Songs like Nocturne by Robert Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Nathan Lay
I Vow to Thee My Country
88 bpm • A Maj • 03:03 • -5.31db
29% Popularity • 26% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 26% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Hinako Tsubakiyama
Tabino Tochuu
88 bpm • G Maj • 02:12 • -12.57db
9% Popularity • 56% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
9% Popularity • 56% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Yuki Hayashi
Tao Men
88 bpm • B min • 02:13 • -7.19db
13% Popularity • 17% Danceability • 92% Energy • 30% Liveness
65% Instrumentalness • 16% Positiveness
13% Popularity • 17% Danceability • 92% Energy • 30% Liveness
65% Instrumentalness • 16% Positiveness
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Alexander Brothers
Cameron Lad
88 bpm • G min • 01:27 • -9.7db
15% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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Sods' Opera
The Highland Division's Farewell to Sici...
88 bpm • A# Maj • 02:57 • -16.07db
13% Popularity • 45% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 45% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Robert Wilson
Loch Lomand
89 bpm • F# Maj • 02:35 • -8.7db
0% Popularity • 30% Danceability • 31% Energy • 16% Liveness
4% Instrumentalness • 40% Positiveness
0% Popularity • 30% Danceability • 31% Energy • 16% Liveness
4% Instrumentalness • 40% Positiveness
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Calum Kennedy
Skyline Of Skye
87 bpm • B Maj • 02:49 • -18.91db
9% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 24% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 18% Positiveness
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Andy Stewert
Green Hills of Tyrol
89 bpm • D# Maj • 02:18 • -10.14db
8% Popularity • 45% Danceability • 81% Energy • 27% Liveness
95% Instrumentalness • 72% Positiveness
8% Popularity • 45% Danceability • 81% Energy • 27% Liveness
95% Instrumentalness • 72% Positiveness
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Motoi Sakuraba
Flame of the New Dawn
90 bpm • E min • 04:46 • -4.34db
7% Popularity • 30% Danceability • 94% Energy • 29% Liveness
53% Instrumentalness • 56% Positiveness
7% Popularity • 30% Danceability • 94% Energy • 29% Liveness
53% Instrumentalness • 56% Positiveness
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Andy Stewart
The Battle's O'er
86 bpm • D Maj • 03:08 • -15.37db
19% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 53% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Takeshi Nakatsuka
余計な事
90 bpm • F Maj • 02:03 • -9.74db
9% Popularity • 65% Danceability • 20% Energy • 6% Liveness
45% Instrumentalness • 54% Positiveness
9% Popularity • 65% Danceability • 20% Energy • 6% Liveness
45% Instrumentalness • 54% Positiveness
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Robert Wilson
Bonnie Scots Lassie o' Mine
87 bpm • D# Maj • 03:09 • -9.8db
0% Popularity • 25% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 25% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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栗田博文
Silver-winged Star - Valstrax
90 bpm • D# Maj • 03:03 • -5.08db
14% Popularity • 24% Danceability • 83% Energy • 28% Liveness
92% Instrumentalness • 33% Positiveness
14% Popularity • 24% Danceability • 83% Energy • 28% Liveness
92% Instrumentalness • 33% Positiveness
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Johannes Nilsson
Wind Blowing on the Field
90 bpm • D Maj • 02:02 • -15.38db
12% Popularity • 43% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
12% Popularity • 43% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Face 2 fAKE
芽生え
91 bpm • A Maj • 04:11 • -13.65db
8% Popularity • 13% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
8% Popularity • 13% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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本田晃弘
旅の始まり
91 bpm • A Maj • 01:54 • -5.71db
10% Popularity • 23% Danceability • 79% Energy • 23% Liveness
95% Instrumentalness • 59% Positiveness
10% Popularity • 23% Danceability • 79% Energy • 23% Liveness
95% Instrumentalness • 59% Positiveness
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TyKim
White Elephant Lies
85 bpm • C# Maj • 03:30 • -9.97db
10% Popularity • 47% Danceability • 75% Energy • 86% Liveness
3% Instrumentalness • 41% Positiveness
10% Popularity • 47% Danceability • 75% Energy • 86% Liveness
3% Instrumentalness • 41% Positiveness
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Robert Wilson
Rothesay Bay
86 bpm • A# Maj • 02:43 • -9.66db
0% Popularity • 18% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 18% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Mangalf
Roosevelt - A Day Which Will Live In Inf...
91 bpm • C Maj • 05:11 • -16.74db
17% Popularity • 55% Danceability • 35% Energy • 6% Liveness
65% Instrumentalness • 52% Positiveness
17% Popularity • 55% Danceability • 35% Energy • 6% Liveness
65% Instrumentalness • 52% Positiveness
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Kenneth McKellar
The Star o Rabbie Burns (Bonus Track)
84 bpm • G# Maj • 02:57 • -6.28db
18% Popularity • 32% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 32% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Yuki Hayashi
ミライクリスタル！ハート、�...
84 bpm • C Maj • 01:07 • -7.33db
11% Popularity • 25% Danceability • 96% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
11% Popularity • 25% Danceability • 96% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
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高尾奏之介
つながる想いで
92 bpm • E min • 05:39 • -13.72db
7% Popularity • 36% Danceability • 19% Energy • 17% Liveness
85% Instrumentalness • 14% Positiveness
7% Popularity • 36% Danceability • 19% Energy • 17% Liveness
85% Instrumentalness • 14% Positiveness
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Nathan Lay
Roses of Picardy
92 bpm • A min • 03:55 • -5.89db
15% Popularity • 22% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 22% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Robert Wilson
Loch Lomond
91 bpm • G Maj • 02:27 • -9.53db
0% Popularity • 26% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 26% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Mangalf
Roosevelt - The Great Arsenal Of Democra...
84 bpm • G Maj • 07:13 • -11.47db
13% Popularity • 55% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 55% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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StevenMix
Kanto Gym Leader Battle Theme
92 bpm • F# Maj • 03:26 • -4.04db
10% Popularity • 42% Danceability • 93% Energy • 21% Liveness
93% Instrumentalness • 46% Positiveness
10% Popularity • 42% Danceability • 93% Energy • 21% Liveness
93% Instrumentalness • 46% Positiveness
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The Sheringham Shantymen
Home From The Sea
83 bpm • C Maj • 03:17 • -13.02db
10% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Sods' Opera
The Dying Soldier
83 bpm • D Maj • 03:10 • -14.09db
18% Popularity • 26% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 26% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Powerless
Timeless Universe - Instrumental
93 bpm • C# Maj • 04:29 • -6.75db
9% Popularity • 53% Danceability • 89% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 53% Danceability • 89% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Robert Wilson
If I Can Help Somebody
84 bpm • D# Maj • 03:15 • -7.92db
0% Popularity • 27% Danceability • 26% Energy • 34% Liveness
1% Instrumentalness • 31% Positiveness
0% Popularity • 27% Danceability • 26% Energy • 34% Liveness
1% Instrumentalness • 31% Positiveness
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Michiru
Here Comes the Berserker!
94 bpm • A# min • 01:53 • -4.39db
15% Popularity • 46% Danceability • 88% Energy • 21% Liveness
82% Instrumentalness • 27% Positiveness
15% Popularity • 46% Danceability • 88% Energy • 21% Liveness
82% Instrumentalness • 27% Positiveness
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Federico Dubbini
Penance Through Bloodshed (Battle Theme)
82 bpm • E min • 03:12 • -8.32db
13% Popularity • 11% Danceability • 72% Energy • 56% Liveness
77% Instrumentalness • 14% Positiveness
13% Popularity • 11% Danceability • 72% Energy • 56% Liveness
77% Instrumentalness • 14% Positiveness
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The Tartan Lads
Wild Mountain Thyme
82 bpm • F Maj • 02:29 • -12.72db
12% Popularity • 46% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 46% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Andy Stewart
Wild Rover
94 bpm • G Maj • 02:42 • -11db
17% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Kenneth McKellar
Scotland The Brave
95 bpm • C# Maj • 03:02 • -14db
14% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 65% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Robert Wilson
A Gordon For Me
92 bpm • C Maj • 03:17 • -6.28db
1% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Alexander Brothers
These Are My Mountains
82 bpm • F Maj • 04:05 • -11.72db
18% Popularity • 50% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 50% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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The Band of an Garda Síochána
The Irish National Anthem
95 bpm • A# Maj • 01:09 • -8db
23% Popularity • 22% Danceability • 51% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
23% Popularity • 22% Danceability • 51% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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The Brothers Four
55 Days At Peking
96 bpm • A# min • 02:04 • -11db
37% Popularity • 89% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 89% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Andy Stewart
Haste Ye Back
81 bpm • C# Maj • 01:21 • -12.54db
23% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 54% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Kenneth McKellar
The Song of the Clyde
81 bpm • G Maj • 03:13 • -16.64db
11% Popularity • 63% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 63% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Robert Wilson
Bonnie Mary of Argyle
81 bpm • D Maj • 03:15 • -8.28db
0% Popularity • 29% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 29% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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The Tartan Lads
Bluebell Polka
96 bpm • C Maj • 02:18 • -6.03db
13% Popularity • 77% Danceability • 83% Energy • 8% Liveness
77% Instrumentalness • 97% Positiveness
13% Popularity • 77% Danceability • 83% Energy • 8% Liveness
77% Instrumentalness • 97% Positiveness
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Massed Pipes And Drums
Campbell's Farwell to Redcastle / Greenw...
97 bpm • D# Maj • 07:03 • -15.1db
18% Popularity • 20% Danceability • 71% Energy • 95% Liveness
51% Instrumentalness • 21% Positiveness
18% Popularity • 20% Danceability • 71% Energy • 95% Liveness
51% Instrumentalness • 21% Positiveness
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Max Shirshov
Frieren
80 bpm • F Maj • 02:44 • -10.93db
14% Popularity • 56% Danceability • 41% Energy • 7% Liveness
89% Instrumentalness • 35% Positiveness
14% Popularity • 56% Danceability • 41% Energy • 7% Liveness
89% Instrumentalness • 35% Positiveness
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Andy Stewart
I Belong to Glasgow / Sailing Up the Cly...
96 bpm • G Maj • 05:45 • -11.44db
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Clayton Kennedy
Goodbye, Fare-ye-well
97 bpm • C# min • 02:36 • -7.74db
36% Popularity • 72% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 72% Danceability • 31% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Robert Wilson
Song of the Clyde
93 bpm • G Maj • 02:53 • -6.98db
1% Popularity • 65% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 65% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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梶浦 由記
spring has come
80 bpm • F min • 02:12 • -20.31db
20% Popularity • 29% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
20% Popularity • 29% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 15% Positiveness
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栗田博文
Barbarous Beast - Magnamalo
80 bpm • D min • 04:23 • -6.38db
10% Popularity • 23% Danceability • 74% Energy • 34% Liveness
86% Instrumentalness • 22% Positiveness
10% Popularity • 23% Danceability • 74% Energy • 34% Liveness
86% Instrumentalness • 22% Positiveness
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Shea's Violin
Agnea, The Dancer
98 bpm • G Maj • 02:46 • -9.67db
11% Popularity • 60% Danceability • 32% Energy • 20% Liveness
23% Instrumentalness • 44% Positiveness
11% Popularity • 60% Danceability • 32% Energy • 20% Liveness
23% Instrumentalness • 44% Positiveness
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Nils Brown
Maid of Amsterdam
98 bpm • D Maj • 01:41 • -5.96db
38% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Momo Asakura
Sweet Essence - Instrumental
99 bpm • A# min • 03:42 • -6.9db
8% Popularity • 48% Danceability • 93% Energy • 15% Liveness
82% Instrumentalness • 61% Positiveness
8% Popularity • 48% Danceability • 93% Energy • 15% Liveness
82% Instrumentalness • 61% Positiveness
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Robert Wilson
Heaven Alone
83 bpm • G# Maj • 03:20 • -8.99db
0% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 27% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kenneth McKellar
Scotland the Brave
99 bpm • E Maj • 01:40 • -8.71db
16% Popularity • 62% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 62% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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栗田博文
Proof of a Hero
79 bpm • D# Maj • 04:53 • -8.56db
14% Popularity • 28% Danceability • 54% Energy • 85% Liveness
90% Instrumentalness • 8% Positiveness
14% Popularity • 28% Danceability • 54% Energy • 85% Liveness
90% Instrumentalness • 8% Positiveness
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Calum Kennedy
The Dark Island
99 bpm • A# Maj • 04:01 • -15.26db
16% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
16% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
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1st The Queen's Dragoon Guards
God Bless the Prince of Wales
99 bpm • D# Maj • 02:42 • -15.25db
9% Popularity • 24% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 34% Positiveness
9% Popularity • 24% Danceability • 21% Energy • 12% Liveness
2% Instrumentalness • 34% Positiveness
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ALICESOFT
My Glorious Days
99 bpm • F Maj • 02:40 • -2.48db
8% Popularity • 26% Danceability • 86% Energy • 57% Liveness
56% Instrumentalness • 60% Positiveness
8% Popularity • 26% Danceability • 86% Energy • 57% Liveness
56% Instrumentalness • 60% Positiveness
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Robert Wilson
The Pride of Donaghadee
95 bpm • A Maj • 03:08 • -6.69db
0% Popularity • 52% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 52% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Pokestir
Camphrier Town - Arrangement
78 bpm • C# Maj • 02:37 • -8.76db
9% Popularity • 33% Danceability • 42% Energy • 30% Liveness
94% Instrumentalness • 48% Positiveness
9% Popularity • 33% Danceability • 42% Energy • 30% Liveness
94% Instrumentalness • 48% Positiveness
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Kenneth McKellar
The Midges
99 bpm • D# Maj • 03:45 • -13.27db
16% Popularity • 73% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 73% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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高木 洋
必殺キック！
100 bpm • D Maj • 01:35 • -3.38db
14% Popularity • 35% Danceability • 94% Energy • 38% Liveness
70% Instrumentalness • 52% Positiveness
14% Popularity • 35% Danceability • 94% Energy • 38% Liveness
70% Instrumentalness • 52% Positiveness
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ZUN
厄神様の通り道
100 bpm • F# min • 03:44 • -11.39db
10% Popularity • 17% Danceability • 38% Energy • 12% Liveness
83% Instrumentalness • 14% Positiveness
10% Popularity • 17% Danceability • 38% Energy • 12% Liveness
83% Instrumentalness • 14% Positiveness
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The Zame
Battle! Team Aqua/Magma Grunt
100 bpm • D# min • 03:28 • -4.9db
18% Popularity • 42% Danceability • 94% Energy • 37% Liveness
51% Instrumentalness • 45% Positiveness
18% Popularity • 42% Danceability • 94% Energy • 37% Liveness
51% Instrumentalness • 45% Positiveness
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Robert Wilson
The Black Watch
96 bpm • G# Maj • 02:28 • -10.77db
0% Popularity • 59% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 59% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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38th Army Band
The Battle Hymn of the Republic
100 bpm • A# Maj • 05:21 • -20.74db
29% Popularity • 34% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 34% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Johannes Nilsson
Leisurely Girls Talk
100 bpm • G Maj • 01:40 • -12.56db
8% Popularity • 62% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 62% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Foxtail-Grass Studio
雪月風花
101 bpm • D min • 02:41 • -10.55db
9% Popularity • 46% Danceability • 36% Energy • 39% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 46% Danceability • 36% Energy • 39% Liveness
1% Instrumentalness • 14% Positiveness
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Deerstalker Pictures
Battle of the Bards - Instrumental
101 bpm • D Maj • 03:22 • -8.67db
10% Popularity • 33% Danceability • 43% Energy • 40% Liveness
1% Instrumentalness • 22% Positiveness
10% Popularity • 33% Danceability • 43% Energy • 40% Liveness
1% Instrumentalness • 22% Positiveness
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加藤賢二
Promised Blood
101 bpm • F Maj • 01:36 • -5.08db
9% Popularity • 41% Danceability • 89% Energy • 31% Liveness
10% Instrumentalness • 90% Positiveness
9% Popularity • 41% Danceability • 89% Energy • 31% Liveness
10% Instrumentalness • 90% Positiveness
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Robert Wilson
Songs of Scotland My Mother Sang To Me
81 bpm • G# Maj • 02:42 • -10.72db
0% Popularity • 28% Danceability • 18% Energy • 16% Liveness
2% Instrumentalness • 14% Positiveness
0% Popularity • 28% Danceability • 18% Energy • 16% Liveness
2% Instrumentalness • 14% Positiveness
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Kenneth McKellar
Skye Boat Song
76 bpm • G min • 03:51 • -15.36db
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sods' Opera
When This Bloody War Is Over
76 bpm • D# Maj • 02:39 • -9.94db
21% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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亀岡夏海
全力出撃
103 bpm • A# min • 04:15 • -8.81db
15% Popularity • 56% Danceability • 82% Energy • 21% Liveness
82% Instrumentalness • 44% Positiveness
15% Popularity • 56% Danceability • 82% Energy • 21% Liveness
82% Instrumentalness • 44% Positiveness
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Jimmy Shand
Pride Of Erin Waltz
75 bpm • G Maj • 03:28 • -5.97db
11% Popularity • 35% Danceability • 88% Energy • 85% Liveness
68% Instrumentalness • 68% Positiveness
11% Popularity • 35% Danceability • 88% Energy • 85% Liveness
68% Instrumentalness • 68% Positiveness
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Pipes
Cock O' The North
104 bpm • A# min • 01:24 • -11db
27% Popularity • 48% Danceability • 63% Energy • 32% Liveness
10% Instrumentalness • 20% Positiveness
27% Popularity • 48% Danceability • 63% Energy • 32% Liveness
10% Instrumentalness • 20% Positiveness
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Robert Wilson
The Robert Wilson Waltz
96 bpm • G Maj • 02:39 • -8.82db
0% Popularity • 57% Danceability • 47% Energy • 18% Liveness
84% Instrumentalness • 80% Positiveness
0% Popularity • 57% Danceability • 47% Energy • 18% Liveness
84% Instrumentalness • 80% Positiveness
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Michiru Oshima
シャリオのテーマ
104 bpm • F Maj • 02:02 • -6.81db
9% Popularity • 47% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
9% Popularity • 47% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Sods' Opera
Tins
103 bpm • D Maj • 02:36 • -10.82db
15% Popularity • 42% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 42% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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logan feece
Yuusha - Epic Orchestral Version
104 bpm • G Maj • 02:33 • -5.32db
12% Popularity • 59% Danceability • 81% Energy • 6% Liveness
84% Instrumentalness • 65% Positiveness
12% Popularity • 59% Danceability • 81% Energy • 6% Liveness
84% Instrumentalness • 65% Positiveness
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Jimmy Shand
Marching with Jimmy Shand
103 bpm • D Maj • 03:17 • -11.2db
17% Popularity • 85% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
17% Popularity • 85% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
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高木 洋
我が名は鳳桜・カグヤ・クォ�...
104 bpm • G# Maj • 02:10 • -6.45db
14% Popularity • 48% Danceability • 86% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
14% Popularity • 48% Danceability • 86% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
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Robert Wilson
Here's To the Gordons
97 bpm • F Maj • 02:51 • -10.85db
0% Popularity • 70% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 70% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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幽閉サテライト
衝撃の真紅
104 bpm • C min • 01:38 • -8.68db
7% Popularity • 32% Danceability • 54% Energy • 19% Liveness
90% Instrumentalness • 7% Positiveness
7% Popularity • 32% Danceability • 54% Energy • 19% Liveness
90% Instrumentalness • 7% Positiveness
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Jim MacLeod & His Band
Bonnie Kirkwall Bay
104 bpm • G Maj • 02:16 • -14.76db
14% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Band Of The Irish Guards
Maple Leaf Forever
105 bpm • D# Maj • 00:59 • -10db
23% Popularity • 71% Danceability • 36% Energy • 12% Liveness
99% Instrumentalness • 93% Positiveness
23% Popularity • 71% Danceability • 36% Energy • 12% Liveness
99% Instrumentalness • 93% Positiveness
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Toshiyuki Watanabe
シンカリオンZ -出動-
105 bpm • A# min • 02:09 • -5.65db
11% Popularity • 48% Danceability • 89% Energy • 34% Liveness
95% Instrumentalness • 44% Positiveness
11% Popularity • 48% Danceability • 89% Energy • 34% Liveness
95% Instrumentalness • 44% Positiveness
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Johannes Nilsson
Taste Freshly Harvested
105 bpm • D Maj • 01:11 • -9.17db
11% Popularity • 90% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 90% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Robert Wilson
The Wedding of Sandy Mac
98 bpm • E min • 02:23 • -10.32db
0% Popularity • 61% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 61% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Kenneth McKellar
Wi' a Hundred Pipers
106 bpm • A min • 03:36 • -16.05db
8% Popularity • 75% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 75% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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上松範康
White Knight Chronicles ～Travelers～
105 bpm • C# min • 04:42 • -4.06db
8% Popularity • 53% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 53% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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The Great Highland Pibroch
Will He No Come Back Again?
106 bpm • D# Maj • 03:19 • -8.17db
18% Popularity • 48% Danceability • 60% Energy • 30% Liveness
4% Instrumentalness • 37% Positiveness
18% Popularity • 48% Danceability • 60% Energy • 30% Liveness
4% Instrumentalness • 37% Positiveness
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Pokestir
Aquacorde Town - Arrangement
106 bpm • G Maj • 01:57 • -7.04db
13% Popularity • 64% Danceability • 67% Energy • 30% Liveness
5% Instrumentalness • 95% Positiveness
13% Popularity • 64% Danceability • 67% Energy • 30% Liveness
5% Instrumentalness • 95% Positiveness
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羽岡 佳
演説はーっ！？
106 bpm • G min • 02:04 • -9.06db
12% Popularity • 29% Danceability • 72% Energy • 33% Liveness
96% Instrumentalness • 53% Positiveness
12% Popularity • 29% Danceability • 72% Energy • 33% Liveness
96% Instrumentalness • 53% Positiveness
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Robert Wilson
Uist Tramping Song
100 bpm • G# Maj • 02:33 • -5.47db
1% Popularity • 74% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 74% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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US Army Chorus
Allons! Allons!
106 bpm • F Maj • 01:21 • -8.25db
11% Popularity • 59% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 59% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmy Shand
The Glengarry Quickstep Medley / Mackenz...
106 bpm • B min • 02:35 • -9.13db
13% Popularity • 70% Danceability • 51% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
13% Popularity • 70% Danceability • 51% Energy • 5% Liveness
86% Instrumentalness • 96% Positiveness
