Songs like Norfolk Ferry by Erskine Hawkins & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Edgar Hayes
Swingin' in the Promised Land (11-14-38)
113 bpm • F min • 02:39 • -11.31db
7% Popularity • 69% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
7% Popularity • 69% Danceability • 73% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Erskine Hawkins & His Orchestra
Song Of The Wanderer
113 bpm • C# Maj • 03:32 • -14.54db
0% Popularity • 64% Danceability • 10% Energy • 14% Liveness
4% Instrumentalness • 43% Positiveness
0% Popularity • 64% Danceability • 10% Energy • 14% Liveness
4% Instrumentalness • 43% Positiveness
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Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
34% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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Erskine Hawkins
Keep Cool, Fool
113 bpm • C Maj • 03:35 • -11db
14% Popularity • 80% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
14% Popularity • 80% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Fletcher Henderson
Stampede
113 bpm • F min • 03:15 • -7.71db
13% Popularity • 66% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 88% Positiveness
13% Popularity • 66% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 88% Positiveness
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Buddy Johnson
Fine Brown Frame
112 bpm • G min • 03:02 • -9.75db
9% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 70% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Erskine Hawkins & His Orchestra
Let's Ball Awhile
114 bpm • A# min • 03:38 • -8.73db
1% Popularity • 46% Danceability • 68% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
1% Popularity • 46% Danceability • 68% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
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Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
18% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
18% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
18% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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Muggsy Spanier
(What I Did to Be So) Black And Blue
111 bpm • G min • 02:40 • -9db
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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Jack McVea
On the Sunny Side of the Street
110 bpm • A# Maj • 03:14 • -8db
8% Popularity • 66% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 11% Liveness
4% Instrumentalness • 76% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
111 bpm • F# Maj • 02:53 • -7db
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Louis Jordan
Knock Me a Kiss
116 bpm • D# Maj • 02:48 • -11.59db
20% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
20% Popularity • 86% Danceability • 24% Energy • 24% Liveness
10% Instrumentalness • 34% Positiveness
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Nellie Lutcher
Fine Brown Frame
116 bpm • C# Maj • 02:57 • -15.84db
29% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 72% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Mint Julep Jazz Band
Get It Southern Style
116 bpm • D Maj • 04:29 • -11.59db
19% Popularity • 77% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 77% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Muggsy Spanier
At The Jazz Band Ball
116 bpm • C Maj • 02:51 • -11db
15% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
15% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Woody Herman & His Orchestra
Four Brothers
110 bpm • G# Maj • 03:15 • -10db
26% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Hillary Thaddeus
Lindy Matic
110 bpm • G# Maj • 02:13 • -7db
28% Popularity • 79% Danceability • 41% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
28% Popularity • 79% Danceability • 41% Energy • 7% Liveness
89% Instrumentalness • 96% Positiveness
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Buddy Johnson
You Gotta Walk That Chalk Line
116 bpm • F# Maj • 02:38 • -10db
20% Popularity • 82% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 82% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
15% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
15% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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Cootie Williams
Don't Get Around Much Anymore
117 bpm • F Maj • 03:43 • -9db
8% Popularity • 81% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 81% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Illinois Jacquet
On The Sunny Side Of The Street - Alt 1
117 bpm • C Maj • 04:35 • -10db
29% Popularity • 66% Danceability • 31% Energy • 15% Liveness
4% Instrumentalness • 61% Positiveness
29% Popularity • 66% Danceability • 31% Energy • 15% Liveness
4% Instrumentalness • 61% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
20% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
20% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Kid Ory
Eh, La Bas
109 bpm • A# Maj • 04:48 • -9.91db
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
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Clarence Williams
I Wish I Could Shimmy Like My Sister Kat...
109 bpm • D Maj • 02:40 • -8.43db
10% Popularity • 79% Danceability • 85% Energy • 16% Liveness
30% Instrumentalness • 89% Positiveness
10% Popularity • 79% Danceability • 85% Energy • 16% Liveness
30% Instrumentalness • 89% Positiveness
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Bob Crosby & His Orchestra
Sugar Foot Stomp
109 bpm • C Maj • 02:23 • -8.41db
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Barney Bigard & His Orchestra
Barney's Bounce
109 bpm • C min • 03:19 • -12.84db
15% Popularity • 68% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 82% Positiveness
15% Popularity • 68% Danceability • 52% Energy • 9% Liveness
5% Instrumentalness • 82% Positiveness
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Humphrey Lyttelton
Georgia
109 bpm • D min • 02:59 • -14db
24% Popularity • 74% Danceability • 22% Energy • 37% Liveness
96% Instrumentalness • 93% Positiveness
24% Popularity • 74% Danceability • 22% Energy • 37% Liveness
96% Instrumentalness • 93% Positiveness
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Sam Butera
French Poodle
117 bpm • C Maj • 02:26 • -14.22db
31% Popularity • 78% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Dodds
Little Bits
118 bpm • C Maj • 02:59 • -6.56db
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
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Reverent Juke
East St. Louis Toodle-Oo
118 bpm • C min • 03:41 • -13.81db
23% Popularity • 56% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 53% Positiveness
23% Popularity • 56% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 53% Positiveness
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Buddy Johnson
Li'l Dog
118 bpm • F min • 03:06 • -7.95db
13% Popularity • 65% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
13% Popularity • 65% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Michael Gamble & The Rhythm Serenaders
Man About Town
118 bpm • A# Maj • 03:51 • -20.03db
19% Popularity • 69% Danceability • 7% Energy • 15% Liveness
46% Instrumentalness • 64% Positiveness
19% Popularity • 69% Danceability • 7% Energy • 15% Liveness
46% Instrumentalness • 64% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
13% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
13% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
21% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Erskine Hawkins & His Orchestra
Cherry
119 bpm • G min • 03:20 • -11.4db
0% Popularity • 67% Danceability • 13% Energy • 14% Liveness
18% Instrumentalness • 41% Positiveness
0% Popularity • 67% Danceability • 13% Energy • 14% Liveness
18% Instrumentalness • 41% Positiveness
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Glenn Crytzer
Wallingford Wiggles
119 bpm • A min • 04:36 • -15.96db
18% Popularity • 65% Danceability • 36% Energy • 23% Liveness
50% Instrumentalness • 52% Positiveness
18% Popularity • 65% Danceability • 36% Energy • 23% Liveness
50% Instrumentalness • 52% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
27% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Erskine Hawkins
Riff Time
107 bpm • C# Maj • 03:04 • -6.7db
11% Popularity • 66% Danceability • 70% Energy • 10% Liveness
28% Instrumentalness • 83% Positiveness
11% Popularity • 66% Danceability • 70% Energy • 10% Liveness
28% Instrumentalness • 83% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
30% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
30% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
23% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
23% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Bobby Hackett
I've Found a New Baby
107 bpm • F min • 02:44 • -11.99db
28% Popularity • 74% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 78% Positiveness
28% Popularity • 74% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 78% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Fletcher Henderson
Jim Town Blues
107 bpm • A# Maj • 02:44 • -7.92db
15% Popularity • 73% Danceability • 41% Energy • 4% Liveness
89% Instrumentalness • 94% Positiveness
15% Popularity • 73% Danceability • 41% Energy • 4% Liveness
89% Instrumentalness • 94% Positiveness
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Bob Crosby & The Bob Cats
Sugar Foot Stomp
107 bpm • C Maj • 03:05 • -10db
25% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
25% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
107 bpm • C# Maj • 03:00 • -12db
12% Popularity • 64% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
12% Popularity • 64% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Erskine Hawkins & His Orchestra
Rifftime
107 bpm • C# Maj • 03:06 • -18.24db
0% Popularity • 64% Danceability • 33% Energy • 5% Liveness
53% Instrumentalness • 90% Positiveness
0% Popularity • 64% Danceability • 33% Energy • 5% Liveness
53% Instrumentalness • 90% Positiveness
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The Solomon Douglas Swingtet
Big Apple Contest
106 bpm • C Maj • 02:57 • -10.17db
27% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 68% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Bunny Berigan
Patty Cake, Patty Cake
120 bpm • C# Maj • 03:31 • -10.58db
9% Popularity • 77% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
9% Popularity • 77% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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Johnny Dodds
I'm Goin' Huntin'
106 bpm • F Maj • 02:59 • -9.69db
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Alix Combelle
Fariboles
106 bpm • A# Maj • 02:47 • -10db
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
9% Popularity • 77% Danceability • 44% Energy • 16% Liveness
73% Instrumentalness • 94% Positiveness
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New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
25% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
25% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
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Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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Buddy Johnson
Be Careful
121 bpm • C Maj • 03:08 • -9.05db
18% Popularity • 84% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 84% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Cab Calloway
Hey Now, Hey Now
121 bpm • G# Maj • 02:53 • -9.36db
25% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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The Charleston Chasers
After You've Gone
121 bpm • A# Maj • 02:42 • -15.2db
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
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King Oliver
A Sheridan Square
121 bpm • G Maj • 03:22 • -11.74db
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
21% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
21% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
23% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
23% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Johnny Dodds
Clarinet Wobble
122 bpm • F Maj • 02:35 • -8.93db
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
On The Sunny Side Of The Street
122 bpm • G min • 03:12 • -13.59db
27% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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James P. Johnson
Honeysuckle Rose
105 bpm • F Maj • 02:40 • -17.09db
33% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
33% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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The Cats & The Fiddle
That's on Jack, That's On
105 bpm • F Maj • 02:32 • -8.18db
14% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Erskine Hawkins & His Orchestra
Weary Blues
105 bpm • G Maj • 03:22 • -17.11db
0% Popularity • 70% Danceability • 5% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
0% Popularity • 70% Danceability • 5% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Lucky Millinder
Ow!
122 bpm • C# Maj • 02:23 • -3db
11% Popularity • 63% Danceability • 77% Energy • 31% Liveness
27% Instrumentalness • 46% Positiveness
11% Popularity • 63% Danceability • 77% Energy • 31% Liveness
27% Instrumentalness • 46% Positiveness
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Roy Eldridge
All Of Me
104 bpm • C Maj • 02:33 • -11db
23% Popularity • 77% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 77% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Fletcher Henderson
Fidgety Feet
123 bpm • D# Maj • 02:53 • -9db
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
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The Cats & The Fiddle
Public Jitterbug Number One - Alternate ...
104 bpm • C min • 02:54 • -9db
14% Popularity • 77% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 77% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
42% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
42% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Erskine Hawkins & His Orchestra
Sweet Georgia Brown
123 bpm • F min • 03:10 • -13.83db
0% Popularity • 67% Danceability • 34% Energy • 14% Liveness
93% Instrumentalness • 92% Positiveness
0% Popularity • 67% Danceability • 34% Energy • 14% Liveness
93% Instrumentalness • 92% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Charlie Barnet
The Last Jump
124 bpm • A# Maj • 02:43 • -6.89db
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Bridgetown Sextet
That's When I'll Come Back to You
124 bpm • F Maj • 03:06 • -11.75db
13% Popularity • 71% Danceability • 31% Energy • 6% Liveness
22% Instrumentalness • 65% Positiveness
13% Popularity • 71% Danceability • 31% Energy • 6% Liveness
22% Instrumentalness • 65% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Erskine Hawkins & His Orchestra
Sweet Georgia Brown - Digitally Mastered...
123 bpm • F min • 03:11 • -13.72db
1% Popularity • 67% Danceability • 41% Energy • 8% Liveness
92% Instrumentalness • 90% Positiveness
1% Popularity • 67% Danceability • 41% Energy • 8% Liveness
92% Instrumentalness • 90% Positiveness
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Slim Gaillard
Atomic Cocktail - Alternate Take
124 bpm • F Maj • 02:43 • -14db
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Henry "Red" Allen
Canal Street Blues
125 bpm • G# Maj • 03:48 • -7.68db
6% Popularity • 57% Danceability • 59% Energy • 26% Liveness
3% Instrumentalness • 65% Positiveness
6% Popularity • 57% Danceability • 59% Energy • 26% Liveness
3% Instrumentalness • 65% Positiveness
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The Big 18
Easy Does It
125 bpm • C# Maj • 05:14 • -20.58db
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
28% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
Mister Five By Five
125 bpm • D Maj • 03:07 • -9.66db
29% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Erskine Hawkins & His Orchestra
Swing Out
103 bpm • A# Maj • 03:19 • -13db
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
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Buddy Johnson
Walk 'Em
125 bpm • A# Maj • 02:50 • -10db
19% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Cootie Williams
Do Nothing Till You Hear from Me
125 bpm • G min • 03:59 • -9.3db
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
30% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
30% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness