Songs like Nocturne 17 by Craig Armstrong
Based on a tempo of (+/- 10%) and a similar genre
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Rachel Portman
Main Title
70 bpm • D min • 03:07 • -22db
52% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Calum Martin
Martyrdom (Movement 1)
70 bpm • G Maj • 02:08 • -23.85db
38% Popularity • 15% Danceability • 10% Energy • 32% Liveness
9% Instrumentalness • 5% Positiveness
38% Popularity • 15% Danceability • 10% Energy • 32% Liveness
9% Instrumentalness • 5% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Shore
The Journey to the Grey Havens
70 bpm • A Maj • 07:34 • -29.2db
52% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
52% Popularity • 9% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Mark McKenzie
Emily's Chemo
70 bpm • A# Maj • 01:22 • -18db
32% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Kamen
Winters On Subway - Instrumental
71 bpm • G Maj • 01:54 • -36db
28% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
28% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Dirk Brossé
Cast Away
69 bpm • G# Maj • 04:52 • -26db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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John Lunn
Cortege
69 bpm • D# Maj • 03:25 • -14.13db
22% Popularity • 6% Danceability • 21% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
22% Popularity • 6% Danceability • 21% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Stephen Rennicks
In the World
71 bpm • G# Maj • 01:51 • -14.72db
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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The Chamber Orchestra Of London
Titanic
71 bpm • G# min • 02:09 • -14.58db
31% Popularity • 21% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Talk With Dad
69 bpm • C min • 01:14 • -24.18db
21% Popularity • 6% Danceability • 2% Energy • 8% Liveness
74% Instrumentalness • 5% Positiveness
21% Popularity • 6% Danceability • 2% Energy • 8% Liveness
74% Instrumentalness • 5% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Guy Farley
Drawing
69 bpm • G min • 02:34 • -29.44db
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Mark McKenzie
Dishes Are Never a Chore
69 bpm • G Maj • 02:55 • -17db
20% Popularity • 24% Danceability • 12% Energy • 14% Liveness
59% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 12% Energy • 14% Liveness
59% Instrumentalness • 4% Positiveness
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John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Anne Nikitin
The Earth Spins
68 bpm • A# Maj • 01:49 • -18.97db
49% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Craig Armstrong
That Night He Told Me Everything
69 bpm • C Maj • 04:50 • -26.63db
21% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Howard Shore
Spotlight
68 bpm • G Maj • 01:03 • -25.07db
41% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
41% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Craig Armstrong
Oak Returns
68 bpm • C Maj • 02:17 • -19.62db
32% Popularity • 21% Danceability • 8% Energy • 7% Liveness
55% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 8% Energy • 7% Liveness
55% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Head of the Family
68 bpm • D min • 02:41 • -23.87db
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Max Richter
She Remembers
68 bpm • F# min • 03:49 • -21.52db
51% Popularity • 6% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
51% Popularity • 6% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
Rivers
68 bpm • G Maj • 01:13 • -29.99db
39% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 25% Liveness
9% Instrumentalness • 14% Positiveness
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Mychael Danna
Coaching
73 bpm • C Maj • 01:01 • -27db
45% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Carter Burwell
Meeting Miriam
67 bpm • C Maj • 01:33 • -18db
26% Popularity • 26% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
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Craig Armstrong
Paris
73 bpm • B Maj • 03:26 • -18.03db
34% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
34% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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John Debney
The Princess Diaries Medley - Score
73 bpm • F Maj • 03:23 • -20db
37% Popularity • 20% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
37% Popularity • 20% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Armstrong
Sarah & Karl Go Wrong
67 bpm • D Maj • 01:34 • -26.1db
28% Popularity • 17% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
The Legend Begins
67 bpm • F Maj • 01:27 • -17.96db
60% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
60% Popularity • 24% Danceability • 23% Energy • 24% Liveness
97% Instrumentalness • 3% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Randy Edelman
Love Theme
74 bpm • G Maj • 01:46 • -19db
42% Popularity • 10% Danceability • 12% Energy • 23% Liveness
93% Instrumentalness • 8% Positiveness
42% Popularity • 10% Danceability • 12% Energy • 23% Liveness
93% Instrumentalness • 8% Positiveness
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Alex Heffes
Opening Title
67 bpm • A Maj • 02:00 • -17.33db
36% Popularity • 32% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 45% Positiveness
36% Popularity • 32% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 45% Positiveness
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Bear McCreary
The Key to Lallybroch
74 bpm • D Maj • 07:09 • -23.05db
31% Popularity • 7% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Craig Armstrong
Boats Against The Current And Daisy's Th...
67 bpm • C# Maj • 05:09 • -21.79db
25% Popularity • 8% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Anne Dudley
The Blue Dress
67 bpm • D# Maj • 02:03 • -17.36db
24% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
37% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
37% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Marc Streitenfeld
The Final Arrow
66 bpm • F min • 02:29 • -17.15db
45% Popularity • 18% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
45% Popularity • 18% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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David Hirschfelder
The Dressmaker Closing Credits
74 bpm • D min • 05:17 • -18db
27% Popularity • 17% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
27% Popularity • 17% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Howard Shore
Twilight and Shadow
74 bpm • E min • 03:30 • -22db
50% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Roque Baños
Camilla's Theme (Roque Baños Plays)
66 bpm • C# min • 01:59 • -26.16db
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
44% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
44% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Calum Martin
Ballantyne (Movement 5 Your Shadow)
75 bpm • D# Maj • 02:32 • -22.33db
35% Popularity • 17% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Anne Dudley
I Stopped Lying
66 bpm • F min • 01:29 • -22.58db
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Shore
Evenstar
74 bpm • E min • 03:15 • -26.19db
59% Popularity • 12% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
59% Popularity • 12% Danceability • 4% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Samuel Sim
The World Has Left Us Behind
66 bpm • G Maj • 01:41 • -28.38db
28% Popularity • 29% Danceability • 2% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
28% Popularity • 29% Danceability • 2% Energy • 6% Liveness
80% Instrumentalness • 6% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Craig Armstrong
Jamie Leaves Aurelia - Extended Version
67 bpm • C Maj • 03:18 • -18.53db
14% Popularity • 24% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Rob Simonsen
Spiral
66 bpm • F# min • 02:53 • -30db
43% Popularity • 6% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
43% Popularity • 6% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Cliff Eidelman
Harrison's Flowers
65 bpm • C Maj • 01:34 • -18.1db
21% Popularity • 21% Danceability • 14% Energy • 52% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 21% Danceability • 14% Energy • 52% Liveness
97% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
Awakening Of Spring
65 bpm • G Maj • 01:49 • -19.3db
35% Popularity • 20% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Marcelo Zarvos
The Author
65 bpm • F Maj • 01:01 • -39.16db
30% Popularity • 20% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 11% Positiveness
30% Popularity • 20% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 11% Positiveness
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Samuel Sim
A Ball
65 bpm • E min • 01:02 • -25.79db
40% Popularity • 34% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 34% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Mark McKenzie
Goodbye My Friend
65 bpm • D Maj • 02:34 • -23.19db
39% Popularity • 19% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
39% Popularity • 19% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Alex Heffes
Grace Alone
76 bpm • G min • 01:38 • -19db
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Howard Shore
Many Meetings
65 bpm • C Maj • 03:05 • -20.61db
54% Popularity • 6% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
54% Popularity • 6% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Stuart Earl
Clifftop Prelude
65 bpm • A Maj • 01:27 • -16.34db
50% Popularity • 16% Danceability • 19% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
50% Popularity • 16% Danceability • 19% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Mark McKenzie
Keep Looking Up
64 bpm • F Maj • 02:29 • -26db
42% Popularity • 8% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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John Lunn
End Of An Era
64 bpm • A min • 00:52 • -13db
37% Popularity • 12% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
37% Popularity • 12% Danceability • 22% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Craig Armstrong
On The Bench
75 bpm • D# min • 00:58 • -23.66db
29% Popularity • 20% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Howard Shore
London 1998
65 bpm • D min • 01:41 • -25.88db
44% Popularity • 7% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
44% Popularity • 7% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Max Richter
I will not forget you
77 bpm • C Maj • 03:55 • -16.68db
42% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
42% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Craig Armstrong
Lou Shaves Will
65 bpm • C Maj • 01:47 • -23.06db
31% Popularity • 40% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
31% Popularity • 40% Danceability • 3% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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John Barry
Two Socks / The Wolf Theme
77 bpm • A Maj • 01:31 • -28db
41% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
41% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Jacob Shea
Northern Lights
77 bpm • C min • 02:00 • -21.55db
43% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
43% Popularity • 19% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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Angèle Dubeau
Suite Harry Potter: Lily’s Theme – H...
78 bpm • B min • 06:26 • -18.85db
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
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Craig Armstrong
Your Song
64 bpm • C Maj • 02:28 • -16db
40% Popularity • 24% Danceability • 15% Energy • 16% Liveness
82% Instrumentalness • 6% Positiveness
40% Popularity • 24% Danceability • 15% Energy • 16% Liveness
82% Instrumentalness • 6% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Togetherness
78 bpm • F# min • 01:44 • -18.38db
25% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
52% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Mark McKenzie
Redemption
63 bpm • F min • 01:30 • -16db
21% Popularity • 15% Danceability • 20% Energy • 11% Liveness
56% Instrumentalness • 3% Positiveness
21% Popularity • 15% Danceability • 20% Energy • 11% Liveness
56% Instrumentalness • 3% Positiveness
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Alex Heffes
Jamie's Memory
78 bpm • G min • 01:28 • -22db
34% Popularity • 36% Danceability • 15% Energy • 38% Liveness
32% Instrumentalness • 8% Positiveness
34% Popularity • 36% Danceability • 15% Energy • 38% Liveness
32% Instrumentalness • 8% Positiveness