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Nomad
Songs like
Nomad
by
Thom Gossage
Based on a tempo of (+/- 10%) and a similar genre
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Brad Mehldau
Unrequited
90 bpm • G Maj • 06:09 • -19.6db
22% Popularity • 42% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Bill Frisell
Wise Woman
90 bpm • D Maj • 03:46 • -16db
33% Popularity • 33% Danceability • 23% Energy • 31% Liveness
71% Instrumentalness • 5% Positiveness
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Travis Reuter
Fast Louis
90 bpm • D# Maj • 07:27 • -11.07db
16% Popularity • 36% Danceability • 69% Energy • 19% Liveness
26% Instrumentalness • 59% Positiveness
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Lage Lund
Everything Means Nothing To Me
90 bpm • C Maj • 04:36 • -15.15db
17% Popularity • 36% Danceability • 33% Energy • 11% Liveness
72% Instrumentalness • 25% Positiveness
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Robert Glasper
G&B
90 bpm • A# Maj • 08:29 • -14.54db
22% Popularity • 36% Danceability • 40% Energy • 13% Liveness
91% Instrumentalness • 28% Positiveness
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Bobo Stenson Trio
Polska Of Despair (2)
90 bpm • A min • 04:37 • -19.43db
9% Popularity • 27% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Thom Gossage
Nomad
90 bpm • F# min • 04:33 • -16.48db
0% Popularity • 42% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Dave Liebman
Blind Pig - Bonus Track
90 bpm • E min • 01:07 • -30.37db
22% Popularity • 57% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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James Brandon Lewis
Within You Are Answers
90 bpm • A# min • 05:46 • -15db
9% Popularity • 43% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Ryuichi Sakamoto
MWSIK PART 1
90 bpm • D Maj • 06:49 • -9.43db
9% Popularity • 34% Danceability • 67% Energy • 8% Liveness
46% Instrumentalness • 49% Positiveness
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Tomasz Stańko
First Song
89 bpm • A# min • 07:39 • -13.85db
14% Popularity • 26% Danceability • 40% Energy • 10% Liveness
61% Instrumentalness • 18% Positiveness
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Reinier Baas
Wahid Jive - Reprise
90 bpm • A# min • 02:47 • -13.34db
17% Popularity • 56% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Awen Ensemble
Rhyd
89 bpm • G Maj • 04:26 • -17.13db
13% Popularity • 40% Danceability • 27% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
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Thom Gossage
The Now Beyond Part II
91 bpm • D# Maj • 06:51 • -17.68db
0% Popularity • 46% Danceability • 27% Energy • 10% Liveness
62% Instrumentalness • 19% Positiveness
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Alper Tuzcu
Babel
89 bpm • G Maj • 05:50 • -11.74db
17% Popularity • 43% Danceability • 39% Energy • 11% Liveness
32% Instrumentalness • 45% Positiveness
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WDR Big Band
Si Lu
91 bpm • C Maj • 06:05 • -15.3db
10% Popularity • 36% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Addict Ameba
Interlude
91 bpm • G# Maj • 01:09 • -14.33db
15% Popularity • 36% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 76% Positiveness
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The Bad Plus
Maps - Instrumental
91 bpm • C# Maj • 04:21 • -11db
9% Popularity • 33% Danceability • 59% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Giuseppe Millaci
Broustin Avenue
91 bpm • F# min • 06:25 • -16.47db
20% Popularity • 52% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Thomas Hass
Nefertiti
91 bpm • G# Maj • 05:55 • -15db
33% Popularity • 31% Danceability • 24% Energy • 21% Liveness
54% Instrumentalness • 8% Positiveness
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Lynne Arriale Trio
Curiosity
89 bpm • F# Maj • 02:43 • -16.32db
12% Popularity • 34% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 37% Positiveness
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John Surman
Around the Edges
91 bpm • D min • 04:19 • -19.78db
17% Popularity • 29% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Kerem Görsev
Black Sea - Live Performance
91 bpm • C Maj • 06:19 • -14.31db
11% Popularity • 48% Danceability • 42% Energy • 12% Liveness
57% Instrumentalness • 75% Positiveness
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Archie Shepp
Left Alone
91 bpm • D min • 09:10 • -11.85db
9% Popularity • 45% Danceability • 11% Energy • 13% Liveness
44% Instrumentalness • 17% Positiveness
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Antonio Arnedo
Fiesta en Corraleja
89 bpm • C# Maj • 06:07 • -13.12db
17% Popularity • 63% Danceability • 35% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
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Escalandrum
Encuentro
89 bpm • G min • 03:17 • -10.84db
18% Popularity • 32% Danceability • 43% Energy • 11% Liveness
28% Instrumentalness • 22% Positiveness
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Spirit Fingers
try
89 bpm • A# min • 01:20 • -20.21db
12% Popularity • 35% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 50% Positiveness
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Anouar Brahem
Bom Dia Rio
92 bpm • A min • 09:23 • -24.73db
23% Popularity • 54% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Freddie Colonal
Predicting Future
92 bpm • D min • 01:12 • -24.62db
18% Popularity • 34% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 67% Positiveness
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Reinier Baas
Sonatina
92 bpm • C Maj • 04:53 • -13.06db
16% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Enrico Rava Quintet
Tribe
92 bpm • F min • 05:00 • -18.47db
9% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
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Julia Hülsmann Quartet
This Is Not America
92 bpm • G min • 05:16 • -15db
5% Popularity • 33% Danceability • 16% Energy • 8% Liveness
79% Instrumentalness • 12% Positiveness
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Maurizio Giammarco
Modular Identity
92 bpm • F Maj • 04:24 • -14.3db
13% Popularity • 63% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 71% Positiveness
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The Elephant
What? You Don't Like Beauty
92 bpm • D# Maj • 07:27 • -14.22db
8% Popularity • 31% Danceability • 43% Energy • 9% Liveness
25% Instrumentalness • 16% Positiveness
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Marc Johnson
One Thousand And One Nights
92 bpm • F Maj • 08:16 • -16.37db
8% Popularity • 42% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 57% Positiveness
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Grace Kelly
Blues for Harry Bosch
88 bpm • G# Maj • 04:52 • -12.1db
21% Popularity • 61% Danceability • 48% Energy • 38% Liveness
53% Instrumentalness • 35% Positiveness
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André Ceccarelli
Dreams
88 bpm • C Maj • 01:44 • -12.17db
19% Popularity • 22% Danceability • 25% Energy • 13% Liveness
73% Instrumentalness • 11% Positiveness
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HOT SESSION
Furano
88 bpm • C Maj • 05:36 • -17.27db
9% Popularity • 26% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Titta Jag Flyger
Trylletrip
88 bpm • B min • 04:27 • -13.76db
7% Popularity • 28% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Charles Lloyd
The Ghost of Lady Day
92 bpm • A min • 06:43 • -15.73db
27% Popularity • 31% Danceability • 26% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
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Ari Hoenig
Cherokee
93 bpm • A# Maj • 06:22 • -28.03db
28% Popularity • 41% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
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Triosence
Cruise Control
93 bpm • F min • 04:21 • -15.23db
15% Popularity • 54% Danceability • 55% Energy • 9% Liveness
83% Instrumentalness • 62% Positiveness
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Christian McBride
Ballad of Ernie Washington
87 bpm • D# min • 05:34 • -12.87db
10% Popularity • 40% Danceability • 20% Energy • 13% Liveness
78% Instrumentalness • 23% Positiveness
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Joel Ross
WAIL
87 bpm • A min • 10:20 • -14.08db
12% Popularity • 33% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Avishai Cohen
Pablo
93 bpm • C Maj • 01:52 • -16.47db
9% Popularity • 39% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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BARYL
Vælter
87 bpm • C min • 04:56 • -13.07db
9% Popularity • 39% Danceability • 36% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Jacky Terrasson
I Will Wait for You
87 bpm • A# min • 03:30 • -15.59db
18% Popularity • 62% Danceability • 33% Energy • 13% Liveness
70% Instrumentalness • 56% Positiveness
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Charles Lloyd
Booker’s Garden
93 bpm • D min • 08:07 • -16.78db
29% Popularity • 46% Danceability • 30% Energy • 11% Liveness
16% Instrumentalness • 44% Positiveness
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Kenny Garrett
Wayne's Thang
94 bpm • A Maj • 06:50 • -10db
23% Popularity • 53% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Tomasz Stanko Quartet
Trista
87 bpm • F min • 04:39 • -14.98db
15% Popularity • 30% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Kase.O
A Solas Con un Ritmo 2011
94 bpm • E min • 05:35 • -10db
37% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Abdullah Ibrahim
Sotho Blue - Original Mix
94 bpm • G# min • 05:27 • -13.32db
12% Popularity • 54% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Ted Poor
Emilia
86 bpm • E min • 04:51 • -13.77db
17% Popularity • 39% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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André Murraças
Ice Cream Boy
86 bpm • F Maj • 06:46 • -13.98db
10% Popularity • 52% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Thom Gossage
Old World
94 bpm • A# min • 05:25 • -18.98db
0% Popularity • 33% Danceability • 10% Energy • 8% Liveness
5% Instrumentalness • 17% Positiveness
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Gary Peacock
N.O.M.B.
86 bpm • A min • 04:52 • -22.7db
3% Popularity • 39% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Julian Lage
Earth Science
94 bpm • D Maj • 02:15 • -8.88db
12% Popularity • 36% Danceability • 49% Energy • 15% Liveness
72% Instrumentalness • 37% Positiveness
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Lage Lund
Bobby's Tune
94 bpm • C# Maj • 04:32 • -14.25db
14% Popularity • 35% Danceability • 37% Energy • 21% Liveness
84% Instrumentalness • 23% Positiveness
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Phi-Psonics
The Cradle
86 bpm • D Maj • 06:28 • -17.68db
10% Popularity • 29% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Johannes Maikranz Sextett
New Blues - Intro
94 bpm • D# Maj • 01:27 • -11.45db
17% Popularity • 32% Danceability • 33% Energy • 26% Liveness
88% Instrumentalness • 25% Positiveness
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Thom Gossage
Old World
94 bpm • A# min • 03:21 • -18.51db
0% Popularity • 32% Danceability • 13% Energy • 19% Liveness
5% Instrumentalness • 26% Positiveness
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AGE
Valse Bancale
85 bpm • C# min • 04:39 • -14.1db
8% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
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Julieta Eugenio
Breath III
95 bpm • F# Maj • 02:05 • -14.66db
15% Popularity • 44% Danceability • 27% Energy • 8% Liveness
6% Instrumentalness • 54% Positiveness
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Will Régnier
Entre les lignes
95 bpm • G min • 07:15 • -12.45db
7% Popularity • 58% Danceability • 43% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
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Nicole McCabe
Force Of Good
95 bpm • C Maj • 06:23 • -8.5db
10% Popularity • 42% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Lukmil Perez
Love Light
95 bpm • G Maj • 06:29 • -19.68db
9% Popularity • 48% Danceability • 14% Energy • 32% Liveness
82% Instrumentalness • 15% Positiveness
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Thom Gossage
Dubious Distinction
85 bpm • G# min • 12:58 • -15.52db
0% Popularity • 43% Danceability • 30% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Förnuft och Känsla
Sense and Sensibility
95 bpm • A# Maj • 06:43 • -15.59db
11% Popularity • 55% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 56% Positiveness
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Johann Sebastian Bach
Preludio
95 bpm • F min • 01:55 • -21.83db
8% Popularity • 54% Danceability • 33% Energy • 11% Liveness
95% Instrumentalness • 88% Positiveness
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Paul Motian
Shadows
95 bpm • E min • 03:28 • -16.62db
11% Popularity • 33% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Little North
Denmark
85 bpm • B min • 03:47 • -22.03db
11% Popularity • 42% Danceability • 20% Energy • 70% Liveness
78% Instrumentalness • 26% Positiveness
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Dave Douglas
A Single Sky
95 bpm • D Maj • 02:05 • -10.54db
12% Popularity • 50% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Julieta Eugenio
Breath IV
95 bpm • F# Maj • 02:31 • -16.27db
10% Popularity • 51% Danceability • 44% Energy • 6% Liveness
80% Instrumentalness • 64% Positiveness
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Michael Stephans
Le My People Go
95 bpm • A Maj • 05:40 • -20.44db
14% Popularity • 39% Danceability • 17% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Matthew Shipp
Sea Song
96 bpm • G Maj • 06:26 • -22.65db
11% Popularity • 35% Danceability • 21% Energy • 38% Liveness
84% Instrumentalness • 5% Positiveness
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Ravi Coltrane
The Mad 6
96 bpm • E min • 01:19 • -8.32db
8% Popularity • 44% Danceability • 79% Energy • 6% Liveness
23% Instrumentalness • 32% Positiveness
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John Patitucci
Morocco
96 bpm • E Maj • 01:44 • -27.31db
9% Popularity • 69% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 27% Positiveness
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Lisa Hilton
Too Hot
96 bpm • G min • 04:35 • -18.35db
17% Popularity • 33% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Kit Downes
Fiend
96 bpm • G Maj • 04:11 • -16.93db
16% Popularity • 32% Danceability • 34% Energy • 16% Liveness
87% Instrumentalness • 28% Positiveness
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Bill Frisell
Waltz for Hal Willner
84 bpm • G Maj • 02:47 • -15.2db
31% Popularity • 49% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Danilo Perez
Ballad for a Noble Man (In Memory of Dou...
84 bpm • A# Maj • 04:32 • -15.97db
7% Popularity • 32% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Sylvie Courvoisier
Partout des prunelles flamboient
84 bpm • G# Maj • 08:23 • -18.32db
9% Popularity • 28% Danceability • 30% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Ancient Infinity Orchestra
Greeting
84 bpm • F Maj • 03:13 • -9.91db
18% Popularity • 10% Danceability • 39% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
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John Surman
Hawksmoor
96 bpm • D# Maj • 06:52 • -21.54db
14% Popularity • 57% Danceability • 15% Energy • 7% Liveness
18% Instrumentalness • 16% Positiveness
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Mark Guiliana Jazz Quartet
2014
84 bpm • D Maj • 03:12 • -18.86db
35% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Fuse
Interlude II
84 bpm • A min • 01:15 • -34.26db
18% Popularity • 45% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 31% Positiveness
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Förnuft och Känsla
Blues Vaccine
97 bpm • A# min • 06:00 • -14.98db
17% Popularity • 59% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Rêve D'éléphant Orchestra
Reste, Reste Dans Mon Bâteau
84 bpm • G min • 08:32 • -12.35db
15% Popularity • 32% Danceability • 62% Energy • 18% Liveness
80% Instrumentalness • 8% Positiveness
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Jowee Omicil
AmBusKad
84 bpm • F# min • 02:38 • -11.08db
14% Popularity • 45% Danceability • 47% Energy • 40% Liveness
68% Instrumentalness • 36% Positiveness
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Andrew Hale
J.J.
97 bpm • G# min • 01:30 • -12.93db
33% Popularity • 54% Danceability • 40% Energy • 35% Liveness
91% Instrumentalness • 78% Positiveness
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Magnús Jóhann
Beautiful Skin
83 bpm • D min • 03:03 • -25.4db
18% Popularity • 35% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Hvalfugl
Kaskader Af Glemsel #1
97 bpm • C min • 01:41 • -19.13db
23% Popularity • 44% Danceability • 16% Energy • 15% Liveness
78% Instrumentalness • 17% Positiveness
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Kingfisher
Intro (Shannondale Road)
83 bpm • D Maj • 01:16 • -16.53db
20% Popularity • 28% Danceability • 7% Energy • 25% Liveness
46% Instrumentalness • 5% Positiveness
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Snorre Kirk
Call To Prayer
83 bpm • B Maj • 01:19 • -15db
11% Popularity • 30% Danceability • 9% Energy • 18% Liveness
57% Instrumentalness • 26% Positiveness
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Trigg & Gusset
Promenade
83 bpm • F# min • 04:30 • -16.05db
13% Popularity • 51% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Thom Gossage
Requiem
98 bpm • A min • 08:14 • -19.13db
0% Popularity • 44% Danceability • 16% Energy • 17% Liveness
28% Instrumentalness • 8% Positiveness
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Thomas Sejthen Trio
11 Made inTrige
83 bpm • C min • 01:06 • -27db
28% Popularity • 48% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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Daniel Herskedal
Snowfall
83 bpm • G min • 04:19 • -15.49db
10% Popularity • 62% Danceability • 37% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
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SEATBELTS
Twilight
83 bpm • G Maj • 02:57 • -11.6db
18% Popularity • 40% Danceability • 46% Energy • 9% Liveness
6% Instrumentalness • 27% Positiveness
► Preview
Cassie Kinoshi
ii - Single Version
98 bpm • A# min • 04:15 • -10.48db
20% Popularity • 32% Danceability • 64% Energy • 8% Liveness
82% Instrumentalness • 36% Positiveness
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Nomad