Songs like Nobody Listen by Lifehouse
Based on a tempo of (+/- 10%) and a similar genre
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Lifehouse
Hurricane
138 bpm • C Maj • 03:09 • -5.44db
33% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Graham Colton
Forget About You
138 bpm • E Maj • 03:59 • -3.81db
22% Popularity • 43% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 43% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Ferras
Soul Rock
138 bpm • F Maj • 04:14 • -7.7db
10% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Script
Long Gone and Moved On
138 bpm • D Maj • 04:17 • -4.8db
47% Popularity • 58% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 58% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Relient K
If I Can Take You Home
138 bpm • A min • 03:31 • -7.07db
23% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Cabrera
Hit Me with Your Light
138 bpm • D# min • 03:03 • -6db
10% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Lifehouse
Nobody Listen
138 bpm • G# Maj • 03:40 • -7.69db
30% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Thriving Ivory
While The Candle Still Burns
138 bpm • B Maj • 03:15 • -3.71db
31% Popularity • 36% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 36% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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David Archuleta
Barriers
138 bpm • D# Maj • 03:50 • -4.3db
28% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Snow Patrol
New York
138 bpm • F Maj • 04:00 • -6.74db
49% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Script
The Energy Never Dies
138 bpm • G Maj • 04:15 • -5.22db
43% Popularity • 55% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 55% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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We Shot The Moon
Sway Your Head
139 bpm • C Maj • 03:15 • -15db
15% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Hanson
Lost Without You
137 bpm • C# Maj • 04:11 • -4.83db
21% Popularity • 50% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 50% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Thriving Ivory
Alien
137 bpm • C# Maj • 03:59 • -3.48db
30% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Malya King
Everything Lies
136 bpm • A Maj • 02:07 • -5.33db
10% Popularity • 44% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 44% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Dishwalla
Drawn Out
140 bpm • C Maj • 04:01 • -11db
29% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Hinder
Thing For You
140 bpm • D Maj • 03:59 • -4db
39% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 39% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Hawk Nelson
36 Days
140 bpm • G# Maj • 03:44 • -14.76db
19% Popularity • 60% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 60% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Snow Patrol
If There's A Rocket Tie Me To It
140 bpm • C Maj • 04:19 • -6db
36% Popularity • 45% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
36% Popularity • 45% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Thriving Ivory
Where We Belong
140 bpm • B Maj • 03:46 • -4db
37% Popularity • 43% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 43% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Andy Grammer
Kiss You Slow
140 bpm • C Maj • 04:15 • -6.17db
8% Popularity • 55% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 55% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Owl City
Beautiful Times
136 bpm • A Maj • 03:25 • -5.39db
49% Popularity • 48% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 48% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Neon Trees
Mad Love
140 bpm • C Maj • 03:10 • -5.06db
34% Popularity • 55% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 55% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Graham Colton
Always in Love
136 bpm • B min • 04:03 • -3.87db
24% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Camera Can't Lie
Last Dance
140 bpm • G Maj • 04:13 • -4db
22% Popularity • 41% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 41% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Stars of Track and Field
End Of All Time
136 bpm • C Maj • 03:35 • -7db
35% Popularity • 43% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 43% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Faber Drive
You and I Tonight
140 bpm • F Maj • 03:41 • -4.22db
43% Popularity • 45% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 45% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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FM Static
Black Tattoo
136 bpm • C Maj • 03:29 • -5db
32% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Lifehouse
Into The Sun
136 bpm • C Maj • 05:19 • -6.2db
37% Popularity • 51% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 51% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Devon Werkheiser
If Eyes Could Speak
136 bpm • A Maj • 03:29 • -5db
30% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Dishwalla
Today, Tonight
136 bpm • G Maj • 03:02 • -12.67db
28% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Thirty Seconds To Mars
Do Or Die
135 bpm • D Maj • 04:07 • -5.51db
50% Popularity • 51% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 51% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Edwin McCain
Go Be Young
141 bpm • E Maj • 03:44 • -4.49db
20% Popularity • 49% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 49% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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The Hawk In Paris
Put Your Arms Around Me
135 bpm • F# Maj • 05:32 • -7.89db
11% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 48% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Script
You Won't Feel a Thing
141 bpm • C# min • 04:33 • -3.26db
40% Popularity • 49% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 49% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Graham Colton
You Find a Way
135 bpm • B min • 04:09 • -3.33db
27% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Revive
Almost Missed This Moment
135 bpm • B min • 03:30 • -4.01db
11% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 52% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Lifehouse
Simon
142 bpm • G# min • 06:00 • -7.14db
33% Popularity • 45% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 45% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Snow Patrol
Signal Fire
135 bpm • A Maj • 04:25 • -5.8db
45% Popularity • 48% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 48% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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This Century
Forbidden
142 bpm • C Maj • 03:30 • -4.24db
5% Popularity • 54% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
5% Popularity • 54% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Faber Drive
By Your Side
134 bpm • F# Maj • 04:00 • -5.84db
34% Popularity • 48% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 48% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Bareilles
Gonna Get Over You
142 bpm • C Maj • 04:08 • -2.9db
17% Popularity • 62% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 62% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Every Avenue
There Tonight
142 bpm • D# Maj • 03:29 • -6db
30% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 58% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Blue October
Bleed Out
142 bpm • D# Maj • 03:54 • -6.5db
45% Popularity • 44% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 44% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
35% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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The Click Five
Mary Jane
134 bpm • F# min • 03:50 • -4.12db
33% Popularity • 54% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 54% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Lifehouse
Undone
134 bpm • G Maj • 03:22 • -4.48db
34% Popularity • 48% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 48% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Emerson Hart
Run To
134 bpm • C Maj • 03:17 • -4.25db
13% Popularity • 55% Danceability • 91% Energy • 43% Liveness
55% Instrumentalness • 63% Positiveness
13% Popularity • 55% Danceability • 91% Energy • 43% Liveness
55% Instrumentalness • 63% Positiveness
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Run Kid Run
One In A Million
134 bpm • C# Maj • 03:32 • -4.8db
27% Popularity • 46% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 46% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Owl City
Lonely Lullaby
134 bpm • F# Maj • 04:30 • -10.81db
32% Popularity • 51% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 51% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Lachey
Shades Of Blue
134 bpm • E Maj • 04:17 • -5db
18% Popularity • 32% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 32% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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The Click Five
Catch Your Wave
134 bpm • D Maj • 02:52 • -1db
40% Popularity • 56% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 56% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Lifehouse
Stardust
134 bpm • G Maj • 03:56 • -4.65db
23% Popularity • 59% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 59% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Sanctus Real
We Need Each Other
143 bpm • F Maj • 04:16 • -2.97db
23% Popularity • 36% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 36% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Right the Stars
Best Days of Our Lives
143 bpm • B Maj • 02:57 • -5.8db
12% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 71% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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The Red Jumpsuit Apparatus
Cat And Mouse
143 bpm • C Maj • 03:28 • -5db
53% Popularity • 47% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 47% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Graham Colton
1981
133 bpm • C# Maj • 04:06 • -6.62db
15% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Wilhelm Tell Me
Kite
132 bpm • B Maj • 03:11 • -5.73db
12% Popularity • 49% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 49% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Lifehouse
Had Enough
134 bpm • B Maj • 03:43 • -3.6db
31% Popularity • 54% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 54% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Chester See
Under My Breath
144 bpm • A# Maj • 04:03 • -6.48db
16% Popularity • 50% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 50% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dishwalla
Every Little Thing
144 bpm • B Maj • 04:26 • -8db
49% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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3 Doors Down
Away From The Sun
132 bpm • C Maj • 03:48 • -5.29db
42% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Graham Colton
Take You Back
144 bpm • F Maj • 04:20 • -5.78db
17% Popularity • 44% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 44% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Open Air Stereo
Damned
132 bpm • G min • 03:35 • -4.39db
9% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lifehouse
All That I'm Asking For
143 bpm • G Maj • 03:54 • -8.6db
30% Popularity • 36% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 36% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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We The Kings
Friday Is Forever
145 bpm • B min • 03:04 • -4.76db
34% Popularity • 49% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 49% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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FM Static
Three Days Later
146 bpm • G# Maj • 02:23 • -5.66db
31% Popularity • 58% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 58% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Nevertheless
Oh Child
146 bpm • D Maj • 03:28 • -7db
16% Popularity • 26% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 26% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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To Be Juliet's Secret
Wrong From The Start
145 bpm • B min • 03:26 • -6db
19% Popularity • 58% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
19% Popularity • 58% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Graham Colton
You're on Your Way
146 bpm • F# Maj • 03:44 • -7.38db
16% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Camera Can't Lie
Days & Days - EP Version
130 bpm • C Maj • 03:58 • -10.2db
9% Popularity • 51% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 51% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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The Classic Crime
All the Memories (Revisited)
146 bpm • G# Maj • 04:03 • -6.47db
15% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Echosmith
Safest Place
130 bpm • F Maj • 04:15 • -5.33db
27% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Chris August
It's Always Been You
130 bpm • E Maj • 02:55 • -5.31db
12% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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FM Static
Take Me As I Am
130 bpm • C Maj • 03:32 • -6.57db
45% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Click Five
Addicted to Me
130 bpm • E min • 04:08 • -4.15db
20% Popularity • 82% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 82% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Courrier
Right As Rain
130 bpm • C# Maj • 04:13 • -5.31db
18% Popularity • 54% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
18% Popularity • 54% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Imagine Dragons
Cha-Ching (Till We Grow Older)
130 bpm • G Maj • 04:09 • -6db
45% Popularity • 52% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 52% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Lifehouse
Days Go By
130 bpm • G Maj • 03:23 • -4.25db
30% Popularity • 50% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 50% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Tim Halperin
All You Got
130 bpm • G Maj • 03:27 • -5.38db
9% Popularity • 37% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 37% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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City of Lions
We Will Cary On
130 bpm • F# Maj • 03:06 • -6.93db
25% Popularity • 51% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 51% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Kingsfoil
Give It Up Now
147 bpm • C# Maj • 02:55 • -5.66db
19% Popularity • 51% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 51% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Reeves
Photographs & Memories.
130 bpm • G Maj • 05:27 • -9.47db
26% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Classic Crime
The Precipice
147 bpm • D# Maj • 03:38 • -5.37db
33% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 57% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Thriving Ivory
Love Alone
148 bpm • A# Maj • 03:49 • -5db
30% Popularity • 41% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 41% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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The Last Goodnight
This Is The Sound
148 bpm • C Maj • 03:18 • -4.42db
15% Popularity • 47% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 47% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Andrew Allen
Amazing
148 bpm • A Maj • 03:43 • -8.4db
13% Popularity • 53% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 53% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Hawk Nelson
I Still Miss You
148 bpm • G Maj • 03:51 • -6db
25% Popularity • 44% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 44% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Edwin McCain
Shooting Stars
148 bpm • C Maj • 03:37 • -6.26db
38% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 55% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Shannon Noll
Won't Let You Go
148 bpm • E Maj • 03:48 • -3.26db
17% Popularity • 41% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 41% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Simple Plan
Astronaut
148 bpm • A min • 03:40 • -3.46db
54% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Taylor Henderson
Worth Fighting For
128 bpm • C# Maj • 03:43 • -4.42db
27% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 58% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ryan Cabrera
House on Fire
128 bpm • D Maj • 03:34 • -4.7db
24% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Thriving Ivory
Twilight
128 bpm • C# Maj • 03:22 • -3.27db
31% Popularity • 48% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 48% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Kingsfoil
American Veins
128 bpm • A# Maj • 03:32 • -5.33db
15% Popularity • 59% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 59% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Owl City
I Found Love
128 bpm • C# Maj • 03:39 • -7.74db
35% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Sligh
Willow Tree
128 bpm • D Maj • 04:33 • -6.49db
10% Popularity • 54% Danceability • 80% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
10% Popularity • 54% Danceability • 80% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
