Songs like Nostalgia by Francis Goya
Based on a tempo of (+/- 10%) and a similar genre
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Global Village Players
Trio Para Enamorados (Trio for Lovers)
104 bpm • G Maj • 02:11 • -9.76db
43% Popularity • 73% Danceability • 49% Energy • 8% Liveness
76% Instrumentalness • 52% Positiveness
43% Popularity • 73% Danceability • 49% Energy • 8% Liveness
76% Instrumentalness • 52% Positiveness
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Francis Goya
Emmanuelle
104 bpm • B min • 02:37 • -8.94db
21% Popularity • 54% Danceability • 53% Energy • 8% Liveness
60% Instrumentalness • 44% Positiveness
21% Popularity • 54% Danceability • 53% Energy • 8% Liveness
60% Instrumentalness • 44% Positiveness
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Max Greger
Something Stupid
104 bpm • D# Maj • 02:42 • -7.92db
24% Popularity • 62% Danceability • 55% Energy • 26% Liveness
93% Instrumentalness • 54% Positiveness
24% Popularity • 62% Danceability • 55% Energy • 26% Liveness
93% Instrumentalness • 54% Positiveness
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MelodÃas Mágicas
La Sombra de Tu Sonrisa
104 bpm • D min • 02:41 • -17db
45% Popularity • 54% Danceability • 22% Energy • 26% Liveness
81% Instrumentalness • 26% Positiveness
45% Popularity • 54% Danceability • 22% Energy • 26% Liveness
81% Instrumentalness • 26% Positiveness
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Blonker
Sidewalk Café
104 bpm • E min • 03:14 • -15.48db
28% Popularity • 70% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
28% Popularity • 70% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
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Frank Chacksfield Orchestra
Marakesh Express
104 bpm • C Maj • 02:39 • -13db
21% Popularity • 64% Danceability • 35% Energy • 11% Liveness
49% Instrumentalness • 51% Positiveness
21% Popularity • 64% Danceability • 35% Energy • 11% Liveness
49% Instrumentalness • 51% Positiveness
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Captain Cook Und Seine Singenden Saxophone
Wenn wir auseinandergeh'n (Please Releas...
104 bpm • G# Maj • 02:13 • -9.41db
40% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Francis Goya
Nostalgia
104 bpm • C min • 02:43 • -11db
36% Popularity • 54% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
36% Popularity • 54% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
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Laurens van Rooyen
La Camparsa
103 bpm • F Maj • 04:35 • -15.94db
17% Popularity • 63% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Hector Delfosse
Tombe La Neige
103 bpm • A Maj • 03:47 • -12db
23% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Paris Musette
C'est tout
105 bpm • G# Maj • 02:32 • -14.43db
25% Popularity • 55% Danceability • 29% Energy • 32% Liveness
86% Instrumentalness • 49% Positiveness
25% Popularity • 55% Danceability • 29% Energy • 32% Liveness
86% Instrumentalness • 49% Positiveness
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Henry Salomon y su Orquesta
La Playa
103 bpm • D min • 02:43 • -15db
46% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
46% Popularity • 67% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 73% Positiveness
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Blonker
Sidewalk Café
105 bpm • E min • 03:03 • -20.23db
33% Popularity • 71% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 73% Positiveness
33% Popularity • 71% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 73% Positiveness
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Francis Goya
Ave Maria No Morro
103 bpm • F Maj • 03:03 • -10.92db
15% Popularity • 57% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 40% Positiveness
15% Popularity • 57% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 40% Positiveness
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Paco Nula
Something Stupid
105 bpm • E Maj • 03:02 • -10.67db
29% Popularity • 79% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
29% Popularity • 79% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
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Charlie Shaffer
Sentimental Me - A Very Precious Love
105 bpm • C Maj • 02:41 • -19db
31% Popularity • 64% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
31% Popularity • 64% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
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Orquestra Românticos de Cuba
Duas Guitarras / Olhos Negros
105 bpm • D min • 02:53 • -5db
43% Popularity • 49% Danceability • 62% Energy • 17% Liveness
73% Instrumentalness • 54% Positiveness
43% Popularity • 49% Danceability • 62% Energy • 17% Liveness
73% Instrumentalness • 54% Positiveness
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Cantovano and His Orchestra
Perfidia
103 bpm • C Maj • 03:06 • -7db
34% Popularity • 73% Danceability • 58% Energy • 16% Liveness
95% Instrumentalness • 81% Positiveness
34% Popularity • 73% Danceability • 58% Energy • 16% Liveness
95% Instrumentalness • 81% Positiveness
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Zantalino and his Orchestra
Quizas Quizas Quizas
105 bpm • F min • 02:36 • -8db
34% Popularity • 74% Danceability • 64% Energy • 30% Liveness
81% Instrumentalness • 84% Positiveness
34% Popularity • 74% Danceability • 64% Energy • 30% Liveness
81% Instrumentalness • 84% Positiveness
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Versaillesstation
Quizas Quizas Quizas
105 bpm • C Maj • 02:38 • -6.53db
32% Popularity • 74% Danceability • 69% Energy • 35% Liveness
74% Instrumentalness • 80% Positiveness
32% Popularity • 74% Danceability • 69% Energy • 35% Liveness
74% Instrumentalness • 80% Positiveness
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Adrian Perticone
Mañana De Carnaval
105 bpm • D min • 03:20 • -15.62db
39% Popularity • 70% Danceability • 28% Energy • 15% Liveness
55% Instrumentalness • 56% Positiveness
39% Popularity • 70% Danceability • 28% Energy • 15% Liveness
55% Instrumentalness • 56% Positiveness
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Francis Goya
Quando Sali De Cuba
103 bpm • C Maj • 02:30 • -11db
29% Popularity • 64% Danceability • 50% Energy • 24% Liveness
84% Instrumentalness • 83% Positiveness
29% Popularity • 64% Danceability • 50% Energy • 24% Liveness
84% Instrumentalness • 83% Positiveness
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Francis Pourcel Orchestra
El DÃa Anterior a Tu Llegada
105 bpm • C min • 03:09 • -13.88db
30% Popularity • 59% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 59% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 72% Positiveness
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Horst Jankowski
A Walk In Bavaria
102 bpm • A# Maj • 02:09 • -9db
32% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
32% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
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Hans Hollestelle
La Comparsa
102 bpm • E Maj • 02:51 • -12db
31% Popularity • 52% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 72% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 11% Liveness
83% Instrumentalness • 72% Positiveness
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Combo Alfredo
Chanson d'Amour
102 bpm • G min • 02:49 • -7db
24% Popularity • 56% Danceability • 56% Energy • 7% Liveness
68% Instrumentalness • 46% Positiveness
24% Popularity • 56% Danceability • 56% Energy • 7% Liveness
68% Instrumentalness • 46% Positiveness
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Ronnie Aldrich and his 2 pianos
My Cup Runneth Over
102 bpm • G Maj • 02:38 • -13db
41% Popularity • 56% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 40% Positiveness
41% Popularity • 56% Danceability • 31% Energy • 10% Liveness
73% Instrumentalness • 40% Positiveness
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MelodÃas Mágicas
Los Ojos Negros
106 bpm • D min • 02:59 • -14.41db
43% Popularity • 36% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 49% Positiveness
43% Popularity • 36% Danceability • 39% Energy • 13% Liveness
79% Instrumentalness • 49% Positiveness
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Zantalino and his Orchestra
Historia De Un Amor
106 bpm • G# min • 02:46 • -8db
17% Popularity • 72% Danceability • 72% Energy • 12% Liveness
75% Instrumentalness • 81% Positiveness
17% Popularity • 72% Danceability • 72% Energy • 12% Liveness
75% Instrumentalness • 81% Positiveness
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Cantovano and His Orchestra
Historia de un Amor
106 bpm • G min • 02:46 • -6db
32% Popularity • 70% Danceability • 76% Energy • 12% Liveness
80% Instrumentalness • 71% Positiveness
32% Popularity • 70% Danceability • 76% Energy • 12% Liveness
80% Instrumentalness • 71% Positiveness
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Gary Freeman
Something Stupid
102 bpm • F Maj • 02:39 • -11.41db
33% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
33% Popularity • 55% Danceability • 43% Energy • 31% Liveness
91% Instrumentalness • 43% Positiveness
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Strato-Vani
Hemelsblauw (Rumba 25 BPM)
102 bpm • A Maj • 03:28 • -9.46db
20% Popularity • 62% Danceability • 57% Energy • 19% Liveness
63% Instrumentalness • 71% Positiveness
20% Popularity • 62% Danceability • 57% Energy • 19% Liveness
63% Instrumentalness • 71% Positiveness
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Caravelli
Love Is Blue
102 bpm • G Maj • 02:33 • -10.05db
29% Popularity • 25% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
29% Popularity • 25% Danceability • 50% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
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Pepito Ros e A.M.P.
Massachussetts
102 bpm • G Maj • 02:17 • -6.89db
30% Popularity • 56% Danceability • 48% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
30% Popularity • 56% Danceability • 48% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
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Zantalino and his Orchestra
Historia De Un Amor
106 bpm • A min • 02:46 • -7.83db
33% Popularity • 70% Danceability • 75% Energy • 28% Liveness
72% Instrumentalness • 86% Positiveness
33% Popularity • 70% Danceability • 75% Energy • 28% Liveness
72% Instrumentalness • 86% Positiveness
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Francis Goya
Historia De Un Amor
106 bpm • E min • 02:29 • -11db
33% Popularity • 64% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 59% Positiveness
33% Popularity • 64% Danceability • 49% Energy • 15% Liveness
95% Instrumentalness • 59% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
SOMETHIN’ STUPID
106 bpm • G# Maj • 02:36 • -8db
29% Popularity • 58% Danceability • 50% Energy • 11% Liveness
38% Instrumentalness • 75% Positiveness
29% Popularity • 58% Danceability • 50% Energy • 11% Liveness
38% Instrumentalness • 75% Positiveness
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Tony Mottola y Su Orquesta
Roman Guitar
106 bpm • A Maj • 03:35 • -13.61db
32% Popularity • 48% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
32% Popularity • 48% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
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Gaston Croisset & Orquesta Roger Toussiant
Save The Last Dande For Me
106 bpm • E Maj • 03:02 • -8db
27% Popularity • 63% Danceability • 53% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
27% Popularity • 63% Danceability • 53% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
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The Gino Marinello Orchestra
Love Is Blue (L'amour est bleu)
107 bpm • A Maj • 02:31 • -13.21db
33% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
33% Popularity • 60% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 50% Positiveness
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The Strings Of Paris
Save The Last Dance From Me
107 bpm • E Maj • 03:02 • -11.81db
40% Popularity • 62% Danceability • 52% Energy • 19% Liveness
97% Instrumentalness • 47% Positiveness
40% Popularity • 62% Danceability • 52% Energy • 19% Liveness
97% Instrumentalness • 47% Positiveness
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Tom McBryde
For The Good Times
101 bpm • F Maj • 03:11 • -21db
28% Popularity • 50% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
28% Popularity • 50% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
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Orquestra Românticos de Cuba
Perdono Pero no Olvido / Donde Estara Mi...
107 bpm • F min • 02:31 • -5db
41% Popularity • 39% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 32% Positiveness
41% Popularity • 39% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 32% Positiveness
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Luna Blanca
Crème Brûlée
101 bpm • A Maj • 05:35 • -9db
16% Popularity • 64% Danceability • 67% Energy • 11% Liveness
83% Instrumentalness • 63% Positiveness
16% Popularity • 64% Danceability • 67% Energy • 11% Liveness
83% Instrumentalness • 63% Positiveness
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MelodÃas Mágicas
Mañana de Carnaval
107 bpm • G min • 02:50 • -15db
44% Popularity • 64% Danceability • 21% Energy • 6% Liveness
76% Instrumentalness • 36% Positiveness
44% Popularity • 64% Danceability • 21% Energy • 6% Liveness
76% Instrumentalness • 36% Positiveness
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Klaus Wunderlich
English-Waltz-Medley - Fascination / Tru...
101 bpm • G# Maj • 04:53 • -14.98db
11% Popularity • 65% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
11% Popularity • 65% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Francis Goya
Solamente Una Vez
107 bpm • F Maj • 03:03 • -10.51db
20% Popularity • 64% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 68% Positiveness
20% Popularity • 64% Danceability • 48% Energy • 16% Liveness
86% Instrumentalness • 68% Positiveness
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Stanley Black
J'attendrai
108 bpm • C Maj • 02:26 • -16.04db
29% Popularity • 41% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
29% Popularity • 41% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Jack Jezzro
Come Back to Sorrento
108 bpm • D min • 02:56 • -14.81db
47% Popularity • 46% Danceability • 25% Energy • 16% Liveness
9% Instrumentalness • 27% Positiveness
47% Popularity • 46% Danceability • 25% Energy • 16% Liveness
9% Instrumentalness • 27% Positiveness
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Percy Faith & His Orchestra
Elvira Madigan Theme
101 bpm • G Maj • 02:39 • -14.8db
33% Popularity • 34% Danceability • 16% Energy • 21% Liveness
92% Instrumentalness • 14% Positiveness
33% Popularity • 34% Danceability • 16% Energy • 21% Liveness
92% Instrumentalness • 14% Positiveness
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The Romantic Sound Orchestra
Spanish Romance (Burgalesa)
108 bpm • E min • 03:10 • -15.98db
21% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Mike Batt
If
100 bpm • E Maj • 03:30 • -13.61db
9% Popularity • 43% Danceability • 27% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
9% Popularity • 43% Danceability • 27% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
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Enrique Ugarte
Corinne
108 bpm • A min • 04:02 • -12db
45% Popularity • 65% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 65% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Laurens van Rooyen
The Gypsy
100 bpm • G Maj • 03:51 • -18.24db
16% Popularity • 70% Danceability • 38% Energy • 14% Liveness
88% Instrumentalness • 92% Positiveness
16% Popularity • 70% Danceability • 38% Energy • 14% Liveness
88% Instrumentalness • 92% Positiveness
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Luis Siu Riveron
Y Volvere - Instrumental
108 bpm • A min • 02:55 • -13.21db
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
39% Popularity • 58% Danceability • 34% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
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Studio Orchestra
Jeux Interdits (Narciso Yepes Cover)
108 bpm • D Maj • 03:45 • -17.89db
26% Popularity • 57% Danceability • 18% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
26% Popularity • 57% Danceability • 18% Energy • 8% Liveness
74% Instrumentalness • 18% Positiveness
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Franz Lambert
Chanson d'Amour
108 bpm • A# Maj • 02:43 • -8db
23% Popularity • 62% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 59% Positiveness
23% Popularity • 62% Danceability • 45% Energy • 14% Liveness
38% Instrumentalness • 59% Positiveness
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Pierre Charlon
Sound of Music
108 bpm • C# Maj • 03:14 • -15.22db
30% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
30% Popularity • 26% Danceability • 23% Energy • 22% Liveness
78% Instrumentalness • 14% Positiveness
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Claude Ciari
La playa
108 bpm • D min • 02:44 • -10.73db
32% Popularity • 72% Danceability • 37% Energy • 8% Liveness
80% Instrumentalness • 80% Positiveness
32% Popularity • 72% Danceability • 37% Energy • 8% Liveness
80% Instrumentalness • 80% Positiveness
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The Richard Romance Orchestra
All Kinds of Everything
100 bpm • A# Maj • 02:10 • -13db
32% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
32% Popularity • 76% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Luis Siu Riveron
Estrellita - Instrumental
108 bpm • C Maj • 02:33 • -14.71db
38% Popularity • 63% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 87% Positiveness
38% Popularity • 63% Danceability • 42% Energy • 12% Liveness
89% Instrumentalness • 87% Positiveness
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Francis Dupont
Oh Mein Papa
100 bpm • A# Maj • 02:39 • -12db
31% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
31% Popularity • 43% Danceability • 32% Energy • 31% Liveness
94% Instrumentalness • 42% Positiveness
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The Gino Marinello Orchestra
Theme from ''A Summerplace''
100 bpm • A# Maj • 02:44 • -14.59db
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
44% Popularity • 58% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 50% Positiveness
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Ronnie Aldrich and his 2 pianos
Somethin' Stupid
100 bpm • F Maj • 02:49 • -14db
34% Popularity • 52% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
34% Popularity • 52% Danceability • 36% Energy • 10% Liveness
89% Instrumentalness • 66% Positiveness
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Pete Tex
Slow Motion
108 bpm • A# Maj • 02:55 • -4.54db
27% Popularity • 56% Danceability • 62% Energy • 15% Liveness
76% Instrumentalness • 44% Positiveness
27% Popularity • 56% Danceability • 62% Energy • 15% Liveness
76% Instrumentalness • 44% Positiveness
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Kai Warner
Kiss Me Goodbye
108 bpm • C Maj • 03:05 • -9.2db
31% Popularity • 39% Danceability • 43% Energy • 14% Liveness
10% Instrumentalness • 62% Positiveness
31% Popularity • 39% Danceability • 43% Energy • 14% Liveness
10% Instrumentalness • 62% Positiveness
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Francis Goya
Daddy's Bolero
108 bpm • D min • 03:10 • -8.7db
39% Popularity • 49% Danceability • 60% Energy • 17% Liveness
95% Instrumentalness • 77% Positiveness
39% Popularity • 49% Danceability • 60% Energy • 17% Liveness
95% Instrumentalness • 77% Positiveness
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Discovey Light Orchestra
Angelica
100 bpm • C Maj • 03:02 • -13db
51% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
51% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Pierre Charlon
Monalisa
108 bpm • G Maj • 02:47 • -16.2db
37% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
37% Popularity • 53% Danceability • 22% Energy • 9% Liveness
62% Instrumentalness • 55% Positiveness
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MelodÃas Mágicas
Pigalle
109 bpm • C Maj • 02:19 • -13.21db
49% Popularity • 69% Danceability • 41% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
49% Popularity • 69% Danceability • 41% Energy • 11% Liveness
68% Instrumentalness • 62% Positiveness
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Caravelli
Moulin Rouge
100 bpm • G Maj • 02:48 • -15.46db
20% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
20% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
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50 Guitars of Tommy Garrett
Michelle
109 bpm • D min • 02:27 • -13.76db
25% Popularity • 59% Danceability • 23% Energy • 17% Liveness
89% Instrumentalness • 33% Positiveness
25% Popularity • 59% Danceability • 23% Energy • 17% Liveness
89% Instrumentalness • 33% Positiveness
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Francis Goya
Koskaan Rakkaus Kuole Ei - Daddy's Boler...
108 bpm • D min • 03:10 • -9.58db
31% Popularity • 53% Danceability • 47% Energy • 17% Liveness
73% Instrumentalness • 58% Positiveness
31% Popularity • 53% Danceability • 47% Energy • 17% Liveness
73% Instrumentalness • 58% Positiveness
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El Niño de la Guitarra
Unchained Melody
99 bpm • C Maj • 03:40 • -6.63db
30% Popularity • 69% Danceability • 46% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
30% Popularity • 69% Danceability • 46% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
38% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
38% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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MelodÃas Mágicas
Maria Elena
100 bpm • G min • 02:38 • -14db
50% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
50% Popularity • 48% Danceability • 24% Energy • 26% Liveness
87% Instrumentalness • 41% Positiveness
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Roger Williams
Autumn Leaves
109 bpm • D min • 02:53 • -7.92db
37% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
37% Popularity • 29% Danceability • 48% Energy • 13% Liveness
19% Instrumentalness • 24% Positiveness
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Pasapoga Light Orchestra
A Mi Manera
99 bpm • C Maj • 03:17 • -13.44db
32% Popularity • 50% Danceability • 35% Energy • 15% Liveness
93% Instrumentalness • 33% Positiveness
32% Popularity • 50% Danceability • 35% Energy • 15% Liveness
93% Instrumentalness • 33% Positiveness
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Francis Goya
Besame Mucho
109 bpm • D min • 05:04 • -9.97db
29% Popularity • 62% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 39% Positiveness
29% Popularity • 62% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 39% Positiveness
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Frank Chacksfield
You Don't Bring Me Flowers - Remastered
98 bpm • C Maj • 02:55 • -10db
29% Popularity • 16% Danceability • 36% Energy • 14% Liveness
79% Instrumentalness • 7% Positiveness
29% Popularity • 16% Danceability • 36% Energy • 14% Liveness
79% Instrumentalness • 7% Positiveness
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Ronnie Aldrich
Key Largo
110 bpm • G Maj • 03:12 • -15.11db
24% Popularity • 51% Danceability • 26% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
24% Popularity • 51% Danceability • 26% Energy • 7% Liveness
75% Instrumentalness • 34% Positiveness
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Jean Claude Borelly
Dont't Cry for Me Argentina
110 bpm • D# Maj • 03:03 • -7.1db
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
26% Popularity • 40% Danceability • 35% Energy • 9% Liveness
84% Instrumentalness • 15% Positiveness
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Kai Warner
Blue Moon
110 bpm • D# Maj • 02:42 • -13.39db
33% Popularity • 69% Danceability • 37% Energy • 14% Liveness
50% Instrumentalness • 44% Positiveness
33% Popularity • 69% Danceability • 37% Energy • 14% Liveness
50% Instrumentalness • 44% Positiveness
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Cantovano and His Orchestra
Amor Amor
110 bpm • C Maj • 03:52 • -7.37db
19% Popularity • 73% Danceability • 71% Energy • 11% Liveness
44% Instrumentalness • 88% Positiveness
19% Popularity • 73% Danceability • 71% Energy • 11% Liveness
44% Instrumentalness • 88% Positiveness
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Paul Latin
Cuando Calienta El Sol
110 bpm • A# min • 02:55 • -9.05db
39% Popularity • 85% Danceability • 41% Energy • 12% Liveness
82% Instrumentalness • 75% Positiveness
39% Popularity • 85% Danceability • 41% Energy • 12% Liveness
82% Instrumentalness • 75% Positiveness
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The Gino Marinello Orchestra
Guantamanera
98 bpm • D Maj • 03:06 • -11db
41% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
41% Popularity • 62% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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The Richard Romance Orchestra
Guantanamera
98 bpm • D Maj • 03:08 • -11.47db
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Ronald Valentino
Solamente una Vez
110 bpm • D# Maj • 02:45 • -11db
46% Popularity • 77% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
46% Popularity • 77% Danceability • 53% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
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Frank Chacksfield Orchestra
A Woman in Love
98 bpm • G Maj • 02:49 • -15db
29% Popularity • 41% Danceability • 28% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
29% Popularity • 41% Danceability • 28% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
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Roberto Delgado
Un Poco Rio
98 bpm • G Maj • 02:19 • -10db
29% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
29% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
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Alfred Hause
Romantic Dreams
110 bpm • E min • 02:52 • -14.69db
36% Popularity • 41% Danceability • 31% Energy • 39% Liveness
44% Instrumentalness • 50% Positiveness
36% Popularity • 41% Danceability • 31% Energy • 39% Liveness
44% Instrumentalness • 50% Positiveness
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50 Guitars of Tommy Garrett
South of the Border
98 bpm • E min • 02:59 • -13db
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Gino Marinello Orchestra
I'll Never Fall in Love Again
98 bpm • D# Maj • 04:39 • -14db
19% Popularity • 69% Danceability • 32% Energy • 11% Liveness
43% Instrumentalness • 50% Positiveness
19% Popularity • 69% Danceability • 32% Energy • 11% Liveness
43% Instrumentalness • 50% Positiveness
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Ricci Ferra
La Guitarra Romantica
110 bpm • E min • 02:52 • -12.77db
36% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 38% Energy • 22% Liveness
96% Instrumentalness • 52% Positiveness
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Gentlemen Of Trumpets
Quando Quando
98 bpm • C Maj • 02:53 • -5.4db
34% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
34% Popularity • 63% Danceability • 65% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
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Luis Cobos
Recuerdos De La Alhambra
98 bpm • A min • 03:53 • -16db
38% Popularity • 62% Danceability • 59% Energy • 47% Liveness
93% Instrumentalness • 75% Positiveness
38% Popularity • 62% Danceability • 59% Energy • 47% Liveness
93% Instrumentalness • 75% Positiveness
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Italian Ballroom
Solitario - 25 bpm
98 bpm • G min • 03:01 • -8.31db
31% Popularity • 64% Danceability • 49% Energy • 37% Liveness
61% Instrumentalness • 47% Positiveness
31% Popularity • 64% Danceability • 49% Energy • 37% Liveness
61% Instrumentalness • 47% Positiveness
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MelodÃas Mágicas
La Playa
110 bpm • D min • 02:21 • -15.93db
54% Popularity • 63% Danceability • 20% Energy • 27% Liveness
82% Instrumentalness • 34% Positiveness
54% Popularity • 63% Danceability • 20% Energy • 27% Liveness
82% Instrumentalness • 34% Positiveness
