Songs like Noche Buena by Marco Sison
Based on a tempo of (+/- 10%) and a similar genre
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Smokey Mountain
Kailan (Boy Version)
116 bpm • G Maj • 04:55 • -11.82db
16% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Marco Sison
'Til I Met You
116 bpm • G Maj • 03:33 • -12.57db
32% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 49% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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The Boyfriends
Bumalik Ka Lamang
116 bpm • E min • 02:41 • -13db
34% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Hotdog
Manila
116 bpm • F Maj • 03:04 • -9.58db
54% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Father & Sons
Sigaw Ng Puso Ko
115 bpm • G Maj • 05:39 • -11db
31% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Raymond Lauchengco
Can't Smile Without You
115 bpm • F# Maj • 02:49 • -12.14db
34% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Smokey Mountain
Kahit Habang Buhay
115 bpm • C min • 03:51 • -10db
38% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Marco Sison
Kung Alam KO Lang
116 bpm • B min • 04:49 • -9.91db
11% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Yoyoy Villame
Opao
118 bpm • G# min • 03:29 • -6.59db
39% Popularity • 76% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Richard Reynoso
Hindi Ko Kaya
114 bpm • C# Maj • 04:32 • -11.26db
46% Popularity • 64% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 64% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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APRIL BOYS
Sana Ay Mahalin Mo Rin Ako
117 bpm • C Maj • 04:08 • -14db
58% Popularity • 56% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 56% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Fred Panopio
Kawawang Cowboy
114 bpm • D Maj • 03:03 • -9db
44% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 73% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Roel Cortez
Baleleng
114 bpm • F Maj • 03:33 • -18db
44% Popularity • 47% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 47% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Marco Sison
Paano Mapipigilan
116 bpm • B Maj • 04:07 • -7.85db
1% Popularity • 45% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
1% Popularity • 45% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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J Brothers
Sorry, Mahal
114 bpm • F Maj • 05:25 • -7.37db
33% Popularity • 68% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 68% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Hotdog
Langit Na Naman
114 bpm • A Maj • 03:00 • -5db
34% Popularity • 53% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 53% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Sheryl Cruz
Mr. Dreamboy
119 bpm • F Maj • 03:03 • -10db
37% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Fred Panopio
Turistang Bilmoko
114 bpm • D# Maj • 03:49 • -9.7db
34% Popularity • 88% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 88% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Willy Garte
Nasaan Ka
113 bpm • C min • 03:37 • -16.01db
37% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Marco Sison
Si Aida, Si Lorna, O Si Fe
115 bpm • F min • 03:14 • -15.07db
32% Popularity • 95% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 95% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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MAX SURBAN
Baleleng
113 bpm • F Maj • 03:32 • -9.96db
35% Popularity • 50% Danceability • 23% Energy • 22% Liveness
6% Instrumentalness • 32% Positiveness
35% Popularity • 50% Danceability • 23% Energy • 22% Liveness
6% Instrumentalness • 32% Positiveness
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Hotdog
Manila
119 bpm • F Maj • 02:54 • -5db
32% Popularity • 82% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 82% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Willie Revillame
Yun Ka
113 bpm • C# Maj • 03:28 • -6.6db
52% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rodel Naval
Lumayo Ka Man
113 bpm • F min • 04:09 • -5db
19% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Willy Garte
Iniwanan Ng Liwanag
112 bpm • A# Maj • 03:23 • -16.83db
28% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Marco Sison
Si Aida, Si Lorna O Si Fe
115 bpm • G min • 03:18 • -11.34db
18% Popularity • 91% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 91% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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David Pomeranz
King and Queen of Hearts
120 bpm • E Maj • 04:20 • -7.14db
62% Popularity • 49% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Toni Daya
Kung Alam KO Lang
120 bpm • F Maj • 04:35 • -15db
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Cristy Mendoza
Walang Kaliwaan
112 bpm • E min • 03:15 • -17.42db
39% Popularity • 58% Danceability • 25% Energy • 10% Liveness
12% Instrumentalness • 42% Positiveness
39% Popularity • 58% Danceability • 25% Energy • 10% Liveness
12% Instrumentalness • 42% Positiveness
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Rodel Naval
LUMAYO KA MAN SA AKIN
113 bpm • F min • 04:09 • -8.67db
54% Popularity • 65% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 65% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Smokey Mountain
Kailan
120 bpm • G Maj • 04:10 • -16db
45% Popularity • 53% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 53% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Marco Sison
All at Once
118 bpm • C Maj • 05:00 • -11.55db
19% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Wency Cornejo
Magpakailanman
120 bpm • C Maj • 03:57 • -9.39db
10% Popularity • 46% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 46% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Side A
Set You Free
120 bpm • D Maj • 04:33 • -13.88db
51% Popularity • 58% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 58% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Randy Santiago
Tuloy Pa Rin
120 bpm • G Maj • 04:19 • -13db
23% Popularity • 62% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 62% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Gino Padilla
But If You Leave Me
112 bpm • G# min • 04:01 • -10db
50% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Vingo & Jimmy
Sana'y Tanggapin Ang Pag-Ibig KO
121 bpm • A Maj • 04:15 • -13.2db
45% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 59% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Marco Sison
Hindi Kita Malilimutan
119 bpm • A min • 04:41 • -10.73db
0% Popularity • 36% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 36% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Fred Panopio
Pitong Gatang
111 bpm • F Maj • 03:02 • -10db
45% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Roel Cortez
Bakit Sa'yo Pa
111 bpm • C# Maj • 02:41 • -16.41db
37% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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The Boyfriends
Paano ko Sasabihin
110 bpm • G Maj • 03:51 • -9.61db
35% Popularity • 65% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 65% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Raymond Lauchengco
Farewell
122 bpm • A Maj • 03:33 • -10db
60% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 41% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Side A
Tell Me
122 bpm • A Maj • 04:00 • -7.19db
55% Popularity • 53% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
55% Popularity • 53% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Marco Sison
Hindi Kita Malilimutan
120 bpm • C Maj • 05:21 • -11db
14% Popularity • 37% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 37% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Hajji Alejandro
Ikaw at Ang Gabi
110 bpm • A# Maj • 04:02 • -8.31db
13% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Florante
Si Tatang
110 bpm • E Maj • 02:58 • -15.38db
37% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Rainmakers
Miss Maganda
110 bpm • C Maj • 03:54 • -15.95db
21% Popularity • 80% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 80% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Gino Padilla
Let Me Be the One
123 bpm • G Maj • 04:40 • -9.03db
43% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ara Muna
O'Jo Kaluguran Daka ("Sometimes When We ...
123 bpm • C Maj • 03:59 • -8.45db
42% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Marco Sison
Friend of Mine
120 bpm • F Maj • 03:34 • -11.58db
28% Popularity • 62% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 62% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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David Pomeranz
Born for You
109 bpm • C Maj • 03:55 • -8.8db
62% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Divo Bayer
Ngayonng Nandito Ka
124 bpm • C Maj • 04:09 • -10.8db
42% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 57% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Jolina Magdangal
Laging Tapat
124 bpm • C Maj • 03:32 • -7.65db
49% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Gabriella
Natatawa Ako
124 bpm • C# Maj • 03:39 • -10.17db
45% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Roselle Nava
Huwag Ka Nang Magbabalik
124 bpm • F# Maj • 04:30 • -7.94db
45% Popularity • 63% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 63% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Marco Sison
Mahal Kita
121 bpm • A# Maj • 03:47 • -13.88db
0% Popularity • 68% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 68% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Eva Eugenio
Sige
109 bpm • A min • 03:19 • -10.75db
32% Popularity • 49% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 49% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Coritha
Sierra Madre
108 bpm • C Maj • 04:00 • -11.67db
42% Popularity • 36% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 36% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Roel Cortez
Iniibig Kita
108 bpm • A Maj • 03:57 • -17.94db
52% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tito Mina
Got to Let You Know
108 bpm • D Maj • 03:17 • -10.32db
47% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 58% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Reynoso
Ale
125 bpm • G Maj • 04:33 • -9db
36% Popularity • 79% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 79% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Marco Sison
My Lady in White
121 bpm • C Maj • 03:39 • -15.24db
0% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Mimi Baylon
Hindi Ako Laruan
107 bpm • F# min • 03:28 • -10.03db
35% Popularity • 59% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 59% Danceability • 35% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Bituin Escalante
Kung Ako Na Lang Sana
125 bpm • D# Maj • 04:10 • -6db
61% Popularity • 59% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 59% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Raymond Lauchengco
I Need You Back
125 bpm • F Maj • 03:33 • -9db
51% Popularity • 44% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 44% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Sheryn Regis
Starting over Again
126 bpm • C Maj • 04:05 • -8.84db
35% Popularity • 49% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 49% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Willie Revillame
Pinakamamahal
126 bpm • A# Maj • 03:57 • -5.87db
32% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Marco Sison
Sapagkat Kami Ay Tao Lamang
123 bpm • C Maj • 04:44 • -19db
20% Popularity • 33% Danceability • 8% Energy • 17% Liveness
16% Instrumentalness • 6% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 17% Liveness
16% Instrumentalness • 6% Positiveness
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Jovit Baldivino
Sana'y Magbalik
126 bpm • F# min • 04:32 • -5.69db
37% Popularity • 57% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jolina Magdangal
Sana'Y Kapiling Ka
126 bpm • D min • 03:51 • -10.64db
40% Popularity • 38% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 38% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Roel Cortez
Sa Mata Makikita
127 bpm • E Maj • 03:59 • -18db
50% Popularity • 63% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 63% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Sheryn Regis
Hindi Ko Kayang Iwan Ka
126 bpm • G Maj • 04:18 • -4.93db
33% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 62% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Nikki Valdez
Meron Ba?
126 bpm • G Maj • 03:20 • -8.24db
38% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Marco Sison
Magmula Noon
108 bpm • B min • 03:56 • -10.95db
1% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 63% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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ALYNNA
Pasumpa-Sumpa Ka Pa
106 bpm • B min • 03:28 • -10.71db
29% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 71% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Florante
Handog
106 bpm • C Maj • 03:41 • -18.43db
27% Popularity • 26% Danceability • 22% Energy • 12% Liveness
64% Instrumentalness • 26% Positiveness
27% Popularity • 26% Danceability • 22% Energy • 12% Liveness
64% Instrumentalness • 26% Positiveness
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Tootsie Guevara
Mahal Ka Sa Akin
106 bpm • B Maj • 04:39 • -8.26db
54% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Rodel Naval
Ikaw Pa Lamang
127 bpm • C Maj • 03:34 • -9.52db
36% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Roselle Nava
Laging Ikaw Pa Rin
127 bpm • F Maj • 04:26 • -14.15db
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jeremiah
Nanghihinayang
127 bpm • F Maj • 04:43 • -8.22db
53% Popularity • 64% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 64% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Carol Banawa
Ocean Deep
128 bpm • D Maj • 04:52 • -8.7db
37% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Florante
Handog
106 bpm • C Maj • 03:41 • -16.92db
54% Popularity • 26% Danceability • 26% Energy • 48% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 26% Danceability • 26% Energy • 48% Liveness
0% Instrumentalness • 20% Positiveness
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Cinderella
Ang Boyfriend Kong Baduy
128 bpm • C Maj • 02:53 • -13db
38% Popularity • 74% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 74% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Jolina Magdangal
Panaginip
128 bpm • G min • 04:06 • -10.56db
30% Popularity • 53% Danceability • 32% Energy • 10% Liveness
41% Instrumentalness • 16% Positiveness
30% Popularity • 53% Danceability • 32% Energy • 10% Liveness
41% Instrumentalness • 16% Positiveness
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Roselle Nava
Mahal Mo Ba'Y Di Na Ako
128 bpm • C Maj • 04:17 • -7.68db
42% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jeremiah
Oh Babe
128 bpm • F# min • 04:09 • -8.51db
38% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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APRIL BOYS
Mapagmahal Ako
128 bpm • F Maj • 03:28 • -10.32db
29% Popularity • 68% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 68% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Florante
Ako'y Pinoy
127 bpm • D Maj • 02:32 • -16.38db
46% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Hotdog
Annie Batungbakal
128 bpm • A# Maj • 03:16 • -5.68db
41% Popularity • 77% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 83% Positiveness
41% Popularity • 77% Danceability • 90% Energy • 4% Liveness
2% Instrumentalness • 83% Positiveness
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The Boyfriends
Mamahalin Kita
105 bpm • G Maj • 03:15 • -10.69db
40% Popularity • 68% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 68% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Cristy Mendoza
Kung Liligaya Ka
105 bpm • G Maj • 03:29 • -22.36db
30% Popularity • 40% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
30% Popularity • 40% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
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Randy Santiago
Babaero
129 bpm • A# Maj • 05:07 • -6db
42% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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VST & Company
Magsayawan
129 bpm • C Maj • 03:07 • -12.77db
54% Popularity • 70% Danceability • 55% Energy • 15% Liveness
6% Instrumentalness • 75% Positiveness
54% Popularity • 70% Danceability • 55% Energy • 15% Liveness
6% Instrumentalness • 75% Positiveness
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Tito Mina
Both in Love
129 bpm • F# min • 03:31 • -15db
46% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gino Padilla
Why Can't It Be
129 bpm • G# Maj • 03:56 • -9.71db
51% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 40% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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The Boyfriends
Sumayaw Sumunod
129 bpm • E min • 03:17 • -12.7db
56% Popularity • 64% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 64% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Roselle Nava
You
130 bpm • G Maj • 04:40 • -12.6db
33% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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ALYNNA
Kahit Gaano Kalaki
104 bpm • F# Maj • 04:25 • -13db
30% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
