26% Popularity • 71% Danceability • 69% Energy • 33% Liveness
26% Instrumentalness • 93% Positiveness
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The Millennial Club
She's So Insane
100 bpm • D Maj • 03:27 • -11.5db
37% Popularity • 45% Danceability • 60% Energy • 8% Liveness
4% Instrumentalness • 6% Positiveness
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Stirfryboyz
HEARTBREAKER
100 bpm • G Maj • 02:57 • -8.84db
27% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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John K
Be Alright
100 bpm • A# min • 02:36 • -3.62db
41% Popularity • 94% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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lost spaces
35.mm
100 bpm • C Maj • 03:24 • -9db
43% Popularity • 65% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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Kyle Dion
Heatwave
100 bpm • F# min • 02:36 • -6.3db
26% Popularity • 79% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Gavin Haley
Cliche
100 bpm • A# min • 03:15 • -7.44db
3% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Nieman
Fashionably Late
100 bpm • B Maj • 03:17 • -7db
23% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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RESORT
Over and Over
92 bpm • G Maj • 03:02 • -7.95db
25% Popularity • 66% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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rei brown
Centauri
92 bpm • D# Maj • 02:35 • -10.01db
31% Popularity • 70% Danceability • 46% Energy • 26% Liveness
8% Instrumentalness • 49% Positiveness
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Clubhouse
Flipside
92 bpm • A# Maj • 03:04 • -7.39db
27% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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spring gang
You'll Be Fine
92 bpm • D min • 03:10 • -7.89db
47% Popularity • 77% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Max Drazen
Caffeine
92 bpm • B Maj • 02:26 • -6.09db
51% Popularity • 81% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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ANA
SHINE BRIGHT
101 bpm • C# Maj • 02:57 • -7.28db
30% Popularity • 70% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Cody Lawless
Daygo (w/ gianni & kyle)
101 bpm • C# Maj • 03:12 • -9.32db
30% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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YAØ
Scenery
101 bpm • D min • 03:42 • -9.94db
39% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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lost spaces
windows.95
91 bpm • G Maj • 03:26 • -11.96db
29% Popularity • 79% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Fly By Midnight
Borrow Your Time
91 bpm • B Maj • 03:29 • -6.75db
48% Popularity • 59% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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John K
A LOT
91 bpm • F Maj • 03:01 • -8.81db
51% Popularity • 90% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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we're ok!
only us
91 bpm • A Maj • 02:54 • -10.11db
30% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Golf Club
soda stain
101 bpm • B Maj • 01:56 • -8.85db
29% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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The Millennial Club
like i do
102 bpm • A# Maj • 04:31 • -9.18db
47% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Fiji Blue
Space Makes Me Sad
91 bpm • F# Maj • 02:16 • -10.27db
50% Popularity • 56% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Conor Matthews
Love From
102 bpm • A Maj • 03:08 • -6.28db
36% Popularity • 77% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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Fly By Midnight
Again & Again
102 bpm • C# Maj • 02:49 • -5.63db
40% Popularity • 73% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Peter Fenn
Here for You
102 bpm • E Maj • 02:47 • -10db
42% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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No Ties