Songs like Nocturne No. 10 In E Minor by Benjamin Frith
Based on a tempo of (+/- 10%) and a similar genre
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Franz Liszt
Die Rose, Romanze aus der Oper Zemir und...
65 bpm • E Maj • 04:47 • -30.37db
47% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
47% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Claude Debussy
2 Arabesques, L. 66: I. Andantino con mo...
65 bpm • F# min • 04:12 • -35.32db
49% Popularity • 37% Danceability • 1% Energy • 5% Liveness
89% Instrumentalness • 8% Positiveness
49% Popularity • 37% Danceability • 1% Energy • 5% Liveness
89% Instrumentalness • 8% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Kitsch-Musik: III. Allegretto
65 bpm • D# Maj • 03:02 • -42db
43% Popularity • 18% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
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Georges Bizet
Chants du Rhin, WD 52: Les rêves
65 bpm • C# Maj • 03:44 • -30.94db
45% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Giya Kancheli
Tune from the Film by Lana Gogoberidze: ...
65 bpm • D min • 02:08 • -39db
40% Popularity • 25% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
40% Popularity • 25% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Trois Romances sans paroles, Op. 17: 3. ...
65 bpm • G# Maj • 02:45 • -34.75db
53% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Antonín Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22: No. 3, La poupé...
64 bpm • B Maj • 02:22 • -37.46db
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Baldassare Galuppi
I. Allegro moderato
66 bpm • C min • 02:10 • -25.34db
47% Popularity • 33% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 21% Positiveness
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Dora Pejačević
Berceuse, Op. 2
66 bpm • F Maj • 02:34 • -40db
21% Popularity • 30% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
21% Popularity • 30% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 22% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
49% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
49% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: III. Une barque s...
66 bpm • D Maj • 07:00 • -23.19db
43% Popularity • 20% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
43% Popularity • 20% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
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Henry Purcell
Lamento (After "When I Am Laid in Earth"...
67 bpm • G min • 02:00 • -33db
36% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
36% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Pavane, Op. 50
66 bpm • F# min • 06:50 • -27.54db
43% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Ferruccio Busoni
Elegies BV 249: VII. Berceuse
67 bpm • C Maj • 05:14 • -41db
32% Popularity • 18% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Nocturne No. 19 in E Minor, Op. 72, No. ...
67 bpm • E min • 04:01 • -30.9db
56% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
56% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Franz Schubert
Ständchen, S. 560 (Trans. from Schwanen...
67 bpm • D Maj • 07:22 • -33.97db
60% Popularity • 21% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Vladimir Horowitz
Etude-fantasie in E-Flat Major, Op. 4, "...
67 bpm • G min • 02:45 • -25.09db
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Benjamin Frith
Nocturne No. 17 In E Major
67 bpm • E Maj • 11:01 • -32.55db
10% Popularity • 33% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 33% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo Ed Euridice: Dance of the Blessed ...
63 bpm • F Maj • 06:45 • -28db
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
38% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4: No. 2. Melodie in C-S...
67 bpm • C# min • 01:47 • -31db
37% Popularity • 36% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
37% Popularity • 36% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: I. Berceuse
63 bpm • E Maj • 02:56 • -33.66db
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
30% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
30% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Ignaz Friedman
Nocturne No. 5 in B-Flat Major, H. 37 (a...
68 bpm • A# Maj • 05:02 • -32.77db
15% Popularity • 28% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
15% Popularity • 28% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Robert Schumann
Fantasiestucke, Op. 12: No. 3. Warum
68 bpm • C# Maj • 02:41 • -33.75db
2% Popularity • 30% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
2% Popularity • 30% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19
62 bpm • G Maj • 05:42 • -33db
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 9 In D Minor
62 bpm • A# Maj • 01:25 • -38.72db
61% Popularity • 45% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
61% Popularity • 45% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
62 bpm • D# Maj • 03:52 • -25db
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 5 Gra...
68 bpm • D Maj • 03:38 • -27.55db
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
65% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu VI
62 bpm • E Maj • 06:09 • -36.51db
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Martin Bloch
Chopin - Prelude E-Minor OP.28 No 4
68 bpm • E min • 02:09 • -28.79db
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 42% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Ottorino Respighi
Siciliana
69 bpm • D# Maj • 02:54 • -31.07db
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
47% Popularity • 45% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 50% Positiveness
► Preview
Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
52% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
John Field
Nocturne No. 4 in A Major
69 bpm • A Maj • 05:30 • -32.39db
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
69 bpm • C# min • 03:36 • -28.51db
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Domenico Cimarosa
Sonata No. 42 in D Minor (Arr. Ólafsson...
61 bpm • D min • 02:23 • -37.34db
54% Popularity • 33% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 33% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Andante Spianato: Tranquillo
61 bpm • G Maj • 04:53 • -36.76db
20% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 6 in F Major, ‘Cradle Son...
69 bpm • F Maj • 05:25 • -25.24db
23% Popularity • 31% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
23% Popularity • 31% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Franz Schubert
Minuet in E Major, D. 335
61 bpm • E Maj • 03:55 • -35.88db
24% Popularity • 49% Danceability • 1% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
24% Popularity • 49% Danceability • 1% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
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Johannes Brahms
Brahms / Transcr. Reger: 5 Lieder, Op. 4...
69 bpm • D# Maj • 01:41 • -24.98db
41% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
41% Popularity • 39% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Two Dialogues with Postscript: III. Morn...
61 bpm • E min • 02:49 • -34.45db
34% Popularity • 6% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 6% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Nora Mercz
Piece en forme de habanera (arr. N. Merc...
70 bpm • G min • 02:46 • -31db
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Clara Schumann
Schumann, Clara: 3 Romances, Op. 11: No....
60 bpm • D# min • 03:38 • -31db
29% Popularity • 34% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 34% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
► Preview
Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
49% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
49% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Wilhelm Kempff
Keyboard Suite No. 1 (Set II) in B-Flat ...
60 bpm • G min • 03:54 • -34db
36% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
36% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
