Songs like not alone by mehro
Based on a tempo of (+/- 10%) and a similar genre
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Nouel
Milky Way
126 bpm • B min • 03:09 • -13.7db
37% Popularity • 79% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 79% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Subtle Pride
Naked in Your Arms
126 bpm • G Maj • 03:23 • -19.08db
19% Popularity • 76% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
19% Popularity • 76% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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mehro
not alone
126 bpm • B min • 02:34 • -5.09db
40% Popularity • 63% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 63% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Aquilo
Missing the Mark
126 bpm • A# min • 02:32 • -11.35db
33% Popularity • 51% Danceability • 39% Energy • 20% Liveness
25% Instrumentalness • 16% Positiveness
33% Popularity • 51% Danceability • 39% Energy • 20% Liveness
25% Instrumentalness • 16% Positiveness
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Haiva Ru
Oh, But Lover
126 bpm • B Maj • 04:04 • -10.09db
35% Popularity • 63% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 63% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Nadia Kamrath
Confessions
126 bpm • C# Maj • 03:41 • -9.99db
12% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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girl in red
Apartment 402
125 bpm • F min • 03:25 • -8.35db
53% Popularity • 44% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
53% Popularity • 44% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Galaxy Fingers
Cynically Sweet
126 bpm • E Maj • 03:38 • -10.28db
27% Popularity • 53% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
27% Popularity • 53% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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mehro
murmur
126 bpm • D# Maj • 02:19 • -17.01db
30% Popularity • 23% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
30% Popularity • 23% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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The Rabbitts
Blue Echo (Reimagined)
125 bpm • C Maj • 02:20 • -8.7db
20% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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FINNEAS
Mona Lisa, Mona Lisa
125 bpm • C Maj • 02:52 • -6.84db
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
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Mad Honey
Blue & You
127 bpm • C Maj • 04:50 • -10.81db
44% Popularity • 52% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
44% Popularity • 52% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 21% Positiveness
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Georgi Krastev
Love is Nothing
125 bpm • D min • 04:30 • -10.21db
7% Popularity • 22% Danceability • 25% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
7% Popularity • 22% Danceability • 25% Energy • 11% Liveness
19% Instrumentalness • 24% Positiveness
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X Lovers
Punching Walls
125 bpm • D# Maj • 02:34 • -4.31db
28% Popularity • 75% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 75% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Brenn!
closer
125 bpm • F# Maj • 03:17 • -10.54db
32% Popularity • 24% Danceability • 44% Energy • 34% Liveness
48% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 44% Energy • 34% Liveness
48% Instrumentalness • 9% Positiveness
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peach tinted
Roller Coaster
125 bpm • C Maj • 03:15 • -12.6db
32% Popularity • 61% Danceability • 66% Energy • 16% Liveness
20% Instrumentalness • 35% Positiveness
32% Popularity • 61% Danceability • 66% Energy • 16% Liveness
20% Instrumentalness • 35% Positiveness
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loyalties
Second Place
128 bpm • F# min • 02:08 • -16.49db
45% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 65% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jess Benko
A Soulmate Who Wasn’t Meant to Be
124 bpm • A min • 05:16 • -20.27db
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
65% Popularity • 57% Danceability • 3% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Gigi Perez
Figurines
128 bpm • A Maj • 04:20 • -8.63db
31% Popularity • 46% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Vlad Holiday
I'll Probably Never Be Somebody
128 bpm • C# Maj • 02:59 • -6db
25% Popularity • 50% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 50% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 31% Positiveness
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Sky McCreery
Drew Barrymore
124 bpm • D# Maj • 02:13 • -9.46db
32% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gallipoli
Pick Me Up Tonight
128 bpm • F min • 03:32 • -9.21db
28% Popularity • 49% Danceability • 64% Energy • 30% Liveness
18% Instrumentalness • 26% Positiveness
28% Popularity • 49% Danceability • 64% Energy • 30% Liveness
18% Instrumentalness • 26% Positiveness
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Postcard Boy
We've Been Here Our Whole Lives
124 bpm • G Maj • 03:37 • -14.64db
25% Popularity • 52% Danceability • 19% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
25% Popularity • 52% Danceability • 19% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
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untrusted
sweater weather / i wanna be your girlfr...
124 bpm • A# Maj • 03:55 • -7.99db
41% Popularity • 66% Danceability • 54% Energy • 8% Liveness
39% Instrumentalness • 33% Positiveness
41% Popularity • 66% Danceability • 54% Energy • 8% Liveness
39% Instrumentalness • 33% Positiveness
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SYML
Meant to Stay Hid
128 bpm • E Maj • 03:43 • -14.1db
56% Popularity • 60% Danceability • 18% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
56% Popularity • 60% Danceability • 18% Energy • 11% Liveness
14% Instrumentalness • 13% Positiveness
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ROLE MODEL
notice me - acoustic
124 bpm • G# min • 03:14 • -5.74db
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Jillian Lake
XVII
128 bpm • B Maj • 03:26 • -8.66db
13% Popularity • 72% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
13% Popularity • 72% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Luke Hemmings
Baby Blue
124 bpm • C Maj • 03:43 • -3.85db
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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mehro
princes of melancholia
124 bpm • G Maj • 02:33 • -9.13db
46% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Tamino
Persephone
124 bpm • C min • 05:05 • -15.02db
52% Popularity • 61% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 61% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Roland Faunte
Hand over Hand (Acoustic Guitar Take)
124 bpm • D# Maj • 06:23 • -12.66db
18% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Vlad Holiday
Write Me off the Show
129 bpm • D min • 01:57 • -10.84db
29% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 36% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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The Academic
Not Your Summer
129 bpm • E Maj • 03:44 • -3.85db
44% Popularity • 67% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 67% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Genevieve Stokes
Surface Tension
123 bpm • A min • 03:26 • -9.17db
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jack Keyes
Feather in the Wind
129 bpm • A# Maj • 02:38 • -17.73db
32% Popularity • 60% Danceability • 8% Energy • 10% Liveness
7% Instrumentalness • 30% Positiveness
32% Popularity • 60% Danceability • 8% Energy • 10% Liveness
7% Instrumentalness • 30% Positiveness
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Jetta Juriansz
My Nothin'
123 bpm • A Maj • 03:20 • -8.92db
23% Popularity • 66% Danceability • 35% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
23% Popularity • 66% Danceability • 35% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
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Vansire
The Latter Teens
130 bpm • B min • 03:41 • -10db
54% Popularity • 66% Danceability • 44% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
54% Popularity • 66% Danceability • 44% Energy • 11% Liveness
24% Instrumentalness • 35% Positiveness
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The Neighbourhood
Silver Lining
123 bpm • D Maj • 02:59 • -7.67db
54% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Eleni Drake
Melbourne Blues
130 bpm • C Maj • 04:20 • -11.73db
31% Popularity • 56% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 56% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Sister Castle Theater
Rome
122 bpm • B Maj • 03:47 • -9.45db
15% Popularity • 51% Danceability • 30% Energy • 14% Liveness
10% Instrumentalness • 25% Positiveness
15% Popularity • 51% Danceability • 30% Energy • 14% Liveness
10% Instrumentalness • 25% Positiveness
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Delacey
Break up Slow Dance
130 bpm • E Maj • 03:31 • -9.03db
36% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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SYML
BLACK TEETH
130 bpm • D min • 03:35 • -13db
28% Popularity • 61% Danceability • 40% Energy • 11% Liveness
38% Instrumentalness • 30% Positiveness
28% Popularity • 61% Danceability • 40% Energy • 11% Liveness
38% Instrumentalness • 30% Positiveness
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Comett
Love Is What You Make It
130 bpm • F# min • 02:51 • -7db
29% Popularity • 66% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 66% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jack Keyes
To the Moon
122 bpm • D Maj • 03:26 • -19.77db
20% Popularity • 73% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 7% Positiveness
20% Popularity • 73% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 7% Positiveness
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Amélie Barreto
Good Intentions
130 bpm • G min • 02:31 • -9.03db
18% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Jhana Boy
Girl from the Year Above
122 bpm • C min • 03:54 • -6.7db
36% Popularity • 75% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 75% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Aquilo
Silver Spoon
122 bpm • G Maj • 03:28 • -8.23db
15% Popularity • 84% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 83% Positiveness
15% Popularity • 84% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 83% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
55% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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girly.
missin'
122 bpm • F# Maj • 02:05 • -11.68db
24% Popularity • 73% Danceability • 43% Energy • 10% Liveness
28% Instrumentalness • 42% Positiveness
24% Popularity • 73% Danceability • 43% Energy • 10% Liveness
28% Instrumentalness • 42% Positiveness
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Pyer
Sleeping Shells
122 bpm • G min • 03:57 • -10.89db
14% Popularity • 62% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
14% Popularity • 62% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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elkyn
if only it was alright now
122 bpm • D Maj • 03:10 • -14.69db
15% Popularity • 58% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
15% Popularity • 58% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
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Tarune
Nirvana
130 bpm • A Maj • 04:09 • -14.21db
12% Popularity • 42% Danceability • 24% Energy • 14% Liveness
3% Instrumentalness • 8% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 14% Liveness
3% Instrumentalness • 8% Positiveness
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Tobias Dray
We'll Be Beautiful
122 bpm • G Maj • 02:48 • -12.83db
29% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 47% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Luke Hemmings
Bloodline
131 bpm • A# Maj • 02:04 • -16.49db
49% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jolé
Still
131 bpm • C# Maj • 03:47 • -13.52db
46% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 54% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Moody
Oregon
131 bpm • F# Maj • 05:00 • -16.12db
21% Popularity • 67% Danceability • 15% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
21% Popularity • 67% Danceability • 15% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Edith Whiskers
I Want You In My Dreams
131 bpm • A Maj • 02:02 • -17.64db
47% Popularity • 45% Danceability • 9% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
47% Popularity • 45% Danceability • 9% Energy • 10% Liveness
16% Instrumentalness • 26% Positiveness
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Roller Derby
Flying High
121 bpm • D Maj • 03:32 • -6.02db
23% Popularity • 56% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 56% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Vlad Holiday
Luxury
121 bpm • E min • 03:04 • -4db
28% Popularity • 68% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
28% Popularity • 68% Danceability • 83% Energy • 10% Liveness
1% Instrumentalness • 62% Positiveness
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The Neighbourhood
Hell or High Water
121 bpm • A Maj • 02:19 • -11.84db
43% Popularity • 57% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 63% Positiveness
43% Popularity • 57% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 63% Positiveness
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Matt Maltese
Smile in the Face of the Devil
121 bpm • D# Maj • 02:38 • -7.56db
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
46% Popularity • 48% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Tomo
Coffee Cups and Cigarettes
132 bpm • G# Maj • 03:27 • -14db
57% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
57% Popularity • 46% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 15% Positiveness
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The Amazing Broken Man
Near Town
120 bpm • G# min • 04:50 • -18.6db
37% Popularity • 32% Danceability • 13% Energy • 15% Liveness
11% Instrumentalness • 14% Positiveness
37% Popularity • 32% Danceability • 13% Energy • 15% Liveness
11% Instrumentalness • 14% Positiveness
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Lucille Two
I Wonder
132 bpm • C min • 04:40 • -9.24db
19% Popularity • 37% Danceability • 54% Energy • 12% Liveness
67% Instrumentalness • 17% Positiveness
19% Popularity • 37% Danceability • 54% Energy • 12% Liveness
67% Instrumentalness • 17% Positiveness
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Vlad Holiday
Artificial Paradise
121 bpm • C Maj • 04:23 • -7db
37% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Sky McCreery
drown
132 bpm • E Maj • 02:22 • -14.22db
34% Popularity • 58% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 58% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Roland Faunte
Anchor
132 bpm • C Maj • 04:14 • -11.71db
31% Popularity • 63% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
31% Popularity • 63% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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mehro
parasite
132 bpm • G Maj • 02:37 • -10.96db
41% Popularity • 60% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 39% Positiveness
41% Popularity • 60% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 39% Positiveness
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Hayd
Changes
120 bpm • F# Maj • 03:34 • -17.14db
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 62% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Griff Clawson
2lovely
132 bpm • C Maj • 03:04 • -11.69db
24% Popularity • 54% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 16% Positiveness
24% Popularity • 54% Danceability • 34% Energy • 13% Liveness
7% Instrumentalness • 16% Positiveness
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Tarune
Met a Girl
120 bpm • E min • 03:27 • -17.86db
42% Popularity • 53% Danceability • 7% Energy • 58% Liveness
2% Instrumentalness • 13% Positiveness
42% Popularity • 53% Danceability • 7% Energy • 58% Liveness
2% Instrumentalness • 13% Positiveness
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Jord
Jude St. Francis
132 bpm • G# Maj • 03:49 • -7.77db
20% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Atomic Blue
You're Right
120 bpm • F# min • 04:11 • -11.51db
39% Popularity • 68% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 68% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 68% Positiveness
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sombr
caroline
120 bpm • G Maj • 03:18 • -17.21db
60% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
60% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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girl in red
Stay - Spotify Singles
120 bpm • A# min • 02:55 • -12db
50% Popularity • 53% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
50% Popularity • 53% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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FINNEAS
How It Ends
120 bpm • C# min • 04:37 • -6.5db
40% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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DIVEBAR YOUTH
Sour Taste
120 bpm • D Maj • 02:12 • -2.78db
23% Popularity • 77% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 77% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Ola Sweet
Carnation
120 bpm • B min • 05:34 • -9.94db
15% Popularity • 58% Danceability • 56% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
15% Popularity • 58% Danceability • 56% Energy • 11% Liveness
9% Instrumentalness • 31% Positiveness
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Danny Knutelsky
Lady in the Wall
120 bpm • A Maj • 02:47 • -7.96db
47% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Addict.
nomore
120 bpm • E min • 02:19 • -9.13db
9% Popularity • 66% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 66% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Suriel Hess
Hurt Me
120 bpm • G# Maj • 03:02 • -9.65db
44% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Deaf Echo
Summer Lies
120 bpm • A min • 03:33 • -8.06db
26% Popularity • 56% Danceability • 72% Energy • 22% Liveness
6% Instrumentalness • 57% Positiveness
26% Popularity • 56% Danceability • 72% Energy • 22% Liveness
6% Instrumentalness • 57% Positiveness
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Meltt
Fool of You
120 bpm • A min • 05:07 • -9.11db
38% Popularity • 66% Danceability • 54% Energy • 10% Liveness
71% Instrumentalness • 31% Positiveness
38% Popularity • 66% Danceability • 54% Energy • 10% Liveness
71% Instrumentalness • 31% Positiveness
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Danny Knutelsky
Lady in the Wall
120 bpm • A Maj • 02:47 • -16.94db
19% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Heylu
Where Do U Go
120 bpm • D Maj • 02:42 • -7.28db
17% Popularity • 70% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 70% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 65% Positiveness
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girl in red
I'll Call You Mine - Spotify Singles
120 bpm • E Maj • 02:26 • -16.39db
42% Popularity • 65% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 65% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Alto Key
sink
120 bpm • G min • 03:16 • -12.2db
29% Popularity • 61% Danceability • 46% Energy • 13% Liveness
37% Instrumentalness • 59% Positiveness
29% Popularity • 61% Danceability • 46% Energy • 13% Liveness
37% Instrumentalness • 59% Positiveness
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Sky McCreery
Insane
120 bpm • F# min • 02:46 • -11.28db
43% Popularity • 81% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 33% Positiveness
43% Popularity • 81% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 33% Positiveness
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FINNEAS
Happy Now?
120 bpm • D Maj • 02:52 • -6.52db
46% Popularity • 82% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 82% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Aquilo
Costume Change
120 bpm • C Maj • 04:19 • -12.23db
17% Popularity • 54% Danceability • 41% Energy • 9% Liveness
57% Instrumentalness • 17% Positiveness
17% Popularity • 54% Danceability • 41% Energy • 9% Liveness
57% Instrumentalness • 17% Positiveness
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Zeph
could you love me while i hate myself
120 bpm • A Maj • 01:00 • -11.31db
75% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Fran Vasilić
It's Been a Fun Ride, but It's Time to S...
120 bpm • E min • 04:36 • -11.85db
35% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Alto Key
things will change
120 bpm • F# Maj • 03:11 • -9.72db
12% Popularity • 65% Danceability • 38% Energy • 35% Liveness
1% Instrumentalness • 34% Positiveness
12% Popularity • 65% Danceability • 38% Energy • 35% Liveness
1% Instrumentalness • 34% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
83% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
83% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Haiva Ru
Flames
133 bpm • B Maj • 04:11 • -9.82db
19% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
