Songs like No Zip Code by David Lee Murphy
Based on a tempo of (+/- 10%) and a similar genre
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
53% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
49% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Clay Walker
This Woman and This Man
148 bpm • F# min • 04:22 • -9.44db
49% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 59% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Darius Rucker
Wagon Wheel
148 bpm • A Maj • 04:58 • -7.17db
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 54% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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George Strait
Give It Away
148 bpm • F Maj • 03:29 • -5.88db
69% Popularity • 67% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
69% Popularity • 67% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Montgomery Gentry
Long Line of Losers
148 bpm • D Maj • 03:48 • -6db
45% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Tritt
Anymore
148 bpm • B Maj • 03:47 • -10.29db
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 54% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ronnie Dunn
Cost Of Livin'
148 bpm • E Maj • 04:10 • -8db
45% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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David Lee Murphy
Can't Turn It Off
149 bpm • G Maj • 03:23 • -10.57db
28% Popularity • 70% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 70% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Hank Williams, Jr.
All My Rowdy Friends Are Coming Over Ton...
147 bpm • D Maj • 02:58 • -8db
58% Popularity • 61% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
58% Popularity • 61% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Patty Loveless
Blame It on Your Heart
150 bpm • G# Maj • 03:33 • -7.74db
55% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Darius Rucker
Don't Think I Don't Think About It
150 bpm • A Maj • 03:03 • -5db
57% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
57% Popularity • 58% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Johnson
Wild as You
150 bpm • B Maj • 03:06 • -5db
71% Popularity • 46% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
71% Popularity • 46% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
57% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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David Lee Murphy
Out With A Bang
147 bpm • C# Maj • 02:28 • -9.19db
38% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
51% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Midland
Mr. Lonely
150 bpm • E Maj • 03:00 • -4.49db
55% Popularity • 59% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 59% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
61% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Neal McCoy
The Shake
146 bpm • A Maj • 03:33 • -5.71db
53% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 68% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Joe Diffie
Third Rock from the Sun
151 bpm • A Maj • 03:06 • -8.64db
50% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 70% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Terri Clark
Better Things To Do
151 bpm • A# Maj • 03:08 • -5.87db
55% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 57% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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The Charlie Daniels Band
Long Haired Country Boy
145 bpm • D Maj • 04:00 • -11.65db
61% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Hank Williams, Jr.
Dinosaur
145 bpm • E Maj • 03:19 • -14.63db
66% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
66% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
82% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
82% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Neal McCoy
No Doubt About It
145 bpm • E Maj • 03:47 • -10db
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 62% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Confederate Railroad
Queen of Memphis - Remastered Version
151 bpm • G Maj • 03:19 • -7db
49% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 60% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Daryle Singletary
Too Much Fun
152 bpm • G Maj • 02:45 • -4.64db
52% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 80% Positiveness
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George Jones
He Stopped Loving Her Today
144 bpm • G# Maj • 03:15 • -14.84db
60% Popularity • 35% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 35% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Cody Johnson
Diamond In My Pocket
152 bpm • G Maj • 03:16 • -3.51db
73% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
73% Popularity • 55% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Uncle Kracker
Drift Away
152 bpm • B Maj • 04:15 • -5.08db
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
67% Popularity • 58% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Combs
Sheriff You Want To
152 bpm • F# Maj • 03:41 • -7.74db
65% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
65% Popularity • 66% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Midland
Make A Little
152 bpm • E Maj • 03:01 • -5.16db
54% Popularity • 57% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
54% Popularity • 57% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
66% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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HIXTAPE
Red Dirt Clouds
144 bpm • A# Maj • 03:16 • -4.92db
42% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Darius Rucker
It Won't Be Like This For Long
144 bpm • E Maj • 03:39 • -6db
59% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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David Lee Murphy
Born That Way
143 bpm • D Maj • 03:06 • -10.24db
18% Popularity • 71% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 71% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Confederate Railroad
Trashy Women - Remastered Version
143 bpm • A Maj • 03:14 • -7db
53% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Randy Travis
Deeper Than the Holler
143 bpm • F Maj • 03:39 • -8.59db
67% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 65% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Combs
Houston, We Got a Problem
144 bpm • A Maj • 03:11 • -5.06db
70% Popularity • 52% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 52% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Travis Tritt
Help Me Hold On
154 bpm • G Maj • 04:00 • -7.18db
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 41% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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David Lee Murphy
I've Been A Rebel (And It Don't Pay)
154 bpm • C Maj • 04:36 • -11.25db
10% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Hal Ketchum
Small Town Saturday Night
154 bpm • G# Maj • 02:57 • -6.61db
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Darius Rucker
For The First Time
142 bpm • F# Maj • 03:17 • -5db
57% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
68% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
68% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Aaron Watson
July In Cheyenne (Song For Lane's Momma)
142 bpm • E Maj • 04:22 • -7.52db
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 59% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Clint Black
Nothin' But The Taillights
155 bpm • G Maj • 03:53 • -7.92db
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 56% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Travis Tritt
Take It Easy - 2006 Remaster
141 bpm • G Maj • 03:33 • -5.21db
57% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 63% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Little Texas
Kick a Little
141 bpm • E Maj • 03:44 • -7.3db
44% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 62% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Diffie
Pickup Man
141 bpm • G Maj • 03:36 • -8.55db
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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David Lee Murphy
Just Once
156 bpm • D Maj • 02:59 • -10db
36% Popularity • 60% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 60% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Clint Black
Summer's Comin'
156 bpm • A Maj • 02:47 • -8db
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
51% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Clay Walker
If I Could Make a Living
156 bpm • F Maj • 02:13 • -7db
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
63% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Joe Diffie
Prop Me Up Beside the Jukebox (If I Die)
141 bpm • A Maj • 03:46 • -5db
53% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 63% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Sawyer Brown
Some Girls Do
140 bpm • D Maj • 03:13 • -6.41db
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
67% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Lonestar
Amazed
140 bpm • C# Maj • 04:00 • -8db
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
69% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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George Strait
Heartland - Pure Country/Soundtrack Vers...
157 bpm • G# Maj • 02:18 • -9.5db
61% Popularity • 45% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 45% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Montgomery Gentry
What Do Ya Think About That
157 bpm • G Maj • 03:37 • -6.13db
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Randy Travis
Three Wooden Crosses
158 bpm • C# Maj • 03:21 • -7.92db
65% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
65% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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David Lee Murphy
Bringin' Her Back
139 bpm • B Maj • 03:27 • -4.18db
6% Popularity • 73% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 73% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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George Strait
Carrying Your Love With Me
138 bpm • A# Maj • 03:52 • -10.61db
70% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
70% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Clay Walker
Fall
138 bpm • C Maj • 03:37 • -6.99db
48% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
75% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
75% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Collin Raye
That's My Story
138 bpm • F min • 03:02 • -4.4db
51% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Tim McGraw
Where The Green Grass Grows
160 bpm • G Maj • 03:21 • -7.91db
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 48% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Tracy Lawrence
Find out Who Your Friends Are
160 bpm • D Maj • 03:49 • -5db
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 53% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Jo Dee Messina
Heads Carolina, Tails California
137 bpm • E Maj • 03:29 • -6.62db
69% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
64% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Gary Allan
Watching Airplanes
160 bpm • B Maj • 04:02 • -3.59db
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 37% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Craig Campbell
Fish
160 bpm • F# Maj • 02:47 • -6.28db
51% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 63% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Church
Record Year
160 bpm • F Maj • 02:59 • -8.12db
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Lee Brice
A Woman Like You
160 bpm • G Maj • 03:29 • -7db
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 59% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Cagle
Laredo
160 bpm • A# min • 03:50 • -6db
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 48% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
69% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Darryl Worley
Have You Forgotten?
160 bpm • G Maj • 04:02 • -5.98db
48% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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George Strait
Carried Away
137 bpm • G# Maj • 03:22 • -7db
61% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
61% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
