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No Way But The Hard Way
Songs like
No Way But The Hard Way
by
Airbourne
Based on a tempo of (+/- 10%) and a similar genre
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Black Stone Cherry
Blame It on the Boom Boom
116 bpm • A# Maj • 03:09 • -3.44db
55% Popularity • 57% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Airbourne
No Way But The Hard Way
116 bpm • A Maj • 03:34 • -3db
25% Popularity • 57% Danceability • 95% Energy • 2% Liveness
4% Instrumentalness • 52% Positiveness
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Jettblack
Prison Of Love
116 bpm • D# min • 04:05 • -4.22db
17% Popularity • 60% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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KISS
War Machine - 2022 Remastered
116 bpm • G# Maj • 04:17 • -5db
52% Popularity • 50% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Bonafide
Bad As Clint
116 bpm • C# Maj • 03:07 • -4.92db
33% Popularity • 61% Danceability • 78% Energy • 15% Liveness
83% Instrumentalness • 44% Positiveness
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Jackyl
Favorite Sin
116 bpm • G Maj • 03:18 • -4db
37% Popularity • 47% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Tesla
Cumin' Atcha Live
116 bpm • F# min • 04:26 • -9db
40% Popularity • 38% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 35% Positiveness
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Mötley Crüe
Wild Side (2021- Remaster)
115 bpm • C Maj • 04:41 • -5.2db
67% Popularity • 61% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Steel Panther
The Burden of Being Wonderful
115 bpm • E min • 03:29 • -5db
41% Popularity • 65% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Koritni
Red Light Joint
115 bpm • C# Maj • 04:27 • -4.34db
24% Popularity • 65% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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OVERDRIVERS
Factory
117 bpm • C# Maj • 04:38 • -3db
21% Popularity • 62% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Skid Row
The Threat
115 bpm • G Maj • 03:49 • -5.54db
43% Popularity • 53% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Black Star Riders
Before the War
114 bpm • D# min • 03:39 • -4.45db
29% Popularity • 60% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Sinner
Born to Rock
114 bpm • A Maj • 04:37 • -3.94db
27% Popularity • 60% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Accept
Balls to the Wall
118 bpm • A Maj • 05:42 • -7.38db
60% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Koritni
Game Of Fools
118 bpm • B Maj • 04:01 • -5db
32% Popularity • 67% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Airbourne
Too Much, Too Young, Too Fast
114 bpm • D Maj • 03:42 • -3.63db
37% Popularity • 59% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Skid Row
Youth Gone Wild
117 bpm • G min • 03:18 • -11.28db
65% Popularity • 54% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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The New Roses
My Own Worst Enemy
119 bpm • D min • 03:54 • -3.77db
11% Popularity • 47% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Anvil
Bitch in the Box
119 bpm • A Maj • 04:28 • -3db
25% Popularity • 54% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 73% Positiveness
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Cinderella
Bad Seamstress Blues / Fallin' Apart At ...
113 bpm • G Maj • 05:19 • -9.56db
52% Popularity • 51% Danceability • 86% Energy • 18% Liveness
43% Instrumentalness • 40% Positiveness
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Accept
Beat the Bastards
120 bpm • B min • 05:24 • -3.7db
51% Popularity • 52% Danceability • 98% Energy • 6% Liveness
2% Instrumentalness • 32% Positiveness
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Airbourne
Jack Attack
113 bpm • D Maj • 02:52 • -3.74db
32% Popularity • 54% Danceability • 98% Energy • 15% Liveness
25% Instrumentalness • 44% Positiveness
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Victory
On the Loose
120 bpm • D min • 04:48 • -7.12db
21% Popularity • 54% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Skid Row
Here I Am
118 bpm • B min • 03:09 • -10.82db
42% Popularity • 50% Danceability • 83% Energy • 33% Liveness
1% Instrumentalness • 60% Positiveness
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Black Star Riders
Crazy Horses
120 bpm • C# Maj • 02:24 • -4db
38% Popularity • 56% Danceability • 98% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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King Zebra
Hot Cop Lady
120 bpm • C Maj • 02:52 • -5.22db
31% Popularity • 51% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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KISS
Lick It Up
120 bpm • D Maj • 03:56 • -6.05db
66% Popularity • 68% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Airbourne
Bottom Of The Well
120 bpm • E Maj • 04:30 • -3db
14% Popularity • 50% Danceability • 92% Energy • 10% Liveness
14% Instrumentalness • 32% Positiveness
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Voodoo Circle
Higher Love
112 bpm • C# Maj • 04:08 • -7db
33% Popularity • 54% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Electric Mary
welcome to the otherside
111 bpm • C# Maj • 03:28 • -2.69db
25% Popularity • 42% Danceability • 99% Energy • 44% Liveness
9% Instrumentalness • 59% Positiveness
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Black Star Riders
All Hell Breaks Loose
112 bpm • G# Maj • 04:15 • -4db
33% Popularity • 55% Danceability • 92% Energy • 38% Liveness
3% Instrumentalness • 60% Positiveness
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Stone Gods
I'm With the Band
121 bpm • F Maj • 04:16 • -5.36db
14% Popularity • 51% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Pretty Maids
Future World
111 bpm • G min • 05:23 • -11.93db
38% Popularity • 53% Danceability • 84% Energy • 18% Liveness
23% Instrumentalness • 21% Positiveness
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Airbourne
You Got the Skills (To Pay the Bills)
120 bpm • A Maj • 03:33 • -4db
32% Popularity • 56% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Accept
Too Mean to Die
111 bpm • E min • 04:21 • -5db
45% Popularity • 56% Danceability • 98% Energy • 10% Liveness
12% Instrumentalness • 24% Positiveness
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U.D.O.
Rose in the Desert
122 bpm • D Maj • 04:11 • -5.78db
34% Popularity • 53% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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OVERDRIVERS
Hellhounds
110 bpm • C# Maj • 03:26 • -6.35db
33% Popularity • 71% Danceability • 79% Energy • 9% Liveness
84% Instrumentalness • 56% Positiveness
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Junkyard Drive
Sucker for Your Love
110 bpm • D# min • 03:52 • -4.14db
30% Popularity • 54% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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KISS
Say Yeah
123 bpm • D# min • 04:29 • -6db
31% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Airbourne
It Ain't Over Till It's Over
111 bpm • A Maj • 03:17 • -2.34db
9% Popularity • 48% Danceability • 100% Energy • 14% Liveness
13% Instrumentalness • 3% Positiveness
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Quiet Riot
The Wild And The Young
109 bpm • G Maj • 03:36 • -11db
45% Popularity • 52% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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XYZ
Face Down In The Gutter
124 bpm • B Maj • 04:11 • -7.29db
40% Popularity • 57% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 30% Positiveness
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Hard Riot
Get Ready
124 bpm • D Maj • 03:19 • -2.4db
12% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Los Bastardos Finlandeses
Acapulco
124 bpm • D Maj • 04:37 • -4.26db
24% Popularity • 60% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Crazy Lixx
Blame It On Love
124 bpm • C min • 04:05 • -2db
38% Popularity • 44% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Airbourne
White Line Fever
122 bpm • A Maj • 03:09 • -2.06db
8% Popularity • 59% Danceability • 93% Energy • 12% Liveness
33% Instrumentalness • 77% Positiveness
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Beasto Blanco
Grind
124 bpm • G# Maj • 03:08 • -3.86db
31% Popularity • 58% Danceability • 84% Energy • 4% Liveness
17% Instrumentalness • 68% Positiveness
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Sideburn
Live To Rock
124 bpm • A Maj • 03:26 • -7.93db
25% Popularity • 53% Danceability • 83% Energy • 23% Liveness
7% Instrumentalness • 42% Positiveness
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Accept
Teutonic Terror
124 bpm • A Maj • 05:13 • -4db
57% Popularity • 32% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ugly Kid Joe
I'm Alright
124 bpm • F Maj • 03:21 • -2.78db
33% Popularity • 68% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Big Cock
King Of Cool
124 bpm • C# Maj • 02:43 • -2.45db
17% Popularity • 53% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Airbourne
Fat City
122 bpm • D Maj • 03:26 • -2.56db
12% Popularity • 64% Danceability • 93% Energy • 20% Liveness
6% Instrumentalness • 66% Positiveness
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Black Robot
Baddass
108 bpm • D Maj • 02:26 • -2.95db
28% Popularity • 41% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Black Spiders
KISS Tried To Kill Me
125 bpm • E Maj • 04:26 • -1.32db
24% Popularity • 43% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Accept
The Undertaker
125 bpm • E Maj • 05:37 • -8.59db
41% Popularity • 63% Danceability • 74% Energy • 30% Liveness
10% Instrumentalness • 30% Positiveness
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Kix
Girl Money
125 bpm • C# Maj • 04:00 • -4db
38% Popularity • 63% Danceability • 93% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
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OVERDRIVERS
Get out with Your Bigfoot
125 bpm • C# Maj • 03:13 • -5.57db
32% Popularity • 64% Danceability • 80% Energy • 6% Liveness
89% Instrumentalness • 57% Positiveness
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Airbourne
Cheap Wine & Cheaper Women
110 bpm • A Maj • 03:10 • -3.48db
14% Popularity • 64% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Phil X & The Drills
Stink
125 bpm • B min • 01:53 • -5.18db
39% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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The Lazys
Louder Than Youth
125 bpm • G# min • 03:07 • -2.45db
27% Popularity • 58% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Monster Magnet
Unbroken (Hotel Baby)
125 bpm • F# Maj • 03:42 • -2.62db
35% Popularity • 41% Danceability • 99% Energy • 69% Liveness
0% Instrumentalness • 54% Positiveness
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Axe
Heat in the Street
125 bpm • D Maj • 02:53 • -7db
19% Popularity • 57% Danceability • 84% Energy • 30% Liveness
1% Instrumentalness • 92% Positiveness
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OVERDRIVERS
Show Your Boobies
125 bpm • G# Maj • 03:53 • -6.48db
26% Popularity • 69% Danceability • 72% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Airbourne
Kickin' It Old School
125 bpm • G# Maj • 02:37 • -3.04db
13% Popularity • 61% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Warrant
Mr. Rainmaker
125 bpm • G# Maj • 03:28 • -5.05db
38% Popularity • 52% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Mötley Crüe
Saints of Los Angeles (Gang Vocal)
107 bpm • F min • 03:40 • -4.41db
42% Popularity • 47% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Koritni
Heaven Again
126 bpm • B Maj • 04:03 • -4db
23% Popularity • 64% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Last in Line
Devil in Me
126 bpm • G# min • 04:53 • -3.07db
20% Popularity • 53% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Cinderella
Shelter Me
126 bpm • G Maj • 04:47 • -8db
49% Popularity • 61% Danceability • 88% Energy • 8% Liveness
7% Instrumentalness • 92% Positiveness
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Airbourne
Get Back Up
124 bpm • D Maj • 03:37 • -3.48db
32% Popularity • 62% Danceability • 98% Energy • 6% Liveness
82% Instrumentalness • 38% Positiveness
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Jackyl
Push Comes to Shove
126 bpm • G min • 03:02 • -4.19db
44% Popularity • 61% Danceability • 79% Energy • 5% Liveness
71% Instrumentalness • 58% Positiveness
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Mötley Crüe
Saints of Los Angeles
107 bpm • F min • 03:22 • -4.28db
54% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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77
(Gotta Go) Gotta Hit the Road
126 bpm • E Maj • 04:48 • -3.88db
18% Popularity • 55% Danceability • 79% Energy • 5% Liveness
50% Instrumentalness • 31% Positiveness
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Twisted Sister
I Wanna Rock
106 bpm • D Maj • 02:59 • -2.97db
72% Popularity • 50% Danceability • 91% Energy • 36% Liveness
1% Instrumentalness • 67% Positiveness
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Tygers Of Pan Tang
Dust
106 bpm • F# min • 04:28 • -5.66db
33% Popularity • 51% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Airbourne
Boneshaker
124 bpm • G# Maj • 03:30 • -4db
42% Popularity • 35% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Warrant
Uncle Tom's Cabin
127 bpm • G# Maj • 04:00 • -6db
52% Popularity • 57% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Jackyl
Everyone's a Winner
106 bpm • A Maj • 04:16 • -2.95db
40% Popularity • 69% Danceability • 87% Energy • 48% Liveness
2% Instrumentalness • 77% Positiveness
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Volbeat
Seal The Deal
106 bpm • E min • 04:09 • -4db
56% Popularity • 53% Danceability • 97% Energy • 13% Liveness
1% Instrumentalness • 43% Positiveness
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Dirty Penny
Scream & Shout
127 bpm • C Maj • 03:28 • -4.7db
12% Popularity • 52% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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The Answer
Long Live the Renegades
127 bpm • D Maj • 04:17 • -4.22db
20% Popularity • 59% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
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Airbourne
Do Me Like You Do Yourself
125 bpm • D Maj • 03:57 • -2.51db
25% Popularity • 59% Danceability • 98% Energy • 4% Liveness
68% Instrumentalness • 76% Positiveness
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DYNAMITE
Kings Of The Radio
128 bpm • B Maj • 03:36 • -6.88db
22% Popularity • 58% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 40% Positiveness
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Sideburn
Standing In The Headlines
128 bpm • D Maj • 03:16 • -5.03db
32% Popularity • 52% Danceability • 92% Energy • 10% Liveness
37% Instrumentalness • 63% Positiveness
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Accept
Life's a Bitch
128 bpm • A Maj • 03:46 • -6.42db
55% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Nitrogods
Rats & Rumours
105 bpm • G Maj • 03:10 • -5db
29% Popularity • 47% Danceability • 99% Energy • 39% Liveness
14% Instrumentalness • 35% Positiveness
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Black Star Riders
Another State of Grace
128 bpm • E min • 03:39 • -4db
29% Popularity • 49% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Airbourne
Overdrive
127 bpm • E Maj • 03:22 • -3.11db
10% Popularity • 55% Danceability • 97% Energy • 17% Liveness
45% Instrumentalness • 61% Positiveness
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King Zebra
She Don't Like My R'n'R
105 bpm • F# Maj • 03:42 • -5.05db
29% Popularity • 48% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Great White
Step On You
129 bpm • B Maj • 05:50 • -8.1db
30% Popularity • 60% Danceability • 78% Energy • 10% Liveness
37% Instrumentalness • 59% Positiveness
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Accept
Princess of the Dawn
129 bpm • D Maj • 06:15 • -10.31db
46% Popularity • 65% Danceability • 58% Energy • 45% Liveness
12% Instrumentalness • 48% Positiveness
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Nitrogods
Rancid Rock
105 bpm • F Maj • 02:46 • -3db
28% Popularity • 53% Danceability • 100% Energy • 32% Liveness
2% Instrumentalness • 39% Positiveness
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Metallica
Ronnie Rising Medley (Includes A Light I...
130 bpm • C# Maj • 09:04 • -3.8db
37% Popularity • 30% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Airbourne
Steel Town
127 bpm • D Maj • 03:09 • -2.9db
3% Popularity • 46% Danceability • 99% Energy • 30% Liveness
73% Instrumentalness • 51% Positiveness
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Black Star Riders
Kingdom of the Lost
130 bpm • G# Maj • 04:43 • -6db
31% Popularity • 55% Danceability • 89% Energy • 14% Liveness
7% Instrumentalness • 52% Positiveness
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Razzmattazz
Hallelujah
130 bpm • A Maj • 03:18 • -3.39db
26% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Accept
Koolaid
129 bpm • B Maj • 04:59 • -5.2db
54% Popularity • 55% Danceability • 90% Energy • 37% Liveness
8% Instrumentalness • 34% Positiveness
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Ozzy Osbourne
Let Me Hear You Scream
130 bpm • C Maj • 03:25 • -2.32db
56% Popularity • 49% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 32% Positiveness
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The Last Vegas
Loose Lips
130 bpm • A Maj • 04:24 • -2.58db
17% Popularity • 57% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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No Way But The Hard Way