Songs like No-Body's Jigg - Mr Lane's Magot - Fantomenland - Fig for a Kiss by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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OCP Session Choir
Asperges Me - Chant Mass
103 bpm • D Maj • 01:48 • -23.76db
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Kyrie XVII b
104 bpm • G Maj • 02:07 • -23db
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Schola Gregoriana Del Coro F. Paer
Alle Psallite
104 bpm • G min • 01:51 • -18.47db
15% Popularity • 33% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 33% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Anonymous
Lieder ohne Worte (Song without Words), ...
102 bpm • A Maj • 02:42 • -24.95db
27% Popularity • 20% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
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Prima Luce
Florete Flores
102 bpm • A Maj • 01:20 • -29.89db
18% Popularity • 23% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 23% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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S. Serafimovich
Peaceful Light (Valaam Monestary Chant)
104 bpm • C Maj • 02:13 • -29.63db
19% Popularity • 27% Danceability • 4% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 4% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Ensemble Discantus
Cantiga de Santa Maria 300: Muito deveri...
105 bpm • F# Maj • 04:22 • -21.94db
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Monks Of The Abbey Of Notre Dame
Sanctum Et Immaculata
101 bpm • E min • 03:41 • -28db
46% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Chrámový Zbor Campana
Omni die dic Mariae
101 bpm • A# Maj • 02:31 • -22.2db
21% Popularity • 19% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 19% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Anonymous
Lauda Sion: Nunc dimittis - Sequentia in...
106 bpm • A Maj • 06:56 • -22.54db
30% Popularity • 23% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 23% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Triswiatoje
106 bpm • D# min • 01:31 • -18.99db
20% Popularity • 27% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
20% Popularity • 27% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
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authentic Kiev chant
Thy Resurrection-(authentic Kiev chant)
106 bpm • C# min • 04:28 • -13.77db
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
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Francisco de Peñalosa
Sancta Maria succure miseris
106 bpm • A min • 02:28 • -19.32db
9% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
9% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Nova Schola Gregoriana
Missa cunctipotens genitor Deus - Sanctu...
100 bpm • C Maj • 01:36 • -21.86db
37% Popularity • 20% Danceability • 10% Energy • 30% Liveness
4% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 10% Energy • 30% Liveness
4% Instrumentalness • 8% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Taking Up Into Heaven
107 bpm • F# min • 01:34 • -19.99db
16% Popularity • 21% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
16% Popularity • 21% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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Anonymous
Kyrie fons bonitatis. Tropo (Modo III) -...
106 bpm • A# min • 04:05 • -17db
23% Popularity • 26% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 26% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Benedictine Nuns of St. Cecilia's Abbey
Short Responsory
107 bpm • G Maj • 01:06 • -23.13db
32% Popularity • 26% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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"Drevnerussky Rospev" Male Choir
Glorious Miracle
107 bpm • A# Maj • 01:14 • -29db
24% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Antienne o quam glor...
99 bpm • G Maj • 00:48 • -29.45db
44% Popularity • 26% Danceability • 3% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
44% Popularity • 26% Danceability • 3% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Anonymous
Saint Sacrement : Panis Angelicus
106 bpm • A# min • 01:40 • -19.21db
39% Popularity • 28% Danceability • 16% Energy • 24% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 28% Danceability • 16% Energy • 24% Liveness
6% Instrumentalness • 6% Positiveness
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Monks Choir of Kyiv Pechersk Monastery
Fall Asleep by the Flash
107 bpm • C Maj • 02:07 • -16db
21% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Laure de Kiev-Petchersk
Troisième antienne, "Les béatitudes"
107 bpm • E Maj • 02:43 • -18.97db
18% Popularity • 32% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 32% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Kyrie
107 bpm • G# Maj • 01:39 • -23db
41% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
41% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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Divna Ljubojevic
The Day of Resurrection (Anastaseos Heme...
107 bpm • D# min • 01:27 • -10db
28% Popularity • 32% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 32% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Rabanus Maurus
Hymn: Veni creator spiritus
98 bpm • A# Maj • 04:31 • -28.97db
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 23% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Anonymous
Madrigal
100 bpm • C Maj • 04:26 • -14.56db
40% Popularity • 73% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 73% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Coro De Monjes Del Monasterio De Silos
Ut Queant Laxis (Modo 2)
108 bpm • F Maj • 01:34 • -18db
26% Popularity • 27% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 27% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
39% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Gloria iii
109 bpm • A min • 03:08 • -27.69db
36% Popularity • 24% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 24% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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S. Serafimovich
Blessed Is The Man (Znamenny Chant, Harm...
109 bpm • A Maj • 02:07 • -28db
14% Popularity • 37% Danceability • 7% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
14% Popularity • 37% Danceability • 7% Energy • 14% Liveness
82% Instrumentalness • 19% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Anonymous
Nos esprits libres et contents
107 bpm • D min • 05:29 • -27db
25% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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St. Tikhon's Seminary Choir
O Gladsome Light
109 bpm • B min • 01:30 • -22.25db
38% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
38% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Angelus
96 bpm • E Maj • 02:53 • -27db
42% Popularity • 22% Danceability • 4% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 4% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Traditional
Ubi Caritas – Plainchant
111 bpm • C Maj • 02:50 • -22.82db
14% Popularity • 25% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 25% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Anonymous
Viderunt omnes - Graduale/In Nativitate ...
108 bpm • E min • 02:26 • -23.99db
32% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
32% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
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Jordi Savall
Los set gotxs
96 bpm • E min • 06:24 • -13.54db
18% Popularity • 39% Danceability • 41% Energy • 20% Liveness
46% Instrumentalness • 51% Positiveness
18% Popularity • 39% Danceability • 41% Energy • 20% Liveness
46% Instrumentalness • 51% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Pérotin
Viderunt omnes: ...fines terre salutare ...
111 bpm • G# Maj • 00:56 • -22.29db
28% Popularity • 19% Danceability • 22% Energy • 24% Liveness
32% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 22% Energy • 24% Liveness
32% Instrumentalness • 18% Positiveness
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Dom Le Feuvre
A Marie, Mère de Dieu, Antienne Quomodo
95 bpm • E min • 01:02 • -23.3db
44% Popularity • 26% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
44% Popularity • 26% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 8% Positiveness
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Anonymous
Yek Mumik
97 bpm • C Maj • 05:51 • -6.19db
26% Popularity • 68% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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The Tallis Scholars
Isaac: Virgo Prudentissima, 6vv - 1. Vir...
112 bpm • E min • 05:19 • -20db
25% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan
Gaudete in Domino semper
95 bpm • D min • 03:49 • -22.45db
10% Popularity • 24% Danceability • 5% Energy • 14% Liveness
47% Instrumentalness • 8% Positiveness
10% Popularity • 24% Danceability • 5% Energy • 14% Liveness
47% Instrumentalness • 8% Positiveness
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Monks Of The Abbey Of Notre Dame
Alleluia
113 bpm • E min • 03:44 • -22db
46% Popularity • 21% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
46% Popularity • 21% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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![Gloria (recons. M. Bent): Gloria in canon [reconstructed M. Bent] cover art](https://i.scdn.co/image/ab67616d00001e02fa842f0b6f053872807e368b)
John Dunstable
Gloria (recons. M. Bent): Gloria in cano...
113 bpm • F# Maj • 02:57 • -13.94db
10% Popularity • 20% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 20% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Anonymous
Los aretes
97 bpm • G# Maj • 02:30 • -12.72db
48% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Dom Le Feuvre
Dans la joie de Pâques : Alleluia
113 bpm • C Maj • 01:19 • -20db
41% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
41% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Credo
113 bpm • A Maj • 04:42 • -20db
32% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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La Capella Reial De Catalunya
Alfons V El Magnà nim: Adoramus te (4v.)...
114 bpm • E min • 03:46 • -26db
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Francesco Landini
Nella partita
114 bpm • A Maj • 03:45 • -29db
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Schola Gregoriana Del Coro F. Paer
Vultum Tuum
114 bpm • F Maj • 02:27 • -26db
27% Popularity • 28% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
27% Popularity • 28% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Anonymous
Asi no papacito
110 bpm • E Maj • 04:09 • -12.2db
40% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Monks Of The Abbey Of Notre Dame
Salve Regina
93 bpm • A min • 01:38 • -26db
42% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Choir Of St. Abuscus
Ubi caritas et amor Antiphona (Gründonn...
114 bpm • C Maj • 02:54 • -20db
27% Popularity • 27% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Glora E Della Vita. Sequenza...
92 bpm • E min • 01:36 • -26db
29% Popularity • 26% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 26% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Anonymous
Traditor Autem - Benedictus - Antifona -...
95 bpm • E min • 04:40 • -21.67db
28% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Amor Artis Chamber Choir
Domine, Non Sum Dignus
92 bpm • A min • 01:15 • -22.41db
11% Popularity • 14% Danceability • 12% Energy • 12% Liveness
63% Instrumentalness • 9% Positiveness
11% Popularity • 14% Danceability • 12% Energy • 12% Liveness
63% Instrumentalness • 9% Positiveness
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Monks Of The Abbey Of Notre Dame
Dies Ire
115 bpm • C Maj • 02:45 • -23db
42% Popularity • 26% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
92 bpm • C Maj • 03:04 • -20.14db
18% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 01:45 • -20db
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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St. Symeon Orthodox Church Octet
Hypakoe (Kontakion of Pascha)
116 bpm • F# Maj • 01:52 • -18db
23% Popularity • 21% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 14% Positiveness
23% Popularity • 21% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 14% Positiveness
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Anonymous
Alleluia, Dies Santificatus (Modo II)
94 bpm • F# min • 02:28 • -21.18db
29% Popularity • 19% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
29% Popularity • 19% Danceability • 7% Energy • 15% Liveness
6% Instrumentalness • 9% Positiveness
► Preview
Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
31% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Schola Antiqua
Spiritus Domini
90 bpm • C Maj • 03:16 • -18.84db
34% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 26% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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S. Serafimovich
Rejoyce Virgin (Voskresensky Monastery C...
117 bpm • G min • 01:01 • -34db
24% Popularity • 29% Danceability • 1% Energy • 20% Liveness
7% Instrumentalness • 11% Positiveness
24% Popularity • 29% Danceability • 1% Energy • 20% Liveness
7% Instrumentalness • 11% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 06:06 • -17.19db
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Gloriae Dei Cantores
Feria tertia: Introit. Aqua sapientiae
118 bpm • F Maj • 02:27 • -26db
18% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Anonymous
Requiem (arr. for 3 cellos and piano)
94 bpm • D Maj • 07:23 • -25db
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jordi Savall
Cuncti simus concanentes
119 bpm • G min • 04:16 • -15.56db
19% Popularity • 39% Danceability • 49% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
19% Popularity • 39% Danceability • 49% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Ouvre Moi Les Portes Du Repentir, Pt. 1
89 bpm • F min • 02:07 • -16.07db
15% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 26% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
89 bpm • C# Maj • 05:55 • -21.72db
18% Popularity • 12% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Requiem aeternam
119 bpm • C min • 02:11 • -15db
37% Popularity • 27% Danceability • 21% Energy • 10% Liveness
26% Instrumentalness • 7% Positiveness
37% Popularity • 27% Danceability • 21% Energy • 10% Liveness
26% Instrumentalness • 7% Positiveness
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Public Domaine
Kyrie Eleison: Iv Gregorianske Messe
89 bpm • B Maj • 01:35 • -28.12db
28% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 10% Liveness
66% Instrumentalness • 5% Positiveness
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Anonymous
Prose of Easter (Victimae Paschali Laude...
113 bpm • G min • 03:27 • -15.49db
18% Popularity • 17% Danceability • 32% Energy • 24% Liveness
55% Instrumentalness • 14% Positiveness
18% Popularity • 17% Danceability • 32% Energy • 24% Liveness
55% Instrumentalness • 14% Positiveness
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Adam de la Halle
Mout me fu grief li departir / Robin m'a...
89 bpm • G Maj • 01:01 • -19db
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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St. Petersburg Optina Pustyn Male Choir
On Flute I Play my Sad Verses
89 bpm • A# Maj • 02:25 • -17.26db
23% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 22% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Margaret Rizza
Sanctum Nomen
88 bpm • C Maj • 04:13 • -24.53db
12% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 6% Positiveness
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Gregorian Chants
Dominica Pentecostes: IV. Offertorium (C...
121 bpm • F Maj • 01:53 • -14.88db
34% Popularity • 29% Danceability • 20% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
34% Popularity • 29% Danceability • 20% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
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Anonymous
Dame tu Cumbia
92 bpm • F# Maj • 03:02 • -10.66db
37% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 72% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Schola Cantorum Gymevensis
Sacris solemnis - hymn z uroczystości n...
121 bpm • C min • 03:48 • -20.73db
22% Popularity • 30% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
15% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
122 bpm • F# min • 03:30 • -26.6db
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Te Joseph
122 bpm • F# min • 02:37 • -23.13db
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Kamil Przygrodzki
Introibo ad altare Dei
122 bpm • C min • 03:20 • -15.54db
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Anonymous
Genuit puerpera regem - AntÃfona y Salm...
90 bpm • F min • 03:00 • -17.43db
26% Popularity • 20% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Kiev-Pechersk chant
From my youth-( Kiev-Pechersk chant)
122 bpm • A min • 03:24 • -12.61db
10% Popularity • 23% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 23% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
