Songs like Nocturnes, Op. 9: No. 2, Andante in E-Flat Major by Henrik Måwe
Based on a tempo of (+/- 10%) and a similar genre
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Robert Schumann
Kinderscenen, Op. 15: I. Von fremden Lan...
68 bpm • G Maj • 01:31 • -38.08db
28% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
28% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
68 bpm • G Maj • 03:28 • -22.08db
23% Popularity • 19% Danceability • 15% Energy • 17% Liveness
87% Instrumentalness • 54% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 17% Liveness
87% Instrumentalness • 54% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F mino...
68 bpm • A# Maj • 02:18 • -35.12db
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 7% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Edvard Grieg
Lyric Pieces Book III, Op. 43: No. 6 To ...
68 bpm • F# Maj • 03:19 • -23.86db
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Dvořák: Czech Suite in D Major, Op. 39...
68 bpm • G Maj • 04:25 • -28.89db
10% Popularity • 8% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
10% Popularity • 8% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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George Gershwin
Gershwin: Rhapsody in Blue (Excerpt)
68 bpm • E Maj • 03:23 • -18.91db
15% Popularity • 24% Danceability • 12% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
15% Popularity • 24% Danceability • 12% Energy • 56% Liveness
85% Instrumentalness • 17% Positiveness
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Peter Schmalfuss
Children's Corner: I. Doctor Gradus Ad P...
68 bpm • D min • 02:29 • -27db
16% Popularity • 28% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
16% Popularity • 28% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Nocturnes, Op. 9: No. 2, Andante in E-Fl...
68 bpm • D# Maj • 04:07 • -21db
27% Popularity • 38% Danceability • 11% Energy • 15% Liveness
90% Instrumentalness • 11% Positiveness
27% Popularity • 38% Danceability • 11% Energy • 15% Liveness
90% Instrumentalness • 11% Positiveness
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London Pops Orchestra
Toccata and Fugue in d monor, BWV 565
68 bpm • D min • 09:02 • -16db
18% Popularity • 7% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
18% Popularity • 7% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Folkevise ...
68 bpm • D Maj • 01:59 • -28.69db
22% Popularity • 40% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 24% Positiveness
22% Popularity • 40% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 24% Positiveness
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Sylvia Capova
Drei Walzer für Klavier in C-Sharp Mino...
68 bpm • C# min • 03:48 • -26.52db
15% Popularity • 24% Danceability • 6% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
15% Popularity • 24% Danceability • 6% Energy • 16% Liveness
91% Instrumentalness • 11% Positiveness
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Hugo Ticciati
Improvisation No. 1 on A New Ground, Z. ...
67 bpm • C Maj • 03:16 • -23.27db
0% Popularity • 32% Danceability • 7% Energy • 11% Liveness
21% Instrumentalness • 37% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 11% Liveness
21% Instrumentalness • 37% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
67 bpm • F Maj • 02:48 • -39.76db
23% Popularity • 30% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
23% Popularity • 30% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
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Isaac Albéniz
Albéniz / Arr. Godowsky: España, Op. 1...
69 bpm • D Maj • 03:17 • -25.61db
20% Popularity • 37% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
20% Popularity • 37% Danceability • 3% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
67 bpm • C# Maj • 04:46 • -27.2db
29% Popularity • 6% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 6% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Various Artists
Concerto For Claninet And Orchestra In A...
69 bpm • D Maj • 08:56 • -17db
10% Popularity • 10% Danceability • 8% Energy • 8% Liveness
60% Instrumentalness • 8% Positiveness
10% Popularity • 10% Danceability • 8% Energy • 8% Liveness
60% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Sylvia Capova
Clair De Lune
67 bpm • C# Maj • 05:10 • -37db
9% Popularity • 39% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 39% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
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Robert Schumann
Kinderszenen (Scenes of childhood), Op. ...
69 bpm • F Maj • 03:16 • -32db
8% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 29% Positiveness
8% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 29% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
69 bpm • C# min • 03:36 • -28.51db
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Concerto No. 4 in F minor, Op. 8, RV 297...
67 bpm • A# Maj • 02:22 • -29.1db
21% Popularity • 22% Danceability • 6% Energy • 8% Liveness
34% Instrumentalness • 10% Positiveness
21% Popularity • 22% Danceability • 6% Energy • 8% Liveness
34% Instrumentalness • 10% Positiveness
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Johannes Brahms
Waltzes, Op. 39: Waltz Nr. 15 in A-Flat ...
67 bpm • G# Maj • 01:35 • -30.34db
30% Popularity • 29% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
30% Popularity • 29% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 7, T...
67 bpm • F Maj • 02:54 • -29.35db
33% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 41% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Claude Debussy
Suite bergamasque: III. Clair de lune (A...
67 bpm • C# Maj • 04:15 • -30.36db
27% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Joachim Stutschewsky
6 Israeli Melodies (arr. J. Stutschewsky...
67 bpm • D min • 02:44 • -30.05db
7% Popularity • 13% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
7% Popularity • 13% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Sylvia Capova
Barcarolle
67 bpm • C# Maj • 03:07 • -29.35db
11% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
11% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Axel Gillison
Nocturnes, Op. 9: No. 2, Andante in E-Fl...
69 bpm • G Maj • 06:44 • -31db
16% Popularity • 45% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
16% Popularity • 45% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Robert Schumann
Album fur die Jugend (Album for the Youn...
69 bpm • D# Maj • 02:56 • -28db
16% Popularity • 27% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
16% Popularity • 27% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: 3. Clair de lu...
69 bpm • C# Maj • 05:47 • -32.4db
18% Popularity • 33% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 33% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Nicolai Kureschky
Waltz In A Flat
69 bpm • G# Maj • 02:30 • -31db
15% Popularity • 37% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Franz Liszt
Liszt: Liebestraume No. 3 in A-Flat Majo...
69 bpm • G# Maj • 04:29 • -24.79db
6% Popularity • 28% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 28% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: 6. June: B...
70 bpm • G min • 05:25 • -31.79db
22% Popularity • 42% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
22% Popularity • 42% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Finghin Collins
Gymnopédie No. 1
69 bpm • G Maj • 03:40 • -28.38db
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
37% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
37% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Peter Schmalfuss
Deux Arabesques: No. 2 in G Major
70 bpm • G Maj • 03:40 • -25.98db
15% Popularity • 44% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
15% Popularity • 44% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Rhapsody on a Theme of Paga...
70 bpm • C# Maj • 03:06 • -19db
33% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 27% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 In D Flat ...
70 bpm • C# Maj • 04:21 • -29db
22% Popularity • 23% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
22% Popularity • 23% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Dvořák: 8 Humoresques, Op. 101, B. 187...
70 bpm • B Maj • 03:04 • -25.27db
26% Popularity • 29% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 10% Positiveness
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Johannes Brahms
Fantasien op. 116: Intermezzo: Adagio
66 bpm • E Maj • 04:34 • -35db
40% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: I. Alle...
66 bpm • A Maj • 06:13 • -26db
16% Popularity • 17% Danceability • 4% Energy • 14% Liveness
45% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 4% Energy • 14% Liveness
45% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Préludes, Livre I, CD 125, L. ...
66 bpm • F# Maj • 02:37 • -31.27db
29% Popularity • 36% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 26% Positiveness
29% Popularity • 36% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 26% Positiveness
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Christoph Willibald Gluck
Orfeo et Eurydice: Mélodie for Piano So...
70 bpm • D min • 04:44 • -35.11db
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
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Franz Liszt
Liszt: 6 Consolations, S. 172: No. 3 in ...
66 bpm • C# Maj • 04:52 • -29.57db
15% Popularity • 37% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 7% Positiveness
15% Popularity • 37% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
70 bpm • C Maj • 08:31 • -32db
15% Popularity • 13% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Études, Op. 10: No. 3, Étude in E Majo...
70 bpm • E Maj • 04:06 • -20db
18% Popularity • 32% Danceability • 14% Energy • 20% Liveness
89% Instrumentalness • 7% Positiveness
18% Popularity • 32% Danceability • 14% Energy • 20% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 13 Preludes, Op. 32: No. 10...
70 bpm • E min • 05:28 • -21db
7% Popularity • 37% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 37% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Henrik Måwe
Préludes for Piano, L 117: La fille aux...
71 bpm • F# Maj • 02:19 • -22.51db
28% Popularity • 32% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
28% Popularity • 32% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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Peter Schmalfuss
Nocturne No.9 Op.32-1 B Major
71 bpm • B Maj • 05:30 • -40.48db
15% Popularity • 40% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
15% Popularity • 40% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Felix Mendelssohn
Lieder Ohne Worte No. 6 in G Minor, Op. ...
71 bpm • G min • 02:34 • -35.75db
17% Popularity • 43% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
17% Popularity • 43% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Claude Debussy
Clair de lune
71 bpm • C# Maj • 05:13 • -24.9db
30% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne in C-Sharp Minor, B. 49 (Lento ...
71 bpm • C# min • 04:18 • -22.02db
16% Popularity • 31% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
16% Popularity • 31% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Vektersang...
71 bpm • E Maj • 02:39 • -27.45db
27% Popularity • 50% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 21% Positiveness
27% Popularity • 50% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme by Paganini, Op. 43:...
70 bpm • C# Maj • 02:37 • -21.04db
35% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
35% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Henrik Måwe
3 Études de concert, S. 144: III. Un so...
65 bpm • C# Maj • 05:32 • -17.11db
9% Popularity • 25% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Le grand orchestre classique
Minuet in G Minor, Suite No. 1
71 bpm • G min • 03:09 • -19.08db
30% Popularity • 57% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 29% Positiveness
30% Popularity • 57% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 29% Positiveness
► Preview
Franz Liszt
Consolations, S. 172: No. 3, Lento placi...
65 bpm • C# Maj • 03:52 • -23.82db
24% Popularity • 32% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
24% Popularity • 32% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Carmen, WD 31: Entr'acte to Act III (Arr...
71 bpm • D# Maj • 02:30 • -30.55db
18% Popularity • 27% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 12% Positiveness
18% Popularity • 27% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Květa Novotná
Humoreske No. 7 für Klavier Solo in G-F...
65 bpm • F# Maj • 02:40 • -28.94db
11% Popularity • 34% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
11% Popularity • 34% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
London Philharmonic Orchestra
Orchestral Suite No. 3 in D Major, BWV 1...
71 bpm • D Maj • 04:14 • -18.41db
36% Popularity • 18% Danceability • 21% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
36% Popularity • 18% Danceability • 21% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Prague Opera OrchestrPrague Opera Orchestra
Samson et Dalila, Mon Coeur s'ouvre à t...
71 bpm • C# Maj • 06:34 • -19.34db
4% Popularity • 14% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
4% Popularity • 14% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Peter Schmalfuss
Prelude - La Cathedrale engloutie
71 bpm • C Maj • 07:09 • -25.25db
8% Popularity • 49% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
8% Popularity • 49% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Robert Schumann
Kinderscenen, Op. 15: VII. Traumerei (Dr...
72 bpm • F Maj • 03:06 • -39.63db
26% Popularity • 47% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 28% Positiveness
26% Popularity • 47% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
London Concert Orchestra
Symphony No.6 Op.74b: Pathetique 2nd Mov...
72 bpm • D Maj • 07:59 • -25.96db
11% Popularity • 10% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
11% Popularity • 10% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Claude Debussy
Debussy: Suite bergamasque, CD 82, L. 75...
72 bpm • C# Maj • 04:43 • -33.45db
11% Popularity • 33% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 33% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Anna Malikova
24 Preludes: E. Minor. Largo (Chopin)
65 bpm • A min • 01:57 • -34.93db
15% Popularity • 32% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
15% Popularity • 32% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Henrik Måwe
Préludes for Piano, L 117: La Cathédra...
64 bpm • C Maj • 05:46 • -18.54db
2% Popularity • 56% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
2% Popularity • 56% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Sylvia Capova
Erotic Op.43-5
72 bpm • D min • 02:27 • -22.46db
8% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Daniel Pollack
Debussy: Arabesque No. 1
72 bpm • E Maj • 04:40 • -20.52db
18% Popularity • 30% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
18% Popularity • 30% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Violin Concerto in D Major,...
64 bpm • D# Maj • 06:31 • -28db
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Fantaisie Impromptu in C-Sharp Minor, Op...
72 bpm • C# Maj • 05:17 • -20.18db
32% Popularity • 18% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
Waltzes, Op. 39: Waltz Nr. 2 in F Major
72 bpm • E Maj • 01:29 • -28db
12% Popularity • 45% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 45% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Peter Schmalfuss
Songs without Words for Piano, Book 2, o...
72 bpm • A Maj • 02:49 • -29.94db
28% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
28% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Dubravka Tomšič
Piano Sonata No. 14 in C-Sharp Minor, Op...
72 bpm • C# min • 03:01 • -31.14db
26% Popularity • 28% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
26% Popularity • 28% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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The Royal Festival Orchestra
Symphony No. 41 in C Major, K 551 "Jupit...
72 bpm • C Maj • 05:51 • -14.34db
16% Popularity • 27% Danceability • 12% Energy • 11% Liveness
46% Instrumentalness • 24% Positiveness
16% Popularity • 27% Danceability • 12% Energy • 11% Liveness
46% Instrumentalness • 24% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19b: I. Andante c...
72 bpm • E Maj • 03:50 • -34db
9% Popularity • 23% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a: VI. June - Barcaro...
64 bpm • G min • 05:39 • -29db
25% Popularity • 38% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
25% Popularity • 38% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: Waltz 15
72 bpm • A Maj • 01:46 • -32.96db
25% Popularity • 46% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
25% Popularity • 46% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
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Peter Schmalfuss
Nocturne No.10 Op.32-2 A Flat Major
64 bpm • G# Maj • 04:52 • -36.39db
12% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
12% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1: Prelu...
73 bpm • C Maj • 02:09 • -41.42db
17% Popularity • 18% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 14% Positiveness
17% Popularity • 18% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 14% Positiveness
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Philharmonische Vereinigung Arte Sinfonica
" Minutenwalzer " , Walzer Nr.. 6, Des-D...
73 bpm • C# Maj • 01:45 • -31db
19% Popularity • 28% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 30% Positiveness
19% Popularity • 28% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 30% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
73 bpm • A Maj • 02:41 • -25.51db
15% Popularity • 34% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 34% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Dmitri Shostakovich
Piano Concerto no. 2 in F Major, Op. 102...
73 bpm • C min • 07:02 • -41db
6% Popularity • 18% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
6% Popularity • 18% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Les saisons (The Seasons), Op. 37b: Les ...
73 bpm • G min • 05:09 • -30.95db
11% Popularity • 28% Danceability • 3% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
11% Popularity • 28% Danceability • 3% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
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Tomislav Baynov
Prelude in C-sharp Minor, Op. 3, No. 2
73 bpm • F# min • 04:13 • -18db
14% Popularity • 48% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
14% Popularity • 48% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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Robert Schumann
Panis Angelicus
73 bpm • A Maj • 03:23 • -16db
20% Popularity • 19% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Le grand orchestre classique
Humoresque No. 7, Op. 101
73 bpm • F# Maj • 02:58 • -16.66db
19% Popularity • 36% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
19% Popularity • 36% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
Songs Without Words: Frühlingslied, Op....
73 bpm • A Maj • 02:05 • -17db
24% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
73 bpm • E Maj • 03:54 • -25.77db
29% Popularity • 7% Danceability • 2% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 7% Danceability • 2% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
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Philharmonische Vereinigung Arte Sinfonica
Mazurka No. 3, F-Dur, op. 68
73 bpm • F Maj • 01:19 • -26.63db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
Philadelphia Orchestra
Symphony No. 6 in F, Op.68 'Pastoral': V...
73 bpm • C Maj • 06:45 • -19.14db
24% Popularity • 7% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Henrik Måwe
5 Morceaux de fantasie, Op. 3: No. 2, Pr...
73 bpm • F# min • 03:57 • -17.42db
14% Popularity • 44% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E-Flat Major, S1...
74 bpm • F min • 05:41 • -25.47db
5% Popularity • 25% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
5% Popularity • 25% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Bagatelle in A Minor, WoO 59 "Für Elise...
74 bpm • A min • 03:00 • -20db
22% Popularity • 23% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
22% Popularity • 23% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
