Songs like Not Like Them by Leah Clark
Based on a tempo of (+/- 10%) and a similar genre
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Dutch Melrose
Complifuckincated
138 bpm • G Maj • 03:20 • -7.7db
28% Popularity • 77% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
28% Popularity • 77% Danceability • 48% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Leah Clark
Not Like Them
138 bpm • G# Maj • 02:36 • -10.71db
25% Popularity • 44% Danceability • 34% Energy • 21% Liveness
3% Instrumentalness • 5% Positiveness
25% Popularity • 44% Danceability • 34% Energy • 21% Liveness
3% Instrumentalness • 5% Positiveness
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ari hicks
Criminal
138 bpm • F# Maj • 02:51 • -8.89db
28% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 67% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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nøll
i...
138 bpm • G# Maj • 03:25 • -6.76db
37% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 48% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Brainheart
Hell & Heaven
138 bpm • G# min • 02:46 • -6.61db
21% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Alaina Castillo
call me when ur lonely
138 bpm • B min • 02:39 • -7.1db
39% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Yoste
Coastline
139 bpm • F Maj • 03:32 • -10.87db
16% Popularity • 39% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 39% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Evalyn
Under the Same Stars
139 bpm • C Maj • 03:37 • -10db
21% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
51% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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LUME
Silent
136 bpm • D Maj • 03:32 • -8.83db
18% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Leah Clark
Geekn
140 bpm • C# Maj • 02:49 • -13.85db
3% Popularity • 49% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
3% Popularity • 49% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Candiide
Not Up To Me - Candiide Remix
140 bpm • A# min • 03:35 • -6.8db
0% Popularity • 26% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 41% Positiveness
0% Popularity • 26% Danceability • 72% Energy • 18% Liveness
4% Instrumentalness • 41% Positiveness
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Midsplit
Out of Here
140 bpm • C Maj • 02:39 • -7.56db
29% Popularity • 58% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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VANÈS
Clone
140 bpm • F# min • 02:18 • -7.03db
22% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Kevin Lake
To Be Yours
140 bpm • E min • 03:16 • -9db
27% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 63% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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OSTON
HARD TO LOVE
140 bpm • G# Maj • 03:03 • -7.68db
34% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Sofia Quinn
Good Again
140 bpm • C# min • 03:14 • -7.52db
14% Popularity • 49% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 49% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Britton
Happy Being Me
140 bpm • F Maj • 03:03 • -11db
36% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 60% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Karis
Not the Same
140 bpm • A Maj • 02:46 • -11.18db
12% Popularity • 58% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 58% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Leah Clark
Loner Energy
140 bpm • E Maj • 03:29 • -4.64db
0% Popularity • 56% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 56% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Julia Wolf
Nikes
136 bpm • B Maj • 02:29 • -7.47db
35% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 75% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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INTRN
Cracks in the Paint
140 bpm • G Maj • 02:30 • -10db
21% Popularity • 63% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 63% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Elley Duhé
LOVE ME HARD
140 bpm • D# Maj • 03:38 • -4.67db
43% Popularity • 55% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 55% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Cassidi
FWM
140 bpm • F# Maj • 02:42 • -10.2db
31% Popularity • 73% Danceability • 38% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
31% Popularity • 73% Danceability • 38% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Wavey Vayn
Dead Man Walking
140 bpm • F min • 03:32 • -4.52db
27% Popularity • 56% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 56% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Joshua Golden
Rockstar
140 bpm • C Maj • 03:14 • -9.07db
24% Popularity • 66% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 66% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Short
Already Mine
136 bpm • F Maj • 02:25 • -10.2db
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Julia Wolf
Chlorine
140 bpm • D# Maj • 01:52 • -7db
37% Popularity • 72% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 72% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Carlie Hanson
LSE to LAX
140 bpm • A# Maj • 03:04 • -5.95db
27% Popularity • 69% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 69% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Katharina Boger
Have It
140 bpm • D# min • 03:20 • -8.9db
40% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dutch Melrose
Because It Mattered
140 bpm • G# min • 03:29 • -7db
37% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kyden
Make It Up to You
140 bpm • B min • 02:59 • -8.23db
31% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Miki Ratsula
second
140 bpm • C min • 03:29 • -8.03db
28% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 46% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Heather Sommer
ME TO A STRANGER
140 bpm • C min • 02:17 • -5.74db
24% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Heuse
Time
140 bpm • C# min • 02:07 • -13.57db
26% Popularity • 72% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 72% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Nick De La Hoyde
Anxiety
140 bpm • C Maj • 03:02 • -6.04db
30% Popularity • 65% Danceability • 73% Energy • 79% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 65% Danceability • 73% Energy • 79% Liveness
0% Instrumentalness • 78% Positiveness
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Delaney Jane
Lovesick Lullaby
140 bpm • C# Maj • 03:17 • -6.78db
15% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Caroline Kole
Fool's Gold
140 bpm • D# Maj • 03:24 • -6.5db
23% Popularity • 61% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 61% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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KILLBOY
U + ME
136 bpm • D Maj • 02:43 • -7.03db
42% Popularity • 76% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 76% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Ella Isaacson
Life of the Party
140 bpm • F Maj • 03:39 • -7.92db
13% Popularity • 63% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 63% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Laur Elle
Wallflower
135 bpm • D Maj • 03:23 • -7.12db
26% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 73% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Devin Kennedy
Mean to Me
141 bpm • C min • 02:34 • -9.02db
23% Popularity • 68% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 68% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Boundary Run
Running From My Shadow
135 bpm • D Maj • 03:16 • -9db
21% Popularity • 47% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 47% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Leah Clark
sleep off a feeling
141 bpm • A Maj • 03:54 • -12.6db
2% Popularity • 47% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 47% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Veronicas
Movie Star
135 bpm • A# Maj • 03:16 • -5.64db
35% Popularity • 52% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 52% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Heather Sommer
ON DEMAND
142 bpm • B min • 02:46 • -5.49db
17% Popularity • 63% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 63% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Jade Million
New You/Old Me
142 bpm • A min • 02:34 • -9.58db
23% Popularity • 71% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 71% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Delanie Leclerc
i <3 more
142 bpm • B Maj • 03:22 • -7.46db
16% Popularity • 52% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 52% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ewan J Phillips
Would You Love Me the Same
134 bpm • F# min • 03:02 • -7.69db
22% Popularity • 36% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 36% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Amber Ryann
SAID THAN DONE
142 bpm • G# min • 03:21 • -5.05db
15% Popularity • 66% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 66% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Kazukii
Afraid Of The Dark
134 bpm • G min • 03:27 • -9.59db
20% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 55% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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DREAMDNVR
TALKING IN YOUR SLEEP
142 bpm • C Maj • 02:29 • -6.29db
31% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Marisa Maino
i sleep fine
134 bpm • C Maj • 02:55 • -7db
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Nick Bateman
Chasing Clouds
142 bpm • C min • 03:23 • -8.07db
29% Popularity • 45% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
29% Popularity • 45% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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helloworld
only way out - Stripped
134 bpm • G# Maj • 03:26 • -11db
21% Popularity • 38% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 38% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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chloe mk
Cosmic
143 bpm • C# Maj • 03:00 • -6.87db
31% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 61% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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omgkirby
don't let me down
143 bpm • G min • 02:24 • -10.31db
12% Popularity • 78% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
12% Popularity • 78% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Hearts & Colors
Need Me
143 bpm • F min • 03:08 • -6.57db
25% Popularity • 65% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 65% Danceability • 57% Energy • 45% Liveness
0% Instrumentalness • 51% Positiveness
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Amelia Moore
love me or leave me alone
143 bpm • A Maj • 03:14 • -5db
34% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Brandon Colbein
Boy You Like
133 bpm • G min • 03:25 • -6.44db
16% Popularity • 84% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 84% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Elley Duhé
GOOD DIE YOUNG
144 bpm • G# min • 02:42 • -7.26db
35% Popularity • 50% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
35% Popularity • 50% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Bailey Baum
Thinkin Bout Me
144 bpm • F Maj • 03:32 • -9.59db
16% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Chymes
Worship
144 bpm • F# min • 03:01 • -8.48db
32% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Beren Olivia
Hurt Again
144 bpm • A min • 03:00 • -7.72db
32% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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RARIA
Dude
144 bpm • A Maj • 02:40 • -7.33db
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Naliya
Pages
144 bpm • C# Maj • 03:06 • -6.39db
33% Popularity • 65% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 65% Danceability • 85% Energy • 66% Liveness
0% Instrumentalness • 60% Positiveness
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Londin Thompson
People Change
144 bpm • E min • 03:37 • -7db
20% Popularity • 44% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 44% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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David Bakhash
Drew Taggart Lied to Us
132 bpm • D Maj • 02:20 • -9.37db
30% Popularity • 43% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 43% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Jonathan & Friends
Young Morales
144 bpm • A# Maj • 02:26 • -8db
28% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Hunter Plake
Like Lovers Do
144 bpm • A Maj • 03:10 • -8.27db
29% Popularity • 63% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 63% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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little luna
shift & go
132 bpm • D min • 03:33 • -7.08db
22% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Marlhy
Loners
132 bpm • D Maj • 02:54 • -7.17db
17% Popularity • 72% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 72% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Carlie Hanson
Minnesota
132 bpm • G# Maj • 03:12 • -8.26db
17% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Micah Wilson
Caught Up
132 bpm • D min • 04:03 • -5.81db
28% Popularity • 83% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 83% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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JNTHN STEIN
All Night
132 bpm • F min • 03:20 • -4.66db
22% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -7.21db
41% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kyden
This TIme
132 bpm • F Maj • 02:51 • -9.47db
18% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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good problem
Heart In A Cold Room
132 bpm • A# Maj • 03:01 • -8db
29% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Leah Clark
Not Up To Me
132 bpm • C# Maj • 03:57 • -13.67db
5% Popularity • 36% Danceability • 26% Energy • 9% Liveness
6% Instrumentalness • 22% Positiveness
5% Popularity • 36% Danceability • 26% Energy • 9% Liveness
6% Instrumentalness • 22% Positiveness
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clide
INFINITE
145 bpm • G Maj • 02:47 • -7.94db
30% Popularity • 63% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 63% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Frye
Why
145 bpm • C# Maj • 04:03 • -7.1db
18% Popularity • 41% Danceability • 63% Energy • 33% Liveness
7% Instrumentalness • 30% Positiveness
18% Popularity • 41% Danceability • 63% Energy • 33% Liveness
7% Instrumentalness • 30% Positiveness
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Sopha
Day Dreaming
145 bpm • C# Maj • 03:26 • -15.56db
23% Popularity • 38% Danceability • 31% Energy • 39% Liveness
2% Instrumentalness • 23% Positiveness
23% Popularity • 38% Danceability • 31% Energy • 39% Liveness
2% Instrumentalness • 23% Positiveness
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Julia Wolf
R.I.P. to the Club
145 bpm • E Maj • 02:24 • -12.44db
31% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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2 Man Embassy
The End
145 bpm • B Maj • 03:28 • -13db
31% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Yomaez
Butterflies
145 bpm • F Maj • 03:46 • -7.08db
26% Popularity • 72% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 72% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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stef
i used to build dreams about you.
145 bpm • E Maj • 03:22 • -7db
12% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 63% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Carlie Hanson
Fake Smile
145 bpm • E Maj • 02:29 • -8.99db
23% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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KILLBOY
LOVERBOY
145 bpm • C Maj • 02:55 • -6.76db
16% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 72% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Munn
in limbo - Johnny Chay Remix
145 bpm • F Maj • 03:53 • -3.94db
20% Popularity • 45% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 45% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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OSTON
Hurt Like ___
145 bpm • G# Maj • 03:37 • -7.11db
14% Popularity • 42% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 42% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Carly Rose
Highest Love
146 bpm • B min • 03:19 • -9.6db
27% Popularity • 34% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 34% Danceability • 20% Energy • 59% Liveness
0% Instrumentalness • 20% Positiveness
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Heather Sommer
CHAMELEON
146 bpm • G Maj • 02:46 • -7.45db
21% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Carlie Hanson
Gucci Knife
145 bpm • B min • 02:31 • -7db
23% Popularity • 68% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 68% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
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Xuitcasecity
SLAVES
130 bpm • A Maj • 02:46 • -12.01db
25% Popularity • 80% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 80% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Gomey
Take You Down
130 bpm • B min • 03:10 • -8.42db
22% Popularity • 68% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 68% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Kaelin Kost
Mulholland Drive
130 bpm • D Maj • 03:17 • -8.31db
30% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Said The Sky
Holdin' My Own
130 bpm • G# min • 02:18 • -9.07db
32% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Hellberg
Let You Down
130 bpm • A# Maj • 02:24 • -6.45db
29% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
