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Noel, Noel, Bells Are Ringing
Songs like
Noel, Noel, Bells Are Ringing
by
Wilbur Chenoweth
Based on a tempo of (+/- 10%) and a similar genre
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Frederick Delius
A Mass of Life, RT II/4, Pt. 1: I. Anima...
102 bpm • F Maj • 04:56 • -15.44db
8% Popularity • 17% Danceability • 36% Energy • 51% Liveness
88% Instrumentalness • 18% Positiveness
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Clive Osgood
Magnificat: No. 6, Esurientes implevit
101 bpm • E Maj • 02:50 • -28.13db
21% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Silloin Jeesus Ojensi Käte...
101 bpm • G min • 02:12 • -19.61db
9% Popularity • 21% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Sancta civitas: Therefore are they befor...
103 bpm • F Maj • 00:55 • -20db
9% Popularity • 14% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Karl Jenkins
Unus Mundus (One World)
101 bpm • A# Maj • 03:14 • -15.41db
12% Popularity • 25% Danceability • 32% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): II. The capt...
101 bpm • C min • 03:12 • -19.01db
12% Popularity • 33% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Kerensa Briggs
Preces
103 bpm • D Maj • 01:31 • -29.28db
8% Popularity • 19% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Montgomery Highschool Choir
Ta Na Solbici
101 bpm • G# Maj • 02:34 • -21.83db
13% Popularity • 28% Danceability • 34% Energy • 45% Liveness
0% Instrumentalness • 27% Positiveness
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Sybil Sinz
Motherless Child Side A | Traditional
103 bpm • F min • 03:12 • -15db
9% Popularity • 29% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Bernard Herrmann
Endless Night
103 bpm • C min • 01:26 • -20.77db
7% Popularity • 35% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: V. Elsk
104 bpm • C Maj • 02:57 • -13.62db
12% Popularity • 42% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Moravské dvojzpěvy, 2. řada, Op. 29: ...
101 bpm • A min • 01:32 • -28.31db
10% Popularity • 42% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Jose Nebra
Donde hay violencia no hay culpa, Act I:...
100 bpm • A# min • 01:25 • -15db
11% Popularity • 34% Danceability • 42% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part III, Moses...
100 bpm • F# Maj • 01:36 • -17.32db
11% Popularity • 31% Danceability • 13% Energy • 74% Liveness
0% Instrumentalness • 25% Positiveness
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Wilbur Chenoweth
Vocalise
100 bpm • D Maj • 02:49 • -26.63db
0% Popularity • 29% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 28% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Nunc dimittis in C
104 bpm • C Maj • 02:57 • -18.91db
8% Popularity • 15% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: I. Stabat Mater do...
104 bpm • A min • 03:40 • -23.75db
11% Popularity • 15% Danceability • 9% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Reaching: Reaching
104 bpm • C Maj • 03:15 • -20.58db
9% Popularity • 22% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: IV. Møte
105 bpm • F Maj • 03:48 • -13.81db
12% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
12% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Orfeón de Miravalles
Ecce quan bonum (salmo 132)
105 bpm • F Maj • 03:25 • -11.81db
9% Popularity • 22% Danceability • 41% Energy • 19% Liveness
71% Instrumentalness • 15% Positiveness
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Sister Maria Therese Sokol, OCD
Canticle of Love
105 bpm • D Maj • 06:12 • -24db
8% Popularity • 21% Danceability • 6% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
14% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
Magnificat in C
98 bpm • C Maj • 04:34 • -20.6db
8% Popularity • 14% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Mass: Warm-Up
106 bpm • C# Maj • 01:23 • -29.25db
13% Popularity • 58% Danceability • 18% Energy • 11% Liveness
55% Instrumentalness • 32% Positiveness
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George Lloyd
A Litany for soprano, baritone, chorus &...
107 bpm • G# Maj • 06:03 • -28.28db
9% Popularity • 16% Danceability • 6% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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LeoRoads
Lay All Heaven
97 bpm • F# min • 02:19 • -19.41db
7% Popularity • 27% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introït
107 bpm • F Maj • 03:33 • -21.89db
12% Popularity • 16% Danceability • 6% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
17% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
97 bpm • B Maj • 03:59 • -24.37db
8% Popularity • 13% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
107 bpm • A# Maj • 03:26 • -28.34db
10% Popularity • 18% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Kampin Laulu Chamber Choir
Jaakko Mäntyjärvi: Väinämöinen unek...
97 bpm • D min • 04:33 • -20.79db
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part I: The Mor...
108 bpm • F Maj • 03:18 • -22.6db
23% Popularity • 21% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 5% Positiveness
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César Cui
25 Poems by Pushkin, Op. 57: No. 17, The...
96 bpm • C# Maj • 01:04 • -14db
12% Popularity • 35% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: XII. Quando corpus
97 bpm • G# min • 04:05 • -18.09db
8% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XI. Sanc...
96 bpm • G min • 02:28 • -15.34db
9% Popularity • 22% Danceability • 23% Energy • 16% Liveness
50% Instrumentalness • 6% Positiveness
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Miklós Kocsár
Missa in A Major: IV. Sanctus - Benedict...
108 bpm • C# Maj • 03:07 • -23.88db
12% Popularity • 24% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
108 bpm • D Maj • 04:56 • -24.84db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Bob Chilcott
Circlesong: Part III, Lover: Chinook Son...
96 bpm • D# min • 01:20 • -19.96db
7% Popularity • 52% Danceability • 27% Energy • 21% Liveness
7% Instrumentalness • 48% Positiveness
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Mårten Jansson
Requiem Novum: VII. Eternal Rest
109 bpm • G# Maj • 01:15 • -26.74db
10% Popularity • 24% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": VII...
96 bpm • G Maj • 04:07 • -24.39db
12% Popularity • 12% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Andrzej Korzyński
Witajcie w naszej bajce • Welcome to O...
109 bpm • B Maj • 02:28 • -18.02db
7% Popularity • 40% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IV. Sanctus
109 bpm • G min • 03:01 • -19.35db
10% Popularity • 16% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Alessandro Scarlatti
Su le sponde del Tebro: Recitative: Mest...
110 bpm • A min • 03:28 • -28.05db
11% Popularity • 24% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Nicolas Fayolle
Evry Stone Crys
95 bpm • A# Maj • 03:39 • -22.94db
25% Popularity • 20% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Henry Walford Davies
Confortare (Arr. Rutter)
110 bpm • D Maj • 01:25 • -23.75db
10% Popularity • 31% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 6% Positiveness
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Peter Maxwell Davies
O magnum mysterium: I. O magnum mysteriu...
110 bpm • F# Maj • 01:43 • -23.46db
19% Popularity • 26% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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신영옥
내일 일은 난 몰라요
95 bpm • D Maj • 03:32 • -17.06db
8% Popularity • 27% Danceability • 20% Energy • 47% Liveness
0% Instrumentalness • 15% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
110 bpm • C# min • 08:02 • -21.09db
11% Popularity • 16% Danceability • 5% Energy • 13% Liveness
33% Instrumentalness • 3% Positiveness
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Tapestry Chamber Singers
Upon This Path
110 bpm • F Maj • 02:25 • -23.96db
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
40% Instrumentalness • 8% Positiveness
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Xavier Benguerel
Requiem: Mors stupebit
95 bpm • C# Maj • 01:00 • -21.22db
8% Popularity • 41% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Iste Confessor
95 bpm • F# Maj • 03:28 • -17.51db
14% Popularity • 21% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie I
110 bpm • C Maj • 02:48 • -21db
7% Popularity • 24% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
15% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Brian Elias
Meet Me in the Green Glen
111 bpm • G# Maj • 04:16 • -25.21db
8% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Charlotte Hoather
5 Lieder, Op. 48: No. 1, Freundliche vis...
94 bpm • D Maj • 01:53 • -14.1db
8% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VI. Hy...
94 bpm • G# Maj • 03:08 • -16.76db
13% Popularity • 15% Danceability • 20% Energy • 17% Liveness
3% Instrumentalness • 6% Positiveness
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LeoRoads
Angelic Symphony
93 bpm • A min • 02:26 • -18.67db
10% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
93 bpm • A# min • 03:22 • -17.82db
14% Popularity • 44% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Piccolominimesse, KV 258: IV. Sanctus
93 bpm • C Maj • 01:09 • -7.55db
11% Popularity • 24% Danceability • 73% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
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Carl Orff
Carmina Burana, Pt. 1: No. 7, Floret sil...
112 bpm • G Maj • 03:13 • -38.27db
7% Popularity • 25% Danceability • 0% Energy • 16% Liveness
4% Instrumentalness • 9% Positiveness
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Erich Kunzel
Mono Chant
112 bpm • E min • 00:59 • -41.31db
7% Popularity • 38% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
9% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Franz Ries
6 Lieder, Op. 31: No. 6, Abschied
93 bpm • F Maj • 01:41 • -15.67db
26% Popularity • 25% Danceability • 23% Energy • 13% Liveness
13% Instrumentalness • 8% Positiveness
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The Shaar Hashomayim Synagogue Choir
L’cha Adonai
112 bpm • D min • 01:56 • -16.87db
10% Popularity • 23% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Pablo Zerynger
Cantus Choralis Iii
113 bpm • D# Maj • 01:15 • -17.85db
12% Popularity • 25% Danceability • 22% Energy • 40% Liveness
99% Instrumentalness • 44% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
112 bpm • C# Maj • 02:23 • -28.65db
15% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jakarta Oratorio Society
Speak to My Heart
113 bpm • F Maj • 02:48 • -28.43db
8% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Karl Jenkins
The Golden Age Begins Anew: I. Renewal
92 bpm • G Maj • 03:03 • -15.94db
9% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Alfrēds Kalniņš
Kalniņš, Aijaija
92 bpm • D# Maj • 02:27 • -20.11db
12% Popularity • 35% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Mikko Salakari
Miserere mei
92 bpm • F# min • 02:40 • -19.78db
8% Popularity • 23% Danceability • 11% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: III. Blåbaer-li
92 bpm • F Maj • 03:46 • -11db
12% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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MartÍn Palmeri
Misa a Buenos Aires "Misatango": Gloria
92 bpm • C min • 05:20 • -20.92db
10% Popularity • 17% Danceability • 6% Energy • 34% Liveness
3% Instrumentalness • 6% Positiveness
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Jaakko Mäntyjärvi
Double, Double Toil and Trouble
91 bpm • F# Maj • 03:01 • -23db
12% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: III. O quam tristi...
91 bpm • F# Maj • 02:49 • -25.36db
8% Popularity • 21% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Raimonds Pauls
Mazs, laimīgs zēns: No. 8, Vientuļais...
92 bpm • C# Maj • 04:11 • -21.08db
13% Popularity • 29% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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The Royal Wind Music
Farewell the Bliss
91 bpm • A# min • 04:01 • -18.72db
14% Popularity • 20% Danceability • 7% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Thanks Be to God!" (Cho...
114 bpm • D# Maj • 04:04 • -11.91db
8% Popularity • 22% Danceability • 43% Energy • 18% Liveness
80% Instrumentalness • 9% Positiveness
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Charlotte Hoather
Let the Florid Music Praise
91 bpm • D Maj • 04:03 • -10.59db
8% Popularity • 45% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Stuart Beatch
The Letter
91 bpm • F Maj • 03:09 • -21.64db
10% Popularity • 15% Danceability • 7% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Jacob Mühlrad
Anim Zemirot - Pt. II
115 bpm • D# Maj • 01:55 • -30.33db
16% Popularity • 18% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Albert Guinovart
Gaudí - Requiem
90 bpm • A min • 05:57 • -22.91db
7% Popularity • 11% Danceability • 24% Energy • 75% Liveness
96% Instrumentalness • 8% Positiveness
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Patrick Vu
A Golden Day
90 bpm • A# Maj • 05:18 • -26.61db
10% Popularity • 11% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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St.Petersburg Chamber Choir
The Little Litany
115 bpm • C Maj • 01:03 • -35.06db
14% Popularity • 17% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: VIII. Te e...
90 bpm • D Maj • 02:15 • -30.38db
8% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Charlotte Hoather
Now Sleeps the Crimson Petal
90 bpm • F# Maj • 02:09 • -14.9db
9% Popularity • 40% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Rebecca Clarke
Shy One
90 bpm • F Maj • 01:47 • -16.28db
8% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Äktenskapsbryter...
90 bpm • D Maj • 08:21 • -18.93db
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XIV. Agn...
90 bpm • C Maj • 02:10 • -17.83db
10% Popularity • 18% Danceability • 9% Energy • 10% Liveness
23% Instrumentalness • 5% Positiveness
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Stuart Beatch
The Debate
89 bpm • G# min • 01:36 • -19.48db
12% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: III. Te ae...
90 bpm • D Maj • 01:43 • -23.77db
9% Popularity • 37% Danceability • 11% Energy • 16% Liveness
3% Instrumentalness • 39% Positiveness
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Andrew Smith
An Old Irish Blessing
89 bpm • C# Maj • 02:44 • -23.17db
15% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Georgy Sviridov
Pushkin's Garland: Natasha
89 bpm • G min • 02:00 • -32.78db
8% Popularity • 19% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Rondine, Act I: "Chi il bel sogno di ...
89 bpm • F Maj • 03:08 • -15.27db
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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MartÍn Palmeri
Misa a Buenos Aires "Misatango": Benedic...
89 bpm • G Maj • 03:13 • -21.92db
8% Popularity • 13% Danceability • 8% Energy • 9% Liveness
55% Instrumentalness • 10% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
89 bpm • G min • 04:25 • -24.47db
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Noel, Noel, Bells Are Ringing