Songs like Nobody Move, Nobody Get Hurt by We Are Scientists
Based on a tempo of (+/- 10%) and a similar genre
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The Killers
Midnight Show
144 bpm • D# min • 04:03 • -5.17db
48% Popularity • 39% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
48% Popularity • 39% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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We Are Scientists
Nobody Move, Nobody Get Hurt
144 bpm • F# Maj • 03:12 • -4.74db
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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The Cribs
Girls Like Mystery
144 bpm • D# Maj • 02:50 • -2.64db
19% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 60% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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The Dead 60s
Riot Radio
144 bpm • G min • 02:25 • -5.88db
45% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Arctic Monkeys
Dancing Shoes
144 bpm • C# Maj • 02:21 • -4.14db
64% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 52% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Hot Hot Heat
Naked In The City Again
144 bpm • F# Maj • 03:11 • -5.82db
26% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 50% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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We Are Scientists
In My Head
144 bpm • B Maj • 03:21 • -5.08db
23% Popularity • 46% Danceability • 81% Energy • 7% Liveness
5% Instrumentalness • 31% Positiveness
23% Popularity • 46% Danceability • 81% Energy • 7% Liveness
5% Instrumentalness • 31% Positiveness
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The Cribs
You Were Always the One
143 bpm • E Maj • 02:28 • -4db
29% Popularity • 35% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 35% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Franz Ferdinand
Darts Of Pleasure
145 bpm • E min • 02:59 • -7.64db
47% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 40% Danceability • 72% Energy • 60% Liveness
0% Instrumentalness • 78% Positiveness
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The Cinematics
Keep Forgetting
145 bpm • D min • 03:58 • -3.11db
23% Popularity • 54% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 54% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Idlewild
Roseability
143 bpm • F# Maj • 03:38 • -6.69db
27% Popularity • 44% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 44% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Rakes
Work Work Work - Pub Club Sleep
145 bpm • E Maj • 04:05 • -6db
23% Popularity • 63% Danceability • 88% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
23% Popularity • 63% Danceability • 88% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Klaxons
Gravity's Rainbow
143 bpm • E min • 02:36 • -3db
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
45% Popularity • 44% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Hot Hot Heat
Let Me In
145 bpm • D Maj • 04:15 • -2.93db
28% Popularity • 47% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 47% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Automatic
Raoul
145 bpm • B Maj • 03:53 • -4.04db
27% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Good Shoes
Under Control
145 bpm • A min • 02:28 • -5.59db
44% Popularity • 66% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 66% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Does It Offend You, Yeah?
Epic Last Song
145 bpm • C# Maj • 04:33 • -3db
25% Popularity • 44% Danceability • 97% Energy • 9% Liveness
25% Instrumentalness • 46% Positiveness
25% Popularity • 44% Danceability • 97% Energy • 9% Liveness
25% Instrumentalness • 46% Positiveness
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The Rakes
Binary Love
145 bpm • A min • 03:45 • -6.18db
20% Popularity • 58% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
20% Popularity • 58% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
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Klaxons
Atlantis To Interzone
145 bpm • A min • 03:16 • -3.27db
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 21% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Jamie T
Zombie
145 bpm • E Maj • 04:06 • -4.34db
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 54% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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The Fratellis
My Friend John
143 bpm • D min • 03:02 • -3.36db
40% Popularity • 47% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 47% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Von Bondies
Earthquake
146 bpm • B Maj • 03:04 • -3.19db
18% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 52% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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White Lies
Bigger Than Us
143 bpm • A Maj • 04:42 • -5.36db
48% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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OK Go
Here It Goes Again
146 bpm • C Maj • 02:59 • -2.31db
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
66% Popularity • 54% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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The Bravery
This Is Not The End
146 bpm • G min • 03:59 • -4.3db
35% Popularity • 45% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 45% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 46% Positiveness
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Does It Offend You, Yeah?
Being Bad Feels Pretty Good
146 bpm • F# Maj • 04:05 • -3.65db
27% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Von Bondies
Shut Your Mouth
146 bpm • B min • 02:22 • -4.33db
31% Popularity • 49% Danceability • 98% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 98% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
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The Wombats
Techno Fan
142 bpm • D Maj • 03:59 • -5.5db
40% Popularity • 51% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 51% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Feeder
Come Back Around
146 bpm • G Maj • 03:13 • -4.78db
40% Popularity • 45% Danceability • 97% Energy • 12% Liveness
22% Instrumentalness • 57% Positiveness
40% Popularity • 45% Danceability • 97% Energy • 12% Liveness
22% Instrumentalness • 57% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
59% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
59% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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The Cribs
I'm a Realist
142 bpm • A Maj • 03:03 • -4db
28% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Von Bondies
This Is Our Perfect Crime
142 bpm • C# min • 02:57 • -4db
25% Popularity • 51% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 51% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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The Hives
Walk Idiot Walk
146 bpm • A Maj • 03:31 • -3.93db
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
56% Popularity • 62% Danceability • 95% Energy • 58% Liveness
1% Instrumentalness • 68% Positiveness
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Hot Hot Heat
Island of the Honest Man
146 bpm • E Maj • 03:02 • -2.11db
22% Popularity • 35% Danceability • 91% Energy • 20% Liveness
34% Instrumentalness • 45% Positiveness
22% Popularity • 35% Danceability • 91% Energy • 20% Liveness
34% Instrumentalness • 45% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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The Wombats
Tokyo (Vampires & Wolves)
146 bpm • C Maj • 03:45 • -5.52db
54% Popularity • 46% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 46% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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The Automatic
Monster
141 bpm • E min • 03:39 • -7db
51% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Killers
Sam's Town
141 bpm • F# min • 04:06 • -4.6db
53% Popularity • 27% Danceability • 96% Energy • 73% Liveness
1% Instrumentalness • 44% Positiveness
53% Popularity • 27% Danceability • 96% Energy • 73% Liveness
1% Instrumentalness • 44% Positiveness
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The Pigeon Detectives
I Found Out
147 bpm • E Maj • 02:07 • -1.67db
45% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 47% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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We Are Scientists
The Great Escape
147 bpm • A Maj • 03:18 • -5db
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Cooper Temple Clause
Promises, Promises
141 bpm • G Maj • 03:25 • -4db
24% Popularity • 46% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 46% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Young Knives
Fit 4 U
147 bpm • E min • 03:16 • -5db
18% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Mystery Jets
Half in Love with Elizabeth
147 bpm • A min • 03:19 • -3db
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 54% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Biffy Clyro
Bubbles
147 bpm • D# Maj • 05:01 • -5.89db
40% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Pigeon Detectives
I'm Not Sorry
147 bpm • E Maj • 03:42 • -3.53db
33% Popularity • 39% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 39% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Babyshambles
Delivery
141 bpm • F Maj • 02:41 • -4.2db
46% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Kings of Leon
Charmer
147 bpm • G Maj • 02:56 • -5db
42% Popularity • 40% Danceability • 79% Energy • 48% Liveness
1% Instrumentalness • 48% Positiveness
42% Popularity • 40% Danceability • 79% Energy • 48% Liveness
1% Instrumentalness • 48% Positiveness
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The Killers
This River Is Wild
141 bpm • D# Maj • 04:38 • -4.29db
46% Popularity • 38% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 38% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Kaiser Chiefs
Modern Way
148 bpm • C# min • 04:03 • -5.17db
48% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Von Bondies
C'mon C'mon
148 bpm • F Maj • 02:13 • -4db
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Test Icicles
Circle. Square. Triangle.
140 bpm • F# min • 03:06 • -3db
29% Popularity • 41% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Good Shoes
In the City
148 bpm • D min • 02:37 • -7.21db
25% Popularity • 61% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 61% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Bloc Party
Truth
148 bpm • G Maj • 04:00 • -6db
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
40% Popularity • 46% Danceability • 90% Energy • 50% Liveness
27% Instrumentalness • 69% Positiveness
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Friendly Fires
Jump in the Pool
140 bpm • A Maj • 03:37 • -4db
40% Popularity • 43% Danceability • 93% Energy • 31% Liveness
1% Instrumentalness • 38% Positiveness
40% Popularity • 43% Danceability • 93% Energy • 31% Liveness
1% Instrumentalness • 38% Positiveness
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Kasabian
Reason Is Treason
140 bpm • A Maj • 04:35 • -8db
29% Popularity • 56% Danceability • 70% Energy • 8% Liveness
15% Instrumentalness • 18% Positiveness
29% Popularity • 56% Danceability • 70% Energy • 8% Liveness
15% Instrumentalness • 18% Positiveness
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Tokyo Police Club
Bambi
140 bpm • C# min • 02:46 • -7.09db
47% Popularity • 62% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 79% Positiveness
47% Popularity • 62% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 79% Positiveness
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Silversun Pickups
Substitution
140 bpm • D Maj • 04:41 • -5.58db
45% Popularity • 50% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
45% Popularity • 50% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Bombay Bicycle Club
Magnet
140 bpm • E Maj • 04:50 • -5.82db
32% Popularity • 54% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 32% Positiveness
32% Popularity • 54% Danceability • 86% Energy • 7% Liveness
71% Instrumentalness • 32% Positiveness
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Young Knives
Weekends and Bleak Days (Hot Summer)
140 bpm • B min • 02:47 • -5db
19% Popularity • 60% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 60% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
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The Von Bondies
Pale Bride
148 bpm • A# Maj • 02:55 • -4.59db
30% Popularity • 39% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 46% Positiveness
30% Popularity • 39% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 46% Positiveness
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Supergrass
Diamond Hoo Ha Man
148 bpm • C Maj • 03:25 • -5.48db
33% Popularity • 48% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
33% Popularity • 48% Danceability • 88% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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The Killers
Bones
140 bpm • A Maj • 03:47 • -3.61db
57% Popularity • 47% Danceability • 90% Energy • 8% Liveness
12% Instrumentalness • 57% Positiveness
57% Popularity • 47% Danceability • 90% Energy • 8% Liveness
12% Instrumentalness • 57% Positiveness
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Hot Hot Heat
Middle of Nowhere
139 bpm • G Maj • 04:01 • -3db
44% Popularity • 57% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 57% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Bombay Bicycle Club
Evening / Morning
139 bpm • A# Maj • 02:54 • -7.86db
49% Popularity • 42% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
49% Popularity • 42% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 24% Positiveness
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Metric
Sick Muse
149 bpm • A Maj • 04:17 • -4db
44% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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Black Rebel Motorcycle Club
Weapon Of Choice
149 bpm • F min • 02:49 • -1.93db
40% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 44% Danceability • 100% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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We Are Scientists
Central Ac
150 bpm • C Maj • 02:42 • -3.1db
2% Popularity • 38% Danceability • 90% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
2% Popularity • 38% Danceability • 90% Energy • 20% Liveness
21% Instrumentalness • 59% Positiveness
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The Cribs
Hey Scenesters!
150 bpm • B min • 03:11 • -3.56db
35% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 30% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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The Hives
Won't Be Long
150 bpm • C# min • 03:46 • -3.09db
42% Popularity • 60% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 60% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Pete And The Pirates
Mr Understanding
150 bpm • D Maj • 03:15 • -5db
39% Popularity • 52% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
39% Popularity • 52% Danceability • 92% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Editors
An End Has a Start
150 bpm • F# min • 03:45 • -2.43db
52% Popularity • 35% Danceability • 92% Energy • 34% Liveness
11% Instrumentalness • 54% Positiveness
52% Popularity • 35% Danceability • 92% Energy • 34% Liveness
11% Instrumentalness • 54% Positiveness
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The Faint
I Disappear
138 bpm • D Maj • 04:07 • -8db
44% Popularity • 63% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
44% Popularity • 63% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 68% Positiveness
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We Are Scientists
I Cut My Own Hair
150 bpm • F Maj • 02:32 • -3.12db
22% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Maximo Park
Graffiti
150 bpm • E Maj • 03:05 • -3db
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
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Bloc Party
Ratchet
138 bpm • C Maj • 03:18 • -5.66db
50% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 74% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Hot Hot Heat
Bandages
150 bpm • E min • 03:32 • -4db
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 38% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Editors
Blood
150 bpm • F# min • 03:27 • -5db
14% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
14% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
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Feeder
Shatter (New Version)
137 bpm • C min • 03:00 • -5.8db
34% Popularity • 45% Danceability • 68% Energy • 9% Liveness
5% Instrumentalness • 54% Positiveness
34% Popularity • 45% Danceability • 68% Energy • 9% Liveness
5% Instrumentalness • 54% Positiveness
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We Are Scientists
Lousy Reputation
150 bpm • G# min • 02:35 • -4.65db
34% Popularity • 35% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 35% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Kooks
Ooh La
151 bpm • A# min • 03:28 • -5.19db
62% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Rakes
The Light from Your Mac
137 bpm • C Maj • 03:03 • -3.34db
20% Popularity • 69% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
20% Popularity • 69% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 86% Positiveness
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Interpol
The Heinrich Maneuver
137 bpm • E min • 03:28 • -3.86db
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
55% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
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The Cribs
Martell
137 bpm • A Maj • 02:57 • -3.95db
25% Popularity • 48% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 48% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Air Traffic
Charlotte
152 bpm • D Maj • 02:24 • -3db
33% Popularity • 43% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 43% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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The Automatic
Interstate
152 bpm • F# Maj • 03:34 • -3db
10% Popularity • 42% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 42% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Klaxons
It's Not Over Yet
152 bpm • A Maj • 03:35 • -4db
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 27% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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The Rakes
When Tom Cruise Cries
137 bpm • G# min • 04:48 • -10.08db
14% Popularity • 67% Danceability • 66% Energy • 21% Liveness
81% Instrumentalness • 31% Positiveness
14% Popularity • 67% Danceability • 66% Energy • 21% Liveness
81% Instrumentalness • 31% Positiveness
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Young Knives
Dyed in the Wool
152 bpm • B min • 03:09 • -5db
9% Popularity • 56% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 56% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Mystery Jets
Young Love
136 bpm • E Maj • 03:22 • -5.19db
49% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 63% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Hot Hot Heat
No, Not Now
136 bpm • A Maj • 02:31 • -5db
38% Popularity • 63% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 63% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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The Libertines
Time for Heroes
152 bpm • D Maj • 02:40 • -4db
54% Popularity • 34% Danceability • 92% Energy • 1% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 34% Danceability • 92% Energy • 1% Liveness
0% Instrumentalness • 71% Positiveness
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Klaxons
Magick
152 bpm • F min • 03:30 • -3db
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 26% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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The Pigeon Detectives
This Is An Emergency
136 bpm • G Maj • 03:10 • -3.19db
25% Popularity • 25% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 25% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Modest Mouse
Dashboard
136 bpm • B min • 04:06 • -5.01db
62% Popularity • 64% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 64% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
